{"id":3616,"date":"2026-10-27T17:12:21","date_gmt":"2026-10-27T17:12:21","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3616"},"modified":"2026-10-27T17:43:02","modified_gmt":"2026-10-27T17:43:02","slug":"35-edicion-2020","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/es\/35-edicion-2020\/","title":{"rendered":"35\u00b0 Edici\u00f3n (2020)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"784\" height=\"1024\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_35ed-2-784x1024.jpg\" alt=\"\" class=\"wp-image-3621\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_35ed-2-784x1024.jpg 784w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_35ed-2-230x300.jpg 230w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_35ed-2-768x1003.jpg 768w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_35ed-2.jpg 1000w\" sizes=\"auto, (max-width: 784px) 100vw, 784px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Archivos <strong>Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cat\u00e1logo<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Gu\u00eda de Programaci\u00f3n<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">\u00bfQu\u00e9 ser\u00e1 del cine? Postales para el futuro<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\">Cecilia Barrionuevo y Marcelo Alderete (compiladores) Sobre una idea de Marcelo Alderete<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">El asombro y la audacia. El cine de Mar\u00eda Luisa Bemberg<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Cuerpos-Invadidos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/Una-Retrospectiva-del-Futuro.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a>Julia Kratje y Marcela Visconti (compiladoras)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/youtu.be\/Br4p9v1hvBM\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Del 21 al 29 de Noviembre<br \/><br \/>AUTORIDADES<\/strong><br \/><br \/><strong>PRESIDENTE INCAA<\/strong><br \/>Luis Puenzo<br \/><br \/><strong>PRESIDENTE DEL FESTIVAL<\/strong><br \/>Fernando E. Juan Lima<br \/>\u00a0<br \/><strong>DIRECTORA ART\u00cdSTICA<\/strong><br \/>Cecilia Barrionuevo<br \/><br \/><strong>PRODUCTOR GENERAL<\/strong><br \/>Alejandro Puente<br \/><br \/><br \/>\u00a0<br \/><br \/><strong>PEL\u00cdCULA DE APERTURA<\/strong><br \/><br \/><strong><em>La hora de los hornos &#8211; Parte 1: Neocolonialismo y violencia \/ The Hour of the Furnaces &#8211; Chapter 1: Neocolonialism and Violence<\/em><\/strong>, de Fernando Pino Solanas &#8211; Argentina &#8211; 1968 &#8211; 156\u2019\u00a0<br \/>\u00a0<br \/><br \/><br \/><strong>COMPETENCIAS<br \/>\u00a0<br \/>Competencia Internacional<\/strong><br \/><strong><em>Adi\u00f3s a la memoria \/ A Farewell to Memory<\/em><\/strong>, de Nicol\u00e1s Prividera &#8211; Argentina &#8211; 2020 &#8211; 95\u2019<br \/><strong><em>El a\u00f1o del descubrimiento \/ The Year of the Discovery<\/em><\/strong>, de Luis L\u00f3pez Carrasco &#8211; Espa\u00f1a, Suiza &#8211; 2020 &#8211; 200\u2019<br \/><strong><em>Isabella<\/em><\/strong>, de Mat\u00edas Pi\u00f1eiro &#8211; Argentina &#8211; 2020 &#8211; 80\u2019<br \/><strong><em>Las Mil y Una \/ One in a Thousand<\/em><\/strong>, de Clarisa Navas &#8211; Argentina, Alemania &#8211; 2020 &#8211; 120\u2019<br \/><strong><em>Moving on \/ Nam-mae-ui Yeo-reum-bam<\/em><\/strong>, de Dan-bi Yoon &#8211; Corea del Sur &#8211; 2020 &#8211; 105\u2019<br \/><strong><em>Red Post on Escher Street \/ Escher dori no Akai Posuto<\/em><\/strong>, de Sion Sono &#8211; Jap\u00f3n &#8211; 2020 &#8211; 147\u2019<br \/><strong><em>Seize printemps \/ Spring Blossom<\/em><\/strong>, de Suzanne Lindon &#8211; Francia &#8211; 2020 &#8211; 73\u2019<br \/><strong><em>Sophie Jones<\/em><\/strong>, de Jessie Barr &#8211; Estados Unidos &#8211; 2019 &#8211; 85\u2019<br \/><strong><em>Nosotros nunca moriremos \/ We Will Never Die<\/em><\/strong>, de Eduardo Crespo &#8211; Argentina &#8211; 2020 &#8211; 83\u2019<br \/><strong><em>Shiva Baby<\/em><\/strong>, de Emma Seligman &#8211; Estados Unidos &#8211; 2020 &#8211; 77\u2019<br \/><br \/><br \/><strong>Competencia Latinoamericana<\/strong><br \/><strong><em>Al morir