{"id":3608,"date":"2026-04-08T12:00:56","date_gmt":"2026-04-08T12:00:56","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3608"},"modified":"2026-10-27T15:02:23","modified_gmt":"2026-10-27T15:02:23","slug":"36-edition-2021","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/36-edition-2021\/","title":{"rendered":"36\u00b0 Edition (2021)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1306\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/07\/ediciones-anteriores_43.jpg\" alt=\"43 Festival de Cine de Mar del Plata\" class=\"wp-image-3022\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/07\/ediciones-anteriores_43.jpg 1000w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/07\/ediciones-anteriores_43-230x300.jpg 230w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/07\/ediciones-anteriores_43-784x1024.jpg 784w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/07\/ediciones-anteriores_43-768x1003.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\"><strong>Archivos Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/Catalogo-MDQ-2021-36-edicion.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cat\u00e1logue<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/guia-de-programacion-mar-del-plata-2021.pdf\">Program Guide<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Concurso internacional de Estudios Cr\u00edticos sobre Cine Argentino Domingo Di N\u00fabila &#8211; Winners<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/ensayos\/FIGURAS-DE-BARRO.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Figuras de barro (Firzt Prize) Autor: Gustavo Ducasse<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/ensayos\/El-Caso-Vlasta-Lah.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/ensayos\/El-Caso-Vlasta-Lah.pdf\" target=\"_blank\" rel=\"noopener\">El caso Vlasta Lah (First Honorable Mention) Authors: Mart\u00edn Miguel Pereira and Candela Mariana Vey<\/a><\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/Musica-en-el-cine-argentino-clasico-de-Martin-Farias-Zuniga.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/ensayos\/UNA-NUEVA-MIRADA-AL-IMAGINARIO-PANAMERICANISTA-EN-EL-CASO-DE-MELODIAS-DE-AMERICA.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/ensayos\/UNA-NUEVA-MIRADA-AL-IMAGINARIO-PANAMERICANISTA-EN-EL-CASO-DE-MELODIAS-DE-AMERICA.pdf\" target=\"_blank\" rel=\"noopener\">Una nueva mirada al imaginario panamericanista en el caso de Melod\u00edas de Am\u00e9rica (Second Honorable Mention) Author: Sonia Sasiain<\/a><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Una retrospectiva del futuro<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Cuerpos-Invadidos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/Una-Retrospectiva-del-Futuro.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Marcelo Gobello<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Entre preceptos y derechos<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Cuerpos-Invadidos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/Una-Retrospectiva-del-Futuro.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/Entre-Preceptos-y-Derechos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Lucio Mafud<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/youtu.be\/Irfm83bYft0\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>From November 18th to 28th<\/strong><br \/><br \/><br \/><strong>AUTHORITIES<\/strong><br \/><br \/><strong>INCAA PRESIDENT<\/strong><br \/>Luis Puenzo<br \/><br \/><strong>FESTIVAL PRESIDENT<\/strong><br \/>Fernando E. Juan Lima\u00a0<br \/>\u00a0<br \/><strong>ARTISTIC DIRECTOR<\/strong><br \/>Cecilia Barrionuevo<br \/><br \/><strong>GENERAL PRODUCER<\/strong><br \/>Cecilia Diez<br \/><br \/><br \/><br \/><strong>COMPETITIONS<\/strong><br \/>\u00a0<br \/><strong>Internacional Competition<\/strong><br \/><strong><em>Petite maman<\/em><\/strong>, by C\u00e9line Sciamma &#8211; France &#8211; 2021 &#8211; 72\u2019 (International Competition &#8211; Opening Film)<br \/><strong><em>\u00c1lbum para la juventud \/ Album for the Youth<\/em><\/strong>, by Malena Solarz &#8211; Argentina &#8211; 2021 &#8211; 80\u2019<br \/><strong><em>Di\u00e1rios de Otsoga \/ The Tsugua Diaries<\/em><\/strong>, by Miguel Gomes, Maureen Fazendeiro &#8211; France, Portugal &#8211; 2021 &#8211; 101\u2019<br \/><strong><em>El otro Tom \/ The Other Tom<\/em><\/strong>, by Rodrigo Pl\u00e1, Laura Santullo &#8211; USA, Mexico &#8211; 2021 &#8211; 111\u2019<br \/><strong><em>Esp\u00edritu sagrado \/ The Sacred Spirit<\/em><\/strong>, by Chema Garc\u00eda Ibarra &#8211; Spain, France, Turkey- 2021 &#8211; 97\u2019<br \/><strong><em>Hellbender<\/em><\/strong>, by John Adams, Toby Poser, Zelda Adams &#8211; USA &#8211; 2021 &#8211; 82\u2019<br \/><strong><em>Hit the Road<\/em><\/strong>, by Panah Panahi &#8211; Iran &#8211; 2021 &#8211; 93\u2019<br \/><strong><em>Kim Min-young of the Report Card \/ Seong-jeok-pyo-wui Kim Minyoung<\/em><\/strong>, by Lim Jisun, Lee Jae-eun &#8211; South Korea &#8211; 2021 &#8211; 94\u2019<br \/><strong><em>Qui\u00e9n lo impide \/ Who\u2019s Stopping Us<\/em><\/strong>, by Jon\u00e1s Trueba &#8211; Spain &#8211; 2021 &#8211; 220\u2019<br \/><strong><em>Re Granchio \/ The Tale of King Crab<\/em><\/strong>, by Alessio Rigo de Righi, Matteo Zoppis &#8211; Italy , France, Argentina &#8211; 2021 &#8211; 106\u2019<br \/><strong><em>The Girl and the Spider<\/em><\/strong>, by Silvan Z\u00fcrcher, Ramon Z\u00fcrcher &#8211; Switzerland &#8211; 2021 &#8211; 98\u2019<br \/><strong>What Do We See When We Look at the Sky?