{"id":3012,"date":"2026-04-08T12:05:03","date_gmt":"2026-04-08T12:05:03","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3012"},"modified":"2026-07-27T14:52:49","modified_gmt":"2026-07-27T14:52:49","slug":"37-edition-2022","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/37-edition-2022\/","title":{"rendered":"37 Edition (2022)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"800\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_ed_37.jpg\" alt=\"43 Festival de Cine de Mar del Plata\" class=\"wp-image-2806\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_ed_37.jpg 600w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_ed_37-225x300.jpg 225w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\"><strong>Multimedia Files<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/37MDQGUIAPROGRAMACION.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Catalogue<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/40\/wp-content\/uploads\/2025\/11\/Guia-de-Programacion-del-40-MDPFF.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Program Guide<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">10\u00b0 Concurso internacional de Estudios Cr\u00edticos sobre Cine Argentino Domingo Di N\u00fabila Winners<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Second Honorable Mention: El archivo interrogado, by Pablo Boido<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/Munecos-en-la-pantalla-grande-de-Bettina-Girotti.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">First Pricce: Mu\u00f1ecos en la pantalla grande, by Bettina Girotti<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/Musica-en-el-cine-argentino-clasico-de-Martin-Farias-Zuniga.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">First Honorable Mention: M\u00fasica en el cine argentino cl\u00e1sico, by Mart\u00edn Far\u00edas Z\u00fa\u00f1iga<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-e2a4e7e4 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/alberto-olmedo-la-apoteosis-del-chanta-de-lucia-rodriguez-riva.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Another essays to remark: Alberto Olmedo, la apoteosis del chanta, by Luc\u00eda Rodr\u00edguez Riva<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-e2a4e7e4 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/bajo-mi-piel-morena-el-universo-trans-travesti-de-jose-campusano-de-jose-alirio-pena-zerpa.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Another essasys to remark: Bajo mi piel morena &#8211; El universo trans travesti de Jos\u00e9 Campusano, by Jos\u00e9 Alirio Pe\u00f1a Zerpa<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Por las naciones de Am\u00e9rica<a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Por-las-Naciones-de-America.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Por-las-Naciones-de-America.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Authors: Lucio Mafud, Georgina Tosi, Mariana Avramo, Daniela Cuatrin, Jazm\u00edn Adrover and July Massacessi<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cuerpos invadidos<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Cuerpos-Invadidos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Varios autores y autoras<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/youtu.be\/piGvv8re6sE\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>From November 3rd to 13th<br \/><br \/><br \/>AUTHORITIES<br \/><br \/>VICE PRESIDENT IN OFFICE OF THE PRESIDENCY<\/strong><br \/>Nicol\u00e1s Batlle<br \/><br \/><strong>FESTIVAL PRESIDENT<\/strong><br \/>Fernando E. Juan Lima\u00a0<br \/><br \/><strong>ARTISTIC DIRECTOR<\/strong><br \/>Pablo Conde<br \/><br \/><strong>GENERAL PRODUCER<\/strong><br \/>Cecilia Diez<br \/><br \/><br \/><br \/><strong>COMPETITIONS<\/strong><br \/>\u00a0<br \/><strong>International Competition<\/strong><br \/><strong><em>Cambio cambio \/ Money Exchange<\/em><\/strong>\u00a0by Lautaro Garc\u00eda Candela &#8211; Argentina &#8211; 2022 &#8211; 90\u2019\u00a0<br \/><strong><em>El rostro de la medusa \/ The Face of the Jellyfish<\/em><\/strong>\u00a0by Melisa Liebenthal &#8211; Argentina &#8211; 2022 &#8211; 75\u2019<br \/><strong><em>How to Blow Up a Pipeline<\/em><\/strong>\u00a0by Daniel Goldhaber &#8211; USA &#8211; 2022 &#8211; 103\u2019<br \/><strong><em>La uruguaya<\/em><\/strong>\u00a0by Ana Garc\u00eda Blaya &#8211; Argentina, Uruguay &#8211; 2022 &#8211; 78\u2019<br \/><strong><em>Lobo e Cao \/ Wolf and Dog<\/em><\/strong>\u00a0by Cl\u00e1udia Varej\u00e3o &#8211; Portugal, France &#8211; 2022 &#8211; 111\u2019<br \/><strong><em>Los de abajo \/ The Ones from Below<\/em><\/strong>\u00a0by Alejandro Quiroga &#8211; Bolivia &#8211; 2022 &#8211; 83\u2019<br \/><strong><em>O trio em mi bemol &#8211; The Kegelstatt Trio<\/em><\/strong>\u00a0by Rita Azevedo Gomes &#8211; Portugal &#8211; 2022 &#8211; 127\u2019<br \/><strong><em>R\u00e9duit \/ Retreat<\/em><\/strong>\u00a0by Leon Schwitter &#8211; Switzerland &#8211; 2022 &#8211; 82\u2019<br \/><strong><em>Saudade fez morada aqui dentro \/ Bittersweet Rain<\/em><\/strong>\u00a0by Haroldo Borges &#8211; Brazil &#8211; 2022 &#8211; 107\u2019<br \/><strong><em>So Much Tenderness<\/em><\/strong>\u00a0by Lina Rodriguez &#8211; Canada &#8211; 2022 &#8211; 118\u2019<br \/><strong><em>There There<\/em><\/strong>\u00a0by Andrew Bujalski &#8211; USA &#8211; 2022 &#8211; 94\u2019<br \/><strong><em>Tres hermanos \/ Three Brothers\u00a0<\/em><\/strong>by\u00a0Francisco J. Paparella &#8211; Argentina, Chile &#8211; 2022 &#8211; 86\u2019<br \/><br \/><br \/><strong>Latin American Competition<\/strong><br \/><strong><em>Amigas en un camino de campo \/ Friends on a Country Road<\/em><\/strong>\u00a0by Santiago Loza &#8211; Argentina &#8211; 2022 &#8211; 74\u2019<br \/><strong><em>Anhell69<\/em><\/strong>\u00a0by Theo Montoya &#8211; Germany, Colombia, France, Romania &#8211; 2022 &#8211; 72\u2019<br \/><strong><em>El visitante \/ The Visitor<\/em><\/strong>\u00a0by Mart\u00edn Boulocq &#8211; Bolivia, Uruguay &#8211; 2022 &#8211; 86\u2019<br \/><strong><em>ERRANTE. La conquista del hogar \/ WANDERER. The Conquest of Home<\/em><\/strong>\u00a0by Adriana Lestido &#8211; Argentina &#8211; 2022 &#8211; 77\u2019<br \/><strong><em>Huesera<\/em><\/strong>\u00a0by Michelle Garza Cervera &#8211; Mexico, Peru &#8211; 2022 &#8211; 97\u2019<br \/><strong><em>Mato seco en chamas \/ Dry Ground Burning<\/em><\/strong>\u00a0by Joana Pimenta, Adirley Queir\u00f3s &#8211; Brazil, Portugal- 2022 &#8211; 153\u2019<br \/><strong><em>Notas para una pel\u00edcula \/ Notes for a Film<\/em><\/strong>\u00a0by Ignacio Ag\u00fcero &#8211; Chile &#8211; 2022 &#8211; 103\u2019<br \/><strong><em>Tengo sue\u00f1os el\u00e9ctricos \/ I Have Electric Dreams<\/em><\/strong>\u00a0by Valentina Maurel &#8211; Belgium, France, Costa Rica &#8211; 2022 &#8211; 100\u2019<br \/><strong><em>Tinnitus<\/em><\/strong>\u00a0by Gregorio Graziosi &#8211; Brazil &#8211; 2022 &#8211; 110\u2019<br \/><em><strong>Trenque Lauquen\u00a0<\/strong><\/em>by\u00a0Laura Citarella &#8211; Argentina &#8211; 2022 &#8211; 260\u2019<br \/><br \/><br \/><strong>Latin American Short Film Competition<\/strong><br \/><strong><em>\u00c1nima<\/em><\/strong>\u00a0by Manuel Mateo G\u00f3mez &#8211; Cuba &#8211; 2022 &#8211; 20\u2019<br \/><strong><em>El polvo ya no nubla nuestros ojos \/ After the Dust\u00a0<\/em><\/strong>by\u00a0Colectivo Silencio &#8211; Peru &#8211; 2022 &#8211; 27\u2019<br \/><strong><em>El silencio de los ni\u00f1os \/ Silences of Childhood<\/em><\/strong>\u00a0by Sof\u00eda Quir\u00f3s Ubeda &#8211; Costa Rica, Chile &#8211; 2022 &#8211; 11\u2019<br \/><strong><em>Entre dos islas \/ Between Two Islands<\/em><\/strong>\u00a0by Hideki Nakazaki &#8211; Cuba &#8211; 2022 &#8211; 12\u2019<br \/><strong><em>Los mayores r\u00edos se deslizan bajo tierra \/ Underground Rivers<\/em><\/strong>\u00a0by Sim\u00f3n V\u00e9lez &#8211; Colombia &#8211; 2022 &#8211; 19\u2019<br \/><strong><em>Todxs queremos un lugar al que llamar nuestro \/ We All Want a Place to Call our Own<\/em><\/strong>\u00a0by Daniela Delgado Viteri &#8211; Ecuador, Spain &#8211; 2022 &#8211; 13\u2019\u00a0\u00a0<br \/><br \/><br \/><strong>Argentine Competition<\/strong><br \/><strong><em>Barrio modelo \/ Model Neighborhood<\/em><\/strong>\u00a0by Mara Pescio &#8211; Argentina &#8211; 2022 &#8211; 64\u2019<br \/><strong><em>B\u00fafalo<\/em><\/strong>\u00a0by Nicanor Loreti &#8211; Argentina &#8211; 2022 &#8211; 90\u2019<br \/><strong><em>El amor vendr\u00e1 como un incendio forestal \/ Love Will Come as a Forestal Fire<\/em><\/strong>\u00a0by Laura Spiner &#8211; Argentina &#8211; 2022 &#8211; 91\u2019<br \/><strong><em>Hace mucho que no duermo \/ Long Time No Sleep<\/em><\/strong>\u00a0by Agust\u00edn Godoy &#8211; Argentina, Colombia &#8211; 2022 &#8211; 90\u2019<br \/><strong><em>Herbaria<\/em><\/strong>\u00a0by Leandro Listorti &#8211; Argentina, Germany &#8211; 2022 &#8211; 83\u2019<br \/><strong><em>Juana Banana<\/em><\/strong>\u00a0by Mat\u00edas Szulanski &#8211; Argentina &#8211; 2022 &#8211; 80\u2019<br \/><strong><em>Luminum<\/em><\/strong>\u00a0by Maximiliano Schonfeld &#8211; Argentina &#8211; 2022 &#8211; 64\u2019<br \/><strong><em>N\u00e1ufrago<\/em><\/strong>\u00a0by Mart\u00edn Farina, Willy Villalobos &#8211; Argentina, Uruguay &#8211; 2022 &#8211; 78\u2019<br \/><strong><em>Sobre las nubes \/ About the Clouds<\/em><\/strong>\u00a0by Mar\u00eda Aparicio &#8211; Argentina &#8211; 2022 &#8211; 144\u2019<br \/><strong><em>Te prometo una larga amistad \/ I Promise You a Long Friendship<\/em><\/strong>\u00a0by Jimena Repetto &#8211; Argentina &#8211; 2022 &#8211; 69\u2019<br \/><br \/>\u00a0<br \/><strong>Argentine Short Film Competition<\/strong><br \/><em><strong>Carne de Dios \/ Flesh of God<\/strong><\/em>\u00a0by Patricio Plaza &#8211; Argentina, Mexico &#8211; 2022 &#8211; 20\u2019<br \/><strong><em>De verdad quiero verte pero llevar\u00e1 mucho tiempo \/ I Really Want to See You But It Will Take Too Long\u00a0<\/em><\/strong>by\u00a0Julieta Amalric &#8211; Argentina &#8211; 2022 &#8211; 13\u2019<br \/><strong><em>Las ara\u00f1as \/ The Spiders<\/em><\/strong>\u00a0by Sol Giancaspro &#8211; Argentina &#8211; 2022 &#8211; 14\u2019<br \/><strong><em>Las habitaciones vac\u00edas \/ The Empty Rooms<\/em><\/strong>\u00a0by Julia Pesce &#8211; Argentina &#8211; 2022 &#8211; 15\u2019<br \/><strong><em>Los misterios del mundo \/ Mysteries of the World<\/em><\/strong>\u00a0by Mariano Luque &#8211; Argentina &#8211; 2022 &#8211; 17\u2019<br \/><strong><em>Luna que se quiebra sobre la tiniebla de mi soledad \/ Moon That Cracks over the Darkness of My Loneliness<\/em><\/strong>\u00a0by Lucila Mariani &#8211; Argentina &#8211; 2022 &#8211; 12\u2019<br \/><strong><em>The Spiral<\/em><\/strong>\u00a0by Mar\u00eda Silvia Esteve &#8211; Argentina &#8211; 2022 &#8211; 20\u2019<br \/><strong><em>Tres cinematecas \/ Three Cinematheques<\/em><\/strong>\u00a0by Nicol\u00e1s Su\u00e1rez &#8211; Argentina, Brazil &#8211; 2022 &#8211; 20\u2019<br \/>\u00a0<br \/><br \/><strong>Altered States Competition<\/strong><br \/><strong><em>A Woman Escapes<\/em><\/strong>\u00a0by Burak \u00c7evik, Blake Williams, Sofia Bohdanowicz &#8211; Canada, Turkey- 2022 &#8211; 81\u2019<br \/><strong><em>Afterwater<\/em><\/strong>\u00a0by Dane Komljen &#8211; Germany, Serbia, Spain, South Korea &#8211; 2022 &#8211; 93\u2019<br \/><strong><em>Filme Particular \/ Private