la matin\u00e9e \/ Red Screening<\/em><\/strong>, de Maximiliano Contenti &#8211; Uruguay &#8211; 2020 &#8211; 88\u2019<br \/><strong><em>Chico ventana tambi\u00e9n quisiera tener un submarino \/ Window Boy Would Also Like to Have a Submarine<\/em><\/strong>, de Alex Piperno &#8211; Argentina, Brasil, Pa\u00edses Bajos, Filipinas &#8211; 2020 &#8211; 85\u2019<br \/><strong><em>Como el cielo despu\u00e9s de llover \/ The Calm After the Storm<\/em><\/strong>, de Mercedes Gaviria &#8211; Argentina, Colombia &#8211; 2020 &#8211; 73\u2019<br \/><strong><em>Fauna<\/em><\/strong>, de Nicol\u00e1s Pereda &#8211; M\u00e9xico, Canad\u00e1 &#8211; 2020 &#8211; 70\u2019<br \/><strong><em>La escuela del bosque<\/em><\/strong>, de Gonzalo Castro &#8211; Argentina &#8211; 2020 &#8211; 88\u2019<br \/><strong><em>Los conductos<\/em><\/strong>, de Camilo Restrepo &#8211; Francia, Colombia, Brasil &#8211; 2020 &#8211; 70\u2019<br \/><strong><em>Mascarados \/ Masquerades<\/em><\/strong>, de Marcela Borela, Henrique Borela &#8211; Brasil &#8211; 2020 &#8211; 66\u2019<br \/><strong><em>Panquiaco<\/em><\/strong>, de Ana Elena Tejera &#8211; Panam\u00e1 &#8211; 2020 &#8211; 84\u2019<br \/><strong><em>Piola<\/em><\/strong>, de Luis Alejandro P\u00e9rez &#8211; Chile &#8211; 2020 &#8211; 100\u2019<br \/><strong><em>Selva tr\u00e1gica \/ Tragic Jungle<\/em><\/strong>, de Yulene Olaizola \u2013 M\u00e9xico, Francia, Colombia &#8211; 2020 &#8211; 96\u2019<br \/><br \/><br \/><strong>Competencia Latinoamericana de Cortos<\/strong><br \/><strong><em>Colecci\u00f3n privada \/ Private Collection<\/em><\/strong>, de Elena Duque &#8211; Espa\u00f1a, Venezuela &#8211; 2020 &#8211; 13\u2019<br \/><strong><em>Correspondencia<\/em><\/strong>, de Dominga Sotomayor, Carla Sim\u00f3n &#8211; Chile, Espa\u00f1a &#8211; 2020 &#8211; 20\u2019<br \/><strong><em>En la era \/ In the Era<\/em><\/strong>, de Manuela De Laborde &#8211; M\u00e9xico, Portugal &#8211; 2020 &#8211; 19\u2019<br \/><strong><em>Obachan<\/em><\/strong>, de Nicolasa Ruiz &#8211; M\u00e9xico &#8211; 2020 &#8211; 15\u2019<br \/><strong><em>Revelaciones \/ Revelations<\/em><\/strong>, de Juan Soto Taborda &#8211; Colombia, Estados Unidos &#8211; 2020 &#8211; 29\u2019<br \/><strong><em>Vit\u00f3ria<\/em><\/strong>, de Ricardo Alves Jr. &#8211; Brasil &#8211; 2009 &#8211; 14\u2019\u00a0\u00a0<br \/><br \/><br \/><strong>Competencia Argentina<\/strong><br \/><strong><em>1982<\/em><\/strong>, de Lucas Gallo \u2013 Argentina, Brasil &#8211; 2019 &#8211; 90\u2019<br \/><strong><em>El tiempo perdido \/ Le Temps Perdu<\/em><\/strong>, de Mar\u00eda \u00c1lvarez &#8211; Argentina &#8211; 2020 &#8211; 102\u2019<br \/><strong><em>Esquirlas \/ Splinters<\/em><\/strong>, de Natalia Garayalde &#8211; Argentina &#8211; 2020 &#8211; 70\u2019<br \/><strong><em>Historia de lo oculto \/ History of the Occult<\/em><\/strong>, de Cristian Ponce &#8211; Argentina &#8211; 2020 &#8211; 82\u2019<br \/><strong><em>La sangre en el ojo \/ Seeing Red<\/em><\/strong>, de Toia Bonino &#8211; Argentina &#8211; 2020 &#8211; 66\u2019<br \/><strong><em>Las motitos \/ Little Bikes<\/em><\/strong>, de In\u00e9s Mar\u00eda Barrionuevo, Mar\u00eda Gabriela Vidal &#8211; Argentina &#8211; 2020 &#8211; 84\u2019<br \/><strong><em>Las Ranas \/ The Frogs<\/em><\/strong>, de Edgardo Castro &#8211; Argentina &#8211; 2020 &#8211; 77\u2019<br \/><strong><em>Mam\u00e1, mam\u00e1, mam\u00e1 \/ Mum, Mum, Mum<\/em><\/strong>, de Sol Berruezo Pichon-Rivi\u00e8re &#8211; Argentina &#8211; 2020 &#8211; 65\u2019<br \/><strong><em>Un crimen com\u00fan \/ A Common Crime<\/em><\/strong>, de Francisco M\u00e1rquez &#8211; Argentina, Brasil, Suiza &#8211; 2020 &#8211; 96\u2019<br \/><strong><em>Un cuerpo estall\u00f3 en mil pedazos \/ A Body Exploded into a Thousand Pieces<\/em><\/strong>, de Mart\u00edn Sappia &#8211; Argentina &#8211; 2020 &#8211; 91\u2019<br \/>\u00a0<br \/>\u00a0<br \/><strong>Competencia Argentina de Cortos<\/strong><br \/><strong><em>Desaparici\u00f3n incompleta \/ Incomplete Disappearance<\/em><\/strong>, de Alan Mart\u00edn Segal &#8211; Argentina &#8211; 2020 &#8211; 13\u2019<br \/><strong><em>Hi, Sweety<\/em><\/strong>, de Celeste