<\/strong>, by Alexandre Koberidze &#8211; Georgia &#8211; 2021 &#8211; 150\u2019<br \/><br \/><strong>International Competition &#8211; Out of Competition<\/strong><br \/><strong><em>Azor<\/em><\/strong>, by Andreas Fontana &#8211; Argentina, Switzerland &#8211; 2021 &#8211; 100\u2019<br \/><br \/><br \/><strong>Latin American Competition<\/strong><br \/><em><strong>9<\/strong><\/em>, by Mart\u00edn Barrenechea, Nicol\u00e1s Branca &#8211; Uruguay, Argentina &#8211; 2021 &#8211; 105\u2019<br \/><strong><em>Aurora<\/em><\/strong>, by Paz F\u00e1brega &#8211; Costa Rica, Mexico &#8211; 2021 &#8211; 92\u2019<br \/><strong><em>Bob Cuspe: N\u00f3s n\u00e3o gostamos de gente \/ Bob Spit &#8211; We Do Not Like People<\/em><\/strong>, by Cesar Cabral &#8211; Brazil &#8211; 2021 &#8211; 90\u2019<br \/><strong><em>Camila saldr\u00e1 esta noche \/ Camila Comes Out Tonight<\/em><\/strong>,\u00a0 by In\u00e9s Barrionuevo &#8211; Argentina &#8211; 2021 &#8211; 103\u2019<br \/><strong><em>Carajita<\/em><\/strong>, by Silvina Schnicer, Ulises Porra &#8211; Argentina, Dominican Republic &#8211; 2021 &#8211; 86\u2019<br \/><strong><em>De todas las cosas que se han de saber \/ About Everything There Is to Know<\/em><\/strong>, by Sof\u00eda Vel\u00e1zquez N\u00fa\u00f1ez &#8211; Peru &#8211; 2021 &#8211; 90\u2019<br \/><strong><em>El cielo est\u00e1 rojo \/ The Sky Is Red<\/em><\/strong>, by Francina Carbonell &#8211; Argentina &#8211; 2020 &#8211; 77\u2019<br \/><strong><em>El perro que no calla \/ The Dog Who Couldn\u2019t Be Quiet<\/em><\/strong>, by Ana Katz &#8211; Argentina &#8211; 2021 &#8211; 74\u2019<br \/><strong><em>Jes\u00fas L\u00f3pez<\/em><\/strong>, by Maximiliano Schonfeld &#8211; Argentina, France &#8211; 2021 &#8211; 90\u2019<br \/><strong><em>La encomienda<\/em><\/strong>, by Pablo Giorgelli &#8211; Argentina, Dominican Republic &#8211; 2021 &#8211; 102\u2019<br \/><strong><em>Piedra noche \/ Dusk Stone<\/em><\/strong>, by Iv\u00e1n Fund &#8211; Argentina, Chile, Spain &#8211; 2021 &#8211; 87\u2019<br \/><strong><em>Yo y las bestias \/ Me &amp; the Beasts<\/em><\/strong>, by Nico Manzano &#8211; Venezuela &#8211; 2021 &#8211; 78\u2019<br \/><br \/><strong>Latin American Competition &#8211; Out of Competition<\/strong><br \/><strong><em>El empleado y el patr\u00f3n \/ The Employer and the Employee<\/em><\/strong>, by Manuel Nieto Zas &#8211; Argentina, Brazil, France, Uruguay &#8211; 2021 &#8211; 106\u2019<br \/><br \/><br \/><strong>Latin American Short Films Competition<\/strong><br \/><strong><em>A Love Song in Spanish<\/em><\/strong>, by Ana Elena Tejera &#8211; France, Panama &#8211; 2021 &#8211; 24\u2019<br \/><strong><em>Atrapaluz \/ Suncatcher<\/em><\/strong>, by Kim Torres &#8211; Costa Rica, Mexico &#8211; 2021 &#8211; 21\u2019<br \/><strong><em>La sangre es blanca<\/em><\/strong>, by \u00d3scar Vincentelli &#8211; Spain, Venezuela &#8211; 2020 &#8211; 13\u2019<br \/><strong><em>Los huesos \/ The Bones<\/em><\/strong>, by Crist\u00f3bal Le\u00f3n, Joaqu\u00edn Coci\u00f1a &#8211; Chile &#8211; 2021 &#8211; 14\u2019<br \/><strong><em>S\u00edndrome de los quietos \/ The Stillness Syndrome<\/em><\/strong>, by El\u00edas Le\u00f3n Siminiani &#8211; Spain, Colombia &#8211; 2021 &#8211; 30\u2019<br \/><strong><em>Vagalumes \/ Fireflies<\/em><\/strong>, by L\u00e9o Bittencourt &#8211; Brazil &#8211; 2021 &#8211; 19\u2019\u00a0\u00a0<br \/><br \/><br \/><strong>Argentine Competition<\/strong><br \/><strong><em>Atlas<\/em><\/strong>, by Guadalupe Gaona, Ignacio Masllorens &#8211; Argentina &#8211; 2021 &#8211; 89\u2019<br \/><strong><em>Danubio \/ Danube<\/em><\/strong>, by Agustina P\u00e9rez Rial &#8211; Argentina &#8211; 2021 &#8211; 62\u2019<br \/><strong><em>Estrella roja \/ Red Star<\/em><\/strong>, by Sof\u00eda Bordenave &#8211; Argentina &#8211; 2021 &#8211; 73\u2019<br \/><strong><em>Husek<\/em><\/strong>, by Daniela Seggiaro &#8211; Argentina &#8211; 2021 &#8211; 89\u2019<br \/><strong><em>La luna representa mi coraz\u00f3n \/ The Moon Represents My Heart<\/em><\/strong>, by Juan Mart\u00edn Hsu &#8211; Argentina, Taiwan &#8211; 2021 &#8211; 103\u2019<br \/><strong><em>Las cercanas \/ Near and Dear<\/em><\/strong>, by Mar\u00eda \u00c1lvarez &#8211; Argentina &#8211; 2021 &#8211; 81\u2019<br \/><strong><em>Matar a la bestia \/ To Kill the Beast<\/em><\/strong>, by Agustina San Mart\u00edn &#8211; Argentina, Brazil, Chile &#8211; 2021 &#8211; 79\u2019<br \/><strong><em>Metok<\/em><\/strong>, by Mart\u00edn Sol\u00e1 &#8211; Argentina, Italy, Tibet &#8211; 2021 &#8211; 61\u2019<br \/><strong><em>Noh<\/em><\/strong>, by Marco Canale, Juan Fern\u00e1ndez Gebauer, Ignacio Ragone &#8211; Argentina, Japan, Germany &#8211; 2021 &#8211; 75\u2019<br \/><strong><em>Punto rojo \/ Red Point<\/em><\/strong>, by Nic Loreti &#8211; Argentina &#8211; 2021 &#8211; 80\u2019<br \/><strong><em>Reloj, soledad \/ Clock, Solitude<\/em><\/strong>, by C\u00e9sar Gonz\u00e1lez &#8211; Argentina &#8211; 2021 &#8211; 70\u2019<br \/><strong><em>Una escuela en Cerro Hueso \/ A School in Cerro Hueso<\/em><\/strong>, by Betania Cappato &#8211; Argentina &#8211; 2021 &#8211; 70\u2019<br \/>\u00a0<br \/><strong>Argentine Competition &#8211; Out of Competition<\/strong><br \/><strong><em>Las noches son de los monstruos \/ The Nights Belong to Monsters<\/em><\/strong>, by Sebasti\u00e1n Perillo &#8211; Argentina &#8211; 2021 &#8211; 97\u2019<br \/><strong><em>Nuestros d\u00edas m\u00e1s felices \/ Our Happiest Days<\/em><\/strong>, by Sol Berruezo Pichon-Rivi\u00e8re &#8211; Argentina &#8211; 2021 &#8211; 100\u2019<br \/><br \/>\u00a0<br \/><strong>Argentine Short Films Competition<\/strong><br \/><strong><em>El espacio sideral \/ The Sidereal Space<\/em><\/strong>, by Sebasti\u00e1n Schjaer &#8211; Argentina &#8211; 2021 &#8211; 17\u2019<br \/><strong><em>Engomado \/ Stuck<\/em><\/strong>, by Toia Bonino, Marcos Joubert &#8211; Argentina &#8211; 2021 &#8211; 15\u2019<br \/><strong><em>\u00c9rase una vez en Quizca \/ Once Upon a Time in Quizca<\/em><\/strong>, by Nicol\u00e1s Torchinsky &#8211; Argentina &#8211; 2021 &#8211; 12\u2019<br \/><strong><em>Fuera del \u00e1rea de cobertura \/ Outside the Coverage Area<\/em><\/strong>, by Agustina Wetzel &#8211; Argentina &#8211; 2021 &#8211; 29\u2019<br \/><strong><em>Las m\u00e1quinas tristes \/ Sad Machines<\/em><\/strong>, by Paola Michaels &#8211; Argentina &#8211; 2021 &#8211; 9\u2019<br \/><strong><em>Le Vortex Monopolaire \/ The Monopole Vortex<\/em><\/strong>, by Luciano Onetti &#8211; Argentina, USA, France, Italy &#8211; 2021 &#8211; 15\u2019<br \/><strong><em>Luto \/ Mourning<\/em><\/strong>, by Pablo Mart\u00edn Weber &#8211; Argentina &#8211; 2021 &#8211; 28\u2019<br \/><strong><em>Un cr\u00e1neo \/ A Skull<\/em><\/strong>, by Mariano C\u00f3colo &#8211; Argentina &#8211; 2021 &#8211; 4\u2019<br \/><br \/><strong>Argentine Short Films Competition &#8211; Out of Competition<\/strong><br \/><strong><em>Lobo solitario \/ Lone Wolf<\/em><\/strong>, by Javier Beltramino &#8211; Argentina, Belgium, Mexico &#8211; 2021 &#8211; 18\u2019<br \/>\u00a0<br \/><br \/><strong>Altered States Competition<\/strong><br \/><strong><em>A Night of Knowing Nothing<\/em><\/strong>, by Payal Kapadia &#8211; France, India &#8211; 2021 &#8211; 96\u2019<br \/><strong><em>All Light, Everywhere<\/em><\/strong>, by Theo Anthony &#8211; USA &#8211; 2021 &#8211; 109\u2019<br \/><strong><em>Condition d\u2019\u00e9l\u00e9vation \/ State of Elevation<\/em><\/strong>, by Isabelle Prim &#8211; France &#8211; 2021 &#8211; 20\u2019<br \/><strong><em>Dark Light Voyage<\/em><\/strong>, by Tin Dirdamal, Eva Cadena &#8211; Mexico, Vietnam &#8211; 2021 &#8211; 66\u2019<br \/><strong><em>Eles transportan a norte \/ They Carry Death<\/em><\/strong>, by Samuel Delgado, Helena Gir\u00f3n &#8211; Spain, Colombia &#8211; 2021 &#8211; 75\u2019<br \/><strong><em>No t\u00e1xi do Jack \/ Jack\u2019s Ride<\/em><\/strong>, by Susana Nobre &#8211; Portugal &#8211; 2021 &#8211; 70\u2019<br \/><strong><em>Nuclear Family<\/em><\/strong>, by Travis Wilkerson, Erin Wilkerson &#8211; USA &#8211; 2021 &#8211; 93\u2019<br \/><strong><em>Orpheus \/ \u041e\u0440\u0444\u0435\u0439<\/em><\/strong>, by Vadim Kostrov &#8211; Russia &#8211; 2021 &#8211; 116\u2019<br \/><strong><em>Outside Noise<\/em><\/strong>, by Ted Fendt &#8211; Germany, Austria, South Korea &#8211; 2020 &#8211; 61\u2019<br \/><strong><em>PR1NC3S4<\/em><\/strong>, by Ra\u00fal Perrone &#8211; Argentina &#8211; 2021 &#8211; 67\u2019<br \/><strong><em>Sexo desafortunado o porno loco \/ Bad Luck Banging or Loony Porn<\/em><\/strong>, by Radu Jude &#8211; Romania, Croatia, Czech Republic, Luxembourg &#8211; 2021 &#8211; 106\u2019<br \/><strong><em>Ste. Anne<\/em><\/strong>, by Rhayne Vermette &#8211; Canada &#8211; 2021 &#8211; 90\u2019\u00a0<br \/><strong><em>Sycorax<\/em><\/strong>, by Lois Pati\u00f1o, Mat\u00edas Pi\u00f1eiro &#8211; Spain &#8211; 2021 &#8211; 21\u2019\u00a0<br \/>\u00a0<br \/><br \/><strong>In Transit Competition\u00a0\/ Work in Progress<\/strong><br \/><strong><em>Algo viejo, algo nuevo, algo prestado \/ Something New, Something Old, Something Borrowed<\/em><\/strong>, by