Footage<\/em><\/strong>\u00a0by Jana\u00edna Nagata &#8211; Brazil &#8211; 2022 &#8211; 90\u2019<br \/><strong><em>Fogo-F\u00e1tuo \/\u00a0Will-O\u2019-the-Wisp<\/em><\/strong>\u00a0by Jo\u00e3o Pedro Rodrigues\u00a0&#8211; France, Portugal &#8211; 2022 &#8211; 67\u2019<br \/><strong><em>Human Flowers of Flesh<\/em><\/strong>\u00a0by Helena Wittmann &#8211; Germany, France &#8211; 2022 &#8211; 106\u2019<br \/><strong><em>Geographies of Solitude<\/em><\/strong>\u00a0by Jacquelyn Mills &#8211; Canada &#8211; 2022 &#8211; 103\u2019<br \/><strong><em>Lockdown Diaries<\/em><\/strong>\u00a0by Jeff Zorrilla &#8211; Argentina, USA &#8211; 2022 &#8211; 80\u2019<br \/><strong><em>Manuale di cinematografia per dilettanti \u2013 Vol. I \/ A Companion for Amateur Cinematographers: Vol. I\u00a0<\/em><\/strong>by\u00a0Federico Di Corato &#8211; Italy &#8211; 2022 &#8211; 20\u2019<br \/><strong><em>Maria Schneider, 1983<\/em><\/strong>\u00a0by Elisabeth Subrin &#8211; France &#8211; 2022 &#8211; 24\u2019<br \/><strong><em>The Newest Olds<\/em><\/strong>\u00a0by Pablo Mazzolo &#8211; Argentina, Canada &#8211; 2022 &#8211; 15\u2019<br \/><strong><em>The Plains\u00a0<\/em><\/strong>by\u00a0David Easteal &#8211; Australia &#8211; 2022 &#8211; 180\u2019<br \/><strong><em>V\u00eda negativa \/ Negative Path<\/em><\/strong>\u00a0by Alan Mart\u00edn Segal &#8211; Argentina, South Korea &#8211; 2022 &#8211; 63\u2019\u00a0<br \/>\u00a0<br \/><br \/><strong>En Tr\u00e1nsito Competition (Work in Progress)<\/strong><br \/><strong><em>Bichos de luz \/ Light Bugs<\/em><\/strong>\u00a0by Azucena Losana &#8211; Argentina, Mexico<br \/><strong><em>Ecos de XingJiang \/ Echoes from Xingjiang<\/em><\/strong>\u00a0by Pablo Mart\u00edn Weber &#8211; Argentina, Chile<br \/><strong><em>El verano m\u00e1s largo del mundo \/ The Longest Summer by<\/em><\/strong>\u00a0Alejandra Lipoma, Romina Vlachoff &#8211; Argentina<br \/><strong><em>La hora de los brujos \/ The Hour of the Sorcerer<\/em><\/strong>\u00a0by Cristian Ponce &#8211; Argentina<br \/><strong><em>La sudestada \/ Southern Storm<\/em><\/strong>\u00a0by Edgardo Dieleke, Daniel Casab\u00e9 &#8211; Argentina<br \/><strong><em>Los tonos mayores \/ The Major Tones<\/em><\/strong>\u00a0by Ingrid Pokropek &#8211; Argentina<br \/><strong><em>M\u00e1s grande que un tiranosaurio \/ Bigger Than a T-Rex\u00a0<\/em><\/strong>by\u00a0Javier Zevallos &#8211; Argentina<br \/><strong><em>Nunca ser\u00e9 polic\u00eda \/ I\u2019ll Never Be a Cop<\/em><\/strong>\u00a0by Carolina Moscoso &#8211; Chile<br \/><strong><em>Plata o mierda \/ Do or Die\u00a0<\/em><\/strong>by\u00a0Toia Bonino, Marcos Joubert &#8211; Argentina<br \/><strong><em>Punku<\/em><\/strong>\u00a0by Juan Daniel Fern\u00e1ndez Molero &#8211; Peru<br \/><strong><em>Sombra grande \/ Big Shadow<\/em><\/strong>\u00a0by Maximiliano Schonfeld &#8211; Argentina<br \/><strong><em>Vlasta, el recuerdo no es eterno \/ Vlasta, the Memory Is Not Everlasting\u00a0<\/em><\/strong>by\u00a0Candela Vey &#8211; Argentina<br \/><br \/><br \/><br \/><strong>PANORAMA<\/strong><br \/><br \/><strong>Auteurs<\/strong><br \/><strong><em>As bestas \/ The Beasts<\/em><\/strong>\u00a0by Rodrigo Sorogoyen &#8211; Spain, France &#8211; 2022 &#8211; 137\u2019\u00a0<br \/><strong><em>Boy from Heaven<\/em><\/strong>\u00a0by Tarik Saleh &#8211; Sweden, France, Finland &#8211; 2022 &#8211; 125\u00b4<br \/><strong><em>Camarera de piso \/ Maid<\/em><\/strong>\u00a0by Lucrecia Martel &#8211; Argentina &#8211; 2022 &#8211; 12\u2019\u00a0<br \/><strong><em>Coma<\/em><\/strong>\u00a0by Bertrand Bonello &#8211; France &#8211; 2022 &#8211; 80\u00b4<br \/><strong><em>Don Juan<\/em><\/strong>\u00a0by Serge Bozon &#8211; France &#8211; 2022 &#8211; 110\u00b4<br \/><strong><em>El men\u00fa \/The Menu<\/em><\/strong>\u00a0by Mark Mylod &#8211; USA &#8211; 2022 &#8211; 106\u00b4<br \/><strong><em>El prodigio \/ The Wonder<\/em><\/strong>\u00a0by Sebasti\u00e1n Lelio &#8211; USA, UK &#8211; 2022 &#8211; 108\u00b4<br \/><strong><em>El sembrador de estrellas \/ The Sower of Stars<\/em><\/strong>\u00a0by Lois Pati\u00f1o &#8211; Spain &#8211; 2022 &#8211; 25\u00b4<br \/><strong><em>Imperio de luz \/ Empire of Light<\/em><\/strong>\u00a0by Sam Mendes &#8211; UK, USA &#8211; 2022 &#8211; 119\u00b4<br \/><strong><em>La reina desnuda \/ The Naked Queen<\/em><\/strong>\u00a0by Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2022 &#8211; 89\u00b4<br \/><strong><em>Le pupille \/ The Pupils\u00a0<\/em><\/strong>by\u00a0Alice Rohrwacher &#8211; Italy &#8211; 2022 &#8211; 37\u00b4<br \/><strong><em>Lynch\/Oz<\/em><\/strong>\u00a0by Alexandre O. Philippe &#8211; USA &#8211; 2022 &#8211; 108\u00b4<br \/><strong><em>No Bears<\/em><\/strong>\u00a0by Jafar Panahi &#8211; Iran &#8211; 2022 &#8211; 107\u00b4<br \/><strong><em>Pacifiction<\/em><\/strong>\u00a0by Albert Serra &#8211; Spain, France, Germany, Portugal &#8211; 2022 &#8211; 162\u00b4<br \/><strong><em>SINFON14<\/em><\/strong>\u00a0by Ra\u00fal Perrone &#8211; Argentina &#8211; 2022 &#8211; 75\u00b4<br \/><strong><em>Tales of the Purple House \/\u00a0Hikayat Elbeit Elorjowani<\/em><\/strong>\u00a0de Abbas Fahdel &#8211; France, Irak, Lebanon &#8211; 2022 &#8211; 184\u00b4<br \/><strong><em>Ten\u00e9is que venir a verla \/ You Have to Come and See It\u00a0<\/em><\/strong>by\u00a0Jon\u00e1s Trueba &#8211; Spain &#8211; 2022 &#8211; 64\u00b4<br \/><strong><em>Un a\u00f1o, una noche \/ One Year<\/em><\/strong>\u00a0<strong><em>One Night\u00a0<\/em><\/strong>by\u00a0Isaki Lacuesta &#8211; Spain, France &#8211; 2022 &#8211; 130\u00b4<br \/><strong><em>Un beau matin \/ One Fine Morning<\/em><\/strong>\u00a0by Mia Hansen-L\u00f8ve &#8211; France, UK, Germany &#8211; 2022 &#8211; 112\u00b4<br \/><strong><em>Vera<\/em><\/strong>\u00a0by Rainner Frimmel, Tizza Covi &#8211; Austria &#8211; 2022 &#8211; 122\u00b4<br \/><strong><em>Walk Up\u00a0<\/em><\/strong>by\u00a0Hong Sang Soo &#8211; South Korea &#8211; 2022 &#8211; 97\u00b4<br \/><br \/><br \/><strong>New Auteurs<\/strong><br \/><strong><em>Alcarr\u00e1s<\/em><\/strong>\u00a0by Carla Sim\u00f3n &#8211; Spain, Italy &#8211; 2022 &#8211; 120\u2019\u00a0<br \/><strong><em>El veterano<\/em><\/strong>\u00a0by Jer\u00f3nimo Rodr\u00edguez &#8211; Chile &#8211; 2022 &#8211; 102\u00b4<br \/><strong><em>I Love My Dad<\/em><\/strong>\u00a0by James Morosini &#8211; USA &#8211; 2022 &#8211; 90\u2019\u00a0<br \/><strong><em>La nuit du 12 \/ The Night of the 12th<\/em><\/strong>\u00a0by Dominik Moll &#8211; France &#8211; 2022 &#8211; 115\u00b4<br \/><strong><em>Living<\/em><\/strong>\u00a0by Oliver Hermanus &#8211; UK &#8211; 2022 &#8211; 102\u00b4<br \/><strong><em>Matadero<\/em><\/strong>\u00a0by Santiago Fillol &#8211; Argentina, France, Spain &#8211; 2022 &#8211; 106\u00b4<br \/><strong><em>Queens of the Qing Dinasty<\/em><\/strong>\u00a0by Ashley McKenzie &#8211; Canada &#8211; 2022 &#8211; 122\u00b4<br \/><strong><em>The Five Devils\u00a0<\/em><\/strong>by\u00a0L\u00e9a Mysius &#8211; France &#8211; 2022 &#8211; 95\u00b4<br \/><strong><em>Unrest \/ Unrueh<\/em><\/strong>\u00a0by Cyril Sch\u00e4ublin &#8211; Switzerland &#8211; 2022 &#8211; 93\u00b4<br \/><br \/><br \/><strong>Galas<\/strong><br \/><strong><em>A Bit of Light\u00a0<\/em><\/strong>by\u00a0Stephen Moyer &#8211; UK &#8211; 2022 &#8211; 98\u2019<br \/><strong><em>Ardiente paciencia<\/em><\/strong>\u00a0by Rodrigo Sep\u00falveda &#8211; Chile &#8211; 2022 &#8211; 96\u2019<br \/><strong><em>El m\u00e9todo Tangalanga<\/em><\/strong>\u00a0by Mateo Bendesky &#8211; Argentina &#8211; 2022 &#8211; 98\u2019<br \/><strong><em>Las fiestas \/ The Parties<\/em><\/strong>\u00a0by Ignacio Rogers &#8211; Argentina &#8211; 2022 &#8211; 89\u2019<br \/><strong><em>Sublime<\/em><\/strong>\u00a0by Mariano Biasin &#8211; Argentina &#8211; 2022 &#8211; 100\u2019<br \/><br \/><br \/><strong>Argentine Panorama<\/strong><br \/><strong><em>Cross Dreamers<\/em><\/strong>\u00a0by Soledad Velasco &#8211; Argentina &#8211; 2021 &#8211; 78\u2019<br \/><strong><em>Esplendor de los d\u00edas venideros \/ Splendor of the Days to Come<\/em><\/strong>\u00a0by Miguel Zeballos &#8211; Argentina &#8211; 2021 &#8211; 75\u2019<br \/><strong><em>Leg\u00edtima defensa\u00a0<\/em><\/strong>by\u00a0Andrea Braga &#8211; Argentina &#8211; 2022 &#8211; 97\u2019<br \/><strong><em>Manuela<\/em><\/strong>\u00a0by Clara Cullen &#8211; Argentina &#8211; 2022 &#8211; 71\u2019<br \/><strong><em>Pol\u00edtico<\/em><\/strong>\u00a0by Francisco Novick &#8211; Argentina &#8211; 2022 &#8211; 68\u2019<br \/><strong><em>Reparo \/ Shelter<\/em><\/strong>\u00a0by Luc\u00eda van Gelderen &#8211; Argentina, Chile &#8211; 2021 &#8211; 85\u2019<br \/><br \/><br \/><strong>Super 8\/16mm presents: Sergio Levin<\/strong><br \/><strong><em>Socorro \/ Help\u00a0<\/em><\/strong>by\u00a0Sergio Levin &#8211; Argentina &#8211; 1969 &#8211; 4\u2019<br \/><strong><em>Mi querida Buenos Aires \/ My Dearest Buenos Aires<\/em><\/strong>\u00a0by Sergio Levin &#8211; Argentina &#8211; 1974 &#8211; 4\u2019<br \/><strong><em>Desde el comienzo \/ From the Beginning<\/em><\/strong>\u00a0by Sergio Levin &#8211; Argentina &#8211; 1975 &#8211; 25\u2019<br \/><strong><em>Escalera al cielo \/ Stairway to Heaven\u00a0<\/em><\/strong>by\u00a0Sergio Levin &#8211; Argentina &#8211; 1975 &#8211; 9\u2019<br \/><strong><em>Cigota \/ Zygote<\/em><\/strong>\u00a0by Sergio Levin &#8211; Argentina &#8211; 1975 &#8211; 22\u2019<br \/><strong><em>El jard\u00edn de los presentes \/ The Garden of the Ones Who Are Present<\/em><\/strong>\u00a0by Sergio Levin &#8211; Argentina &#8211; 1977 &#8211; 5\u2019<br \/><br \/><br \/><strong>Children by the Sea<\/strong><br \/><strong><em>Dos pajaritos \/ Two Little Birds<\/em><\/strong>\u00a0by Alfredo Soderguit, Alejo Schettini &#8211; Argentina, Uruguay &#8211; 2022 &#8211; 12\u2019<br \/><strong><em>Fiebre \/ Fever<\/em><\/strong>\u00a0by Elisa Eliash &#8211; Chile, Brazil, Peru &#8211; 2022 &#8211; 84\u2019<br \/><strong><em>Le Petit Nicolas &#8211; Qu\u2019est-ce qu\u2019on attend pour \u00eatre heureux? \/ Little Nicholas &#8211; Happy as Can Be<\/em><\/strong>\u00a0by Amandine Fredon, Benjamin Massoubre &#8211; France &#8211; 2022 &#8211; 80\u2019<br \/><strong><em>Pinocho de Guillermo del Toro \/\u00a0Guillermo del Toro\u2019s Pinocchio<\/em><\/strong>\u00a0by Guillermo del Toro &#8211; USA, France, Mexico &#8211; 2022 &#8211; 111\u2019<br \/><br \/><br \/><strong>Original Sound Track (BSO) Presents<\/strong><br \/><strong><em>Hallelujah: Leonard Cohen, a Journey, a Song<\/em><\/strong>\u00a0by Dayna Goldfine, Dan Geller &#8211; USA &#8211; 2021 &#8211; 118\u2019<br \/><strong><em>La danza de Los Mirlos<\/em><\/strong>\u00a0by \u00c1lvaro Luque &#8211; Peru &#8211; 2022 &#8211; 84\u2019<br \/><strong><em>The Return of Tanya Tucker: Featuring Brandi Carlile<\/em><\/strong>\u00a0by Kathlyn Horan &#8211; USA &#8211; 2022 &#8211; 108\u2019<br \/><br \/><br \/><strong>Open Veins<\/strong><br \/><strong><em>Algo que pas\u00f3 en A\u00f1o Nuevo \/\u00a0What Happened on New Year&#8217;s Eve<\/em><\/strong>\u00a0by Jorge Pinarello &#8211; Argentina &#8211; 2022 &#8211; 90\u2019<br \/><strong><em>El \u00faltimo hereje \/ The Last Heretic<\/em><\/strong>\u00a0by Daniel de la Vega &#8211; Argentina &#8211; 2022 &#8211; 80\u00b4<br \/><strong><em>Legiones \/ Legions<\/em><\/strong>\u00a0by Fabi\u00e1n Forte &#8211; Argentina &#8211; 2022 &#8211; 88\u2019\u00a0<br \/><strong><em>Me encontrar\u00e1s en lo