Prezioso &#8211; Argentina &#8211; 2020 &#8211; 30\u2019<br \/><strong><em>Homenaje a la obra de Philip Henry Gosse \/ Homage to the Work of Philip Henry Gosse<\/em><\/strong>, de Pablo Mart\u00edn Weber &#8211; Argentina &#8211; 2020 &#8211; 22\u2019<br \/><strong><em>Las credenciales \/ The Credentials<\/em><\/strong>, de Manuel Ferrari &#8211; Argentina, Alemania &#8211; 2020 &#8211; 20\u2019<br \/><strong><em>Las sombras \/ The Shadows<\/em><\/strong>, de Paulo P\u00e9cora &#8211; Argentina &#8211; 2020 &#8211; 18\u2019<br \/><strong><em>Los arcontes \/ Archons<\/em><\/strong>, de Natalia Labak\u00e9, Agustina P\u00e9rez Rial &#8211; Argentina &#8211; 2020 &#8211; 15\u2019<br \/><strong><em>Los primos esperan \/ Cousins Wait<\/em><\/strong>, de Marina Nerea Malchiodi &#8211; Argentina &#8211; 2020 &#8211; 20\u2019<br \/><strong><em>Luz distante &#8211; Cap\u00edtulo 1 &#8211; Les desventurades \/ Distant Light &#8211; Part 1, The Unfortunates<\/em><\/strong>, de Santiago Reale &#8211; Argentina &#8211; 2020 &#8211; 29\u2019<br \/>\u00a0<br \/><br \/><strong>Competencia Estados Alterados<\/strong><br \/><strong><em>Anunciaron tormenta \/ A Storm Was Coming<\/em><\/strong>, de Javier Fern\u00e1ndez V\u00e1zquez &#8211; Espa\u00f1a &#8211; 2020 &#8211; 88\u2019<br \/><strong><em>Cartas de una fan\u00e1tica de Whistler a un fan\u00e1tico de Conrad \/ Letters from a Whistler Fan to a Conrad Fan<\/em><\/strong>, de Claudia Carre\u00f1o Gajardo &#8211; Chile &#8211; 2020 &#8211; 72\u2019<br \/><strong><em>Deja que las luces de alejen \/ Let the Lights Move Away<\/em><\/strong>, de Javier Favot &#8211; Argentina, Uruguay &#8211; 2020 &#8211; 67\u2019<br \/><strong><em>El tango del viudo y su espejo deformante \/ The Tango of the Widower and its Distorting Mirror<\/em><\/strong>, de Ra\u00fal Ruiz, Valeria Sarmiento &#8211; Chile &#8211; 1967-2020 &#8211; 63\u2019<br \/><strong><em>Heliconia<\/em><\/strong>, de Paula Rodr\u00edguez Polanco &#8211; Colombia, Francia &#8211; 2020 &#8211; 27\u2019<br \/><strong><em>Homelands \/ Domovine<\/em><\/strong>, de Jelena Maksimovi\u0107 &#8211; Serbia &#8211; 2020 &#8211; 63\u2019<br \/><strong><em>Look Then Below<\/em><\/strong>, de Ben Rivers &#8211; Reino Unido &#8211; 2020 &#8211; 22\u2019<br \/><strong><em>L\u00faa vermella \/ Red Moon Tide<\/em><\/strong>, de Lois Pati\u00f1o &#8211; Espa\u00f1a &#8211; 2020 &#8211; 84\u2019<br \/><strong><em>Mes chers espions \/ My Dear Spies<\/em><\/strong>, de Vladimir L\u00e9on &#8211; Francia, Rusia &#8211; 2020 &#8211; 134\u2019<br \/><strong><em>No existen treinta y seis maneras de mostrar c\u00f3mo un hombre se sube a un caballo \/ There Are Not Thirty-Six Ways of Showing a Man Getting on a Horse<\/em><\/strong>, de Nicol\u00e1s Zukerfeld &#8211; Argentina &#8211; 2020 &#8211; 63\u2019<br \/><strong><em>R\u00edo Turbio \/ Shady River<\/em><\/strong>, de Tatiana Maz\u00fa Gonz\u00e1lez &#8211; Argentina &#8211; 2020 &#8211; 82\u2019<br \/><strong><em>The Exit of the Trains<\/em><\/strong>, de Radu Jude, Adrian Ciofl\u00e2nc\u0103 &#8211; Rumania &#8211; 2020 &#8211; 175\u2019\u00a0<br \/>\u00a0<br \/><br \/><strong>Estados Alterados &#8211; Fuera de Competencia<\/strong><br \/><strong><em>Bajo los tilos \/ Under the Linden Trees<\/em><\/strong>, de Flavia de la Fuente &#8211; Argentina &#8211; 2020 &#8211; 16\u2019<br \/><strong><em>Poilean<\/em><\/strong>, de Claudio Caldini &#8211; Argentina &#8211; 2020 &#8211; 14\u2019<br \/><strong><em>Poussi\u00e8res \/ Dusts<\/em><\/strong>, de Fabrice Aragno &#8211; Suiza &#8211; 2020 &#8211; 2\u2019\u00a0<br \/><br \/><br \/><strong>Competencia En Tr\u00e1nsito\u00a0<\/strong><br \/><strong><em>Al amparo del cielo \/ Under the Sky Shelter<\/em><\/strong>, de Diego Acosta &#8211; Chile<br \/><strong><em>\u00c1lbum para la juventud \/ Album for the Youth<\/em><\/strong>, de Malena Solarz &#8211; Argentina<br \/><strong><em>De todas las cosas que se pueden saber y de algunas otras \/ About Everything There is to Know and Then Some<\/em><\/strong>, de Sof\u00eda Vel\u00e1zquez N\u00fa\u00f1ez &#8211; Per\u00fa<br \/><strong><em>El polvo \/ Into Dust<\/em><\/strong>, de Nicol\u00e1s Torchinsky &#8211; Argentina<br \/><strong><em>En compa\u00f1\u00eda \/ Companions<\/em><\/strong>, de Ada Frontini &#8211; Argentina<br \/><strong><em>Estrella roja \/ Red Star<\/em><\/strong>, de Sof\u00eda Bordenave &#8211; Argentina<br \/><strong><em>Husek<\/em><\/strong>, de Daniela Seggiaro &#8211; Argentina<br \/><strong><em>Morichales<\/em><\/strong>, de Chris Gude &#8211; Colombia, Estados Unidos<br \/><strong><em>Los paisajes \/ Landscapes<\/em><\/strong>, de Hern\u00e1n Fern\u00e1ndez &#8211; Argentina<br \/><strong><em>Mostro<\/em><\/strong>, de Jos\u00e9 Pablo Escamilla &#8211; M\u00e9xico<br \/><strong><em>Sobre las nubes \/ About the Clouds<\/em><\/strong>, de Mar\u00eda Aparicio &#8211; Argentina<br \/><strong><em>Una escuela en Cerro Hueso \/ A School in Bone Hill<\/em><\/strong>, de Betiana Cappato &#8211; Argentina<br \/><br \/><br \/><strong>Selecci\u00f3n Oficial Fuera de Competencia<\/strong><br \/><strong><em>El pa\u00eds de las \u00faltimas cosas \/In the Country of Last Things<\/em><\/strong>, de Alejandro Chomski &#8211; Argentina, Rep\u00fablica Dominicana \u2013 2020 &#8211; 89\u2019<br \/><strong><em>En la frontera \/ In the Border<\/em><\/strong>, de Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2020 &#8211; 78\u2019<br \/><strong><em>Inmortal \/ Immortal<\/em><\/strong>, de Fernando Spiner &#8211; Argentina &#8211; 2020 &#8211; 97\u2019<br \/><strong><em>Las siamesas \/ The Siamese Bond<\/em><\/strong>, de Paula Hern\u00e1ndez &#8211; Argentina &#8211; 2020 &#8211; 80\u2019<br \/><strong><em>Retiros (in)voluntarios \/ (In)Voluntary Retirements<\/em><\/strong>, de Sandra Gugliotta &#8211; Argentina &#8211; 2020 &#8211; 85\u2019<br \/><strong><em>Vicenta<\/em><\/strong>, de Dar\u00edo Doria &#8211; Argentina &#8211; 2020 &#8211; 69\u2019<br \/><strong><em>Edici\u00f3n ilimitada<\/em><\/strong>,\u00a0de Edgardo Cozarinsky, Santiago Loza, Virginia Cosin, Romina Paula &#8211; Argentina &#8211; 2020 &#8211; 74\u2019<br \/><br \/><br \/><strong>PANORAMA<\/strong><br \/><br \/><strong>Autores<\/strong><br \/><strong><em>Atarrabi et Mikelats<\/em><\/strong>,\u00a0de Eug\u00e8ne Green &#8211; Francia, B\u00e9lgica &#8211; 2020 &#8211; 122\u2019<br \/><strong><em>The Last City \/ Die letzte Stadt<\/em><\/strong>, de Heinz Emigholz &#8211; Alemania &#8211; 2019 &#8211; 100\u00b4<br \/><strong><em>The Woman Who Ran \/ Domangchin yeoja<\/em><\/strong>, de Hong Sangsoo &#8211; Corea del Sur &#8211; 2020 &#8211; 77\u2019\u00a0<br \/><br \/><br \/><strong>Hora Cero<\/strong><br \/><strong><em>Come True<\/em><\/strong>,\u00a0de Anthony Scott Burns &#8211; Canad\u00e1 &#8211; 2020 &#8211; 105\u2019<br \/><strong><em>M\u00e9andre \/ Meander<\/em><\/strong>, de Mathieu Turi &#8211; Francia &#8211; 2020 &#8211; 90\u00b4<br \/><strong><em>Teddy<\/em><\/strong>, de Ludovic Boukherma, Zoran Boukherma &#8211; Francia &#8211; 2020 &#8211; 89\u2019\u00a0<br \/><br \/><br \/><strong>Mar de Chicas y Chicos<\/strong><br \/><strong><em>Boriya<\/em><\/strong>, de Min Sung Ah &#8211; Corea del Sur, Francia &#8211; 2020 &#8211; 17\u2019<br \/><strong><em>Bosquecito \/ Little Forest<\/em><\/strong>, de Paulina Moratore &#8211; Argentina &#8211; 2020 &#8211; 8\u2019<br \/><strong><em>El \u00e1rbol ya fue plantado \/ The Tree Has Been Planted<\/em><\/strong>, de Irene Blei &#8211; Argentina &#8211; 2020 &#8211; 7\u2019<br \/><strong><em>Leaf \/ L\u00edstek<\/em><\/strong>, de Aliona Baranova &#8211; Belar\u00fas, Rep\u00fablica Checa &#8211; 2020 &#8211; 6\u2019<br \/><strong><em>The Chronicles of Rebecca<\/em><\/strong>, de Yukiyo Teramoto &#8211; Jap\u00f3n &#8211; 2020 &#8211; 25\u2019<br \/><br \/><br \/><strong>TRAYECTORIAS<br \/>SELECCI\u00d3N OFICIAL &#8211; FUERA DE COMPETENCIA<\/strong><br \/><br \/>Manuel Antin<br \/><strong><em>Cort\u00e1zar &amp; Antin: Cartas iluminadas \/ Cort\u00e1zar &amp; Antin: Enlightened Letters<\/em><\/strong>, de Cinthia V. Rajschmir &#8211; Argentina &#8211; 2018 &#8211; 65\u2019<br \/><strong><em>La cifra impar \/ Odd Number<\/em><\/strong>, de Manuel Antin &#8211; Argentina &#8211; 1962 &#8211; 82\u2019<br \/><br \/>Edgardo Cozarinsky<br \/><strong><em>Edici\u00f3n ilimitada<\/em><\/strong>,\u00a0de