Hern\u00e1n Rosselli &#8211; Argentina<br \/><strong><em>Desierto verde \/ Green Desert<\/em><\/strong>, by Meliza Rojas Cancino &#8211; Chile<br \/><strong><em>El hincha \/ Prodigal Son<\/em><\/strong>, by Renzo Cozza &#8211; Argentina<br \/><strong><em>Errante. La conquista del hogar\/ Wanderer. The Conquest of Home<\/em><\/strong>, by Adriana Lestido &#8211; Argentina<br \/><strong><em>La Edad Media \/ The Middle Ages<\/em><\/strong>, by Luciana Acu\u00f1a, Alejo Moguillansky &#8211; Argentina<br \/><strong><em>La luz de Masao Nakagawa \/ The Light of Masao Nakagawa<\/em><\/strong>, by Hideki Nakazaki &#8211; Mexico, Peru<br \/><strong><em>Las almas \/ The Souls<\/em><\/strong>, by Laura Basombr\u00edo &#8211; Argentina<br \/><strong><em>Los Bilbao \/ The Bilbaos<\/em><\/strong>, by Pedro Speroni &#8211; Argentina<br \/><strong><em>Luces y sombras \/ Lights and Shadows<\/em><\/strong>, by Manuel Ferrari &#8211; Argentina<br \/><strong><em>Luminum<\/em><\/strong>, by Maximiliano Schonfeld &#8211; Argentina<br \/><strong><em>Mon\u00f3logo colectivo \/ Collective Monologue<\/em><\/strong>, by Jessica Sarah Rinland &#8211; Argentina<br \/><strong><em>Todo nuevo \/ Brand New Everything<\/em><\/strong>, by Guillermina Pico &#8211; Argentina<br \/><br \/><br \/><br \/><strong>PANORAMA<\/strong><br \/><br \/><strong>Auteurs<\/strong><br \/><strong><em>Una mujer \/ A Woman<\/em><\/strong>,\u00a0by Jeanine Meerapfel &#8211; Germany, Argentina &#8211; 2020 &#8211; 104\u2019 (Auteurs \u2013 Opening Film)<br \/><strong><em>After Blue (Paradis Sale) \/ After Blue (Dirty Paradise)<\/em><\/strong>, by Bertrand Mandico &#8211; France &#8211; 2021 &#8211; 130\u00b4<br \/><strong><em>Ahed\u2019s Knee \/ Ha\u2019berech<\/em><\/strong>, by Navad Lapid &#8211; France, Germany, Israel &#8211; 2021 &#8211; 109\u2019\u00a0<br \/><strong><em>Compartment No. 6 \/ Hytttti nro 6<\/em><\/strong>, by Juho Kuosmanen &#8211; Finland, Russia, Estonia, Germany &#8211; 2021 &#8211; 107\u00b4<br \/><strong><em>Drive my car<\/em><\/strong>, by Ryusuke Hamaguchi &#8211; Japan &#8211; 2021 &#8211; 179\u00b4<br \/><strong><em>El poder del perro \/The Power of the Dog<\/em><\/strong>, by Jane Campion &#8211; New Zealand, Australia &#8211; 2021 &#8211; 126\u00b4<br \/><strong><em>Fue la mano de Dios \/ \u00c8 stata la mano di Dio<\/em><\/strong>, by Paolo Sorrentino &#8211; Italy &#8211; 2021 &#8211; 130\u00b4<br \/><strong><em>Hygi\u00e8ne sociale \/ Social Hygiene<\/em><\/strong>, by Denis C\u00f4t\u00e9 &#8211; Canada &#8211; 2021 &#8211; 76\u00b4<br \/><strong><em>Il buco \/ The Hole<\/em><\/strong>, by Michelangelo Frammartino &#8211; Italy, Germany, France &#8211; 2021 &#8211; 93\u00b4<br \/><strong><em>In Front of Your Face \/ Dangsin-eolgul-apeseo<\/em><\/strong>, by Hong Sangsoo &#8211; South Korea &#8211; 2021 &#8211; 85\u00b4<br \/><strong><em>La isla de Bergman \/ Bergman Island<\/em><\/strong>, by Mia Hansen-L\u00f8ve &#8211; France, Belgium, Germany, Sweden &#8211; 2021 &#8211; 112\u00b4<br \/><strong><em>Memoria<\/em><\/strong>, by Apichatpong Weerasethakul &#8211; Colombia, Thailand, France, Germany, Mexico, Qatar &#8211; 2021 &#8211; 136\u00b4<br \/><strong><em>Rey Richard: Una familia ganadora \/ King Richard<\/em><\/strong>, de Reinaldo Marcus Green &#8211; USA &#8211; 2021 &#8211; 138\u00b4<br \/><strong><em>The Lost Daughter<\/em><\/strong>, by Maggie Gyllenhaal &#8211; USA, Greece &#8211; 2021 &#8211; 121\u00b4<br \/><strong><em>The Taking<\/em><\/strong>, by Alexandre O. Philippe &#8211; USA &#8211; 2020 &#8211; 76\u00b4<br \/><strong><em>Train Again<\/em><\/strong>, by Peter Tscherkassky &#8211; Austria &#8211; 2021 &#8211; 20\u00b4<br \/><strong><em>Veneciafrenia \/ Venicephrenia<\/em><\/strong>, by \u00c1lex de la Iglesia &#8211; Spain &#8211; 2021 &#8211; 80\u00b4<br \/><strong><em>Vortex<\/em><\/strong>, by Gaspar No\u00e9 &#8211; France &#8211; 2021 &#8211; 145\u00b4<br \/><br \/><br \/><strong>Children By The Sea<\/strong><br \/><strong><em>Fortune Favors Lady Nikuko \/ Gyoko no Nikuko-chan<\/em><\/strong>, by Ayumu Watanabe &#8211; Japan &#8211; 2021 &#8211; 97\u2019<br \/><strong><em>Kids Are Fine \/ Ah-ee-deul-eun-jeul-gup-da<\/em><\/strong>, by Lee Ji-won &#8211; South Korea &#8211; 2021 &#8211; 103\u2019<br \/><strong><em>Kiko et les animaux \/ Kiko and the Animals<\/em><\/strong>, by Yawen Zheng &#8211; France, Switzerland &#8211; 2020 &#8211; 7\u2019<br \/><strong><em>Loop<\/em><\/strong>, by Pablo Polledri &#8211; Argentina, Spain &#8211; 2020 &#8211; 8\u2019<br \/><strong><em>Pap\u00e1 consigui\u00f3 trabajo en Marte \/ Dad Got a Job in Mars<\/em><\/strong>, by Joaqu\u00edn Zelaya, Dami\u00e1n Galateo &#8211; Argentina &#8211; 2021 &#8211; 13\u2019<br \/><strong><em>Un caillou dans la chaussure \/ A Stone in the Shoe<\/em><\/strong>, by \u00c9ric Montchaud &#8211; France, Switzerland &#8211; 2020 &#8211; 12\u2019<br \/><br \/><br \/><strong>Midnight Screamings<\/strong><br \/><strong><em>Mad God<\/em><\/strong>,\u00a0by Phil Tippett &#8211; USA &#8211; 2021 &#8211; 84\u2019<br \/><strong><em>Midnight \/ Mi-deu-nai-teu<\/em><\/strong>, by Kwon Oh-seung &#8211; South Korea &#8211; 2021 &#8211; 103\u00b4<br \/><em><strong>Shark: The beginning \/ Sya-keu-deo-bi-gi-ning<\/strong><\/em>, by Chae Yeo-jun \u2013 South Korea &#8211; 2021 &#8211; 108\u2019\u00a0<br \/><strong><em>Titane<\/em><\/strong>,\u00a0by Julia Ducornau &#8211; France &#8211; 2020 &#8211; 108\u2019<br \/><br \/><br \/><strong>Original Soundtrack (OST) Presents<\/strong><br \/><strong><em>Panash<\/em><\/strong>,\u00a0by Christoph Behl &#8211; Argentina &#8211; 2021 &#8211; 89\u2019<br \/><br \/><br \/><strong>Portraits: Documentaries on Artists<\/strong><br \/><strong><em>Chango, la luz descubre \/ Chango, the Light Uncovers<\/em><\/strong>,\u00a0by Alejandra Mart\u00edn, Paola Rizzi &#8211; Argentina &#8211; 2021 &#8211; 85\u2019<br \/><strong><em>Hugo in Argentina<\/em><\/strong>, by Stefano Knuchel &#8211; Switzerland &#8211; 2021 &#8211; 97\u00b4<br \/><strong><em>Mar\u00eda Luisa Bemberg: El eco de mi voz \/ Mar\u00eda Luisa Bemberg: The Echo of My Voice<\/em><\/strong>, by Alejandro Maci &#8211; Argentina &#8211; 2021 &#8211; 90\u2019\u00a0<br \/><strong><em>Tres en la deriva del acto creativo<\/em><\/strong>,\u00a0by Fernando E. Solanas &#8211; Argentina &#8211; 2021 &#8211; 96\u2019 (Festival Opening Film)<br \/><br \/><br \/><br \/><strong>FOCUS AND RETROSPECTIVES<\/strong><br \/><br \/><strong>Poetry of the Everyday: The Early Films of Helke Misselwitz<\/strong><br \/><strong><em>Herzsprung<\/em><\/strong>,\u00a0by Helke Misselwitz &#8211; Germany &#8211; 1992 &#8211; 87\u2019<br \/><strong><em>Bulky Trash \/ Sperrm\u00fcll<\/em><\/strong>, by Helke Misselwitz &#8211; German Democratic Republic &#8211; 1990 &#8211; 78\u00b4<br \/><strong><em>Who\u2019s Afraid of the Bogeyman \/ Wer f\u00fcrchtet sich vorm schwarzen Mann<\/em><\/strong>, by Helke Misselwitz &#8211; German Democratic Republic &#8211; 1989 &#8211; 52\u2019\u00a0<br \/><strong><em>After Winter Comes Spring \/ Winter Ad\u00e9<\/em><\/strong>,\u00a0by Helke Misselwitz &#8211; German Democratic Republic \u00a0&#8211; 1988 &#8211; 116\u2019<br \/><strong><em>TangoDream \/ TangoTraum<\/em><\/strong>, by Helke Misselwitz &#8211; German Democratic Republic &#8211; 1985 &#8211; 18\u00b4<br \/><strong><em>Tango<\/em><\/strong>, by Helke Misselwitz &#8211; German Democratic Republic &#8211; 1985 &#8211; 6\u2019\u00a0<br \/><strong><em>35 Photos \/ 35 Fotos<\/em><\/strong>,\u00a0by Helke Misselwitz &#8211; German Democratic Republic &#8211; 1984-1985 &#8211; 7\u2019<br \/><strong><em>Nude Photography\u2013e.g., Gundula Schulze \/ Aktfotografifie\u2013z.B. Gundula Schulze<\/em><\/strong>,\u00a0by Helke Misselwitz &#8211; German Democratic Republic &#8211; 1983 &#8211; 12\u2019<br \/><strong><em>The Marx Family \/ Marx-Familie<\/em><\/strong>,\u00a0by Helke Misselwitz &#8211; German Democratic Republic &#8211; 1983-1988 &#8211; 6\u2019<br \/><br \/><br \/><strong>Machiko Ky\u014d Retrospective<\/strong><br \/><strong><em>A Woman\u2019s Testament \/ Jokyo<\/em><\/strong>,\u00a0by Kozaburo Yoshimura, Yasuz\u00f4 Masumura, Kon Ichikawa &#8211; Japan &#8211; 1960 &#8211; 100\u2019<br \/><strong><em>Floating Weeds \/ Ukigusa<\/em><\/strong>, by Yasujiro Ozu &#8211; Japan &#8211; 1959 &#8211; 119\u00b4<br \/><strong><em>The Key \/ Kagi<\/em><\/strong>, by Kon Ichikawa &#8211; Japan &#8211; 1959 &#8211; 105\u2019\u00a0<br \/><strong><em>Gate of Hell \/ Jigokumon<\/em><\/strong>,\u00a0by Teinosuke Kinugasa &#8211; Japan &#8211; 1953 &#8211; 89\u2019<br \/><strong><em>Older Brother, Younger Sister \/ Ani Imouto<\/em><\/strong>, by Mikio Naruse &#8211; Japan &#8211; 1953 &#8211; 93\u00b4<br \/><strong><em>Ugetsu \/ Ugetsu monogatari<\/em><\/strong>, by Kenji Mizoguchi &#8211; Japan &#8211; 1953 &#8211; 97\u2019\u00a0<br \/><strong><em>Tales of Genji \/ Genji monotagari<\/em><\/strong>,\u00a0by Kozaburo Yoshimura &#8211; Japan &#8211; 1951 &#8211; 124\u2019<br \/><br \/><br \/><strong>Recovered Argentine Animated Short Films<\/strong><br \/><strong><em>Aventuras de Perico en la historia argentina<\/em><\/strong>, by Rodolfo de Luca &#8211; Argentina &#8211; 1970 &#8211; 10\u2019<br \/><strong><em>Caraballo mat\u00f3 un gallo<\/em><\/strong>, by Sim\u00f3n Feldman &#8211; Colombia, Argentina &#8211; 1976-1983 &#8211; 7\u2019<br \/><strong><em>El d\u00eda del caramelo<\/em><\/strong>, by H\u00e9ctor \u201cKalondi\u201d Compaired &#8211; Argentina &#8211; 1976 &#8211; 12\u2019<br \/><strong><em>El zorro y los presumidos<\/em><\/strong>, by Sim\u00f3n Feldman &#8211; Argentina &#8211; 1975 &#8211; 10\u2019<br \/><strong><em>Est\u00e1s creciendo<\/em><\/strong>, by Ricardo Alventosa &#8211; Argentina &#8211; 1972 &#8211; 10\u2019<br \/><br \/><br \/><strong>Centennial of Fernando Fern\u00e1n G\u00f3mez<\/strong><br \/><strong><em>Manicomio<\/em><\/strong>,\u00a0by Fernando Fern\u00e1n G\u00f3mez, Luis Mar\u00eda Delgado &#8211; Spain &#8211; 1954 &#8211; 80\u2019<br \/><br \/><br \/><strong>Jean-Luc Godard: Le Livre d\u2019image<\/strong><br \/><strong><em>El libro de imagen \/ Le Livre d\u2019image<\/em><\/strong>,\u00a0by Jean-Luc Godard &#8211; France, Switzerland &#8211; 2018 &#8211; 88\u2019<br \/><br \/><br \/><strong>A Tribute to Manny Farber<\/strong><br \/><strong><em>Negative Space<\/em><\/strong>,\u00a0by Christopher Petit &#8211; UK &#8211; 2000 &#8211; 39\u2019<br \/><strong><em>Untitled: New Blue<\/em><\/strong>,\u00a0by Paul Schrader &#8211; UK &#8211; 1995 &#8211; 5\u2019<br \/><strong><em>Y ahora elogiemos las pel\u00edculas \/ Let Us Now Praise Movies<\/em><\/strong>,\u00a0by Nicol\u00e1s Zukerfeld &#8211; Argentina &#8211; 2017 &#8211; 15\u2019<br \/><br \/><br \/><br \/><strong>INSTITUTIONAL SCREENINGS<\/strong><br \/><br \/><strong>35th George M\u00e9li\u00e8s Award Short Film Competition<\/strong><br \/><br \/><br \/><strong>Historias Breves 19<\/strong><br \/><strong><em>Ah\u00ed vienen<\/em><\/strong>, by Lucas Garc\u00eda, Pedro Ponce &#8211; 14\u2019<br \/><strong><em>Borderline<\/em><\/strong>, by Roc\u00edo Gonz\u00e1lez &#8211; 12\u2019<br \/><strong><em>Club nocturno<\/em><\/strong>, by Gonzalo Bazillo &#8211; 15\u2019<br \/><strong><em>Despu\u00e9s de las 12<\/em><\/strong>, by Sof\u00eda Szelske &#8211; 14\u2019<br \/><strong><em>Errantes<\/em><\/strong>, by Carla Finco &#8211; 14\u2019<br \/><strong><em>Palito Bomb\u00f3n Helado<\/em><\/strong>, by Luc\u00eda Paz &#8211; 14\u2019<br \/><strong><em>Rosita<\/em><\/strong>, by Luc\u00eda Ravanelli &#8211; 15\u2019<br \/><br \/><br \/><strong>ENERC Exhibition<\/strong><br \/><strong><em>Cuarto oscuro<\/em><\/strong>, by Erik Freund &#8211; 13\u2019<br \/><strong><em>Distancias<\/em><\/strong>, by Pablo Alejandro Aramayo &#8211; 14\u2019<br \/><strong><em>El halc\u00f3n<\/em><\/strong>, by Fernando Caruso &#8211; 15\u2019<br \/><strong><em>Esta herida cuando no cicatriza se vuelve piedra<\/em><\/strong>, by Nicol\u00e1s Turjanski &#8211; 13\u2019<br \/><strong><em>Hambre<\/em><\/strong>, by Diana Quiroga &#8211; 12\u2019<br \/><strong><em>Sunchos van<\/em><\/strong>, by Carolina Costa Fern\u00e1ndez &#8211; 12\u2019<br \/><br \/><br \/><strong>Pantalla UBA &#8211; Outside, the Sun Explodes<\/strong><br \/><strong><em>Ayllu<\/em><\/strong>, by Giselle Carrazco Cochachin, Mauricio Clavijo Velasco, Quimey Muscio &#8211; 7\u2019<br \/><strong><em>Betti<\/em><\/strong>, by Nina Marchi &#8211; 11\u2019<br \/><strong><em>Cr\u00f3nicas indelebles<\/em><\/strong>, by Camila Beccaria &#8211; 3\u2019<br \/><strong><em>Cuerpol\u00edgono<\/em><\/strong>, by \u00c1ngel Gallegos, Sof\u00eda Basail, Octavio Ferrari, Violeta Fontenla &#8211; 2\u2019<br \/><strong><em>El fin de los temas<\/em><\/strong>, by Ignacio Dagostino, Angelbert Evia, Lenny Forster, Florencia Gonz\u00e1lez, Victoria Robin, Tiago Picolo &#8211; 2\u2019<br \/><strong><em>El \u00faltimo viaje de mi abuelo (y otras formas de partir)<\/em><\/strong>, by Candela Robles, Ivana Kairiyama, Carmela Favier, Gonzalo Gelpi &#8211; 5\u2019<br \/><strong><em>Franca, mi amiga la ballena<\/em><\/strong>, by Laura Paulina L\u00f3pez Valencia &#8211; 10\u2019<br \/><strong><em>Koren<\/em><\/strong>, by Vera Concilio, Milena Pellettieri, Thais Servin &#8211; 3\u2019<br \/><strong><em>Luces ciegas<\/em><\/strong>, by Quimey Muscio &#8211; 6\u2019<br \/><strong><em>Luna de sangre<\/em><\/strong>, by Julieta Carla Pileci &#8211; 5\u2019<br \/><strong><em>Mientras recuerdo el salir<\/em><\/strong>, by Iv\u00e1n Egurza &#8211; 4\u2019<br \/><em><strong>Mucho tiempo por hoy<\/strong><\/em>, by Corina Safar, Inti Patr\u00f3n, Camila Ruggiero, Florencia Gold &#8211; 3\u2019<br \/><strong><em>No podr\u00eda<\/em><\/strong>, by Giselle Carrazco Cochachin, Mauricio Clavijo Velasco &#8211; 8\u2019<br \/><strong><em>No se puede ver el sol o morir por mucho tiempo<\/em><\/strong>, by Emiliano Campos &#8211; 4\u2019<br \/><strong><em>Pandemia<\/em><\/strong>, by Valeria Lee &#8211; 1\u2019<br \/><strong><em>Ramal Infinito<\/em><\/strong>, by Arturo Spano &#8211; 3\u2019<br \/><strong><em>Solo el viento<\/em><\/strong>, by Roc\u00edo Ail\u00e9n Elisii &#8211; 4\u2019<br \/><strong><em>Un bacio<\/em><\/strong>, by Ailen Miglioranza, Mar\u00eda Bel\u00e9n Balzani, Valentina Mar\u00eda Scala Federici &#8211; 8\u2019<br \/><br \/><br \/><strong>Short Films &#8211; UTDT Film Program<\/strong><br \/><strong><em>Amor de verano<\/em><\/strong>, by Eline Marx\u00a0&#8211; 21\u2019<br \/><strong><em>Esta no es una historia sobre China<\/em><\/strong>, by Francisca Jim\u00e9nez Ortegate &#8211; 16\u2019<br \/><strong><em>Los confidentes<\/em><\/strong>, by Nicol\u00e1s Turjanski &#8211; 8\u2019<br \/><strong><em>Los nidos<\/em><\/strong>, by Sof\u00eda Brihet\u00a0&#8211; 11\u2019<br \/><strong><em>Meu pai, a c\u00e2mera e eu (Mi padre, la c\u00e1mara y yo)<\/em><\/strong>, by Felipe Camargo de Moura Campos &#8211; 16\u2019<br \/><strong><em>Para ella<\/em><\/strong>, by Camila Meyer &#8211; 14\u2019<br \/><br \/><br \/><strong>14th edition of \u201c24 Hours of National Film\u201d<\/strong><br \/><br \/><br \/><br \/><strong>CAREERS AND HOMAGES<\/strong><br \/><br \/><strong>Career: F\u00e9lix \u201cChango\u201d Monti<\/strong><br \/><strong><em>Al final del t\u00fanel<\/em><\/strong>, by Rodrigo Grande &#8211; 2016 &#8211; 120\u2019<br \/><strong><em>El viaje<\/em><\/strong>, by Fernando \u201cPino\u201d Solanas &#8211; 1992 &#8211; 136\u2019<br \/><br \/><br \/><strong>Career: Annamar\u00eda Muchnik<\/strong><br \/><br \/><br \/><strong>Career: Pepe Soriano<\/strong><br \/><strong><em>La Patagonia rebelde<\/em><\/strong>, by H\u00e9ctor Olivera &#8211; 1974 &#8211; 103\u2019<br \/><strong><em>Lugares comunes<\/em><\/strong>, by Adolfo Aristarain &#8211; 2002 &#8211; 108\u2019<br \/><br \/><br \/><strong>Homage: David \u201cCoco\u201d Blaustein<\/strong><br \/><strong><em>Bot\u00edn de guerra<\/em><\/strong>, by David \u201cCoco\u201d Blaustein &#8211; 2000 &#8211; 117\u2019<br \/><strong><em>Cazadores de utop\u00edas<\/em><\/strong>, by David \u201cCoco\u201d Blaustein &#8211; 1995 &#8211; 152\u2019<br \/><strong><em>Porotos de soja<\/em><\/strong>, by David \u201cCoco\u201d Blaustein, Osvaldo Daicich &#8211; 2009 &#8211; 98\u2019<br \/><strong><em>Se va a acabar<\/em><\/strong>, by Andr\u00e9s Cedr\u00f3n, David \u201cCoco\u201d Blaustein &#8211; 2021 &#8211; 115\u2019<br \/><br \/><br \/><strong>Homage: Jorge Coscia<\/strong><br \/><strong><em>Luca vive<\/em><\/strong>, by Jorge Coscia &#8211; 2002 &#8211; 111\u2019<br \/><strong><em>Sentimientos: Mirta de Liniers a Estambul<\/em><\/strong>, by Guillermo Saura, Jorge Coscia &#8211; 1987 &#8211; 97\u2019<br \/><br \/><br \/><strong>Homage: Paola Su\u00e1rez<\/strong><br \/><strong><em>Atl\u00e1ntida<\/em><\/strong>, by In\u00e9s Mar\u00eda Barrionuevo &#8211; 2014 &#8211; 79\u2019<br \/><strong><em>El otro verano<\/em><\/strong>, by Juli\u00e1n Giulianelli &#8211; 2018 &#8211; 71\u2019<br \/><br \/><br \/><strong>MAR DEL PLATA NIGHTS<\/strong><br \/><br \/><strong><em>El desarmadero<\/em><\/strong>, by Eduardo Pinto<br \/><strong><em>Ex casados<\/em><\/strong>, by Sabrina Farji<br \/><strong><em>Causalidad<\/em><\/strong>, by WHO<br \/><br \/><br \/><br \/><strong>CLINT EASTWOOD: A CINEMATIC LEGACY &#8211; 50th CELEBRATION<\/strong><br \/><br \/><strong><em>Harry el sucio \/ Dirty Harry<\/em><\/strong>, by Clint Eastwood &#8211; 102\u2019<br \/><strong><em>Francotirador \/ American Sniper<\/em><\/strong>, by Clint Eastwood &#8211; 132\u2019<br \/><strong><em>Gran Torino<\/em><\/strong>, by Clint Eastwood &#8211; 117\u2019<br \/><strong><em>Los imperdonables \/ Unforgiven<\/em><\/strong>, by Clint Eastwood &#8211; 131\u2019<br \/><strong><em>Los puentes de Madison \/ The Bridges of Madison County<\/em><\/strong>, by Clint Eastwood &#8211; 135\u2019<br \/><strong><em>Sully: Haza\u00f1a en el Hudson \/ Sully<\/em><\/strong>, by Clint Eastwood &#8211; 96\u2019<br \/><strong><em>La mula \/ The Mule<\/em><\/strong>, by Clint Eastwood &#8211; 117\u2019<br \/><br \/><br \/><br \/><strong>AWARDS<br \/><br \/>INTERNATIONAL COMPETITION<\/strong><br \/><strong>Astor Piazzolla Award to the Best Feature Film<\/strong><br \/><strong><em>Hit the Road<\/em><\/strong>\u00a0by Panah Panahi<br \/><br \/><strong>Astor Piazzolla Special Jury Award<\/strong><br \/><strong><em>What Do We See When We Look at the Sky?<\/em><\/strong>\u00a0by Alexandre Koberidze<br \/><br \/><strong>Astor Piazzolla Award for Best Direction<\/strong><br \/>Miguel Gomes and Maureen Fazendeiro by\u00a0<strong><em>Di\u00e1rios de Otsoga<\/em><\/strong><br \/><br \/><strong>Astor Piazzolla Award for Best Acting<\/strong><br \/>Tie for Candela Recio in\u00a0<strong><em>Qui\u00e9n lo impide<\/em><\/strong>\u00a0and Zelda Adams in\u00a0<strong><em>Hellbender<\/em><\/strong><br \/><br \/><strong>Astor Piazzolla Award for Best Script<\/strong><br \/>Roman Z\u00fcrcher and Silvan Z\u00fcrcher for\u00a0<strong><em>The Girl and the Spider<\/em><\/strong><br \/><br \/><strong>Honorable Mention<\/strong><br \/><strong><em>Esp\u00edritu sagrado<\/em><\/strong>\u00a0by Chema Garc\u00eda Ibarra<br \/><br \/><strong>Honorable Mention<\/strong><br \/><strong><em>Kim Min-young of the Report Card<\/em><\/strong>\u00a0by Lim Jisun and Lee Jae-eun<br \/><br \/><br \/><strong>LATIN AMERICAN COMPETITION<\/strong><br \/><strong>Astor Piazzolla Award to the Best Feature Film<\/strong><br \/><strong><em>Jes\u00fas L\u00f3pez<\/em><\/strong>\u00a0by Maximiliano Schonfeld<br \/><br \/><strong>Honorable Mention<\/strong><br \/><strong><em>De todas