profundo del abismo \/ Into the Abyss<\/em><\/strong>\u00a0by Mat\u00edas Xavier Rispau &#8211; Argentina &#8211; 2022 &#8211; 104\u2019<br \/><strong><em>Plaga Zombie\u00a0<\/em><\/strong>by\u00a0Hern\u00e1n S\u00e1ez, Pablo Par\u00e9s &#8211; Argentina &#8211; 1997 &#8211; 72\u2019\u00a0<br \/><strong><em>Un mill\u00f3n de zombies: La historia de Plaga zombie \/ 1 Million Zombies: The Story of Plaga Zombie<\/em><\/strong>\u00a0by Nicanor Loreti, Camilo De Cabo &#8211; Argentina &#8211; 2022 &#8211; 75\u2019<br \/><br \/><br \/><strong>Midnight Screamings<\/strong><br \/><strong><em>Mandibules \/ Mandibles\u00a0<\/em><\/strong>by\u00a0Quentin Dupieux &#8211; France &#8211; 2020 &#8211; 77\u2019<br \/><strong><em>Fumer fait tousser \/ Smoking Causes Coughing<\/em><\/strong>\u00a0by Quentin Dupieux &#8211; France &#8211; 2022 &#8211; 80\u00b4<br \/><strong><em>Incroyable Mais Vrai \/ Incredible But True<\/em><\/strong>\u00a0by Quentin Dupieux &#8211; France &#8211; 2022 &#8211; 74\u2019\u00a0<br \/><strong><em>Los esp\u00edritus de la isla \/ The Banshees of Inisherin<\/em><\/strong>\u00a0by Martin McDonagh &#8211; Ireland, UK, USA &#8211; 2022 &#8211; 109\u2019<br \/><strong><em>Project Wolf Hunting\u00a0<\/em><\/strong>by\u00a0Kim Hong Sun &#8211; South Korea &#8211; 2022 &#8211; 121\u2019\u00a0<br \/><strong><em>Something in the Dirt\u00a0<\/em><\/strong>by\u00a0Justin Benson, Aaron Moorhead &#8211; USA &#8211; 2022 &#8211; 116\u2019<br \/><br \/><br \/><strong>How Much Time is a Century? Silent Films with Live Music<\/strong><br \/><strong><em>Cenicienta \/ Aschenputtel\u00a0<\/em><\/strong>by\u00a0Lotte Reiniger &#8211; Alemania &#8211; 1922 &#8211; 17\u2019<br \/><strong><em>El secreto de la marquesa \/\u00a0Das Geheimnis der Marquise<\/em><\/strong>\u00a0by Lotte Reiniger &#8211; Germany &#8211; 1922 &#8211; 3\u00b4<br \/><strong><em>H\u00e4xan \/ H\u00e4xan: Ett kulturhistoriskt f\u00f6redrag i levande bilder<\/em><\/strong>\u00a0by Benjamin Christensen &#8211; Sweden &#8211; 1922 &#8211; 91\u2019\u00a0<br \/><strong><em>La sonriente Madame Beudet \/\u00a0La souriante madame Beudet\u00a0<\/em><\/strong>by\u00a0Germaine Dulac &#8211; France &#8211; 1922 &#8211; 42\u2019\u00a0<br \/><strong><em>Nosferatu<\/em><\/strong>\u00a0by Friedrich W. Murnau &#8211; Germany &#8211; 1922 &#8211; 95\u2019\u00a0<br \/><br \/><br \/><strong>RESCUES<\/strong><br \/><strong><em>Cuerpos invadidos \/ Videodrome<\/em><\/strong>\u00a0by David Cronenberg &#8211; Canada &#8211; 1983 &#8211; 89\u2019<br \/><strong><em>La guerra gaucha\u00a0<\/em><\/strong>by\u00a0Lucas Demare &#8211; Argentina &#8211; 1942 &#8211; 95\u00b4<br \/><strong><em>Un sue\u00f1o como de colores \/ A Dream as in Colours<\/em><\/strong>\u00a0by Valeria Sarmiento &#8211; Chile &#8211; 1973 &#8211; 11\u2019\u00a0<br \/><br \/><br \/><br \/><strong>FOCUS AND RETROSPECTIVES<\/strong><br \/><br \/><strong>Patricia Mazuy Retrospective<\/strong><br \/><strong><em>La Scarpa<\/em><\/strong>\u00a0by Patricia Mazuy &#8211; France &#8211; 1979 &#8211; 7\u2019<br \/><strong><em>Colin-maillard \/ Colin Maillard\u00a0<\/em><\/strong>by\u00a0Patricia Mazuy &#8211; France &#8211; 1981 &#8211; 15\u00b4<br \/><strong><em>Peaux de vaches \/ Thick Skinned\u00a0<\/em><\/strong>by<strong><em>\u00a0<\/em><\/strong>Patricia Mazuy &#8211; France &#8211; 1989 &#8211; 88\u2019\u00a0<br \/><strong><em>Des taureaux et des vaches \/ Of Bulls and Cows<\/em><\/strong>\u00a0by Patricia Mazuy &#8211; France &#8211; 1992 &#8211; 56\u2019<br \/><strong><em>Saint-Cyr \/ The King\u2019s Daughter<\/em><\/strong>\u00a0by Patricia Mazuy &#8211; France, Belgium, Germany &#8211; 2000 &#8211; 119\u00b4<br \/><strong><em>Basse Normandie \/ Riding Dostoievski\u00a0<\/em><\/strong>by\u00a0Patricia Mazuy, Simon Reggiani &#8211; France &#8211; 2004 &#8211; 113\u2019\u00a0<br \/><strong><em>Sport de Filles \/ Of Women and Horses<\/em><\/strong>\u00a0by Patricia Mazuy &#8211; France &#8211; 2012 &#8211; 101\u2019<br \/><strong><em>Paul Sanchez est revenu! \/ Paul Sanchez is back!<\/em><\/strong>\u00a0by Patricia Mazuy &#8211; France &#8211; 2018 &#8211; 110\u2019\u00a0<br \/><strong><em>Bowling Saturne \/ Saturn Bowling<\/em><\/strong>\u00a0by Patricia Mazuy &#8211; France, Belgium &#8211; 2022 &#8211; 114\u2019<br \/><br \/><br \/><strong>Kinuyo Tanaka Retrospective<\/strong><br \/><strong><em>La luna se eleva \/\u00a0Tsuki wa noborinu<\/em><\/strong>\u00a0by Kinuyo Tanaka &#8211; Japan &#8211; 1955 &#8211; 102\u2019<br \/><strong><em>Pechos eternos \/\u00a0Chibusa yo eien nare\u00a0<\/em><\/strong>by\u00a0Kinuyo Tanaka &#8211; Japan &#8211; 1955 &#8211; 108\u2019<br \/><strong><em>La vida de Oharu \/\u00a0Saikaku ichidai onna<\/em><\/strong>\u00a0by Kenji Mizoguchi &#8211; Japan &#8211; 1952 &#8211; 148\u2019<br \/><strong><em>Donde se ven las chimeneas \/\u00a0Entotsu no mieru basho<\/em><\/strong>\u00a0by Heinosuke Gosho &#8211; Japan &#8211; 1953 &#8211; 108\u2019<br \/><strong><em>La balada de Narayama \/\u00a0Narayama bushik\u00f4\u00a0<\/em><\/strong>by\u00a0Keisuke Kinoshita &#8211; Japan &#8211; 1958 &#8211; 98\u2019<br \/><strong><em>Madre \/\u00a0Okaasan<\/em><\/strong>\u00a0by Mikio Naruse &#8211; Japan &#8211; 1952 &#8211; 98\u2019<br \/><br \/><br \/><strong>Generation VHS Presents: Immortal British Comedies<\/strong><br \/><strong><em>Funny Bones\u00a0<\/em><\/strong>by\u00a0Peter Chelsom &#8211; UK &#8211; 1995 &#8211; 128\u2019<br \/><strong><em>El regreso de la pantera rosa \/ The Return of the Pink Panther\u00a0<\/em><\/strong>by\u00a0Blake Edwards &#8211; UK, USA &#8211; 1975 &#8211; 113\u2019<br \/><strong><em>Los enredos de Wanda \/ A Fish Called Wanda<\/em><\/strong>\u00a0by Charles Crichton, John Cleese\u00a0 &#8211; UK, USA &#8211; 1988 &#8211; 108\u2019<br \/><strong><em>Local Hero<\/em><\/strong>\u00a0by Bill Forsyth &#8211; UK &#8211; 1983 &#8211; 111\u2019<br \/><strong><em>And Now for Something Completely Different<\/em><\/strong>\u00a0by Ian MacNaughton &#8211; UK &#8211; 1971 &#8211; 88\u2019<br \/><strong><em>Cuatro bodas y un funeral \/ Four Weddings and a Funeral\u00a0<\/em><\/strong>by\u00a0Mike Newell &#8211; UK &#8211; 1994 &#8211; 117\u2019<br \/><br \/><br \/><strong>Heinz Emigholz Focus<\/strong><br \/><strong><em>Mamani in El Alto<\/em><\/strong>\u00a0by Heinz Emigholz &#8211; Germany &#8211; 2022 &#8211; 95\u2019<br \/><strong><em>Salamone, Pampa<\/em><\/strong>\u00a0by Heinz Emigholz &#8211; Germany &#8211; 2022 &#8211; 62\u2019<br \/><strong><em>Slaughterhouses of Modernity \/\u00a0Schlachth\u00e4user der Moderne<\/em><\/strong>\u00a0by Heinz Emigholz &#8211; Germany &#8211; 2022 &#8211; 80\u2019<br \/><br \/><br \/><strong>Jonas Mekas Focus<\/strong><br \/><strong><em>Award Presentation to Andy Warhol\u00a0<\/em><\/strong>by\u00a0Jonas Mekas &#8211; USA &#8211; 1964 &#8211; 12\u2019<br \/><strong><em>Happy Birthday to John<\/em><\/strong>\u00a0by Jonas Mekas &#8211; USA &#8211; 1995 &#8211; 26\u2019<br \/><strong><em>Notes for Jerome<\/em><\/strong>\u00a0by Jonas Mekas &#8211; USA &#8211; 1978 &#8211; 45\u2019<br \/><br \/><br \/><br \/><strong>CAREERS AND HOMAGES<\/strong><br \/><br \/><strong>Careers: John McTiernan<\/strong><br \/><strong><em>Depredador \/ Predator<\/em><\/strong>\u00a0by John McTiernan &#8211; USA, Mexico &#8211; 1987 &#8211; 107\u2019<br \/><strong><em>Duro de matar \/ Die Hard<\/em><\/strong>\u00a0by John McTiernan &#8211; USA &#8211; 1988 &#8211; 132\u2019<br \/><br \/><br \/><strong>Careers: Cecilia Roth<\/strong><br \/><strong><em>El nido vac\u00edo \/ Empty Nest\u00a0<\/em><\/strong>by\u00a0Daniel Burman &#8211; Argentina &#8211; 2008 &#8211; 91\u2019<br \/><strong><em>Vidas privadas \/ Private Lives<\/em><\/strong>\u00a0by Fito P\u00e1ez &#8211; Argentina, Spain &#8211; 2001 &#8211; 97\u2019<br \/><br \/><br \/><strong>Careers: Paula F\u00e9lix-Didier<br \/><br \/>Careers: Ricardo Dar\u00edn<br \/><br \/>Careers: Cineclub N\u00facleo<\/strong><br \/><br \/><br \/><strong>Homage to Jean-Luc Godard<\/strong><br \/><strong><em>Sin Aliento \/ \u00c0 bout de souffle\u00a0<\/em><\/strong>by\u00a0Jean-Luc Godard &#8211; France &#8211; 1960 &#8211; 90\u2019 &#8211; Pel\u00edcula de apertura<br \/><strong><em>Godard seul le cin\u00e9ma \/ Godard Cinema\u00a0<\/em><\/strong>by\u00a0Cyril Leuthy &#8211; France &#8211; 2022 &#8211; 100\u2019<br \/><br \/><br \/><strong>Homage to Leonardo Favio<\/strong><br \/><strong><em>El dependiente \/ The Dependent<\/em><\/strong>\u00a0by Leonardo Favio &#8211; Argentina &#8211; 1969 &#8211; 87\u2019<br \/><strong><em>Juan Moreira<\/em><\/strong>\u00a0by Leonardo Favio &#8211; Argentina &#8211; 1973 &#8211; 102\u2019<br \/><strong><em>Nazareno Cruz y el lobo \/ Nazareno Cruz and the Wolf\u00a0<\/em><\/strong>by\u00a0Leonardo Favio &#8211; Argentina &#8211; 1975 &#8211; 92\u2019<br \/><br \/><br \/><strong>Ren\u00e9e Oro Restoration<\/strong><br \/><strong><em>Las naciones de Am\u00e9rica<\/em><\/strong>\u00a0by Ren\u00e9e Oro &#8211; Argentina &#8211; 1927 &#8211; 30\u2019<br \/><strong><em>El stati de Santiago del Estero<\/em><\/strong>\u00a0by Ren\u00e9e Oro &#8211; Argentina &#8211; 1927 &#8211; 10\u2019<br \/><br \/><br \/><br \/><strong>INSTITUTIONALSCREENINGS<br \/><br \/>Pantalla UBA &#8211; What Overflows in the Sea<\/strong><br \/><strong><em>Cyndi, \u00bfest\u00e1s ah\u00ed?<\/em><\/strong>\u00a0by Luisa Roig Vibart &#8211; 4\u2019<br \/><strong><em>Como siempre sent\u00ed<\/em><\/strong>\u00a0by Francisco Bottarini &#8211; 5\u2019<br \/><strong><em>Creo en el tiempo como en una margarita<\/em><\/strong>\u00a0by Emilia Cort\u00e9s &#8211; 11\u2019<br \/><strong><em>De lo propio en el tumulto\u00a0<\/em><\/strong>by<strong><em>\u00a0<\/em><\/strong>Sol Huilen Castro, Enrique Leandro Hournau, Charo Lamas &#8211; 4\u2019<br \/><strong><em>Donde terminan las cosas\u00a0<\/em><\/strong>by\u00a0Homero Luccerini, Andrea Odreman, Lara Irina Olmos Berman &#8211; 4\u2019<br \/><strong><em>El trueno\u00a0<\/em><\/strong>by\u00a0Isabel Titiro &#8211; 4\u2019<br \/><strong><em>La hija del vidriero<\/em><\/strong>\u00a0by Luc\u00eda L\u00f3pez &#8211; 2\u2019<br \/><strong><em>La profundidad de la marea<\/em><\/strong>\u00a0by Mar\u00eda Sol Alonso &#8211; 13\u2019<br \/><strong><em>Lo que no me diste<\/em><\/strong>\u00a0by Nicol\u00e1s Baz\u00e1n Povedano &#8211; 3\u2019<br \/><strong><em>Mam\u00e1 leona\u00a0<\/em><\/strong>by\u00a0Juli Montenegro &#8211; 2\u2019<br \/><strong><em>Olvidada\u00a0<\/em><\/strong>by\u00a0Felipe Gonz\u00e1lez Ota\u00f1o &#8211; 3\u2019<br \/><strong><em>Pueden llamarme David\u00a0<\/em><\/strong>by\u00a0Joaqu\u00edn Yin &#8211; 12\u2019<br \/><strong><em>Querida Normita<\/em><\/strong>\u00a0by Milagros Simijoski &#8211; 3\u2019<br \/><strong><em>Souvenir<\/em><\/strong>\u00a0by Gerardo Fern\u00e1ndez Herrero, Florencia Rodr\u00edguez Lara &#8211; 1\u2019<br \/><br \/><br \/><strong>6th ENERC Exhibit<\/strong><br \/><strong><em>La brisa que estremece los \u00e1rboles\u00a0<\/em><\/strong>by\u00a0Juan M\u00e1rquez Sapag &#8211; 14\u2019<br \/><strong><em>El ocaso<\/em><\/strong>\u00a0by Iv\u00e1n G\u00f3mez &#8211; 12\u2019<br \/><strong><em>La sangre de Saturno<\/em><\/strong>\u00a0by Ramiro Caporin &#8211; 14\u2019<br \/><strong><em>Alma de diamante<\/em><\/strong>\u00a0by Nahuel Monteros &#8211; 11\u2019<br \/><strong><em>La l\u00f3gica del silencio<\/em><\/strong>\u00a0by Sol Giancaspro &#8211; 12\u2019<br \/><strong><em>Todo lo que recuerdo<\/em><\/strong>\u00a0by