Edgardo Cozarinsky, Santiago Loza, Virginia Cosin, Romina Paula &#8211; Argentina &#8211; 2020 &#8211; 74\u2019<br \/><strong><em>M\u00e9dium<\/em><\/strong>, de Edgardo Cozarinsky &#8211; Argentina &#8211; 2020 &#8211; 70\u2019<br \/><br \/>Norma Aleandro<br \/><strong><em>Norma Aleandro, el vuelo de la mariposa<\/em><\/strong>,\u00a0de Carlos Duarte Quin &#8211; Espa\u00f1a &#8211; 2020 &#8211; 73\u2019<br \/><br \/><br \/><strong>HOMENAJES<\/strong><br \/><br \/><strong>Homenaje a Pino Solanas<\/strong><br \/><strong><em>La hora de los hornos &#8211; Parte 1: Neocolonialismo y violencia \/ The Hour of the Furnaces &#8211; Chapter 1: Neocolonialism and Violence<\/em><\/strong>, de Fernando Pino Solanas &#8211; Argentina &#8211; 1968 &#8211; 156\u2019 (Pel\u00edcula de Apertura)<br \/><strong><em>Tangos. El exilio de Gardel \/ Tangos: The Exiles of Gardel<\/em><\/strong>, de Fernando Pino Solanas &#8211; Argentina, Francia &#8211; 1985 &#8211; 119\u2019<br \/><strong><em>Sur \/ The South<\/em><\/strong>, de Fernando Pino Solanas &#8211; Argentina, Francia &#8211; 1988 &#8211; 127\u2019<br \/><strong><em>El viaje \/ The Journey<\/em><\/strong>, de Fernando Pino Solanas &#8211; Argentina, Francia, Espa\u00f1a, Reino Unido, M\u00e9xico &#8211; 1990 &#8211; 142\u2019<br \/><br \/><strong>Homenaje a Mar\u00eda Luisa Bemberg<\/strong><br \/><strong><em>Momentos<\/em><\/strong>,\u00a0de Mar\u00eda Luisa Bemberg &#8211; Argentina &#8211; 1981 &#8211; 90\u2019<br \/><strong><em>De eso no se habla<\/em><\/strong>, de Mar\u00eda Luisa Bemberg &#8211; Argentina &#8211; 1993 &#8211; 105\u2019<br \/><br \/><strong>Homenaje a Rosario Bl\u00e9fari<\/strong><br \/><strong><em>El arte musical<\/em><\/strong>,\u00a0de Nahuel Ugazio &#8211; Argentina &#8211; 2020 &#8211; 27<br \/><strong><em>Los due\u00f1os \/ The Owners<\/em><\/strong>, de Ezequiel Radusky, Agust\u00edn Toscano &#8211; Argentina &#8211; 2013 &#8211; 95\u2019<br \/><strong><em>Silvia Prieto<\/em><\/strong>, de Mart\u00edn Rejtman &#8211; Argentina &#8211; 1999 &#8211; 92\u2019<br \/><br \/><br \/><strong>FUNCIONES INSTITUCIONALES<\/strong><br \/><br \/><strong>25 a\u00f1os de Historias Breves &#8211; Cortometrajes<\/strong><br \/><strong><em>Guarisove<\/em><\/strong>, los olvidados, de Bruno Stagnaro &#8211; 1995<br \/><strong><em>Ojos de fuego<\/em><\/strong>, de Jorge Gaggero &#8211; 1995<br \/><strong><em>L\u00edneas de tel\u00e9fono<\/em><\/strong>, de Marcelo Brigante &#8211; 1996<br \/><strong><em>Aluap<\/em><\/strong>, de Tatiana Mere\u00f1uk, Hern\u00e1n Bel\u00f3n &#8211; 1997<br \/><strong><em>El s\u00e9ptimo d\u00eda<\/em><\/strong>, de Gabriel Lichtman &#8211; 1999<br \/><strong><em>La media medalla<\/em><\/strong>, de Marcos Grossi &#8211; 1999<br \/><strong><em>Vida nueva<\/em><\/strong>, de Lucas Santa Ana &#8211; 2013<br \/><strong><em>Superficies<\/em><\/strong>, de Mart\u00edn Aliaga &#8211; 2013<br \/><strong><em>En cr\u00edtica<\/em><\/strong>, de Luz Orlando Brennan &#8211; 2014<br \/><strong><em>Diamante mandar\u00edn<\/em><\/strong>, de Juan Mart\u00edn Hsu &#8211; 2015<br \/><strong><em>Cualquier similitud con la realidad es pura coincidencia<\/em><\/strong>, de Dolores Monta\u00f1o &#8211; 2016<br \/><strong><em>El capital<\/em><\/strong>, de Mat\u00edas A. Gamio &#8211; 2017<br \/><strong><em>Una cabrita sin cuernos<\/em><\/strong>, de Sebasti\u00e1n Dietsch &#8211; 2018<br \/><strong><em>La religiosa<\/em><\/strong>, de Andrea Armentano, Sof\u00eda Torre &#8211; 2018<br \/><strong><em>Noche de novias<\/em><\/strong>, de Santiago Larre, Mart\u00edn Cornaglia &#8211; 2018<br \/><strong><em>Encuentros lejanos<\/em><\/strong>, de Cristian Bernard &#8211; 1993<br \/><strong><em>Ratas<\/em><\/strong>, de Dieguillo Fern\u00e1ndez, Diego Saban\u00e9s &#8211; 1996<br \/><strong><em>Blanco i negro<\/em><\/strong>, de Fernando Saviamarina &#8211; 2008<br \/><strong><em>Los extra\u00f1os<\/em><\/strong>, de Sebasti\u00e1n Caulier &#8211; 2009<br \/><em><strong>Liebre 105<\/strong><\/em>, de Federico Rotstein, Sebasti\u00e1n Rotstein &#8211; 2013<br \/><strong><em>Hom\u00fanculo<\/em><\/strong>, de Exequiel Sambucetti &#8211; 2015<br \/><strong><em>Firpo<\/em><\/strong>, de