las cosas que se han de saber<\/em><\/strong>\u00a0by Sof\u00eda Vel\u00e1zquez N\u00fa\u00f1ez<br \/><br \/><strong>Astor Piazzolla Award to the Best Short Film<\/strong><br \/><strong><em>S\u00edndrome de los quietos<\/em><\/strong>\u00a0by El\u00edas Le\u00f3n Siminiani<br \/><br \/><br \/><strong>ARGENTINE COMPETITION<\/strong><br \/><strong>Astor Piazzolla Award to the Best Feature Film<\/strong><br \/><strong><em>Las cercanas<\/em><\/strong>\u00a0by Mar\u00eda \u00c1lvarez<br \/><br \/><strong>Jos\u00e9 Mart\u00ednez Su\u00e1rez Award for the Best Direction<\/strong><br \/><strong><em>Danubio by<\/em><\/strong>\u00a0Agustina P\u00e9rez Rial<br \/><br \/><b>Honorable Mention<\/b><br \/><strong><em>Noh <\/em><\/strong>by\u00a0Marco Canale, Juan Fern\u00e1ndez Gebauer e Ignacio Ragone<br \/><br \/><strong>Astor Piazzolla Award for the Best Short Film<\/strong><br \/><strong><em>Engomado <\/em><\/strong>by\u00a0Toia Bonino y Marcos Joubert<br \/><br \/><br \/><strong>COMPETENCIA ESTADOS ALTERADOS<\/strong><br \/><strong>Premio Astor Piazzolla a Mejor Pel\u00edcula<\/strong><br \/><strong><em>A Night of Knowing Nothing<\/em><\/strong>\u00a0de Payal Kapadia<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Nuclear Family<\/em><\/strong>\u00a0de Erin Wilkerson y Travis Wilkerson<br \/><br \/><br \/><strong>COMPETENCIA EN TR\u00c1NSITO \/ WORK IN PROGRESS<\/strong><br \/><strong>Premio Astor Piazzolla al Mejor Proyecto<\/strong><br \/><strong><em>Mon\u00f3logo colectivo<\/em><\/strong>\u00a0de Jessica Sarah Rinland<br \/><br \/><br \/><strong>PREMIO DE LA CR\u00cdTICA JOVEN A LA MEJOR \u00d3PERA PRIMA LATINOAMERICANA<\/strong><br \/><strong>Mejor Pel\u00edcula<\/strong><br \/><strong><em>Estrella roja<\/em><\/strong>\u00a0de Sof\u00eda Bordenave<br \/><br \/><br \/><strong>PREMIOS OTORGADOS POR PATROCINADORES<\/strong><br \/><br \/><strong>COMPETENCIA EN TR\u00c1NSITO \/ WORK IN PROGRESS<\/strong><br \/><strong>Premio Banco Naci\u00f3n, Cinecolor y Cono del Silencio al Mejor proyecto EN TR\u00c1NSITO<\/strong><br \/><strong><em>Mon\u00f3logo colectivo<\/em><\/strong>\u00a0de Jessica Sarah Rinland<br \/><br \/><strong>COMPETENCIA LATINOAMERICANA<br \/>Premio Alta Definici\u00f3n Argentina a la Mejor Pel\u00edcula de la Competencia Latinoamericana<\/strong><br \/><strong><em>Jes\u00fas L\u00f3pez\u00a0<\/em><\/strong>de Maximiliano Schonfeld<br \/><br \/><strong>COMPETENCIA ARGENTINA DE LARGOMETRAJES<br \/>Premio Banco Naci\u00f3n, Lahaye Media y Pomeranec Sonido al Mejor Largometraje Argentino<\/strong><br \/><strong><em>Las cercanas<\/em><\/strong>\u00a0de Mar\u00eda \u00c1lvarez<br \/><br \/><strong>COMPETENCIA ARGENTINA DE CORTOMETRAJES<br \/>Premio Banco Naci\u00f3n, Lahaye Media y Pomeranec Sonido al Mejor Cortometraje Argentino<\/strong><br \/><strong><em>Engomado\u00a0<\/em><\/strong>de Toia Bonino y Marcos Joubert<br \/><br \/><strong>COMPETENCIA ESTADOS ALTERADOS<br \/>Premio MUBI a la Mejor Pel\u00edcula<\/strong><br \/><strong><em>A Night of Knowing Nothing<\/em><\/strong>\u00a0de Payal Kapadia<br \/><br \/><strong>GUESTS<\/strong><br \/><br \/>Apichatpong Weerasethakul, Helke Misselwitz, Ry\u00fbsuke Hamaguchi, Phil Tippett, Panah Panahi, Stefano Knuchel, Denis C\u00f4t\u00e9, Juho Kuosmanen, Alexandre Koberidze, Celine Sciamma, Pablo Giorgelli, Michelangelo Frammartino, Jisun Lim, Jae-eun Lee, Ayunu Watanabe, Jeanine Meerapfel, F\u00e9lix &#8220;Chango&#8221; Monti, Toby Poser, John Adams, Zelda Adams, Ana Katz, Peter Tscherkassky, Rhayne Vermette, Susana Nobre, Lee Ji-won, Erin Wilkerson, Travis Wilkerson, Ramon Z\u00fcrcher, Silvan Z\u00fcrcher, Agustina San Mart\u00edn, Cesar Cabral, Alejandro Maci, Chema Garc\u00eda Ibarra, Agustina P\u00e9rez Rial, Payal Kapadia, Andreas Fontana, Annamar\u00eda Muchnik, Pepe Soriano, Leo Bittencourt, Graciela Borges, Maximiliano Schonfeld, Iv\u00e1n Fund, Betiana Cappato, Daniela Seggiaro, Paola Michaels, Marco Canale, Ignacio Ragone, Juan Fern\u00e1ndez Gebauer, Mat\u00edas Pi\u00f1eiro, Lois Pati\u00f1o, Manuel Nieto Zas, Laura Santullo, Rodrigo Pl\u00e1, Isabelle Prim, Francina Carbonell.\u00a0<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logue Program Guide Concurso internacional de Estudios Cr\u00edticos sobre Cine Argentino Domingo Di N\u00fabila &#8211; Winners Figuras de barro (Firzt Prize) Autor: Gustavo Ducasse El caso Vlasta Lah (First Honorable Mention) Authors: Mart\u00edn Miguel Pereira and Candela Mariana Vey Una nueva mirada al imaginario panamericanista en el caso de Melod\u00edas de Am\u00e9rica (Second [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3022,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-3608","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>36\u00b0 Edition (2021) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 41\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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