Nicol\u00e1s Fern\u00e1ndez Meli\u00e1n &#8211; 14\u2019<br \/><br \/><br \/><strong>UNRN Audiovisual Artistic Design on Screen<\/strong><br \/><strong><em>Toy complicado<\/em><\/strong>\u00a0by Joaqu\u00edn Soto &#8211; 15\u2019<br \/><strong><em>Las vigilias de la noche<\/em><\/strong>\u00a0by Nicol\u00e1s S\u00e1nchez, Estanislao Cortada &#8211; 6\u2019<br \/><strong><em>La visitante<\/em><\/strong>\u00a0by Llao Navarra &#8211; 11\u2019<br \/><strong><em>Parcela 26<\/em><\/strong>\u00a0by Alejo Estrabou &#8211; 6\u2019<br \/><strong><em>La amenaza de MacRee<\/em><\/strong>\u00a0by Julio Ferraresi &#8211; 5\u2019<br \/><strong><em>Lo que nos contaron del amor<\/em><\/strong>\u00a0by Bianca Fidani &#8211; 16\u2019<br \/><strong><em>Intervalo<\/em><\/strong>\u00a0by Fabi\u00e1n Soto &#8211; 1\u2019<br \/><strong><em>Naturaleza Olivia<\/em><\/strong>\u00a0by Samanta Onnainty, Bruno D. Ruiz &#8211; 12\u2019<br \/><strong><em>Todo el mundo a clase<\/em><\/strong>\u00a0by Grupo Contragolpe &#8211; 6\u2019<br \/><strong><em>Fuego<\/em><\/strong>\u00a0by Fran Bonthuis &#8211; 2\u2019<br \/><strong><em>Quemado<\/em><\/strong>\u00a0by Emilio L\u00f3pez, Dopamina &#8211; 5\u2019<br \/><br \/><br \/><strong>Essay Films. UTDT Film Program &#8211; Pablo Ducr\u00f3s Hicken Film Museum<\/strong><br \/><strong><em>Amalia<\/em><\/strong>\u00a0by Julieta Amalric &#8211; 9\u2019<br \/><strong><em>V\u00edsperas de la memoria\u00a0<\/em><\/strong>by\u00a0Humberto Gonz\u00e1lez Bustillo &#8211; 7\u2019<br \/><strong><em>Yo fui\u00a0<\/em><\/strong>by\u00a0Marilina Gim\u00e9nez &#8211; 9\u2019<br \/><strong><em>China muerta<\/em><\/strong>\u00a0by Malen Ota\u00f1o &#8211; 14\u2019<br \/><strong><em>Resabio<\/em><\/strong>\u00a0by Eline Marx &#8211; 9\u2019<br \/><strong><em>\u00bfD\u00f3nde est\u00e1 Marie Anne?<\/em><\/strong>\u00a0by Yaela Gottlieb &#8211; 6\u2019<br \/><br \/><br \/><strong>Historias Breves 20<\/strong><br \/><strong><em>Un d\u00eda de censo<\/em><\/strong>\u00a0by Santiago Hadida &#8211; 11\u2019<br \/><strong><em>R\u00edo abajo<\/em><\/strong>\u00a0by Facundo Alcalde &#8211; 15\u2019<br \/><strong><em>La chica toro<\/em><\/strong>\u00a0by Sof\u00eda Gonz\u00e1lez Gil &#8211; 14\u2019<br \/><strong><em>Amor de lana<\/em><\/strong>\u00a0by Nicol\u00e1s Zalcman, Paula Marotta &#8211; 13\u2019<br \/><strong><em>Las Rojas<\/em><\/strong>\u00a0by Tom Espinoza &#8211; 14\u2019<br \/><strong><em>La \u00faltima cruzada<\/em><\/strong>\u00a0by Juan D\u00edaz Farrell &#8211; 14\u2019<br \/><br \/><br \/><strong>15th Anniversary of 24 hours of Argentine Film<\/strong><br \/><br \/><br \/><strong>Schools Go to the Movies<\/strong><br \/><em><strong>Las motitos\u00a0<\/strong><\/em>by\u00a0In\u00e9s Mar\u00eda Barrionuevo y Gabriela Vidal &#8211; 2020 &#8211; 84\u2019<br \/><strong><em>La botera\u00a0<\/em><\/strong>by\u00a0Sabrina Blanco &#8211;\u00a02020 &#8211; 72\u2019<br \/><strong><em>Sue\u00f1o Florian\u00f3polis<\/em><\/strong>\u00a0by Ana Katz &#8211;\u00a02019 &#8211; 103\u2019<br \/><br \/><br \/><strong>Special Screenings<\/strong><br \/><strong><em>Algo incorrecto\u00a0\/ Something Wrong<\/em><\/strong>\u00a0by Susana Nieri &#8211; 92\u2019<br \/><strong><em>\u00c9rase una vez en Qatar\u00a0\/ Once upon a time in Qatar<\/em><\/strong>\u00a0by Federico Rotstein, Ignacio Ceroi &#8211; 95\u2019<br \/><strong><em>La memoria que habitamos\u00a0\/ The Memory We Inhabit<\/em><\/strong>\u00a0by Diego Ercolano &#8211; 85\u2019<br \/><strong><em>Maelstr\u00f6m 2001\u00a0<\/em><\/strong>by\u00a0Juan Pollio &#8211; 101\u2019<br \/><strong><em>Seremos millones\u00a0\/ We\u00b4ll Be Millions<\/em><\/strong>\u00a0by Diego Briata, Santiago Vivacqua &#8211; 95\u2019<br \/><br \/><br \/><strong>Movies Under the Stars<\/strong><br \/><strong><em>30 noches con mi ex\u00a0<\/em><\/strong>by\u00a0Adri\u00e1n Suar &#8211; 95\u2019<br \/><strong><em>Argentina, 1985<\/em><\/strong>\u00a0by Santiago Mitre &#8211; 140\u2019<br \/><strong><em>El sistema K.E.OP\/S<\/em><\/strong>\u00a0by Nicol\u00e1s Goldbart &#8211; 119\u2019<br \/><strong><em>El suplente<\/em><\/strong>\u00a0by Diego Lerman &#8211; 110\u2019<br \/><strong><em>Las Rojas<\/em><\/strong>\u00a0by Mat\u00edas Lucchesi &#8211; 92\u2019<br \/><br \/><br \/><strong>CLOSING FILM<\/strong><br \/><em><strong>Hasta los huesos \/ Bones and All\u00a0<\/strong><\/em>by\u00a0Luca Guadagnino &#8211; 2022 &#8211; 130\u2019\u00a0<br \/><br \/><br \/><br \/><strong>AWARDS<\/strong><br \/><br \/><strong>INTERNATIONAL COMPETITION<\/strong><br \/><br \/><strong>Astor Piazzolla Award for Best Feature Lenght Film<\/strong><br \/><strong><em>Saudade fez morada aqui dentro<\/em><\/strong>\u00a0by Haroldo Borges<br \/><br \/><strong>Astor Piazzolla Award &#8211; Special Jury Award<\/strong><br \/><strong><em>Tres hermanos<\/em><\/strong>\u00a0by Francisco J. Paparella<br \/><br \/><strong>Honorable Mention<\/strong><br \/><strong><em>Cambio cambio<\/em><\/strong>\u00a0by Lautaro Garc\u00eda Candela<br \/><br \/><strong>Honorable Mention<\/strong><br \/>Cast of\u00a0<strong><em>Saudade fez morada aqui dentro<\/em><\/strong>\u00a0by Haroldo Borges<br \/><br \/><strong>Astor Piazzolla Award for Best Directing<\/strong><br \/>Ana Garc\u00eda Blaya for\u00a0<strong><em>La uruguaya<\/em><\/strong>\u00a0and Melisa Liebenthal for\u00a0<strong><em>El rostro de la medusa<\/em><\/strong>\u00a0(tie)<br \/><br \/><strong>Astor Piazzolla Award for Best Acting<\/strong><br \/>Sonia Parada in\u00a0<strong><em>Los de abajo<\/em><\/strong>\u00a0by Alejandro Quiroga<br \/><br \/><strong>Astor Piazzolla Award for the Best Script<\/strong><br \/>Andrew Bujalski for\u00a0<strong><em>There There<\/em><\/strong><br \/><br \/><br \/><strong>LATIN