Fernando Caneda &#8211; 2015<br \/><strong><em>Una mujer en el bosque<\/em><\/strong>, de C\u00e9sar Sodero &#8211; 2015<br \/><strong><em>Centauro<\/em><\/strong>, de Nicol\u00e1s Su\u00e1rez &#8211; 2016<br \/><strong><em>El agua de los sue\u00f1os<\/em><\/strong>, de Roc\u00edo Mu\u00f1oz, Pablo Fuertes &#8211; 2017<br \/><strong><em>El agua<\/em><\/strong>, de Andrea Dargenio<br \/><br \/><strong>Historias Breves 18<\/strong><br \/><br \/><strong>Muestra ENERC<\/strong><br \/><strong><em>Del fuego de los hornos<\/em><\/strong>, de Hern\u00e1n Paganini &#8211; 15\u2019<br \/><strong><em>El color del jacarand\u00e1<\/em><\/strong>, de Corina L\u00f3pez Roach &#8211; 15\u2019<br \/><strong><em>Enero<\/em><\/strong>, de Gabriel E. Mora &#8211; 12\u2019<br \/><strong><em>Impune<\/em><\/strong>, de Cecilia Hauff &#8211; 15\u2019<br \/><strong><em>Los cuerpos ajenos<\/em><\/strong>, de Samanta Bianucci &#8211; 12\u2019<br \/><strong><em>Tiempo de cosecha<\/em><\/strong>, de Pilar R\u00fcger Alonso &#8211; 12\u2019<br \/><br \/><strong>Pantalla UBA<\/strong><br \/><strong><em>Brown Sugar<\/em><\/strong>, de Albano Puliafito &#8211; 29\u2019<br \/><strong><em>Capilla del Diablo<\/em><\/strong>, de Nicol\u00e1s de B\u00f3rtoli &#8211; 8\u2019<br \/><strong><em>Convivencia<\/em><\/strong>, de Malena Ichkhanian, Luc\u00eda Molina Carpi, Mara Tatiana Lanosa Alonso, Ail\u00edn Kert\u00e9sz &#8211; 12\u2019<br \/><strong><em>Cuando los grillos cantan<\/em><\/strong>, de Dana Reiss, Carolina Nussbaum &#8211; 11\u2019<br \/><strong><em>Cuerpas<\/em><\/strong>, de Florencia Collazo, Roc\u00edo Corsi &#8211; 13\u2019<br \/><strong><em>Donde podemos encontrarnos<\/em><\/strong>, de Karen Reich &#8211; 4\u2019<br \/><strong><em>El deshielo<\/em><\/strong>, de Luc\u00eda L\u00f3pez, Laura Malag\u00f3n, Florencia Usuki &#8211; 3\u2019<br \/><strong><em>Luci\u00e9rnaga de plata<\/em><\/strong>, de Thales Pessoa &#8211; 28\u2019<br \/><strong><em>Mell\u00e1n<\/em><\/strong>, de Manuel Ramos &#8211; 8\u2019<br \/><strong><em>Memorias de mis miedos<\/em><\/strong>, de Delfina Freire &#8211; 5\u2019<br \/><strong><em>\u00d3rbita<\/em><\/strong>, de Michelle Cherin, Camila Crespo &#8211; 6\u2019<br \/><strong><em>Que el viento nos recuerde<\/em><\/strong>, de Aldana Santantonio &#8211; 10\u2019<br \/><strong><em>Satana<\/em><\/strong>, de Sebasti\u00e1n Kogan &#8211; 9\u2019<br \/><strong><em>Un helado se derrite camino a Podest\u00e1<\/em><\/strong>, de Deborah Silva Fern\u00e1ndez, Clara Hern\u00e1ndez Sardi &#8211; 2\u2019<br \/><strong><em>Yenka<\/em><\/strong>, de Solana Viton, Ver\u00f3nica Vargas &#8211; 7\u2019<br \/><strong><em>Yukon<\/em><\/strong>, de Mar\u00eda Laura Miramon &#8211; 7\u2019<br \/><br \/><br \/><strong>Cine-Cartas. Programa de Cine UTDT &#8211; HFBK \u00a0Hamburg<\/strong><br \/><strong><em>Watashino-Machi<\/em><\/strong>, de Hikaru Suzuki\u00a0&#8211; Jap\u00f3n &#8211; 6\u2019<br \/><strong><em>Tres sue\u00f1os para Hikaru<\/em><\/strong>, de Franca Malfatti &#8211; Argentina &#8211; 10\u2019<br \/><strong><em>Correspondencia de David Nazareno para Annika Gutsche<\/em><\/strong>, de David Nazareno &#8211; Argentina &#8211; 10\u2019<br \/><strong><em>Dear David<\/em><\/strong>, de Annika Gutsche &#8211; Alemania\u00a0&#8211; 6\u2019<br \/><strong><em>Letters to Kuno: Second Letter<\/em><\/strong>, de Nicol\u00e1s Turjanski &#8211; Argentina &#8211; 7\u2019<br \/><strong><em>To Nicol\u00e1s<\/em><\/strong>, de Kuno Seltmann &#8211; Alemania &#8211; 7\u2019<br \/><strong><em>Letter to Eduardo I<\/em><\/strong>, de Marlon Weber &#8211; Alemania\u00a0&#8211; 10\u2019<br \/><strong><em>Segunda carta<\/em><\/strong>, de Eduardo Ecker &#8211; Argentina\u00a0&#8211; 10\u2019<br \/><br \/>\u00a0<br \/><strong>34\u00b0 Premio Georges M\u00e9li\u00e8s &#8211; Concurso de Cortometrajes<\/strong><br \/><strong><em>Distanciadxs<\/em><\/strong>, de Paula Arancibia Bravo &#8211; Argentina &#8211; 9\u2019<br \/><strong><em>La olla<\/em><\/strong>, de Pablo Draletti &#8211; Argentina<br \/><strong><em>Pasadas por agua<\/em><\/strong>, de Rodrigo Gastiaburo &#8211; Paraguay<br \/><strong><em>Regreso<\/em><\/strong>, de Marcos Montes de Oca &#8211; Argentina &#8211; 4\u2019<br \/><strong><em>Julieta y la luna<\/em><\/strong>, de Milena Castro Etcheberry &#8211; Chile &#8211; 7\u2019<br \/><strong><em>Hip\u00f3critas<\/em><\/strong>, de Luciano Nacci &#8211; Argentina<br \/><strong><em>Lo de adentro<\/em><\/strong>, de Ramiro Santia &#8211; Argentina<br \/><strong><em>Solo cerca del mar<\/em><\/strong>, de Ramiro Ossa &#8211; Chile &#8211; 9\u2019<br \/><strong><em>Escena del crimen<\/em><\/strong>, de Agust\u00edn \u00c1lvarez &#8211; Uruguay &#8211; 8\u2019<br \/><strong><em>Hugo B<\/em><\/strong>, de Gonzalo Albornoz &#8211; Argentina<br \/><br \/><br \/><br \/><strong>PREMIOS<\/strong><br \/><br \/><strong>PREMIOS ASTOR PIAZZOLLA COMPETENCIA INTERNACIONAL<br \/><br \/>Premio Astor Piazzolla al Mejor Largometraje<\/strong><br \/><strong><em>El a\u00f1o del descubrimiento<\/em><\/strong>\u00a0de Luis L\u00f3pez Carrasco<br \/><br \/><strong>Premio Astor Piazzolla a la Mejor Direcci\u00f3n<\/strong><br \/>Mat\u00edas Pi\u00f1eiro, por\u00a0<strong><em>Isabella<\/em><\/strong><br \/><br \/><strong>Premio Astor Piazzolla a la Mejor Interpretaci\u00f3n<\/strong><br \/>Mar\u00eda Villar, por\u00a0<strong><em>Isabella<\/em><\/strong><br \/><br \/><strong>Premio Astor Piazzolla al Mejor Gui\u00f3n<\/strong><br \/>Nicol\u00e1s Prividera, por\u00a0<strong><em>Adi\u00f3s a la memoria<\/em><\/strong><br \/><br \/><strong>Premio Astor Piazzolla Especial del Jurado<\/strong><br \/><strong><em>Moving on<\/em><\/strong>\u00a0de Yoon Dan-bi<br \/><br \/><br \/><strong>PREMIOS ASTOR PIAZZOLLA COMPETENCIA LATINOAMERICANA<\/strong><br \/><br \/><strong>Premio Astor Piazzolla al Mejor Largometraje<\/strong><br \/><strong><em>Los Conductos<\/em><\/strong>\u00a0de Camilo Restrepo<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Mascarados\u00a0<\/em><\/strong>de Marcela Borela y Henrique Borela<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Fauna\u00a0<\/em><\/strong>de Nicol\u00e1s Pereda<br \/><br \/><strong>Premio Astor Piazzolla al Mejor Cortometraje<\/strong><br \/><strong><em>Correspondencia\u00a0<\/em><\/strong>de Dominga Sotomayor y Carla Sim\u00f3n<br \/><br \/><br \/><strong>PREMIOS ASTOR PIAZZOLLA COMPETENCIA ARGENTINA<br \/>Premio Astor Piazzolla al Mejor Largometraje<\/strong><br \/><strong><em>El tiempo perdido<\/em><\/strong>\u00a0de Mar\u00eda \u00c1lvarez<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Las ranas<\/em><\/strong>\u00a0de Edgardo Castro<br \/><br \/><strong>Premio Astor Piazzolla al Mejor Cortometraje<\/strong><br \/><strong><em>Homenaje a la obra de Philip Henry Gosse<\/em><\/strong>\u00a0de Pablo Mart\u00edn Weber<br \/><br \/><br \/><strong>PREMIO JOS\u00c9 MART\u00cdNEZ SU\u00c1REZ A LA MEJOR DIRECCI\u00d3N<\/strong><br \/><strong><em>Esquirlas\u00a0<\/em><\/strong>de Natalia Garayalde<br \/><br \/><br \/><strong>PREMIOS ASTOR PIAZZOLLA COMPETENCIA ESTADOS ALTERADOS<br \/>Premio Astor Piazzolla a Mejor Pel\u00edcula<\/strong><br \/><strong><em>Mes chers espions<\/em><\/strong>\u00a0de Vladimir L\u00e9on<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Heliconia<\/em><\/strong>\u00a0de Paula Rodr\u00edguez Polanco<br \/><br \/><br \/><strong>PREMIOS ASTOR PIAZZOLLA COMPETENCIA EN TR\u00c1NSITO<br \/>Premio Astor Piazzolla al Mejor Proyecto<\/strong><br \/><em><strong>Morichales<\/strong><\/em>\u00a0de Chris Gude<br \/><br \/><br \/><strong>PREMIO DE LA CR\u00cdTICA JOVEN A LA MEJOR \u00d3PERA PRIMA LATINOAMERICANA<br \/>Mejor Pel\u00edcula<\/strong><br \/><strong><em>Historia de lo oculto<\/em><\/strong>\u00a0de Cristian Ponce<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Como el cielo despu\u00e9s de llover<\/em><\/strong>\u00a0de Mercedes Gaviria<br \/><br \/><br \/><strong>PREMIOS OTORGADOS POR PATROCINADORES<\/strong><br \/><br \/><strong>COMPETENCIA EN TR\u00c1NSITO<br \/>Premio Banco Naci\u00f3n, Cinecolor y Cono del Silencio al Mejor proyecto EN TR\u00c1NSITO<\/strong><br \/><strong><em>Morichales\u00a0<\/em><\/strong>de Chris Gude<br \/><br \/><strong>COMPETENCIA LATINOAMERICANA<br \/>Premio Alta Definici\u00f3n Argentina a la Mejor Pel\u00edcula de la Competencia Latinoamericana<\/strong><br \/><strong><em>Los Conductos<\/em><\/strong>\u00a0de Camilo Restrepo<br \/><br \/><strong>COMPETENCIA ARGENTINA DE LARGOMETRAJES<br \/>Premio Banco Naci\u00f3n, Lahaye Media y Pomeranec Sonido al Mejor Largometraje Argentino<\/strong><br \/><strong><em>El tiempo perdido<\/em><\/strong>\u00a0de Mar\u00eda \u00c1lvarez<br \/><br \/><strong>COMPETENCIA ARGENTINA DE CORTOMETRAJES<\/strong><br \/><strong>Premio Banco Naci\u00f3n, Lahaye Media y Pomeranec Sonido al Mejor Cortometraje Argentino<\/strong><br \/><strong><em>Homenaje a la obra de Philip Henry Gosse<\/em><\/strong>\u00a0de Pablo Mart\u00edn Weber<br \/><br \/>\u00a0<br \/><br \/><strong>INVITADOS<\/strong><br \/><br \/>Walter Hill, Miranda July, Roberto Minervini, Rita Azevedo Gomes, Albert Serra, Andr\u00e9s Duque, Glen Keane, Edgardo Cozarinsky, Manuel Antin, Sion Sono, Suzanne Lindon, Jessie Barr, Nicol\u00e1s Prividera, Dan-bi Yoon, Luis L\u00f3pez Carrasco, Emma Seligman, Clarisa Navas, Eduardo Crespo, Mat\u00edas Pi\u00f1eiro, Nicol\u00e1s Pereda, Gonzalo Castro, Camilo Restrepo, Marcela Borela, Henrique Borela, Ana Elena Tejera, Luis Alejandro P\u00e9rez, Yulene Olaizola, Elena Duque, Dominga Sotomayor, Carla Sim\u00f3n, Manuela De Laborde, Nicolasa Ruiz, Juan Soto Taborda, Sandra Gugliotta, Alex Piperno, Mercedes Gaviria, Maximiliano Contenti, Piel de Lava, Lucas Gallo, Natalia Garayalde, Cristian Ponce, Toia Bonino, In\u00e9s Mar\u00eda Barrionuevo, Mar\u00eda Gabriela Vidal, Edgardo Castro, Sol Berruezo Pichon-Rivi\u00e8re, Francisco M\u00e1rquez, Mart\u00edn Sappia, Alan Segal, Celeste Prezioso, Pablo Weber, Manuel Ferrari, Paulo P\u00e9cora, Natalia Labak\u00e9, Agustina P\u00e9rez Rial, Marina Malchiodi, Santiago Reale, Javier Fern\u00e1ndez V\u00e1zquez, Claudia Carre\u00f1o Gajardo, Javier Favot, Valeria Sarmiento, Paula Rodr\u00edguez Polanco, Jelena Maksimovic, Ben Rivers, Lois Pati\u00f1o, Vladimir L\u00e9on, Nicol\u00e1s Zukerfeld, Tatiana Maz\u00fa Gonzalez, Radu Jude, Adrian Ciofl\u00e2nca, Fabrice Aragno, Claudio Caldini, Alejandro Chomski, Paul Auster, Diego Acosta, Nicol\u00e1s Torchinsky, Sof\u00eda Vel\u00e1zquez N\u00fa\u00f1ez, Ada Frontini, Sof\u00eda Bordenave, Daniela Seggiaro, Chris Gude, Hern\u00e1n Fern\u00e1ndez, Malena Solarz, Jos\u00e9 Pablo Escamilla, Mar\u00eda Aparicio, Betiana Cappato, Jos\u00e9 Celestino Campusano, Fernando Spiner, Paula Hern\u00e1ndez, Dar\u00edo Doria, Heinz Emigholz, Eug\u00e8ne Green, Mathieu Turi, Ludovic Boukherma, Zoran Boukherma, Paulina Moratore, Aliona Baranova, Irene Blej, Victoria Solanas, Juan Solanas, Flexa Correa Lopes, Haden Guest, Paula F\u00e9lix-Didier, Tom\u00e1s Rautenstrauch, Adri\u00e1n Caetano, Lita Stantic, Lucrecia Martel, Bruno Stagnaro, Graciela Borges, Carlos Duarte Quin, Cinthia Rajschmir, Santiago Loza, Romina Paula, Virginia Cosin, Nahuel Ugazio, Ezequiel Radusky, Agust\u00edn Toscano, Mar\u00eda Alch\u00e9, Andr\u00e9s Tambornino, Cristian Bernard, Desir\u00e9e de Fez, Laura Casab\u00e9, Agustina Llambi Campbell, Mar\u00eda Fernanda Mugica, Jorge Gaggero, Pablo Ramos Grad, Florencia Mamani, Jos\u00e9 Celestino Campusano, Tom\u00e1s Fonzi, Vanessa Ragone, Daniel Burman, Jorge Marrale, Beatriz Navas Vald\u00e9s, Mora Recalde, Silvina Acosta, Osvaldo Santoro, Ulises Rosell, Lautaro Garc\u00eda Candela, Lucas Granero, Sergio Wolf, Lisandro Alonso, Ana Katz, Diego Lerman, Celina Murga, Pablo Giorgelli.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logo Gu\u00eda de Programaci\u00f3n \u00bfQu\u00e9 ser\u00e1 del cine? Postales para el futuro Cecilia Barrionuevo y Marcelo Alderete (compiladores) Sobre una idea de Marcelo Alderete El asombro y la audacia. El cine de Mar\u00eda Luisa Bemberg Julia Kratje y Marcela Visconti (compiladoras) SPOT OFICIAL Del 21 al 29 de Noviembre AUTORIDADES PRESIDENTE INCAALuis Puenzo [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3624,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-3616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>35\u00b0 Edici\u00f3n (2020) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 41\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta 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