AMERICAN COMPETITION<\/strong><br \/><br \/><strong>Astor Piazzolla Award for the Best Feature Lenght Film<\/strong><br \/><strong><em>Trenque Lauquen<\/em><\/strong>\u00a0by Laura Citarella<br \/><br \/><strong>Special Jury Award<\/strong><br \/><strong><em>Mato seco em chamas<\/em><\/strong>\u00a0by Joana Pimenta and Adirley Queir\u00f3s<br \/><br \/><strong>Honorable Mention<\/strong><br \/><strong><em>Anhell69<\/em><\/strong>\u00a0by Theo Montoya<br \/><br \/><strong>Astor Piazzolla for Best Short Film<\/strong><br \/><strong><em>\u00c1nima<\/em><\/strong>\u00a0by Manuel Mat\u00edas G\u00f3mez<br \/><br \/><strong>Honorable Mention<\/strong><br \/><strong><em>El silencio de los ni\u00f1os<\/em><\/strong>\u00a0by Sof\u00eda Quir\u00f3s Ubeda<br \/><br \/><br \/><strong>ARGENTINE COMPETITION<\/strong><br \/><br \/><strong>Astor Piazzolla Award for Best Feature Lenght Film<\/strong><br \/><strong><em>Sobre las nubes\u00a0<\/em><\/strong>by\u00a0Mar\u00eda Aparicio<br \/><br \/><strong>Jos\u00e9 Mart\u00ednez Su\u00e1rez Award for Best Directing<\/strong><br \/>Leandro Listorti by\u00a0<strong><em>Herbaria<\/em><\/strong><br \/><br \/><strong>Astor Piazzolla Award for Best Short Film<\/strong><br \/><strong><em>Carne de Dios<\/em><\/strong>\u00a0by Patricio Plaza<br \/><br \/><br \/><b>ALTERED STATES COMPETITION<\/b><br \/><br \/><strong>Astor Piazzolla Award to the Best Film<\/strong><br \/><strong><em>Geographies of Solitude<\/em><\/strong>\u00a0by Jacquelyn Mills<br \/><br \/><strong>Honorable Mention<\/strong><br \/><strong><em>The Newest Olds\u00a0<\/em><\/strong>by\u00a0Pablo Mazzolo<br \/><br \/><strong>Honorable Mention<\/strong><br \/><strong><em>Filme particular<\/em><\/strong>\u00a0by Jana\u00edna Nagata<br \/><br \/><br \/><strong>EN TR\u00c1NSITO \/ WORK IN PROGRESS COMPETITION<\/strong><br \/><br \/><strong>Astor Piazzolla Award to the Best Project<\/strong><br \/><strong><em>Plata o mierda<\/em><\/strong>\u00a0by Toia Bonino y Marcos Joubert<br \/><br \/><strong>Honorable Mention<\/strong><br \/><strong><em>Punku<\/em><\/strong>\u00a0by Juan Daniel Fern\u00e1ndez Molero<br \/><br \/><strong>Honorable Mention<\/strong><br \/><em><strong>Sombra grande<\/strong>\u00a0<\/em>by\u00a0Maximiliano Schonfeld<br \/><br \/><br \/><strong>AWARDS GIVEN BY SPONSORS<\/strong><br \/><br \/><strong>EN TR\u00c1NSITO \/ WORK IN PROGRESS COMPETITION<br \/>Banco Naci\u00f3n, Cinecolor and Cono del Silencio Award to the Best EN TR\u00c1NSITO Project<\/strong><br \/><strong><em>Plata o mierda<\/em><\/strong>\u00a0by Toia Bonino y Marcos Joubert<br \/><br \/><strong>LATIN AMERICAN COMPETITION<br \/>Banco Naci\u00f3n and Alta Definici\u00f3n Argentina Award to Best Film in the Latin American Competition<\/strong><br \/><strong><em>Trenque Lauquen<\/em><\/strong>\u00a0by Laura Citarella<br \/><br \/><strong>ARGENTINE FEATURE LENGHT COMPETITION<br \/>Banco Naci\u00f3n, Lahaye Media and Pomeranec Sonido Award to Best Argentine Feature Film<\/strong><br \/><strong><em>Sobre las nubes<\/em><\/strong>\u00a0by Mar\u00eda Aparicio<br \/><br \/><strong>ARGENTINE SHORT FILMS COMPETITION<br \/>Banco Naci\u00f3n, Lahaye Media, Pomeranec Sonido and Riivi to the Best Argentine Short Film<\/strong><br \/><strong><em>Carne de Dios<\/em><\/strong>\u00a0by Patricio Plaza<br \/><br \/><strong>ALTERED STATES COMPETITION<br \/>MUBI Award to the Best Film<\/strong><br \/><strong><em>Geographies of Solitude<\/em><\/strong>\u00a0by Jacquelyn Mills<br \/><br \/><br \/><br \/><strong>INVITADOS<\/strong><br \/><br \/>Ignacio Ag\u00fcero, Sebasti\u00e1n Arzeno, Julia Alves, Andrew Bargsted, Esteban Belloto, Haroldo Borges, Gerard Casau, Daniel Casab\u00e9, Fiorella Bottaioli, Andrea Braga, Mayra Bueno Faour Auad, Adriana Lestido, Juan Manuel Bugar\u00edn, Andr\u00e9 Cabral, Nicol\u00e1s Carrasco, Max Canosa, Helena Wittmann, Eugenia Campos Guevara, Melissa Cordero, Jorgelina Contreras, Clara Cullen, Mauro Costa, Daniela Delgado Viteri, Federico Di Corato, Edgardo Dieleke, Rodolfo Dur\u00e1n, Elisa Eliash, Mar\u00eda Silvia Esteve, Ana Garc\u00eda Blaya, Michelle Garza Cervera, Manuel Mateo G\u00f3mez Ortega, Sol Giancaspro, Paula Gomes, Gregorio Graziosi, Jimena Repetto, Peter Hottinger, Sergio Levin, Melisa Liebenthal, Leandro Listorti, Santiago Loza, \u00c1lvaro Luque, Mariano Luque, Mar\u00eda Aparicio, Lucila Mariani, Pablo Mazzolo, Ashley McKenzie, Valentina Maurel, Theo Montoya, Fernando Molnar, Francisco Novick, Paula Orlando, Francisco J. Paparella, Ra\u00fal Perrone, Mara Pescio, Julia Pesce, Patricio Plaza, Cristian Ponce, Alejandro Quiroga, Ingrid Pokropek, Sof\u00eda Quir\u00f3s Ubeda, Lina Rodriguez, Xavier Rispau, Leon Schwitter, Maximiliano Schonfeld, Alan Mart\u00edn Segal, Nicol\u00e1s Su\u00e1rez, Laura Spiner, Lita Stantic, Mat\u00edas Szulanski, Claudia Varej\u00e3o, Candela Vey, Soledad Velasco, Mart\u00edn Farina, Willy Villalobos, Pablo Mart\u00edn Weber, Jeff Zorrilla, Miguel Zeballos.\u00a0<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Multimedia Files Catalogue Program Guide 10\u00b0 Concurso internacional de Estudios Cr\u00edticos sobre Cine Argentino Domingo Di N\u00fabila Winners Second Honorable Mention: El archivo interrogado, by Pablo Boido First Pricce: Mu\u00f1ecos en la pantalla grande, by Bettina Girotti First Honorable Mention: M\u00fasica en el cine argentino cl\u00e1sico, by Mart\u00edn Far\u00edas Z\u00fa\u00f1iga Another essays to remark: Alberto [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-3012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>37 Edition (2022) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 41\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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