{"id":3634,"date":"2026-10-28T11:42:28","date_gmt":"2026-10-28T11:42:28","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3634"},"modified":"2026-10-28T17:06:40","modified_gmt":"2026-10-28T17:06:40","slug":"34-edicion-2019","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/es\/34-edicion-2019\/","title":{"rendered":"34\u00b0 Edici\u00f3n (2019)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"853\" height=\"1024\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39-853x1024.jpg\" alt=\"\" class=\"wp-image-3638\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39-853x1024.jpg 853w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39-250x300.jpg 250w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39-768x921.jpg 768w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39.jpg 1000w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Archivos <strong>Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/prensa\/34-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cat\u00e1logo<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/issuu.com\/festivalinternacionaldecinedemardel\/docs\/mdq_guia\" target=\"_blank\" rel=\"noreferrer noopener\">Gu\u00eda de Programaci\u00f3n<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Homenajes IV<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/34-Festival-Homenajes-IV.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Autores: Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Eduardo Montes-Bradley, Alejandra Portela, Cora Roca, Pablo De Vita<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cuadernos de cr\u00edtica 01<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Cuerpos-Invadidos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/Una-Retrospectiva-del-Futuro.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/34-Festival-Cuadernos-de-critica.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Marcelo Alderete &amp; Cecilia Barrionuevo (Compiladores)<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/vimeo.com\/367346316\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Del 9 al 18 de Noviembre<\/strong><br \/><br \/><strong>AUTORIDADES<\/strong><br \/><br \/><strong>PRESIDENTE INCAA<\/strong><br \/>Ralph Haiek<br \/>\u00a0<br \/><strong>DIRECTORA ART\u00cdSTICA<\/strong><br \/>Cecilia Barrionuevo<br \/><br \/><strong>PRODUCTOR GENERAL<\/strong><br \/>Carlos Villalba<br \/><br \/><br \/><br \/><strong>FUNCI\u00d3N DE APERTURA<\/strong><br \/>Los muchachos de antes no usaban ars\u00e9nico \/ Yesterday\u00b4s Guys Used No Arsenic, de Jos\u00e9 Mart\u00ednez Su\u00e1rez &#8211; Argentina &#8211; 1976 &#8211; 90&#8242;<br \/>\u00a0<br \/><strong>FUNCI\u00d3N DE CLAUSURA<\/strong><br \/>El irland\u00e9s \/ The Irishman, de Martin Scorsese &#8211; Estados Unidos &#8211; 2019 &#8211; 210&#8242;<br \/>\u00a0<br \/>\u00a0<br \/><strong>COMPETENCIAS<\/strong><br \/>\u00a0<br \/><strong>Competencia Internacional<\/strong><br \/>A vida invis\u00edvel \/ The Invisible Life of Eur\u00eddice Gusm\u00e3o,\u00a0 de Karim A\u00efnouz &#8211; Alemania, Brasil &#8211; 2019 &#8211; 139\u2019<br \/>Black Magic for White Boys, de Onur Tukel &#8211; Estados Unidos &#8211; 2019 &#8211; 105\u2019<br \/>El cuidado de los otros \/ Other\u00b4s People Care,\u00a0de Mariano Gonz\u00e1lez &#8211; Argentina &#8211; 2019 &#8211; 72\u2019<br \/>I Was at Home But \/ Ich War Zuhause, Aber, de Angela Schanelec &#8211; Alemania, Serbia &#8211; 2019 &#8211; 105\u2019<br \/>La virgen de agosto \/ The August Virgin, de Jon\u00e1s Trueba &#8211; Espa\u00f1a &#8211; 2019 &#8211; 129\u2019<br \/>Les Enfants d\u00b4Isadora \/ Isadora\u2019s Children, de Damien Manivel &#8211; Francia &#8211; 2018 &#8211; 84\u2019<br \/>Los son\u00e1mbulos \/ The Sleepwalkers, de Paula Hern\u00e1ndez &#8211; Argentina, Uruguay &#8211; 2019 &#8211; 107\u2019<br \/>O que arde \/ Fire Will Come, de Oliver Laxe &#8211; Francia, Luxemburgo, Espa\u00f1a &#8211; 2019 &#8211; 85\u2019<br \/>Planta permanente \/ The Lunchroom, de Ezequiel Radusky &#8211; Argentina, Uruguay &#8211; 2019 &#8211; 78\u2019<br \/>Scattered Night, de Lee Jihyoung, Sol Kim &#8211; Corea del Sur &#8211; 2019 &#8211; 81\u2019<br \/>South Mountain, de Hilary Brougher &#8211; Estados Unidos &#8211; 2019 &#8211; 85\u2019<br \/>Vitalina Varela, de Pedro Costa &#8211; Portugal &#8211; 2019 &#8211; 124\u2019<br \/><br \/><br \/><strong>Competencia Latinoamericana<\/strong><br \/>A febre \/ The Fever, de Maya Da-Rin &#8211; Brasil, Francia, Alemania &#8211; 2019 &#8211; 98\u2019<br \/>Ficci\u00f3n privada \/ Private Fiction, de Andr\u00e9s Di Tella &#8211; Argentina &#8211; 2019 &#8211; 78\u2019<br \/>En medio del laberinto \/ In the Middle of the Labyrinth, de Salom\u00f3n P\u00e9rez &#8211; Per\u00fa &#8211; 2019 &#8211; 65\u2019<br \/>La protagonista \/ The Protagonist,\u00a0 de Clara Picasso &#8211; Argentina &#8211; 2019 &#8211; 65\u2019<br \/>Lemebel, de Joanna Reposi Garibaldi &#8211; Chile, Colombia &#8211; 2019 &#8211; 96\u2019<br \/>Lina de Lima \/ Lina from Lima, de Mar\u00eda Paz Gonz\u00e1lez &#8211; Argentina, Chile, Per\u00fa &#8211; 2019 &#8211; 85\u2019<br \/>Nunca sub\u00ed el Provincia \/ I Never Climbed the Provincia, de Ignacio Ag\u00fcero &#8211; Chile &#8211; 2019 &#8211; 92\u2019<br \/>Por el dinero \/ For the Money, de Alejo Moguillansky &#8211; Argentina &#8211; 2019 &#8211; 80\u2019<br \/>Sirena, de Carlos Pi\u00f1eiro &#8211; Bolivia, Qatar, Chile &#8211; 2019 &#8211; 76\u2019<br \/>Um filme de ver\u00e3o \/ Sun Inside, de Jo Serfaty &#8211; Brasil &#8211; 2019 &#8211; 94\u2019<br \/>Vendr\u00e1 la muerte y tendr\u00e1 tus ojos \/ Death Will Come and Shall Have Your Eyes, de Jos\u00e9 Luis Torres Leiva &#8211; Chile, Argentina, Alemania &#8211; 2019 &#8211; 93\u2019<br \/><br \/><br \/><strong>Fuera de competencia<\/strong><br \/>El silencio del cazador \/ The Hunter\u2019s Silence, de Mart\u00edn Desalvo &#8211; Argentina &#8211; 2019 &#8211; 104\u2019<br \/><br \/><br \/><strong>Competencia Latinoamericana de Cortometrajes<\/strong><br \/>Bocamina, de Mart\u00edn Hilari &#8211; Bolivia &#8211; 2019 &#8211; 22\u2019<br \/>Ji\u00edbie, de Laura Huertas Mill\u00e1n &#8211; Colombia, Francia &#8211; 2019 &#8211; 25\u2019<br \/>La bala de Sandoval, de Jean-Jacques Martinod &#8211; Cuba &#8211; Ecuador &#8211; 17\u2019<br \/>La \u00faltima marcha \/ The Last March, de Ivo Aichenbaum, Jhon Mart\u00ednez &#8211; Argentina, Colombia &#8211; 2019 &#8211; 25\u2019<br \/>Onironauta, de Valerie-Malin Schmid &#8211; Alemania, Cuba &#8211; 2019 &#8211; 21\u2019<br \/>Plano controle \/ Control Plan, de Juliana Antunes &#8211; Brasil &#8211; 2018 &#8211; 15\u2019\u00a0\u00a0<br \/><br \/><br \/><strong>Competencia Argentina<\/strong><br \/>Ang\u00e9lica, de Delfina Castagnino &#8211; Argentina &#8211; 2019 &#8211; 103\u2019<br \/>De la noche a la ma\u00f1ana \/ Overnight, de Manuel Ferrari \u2013 Argentina, Chile &#8211; 2019 &#8211; 88\u2019<br \/>Hogar, de Maura Delpero &#8211; Argentina, Italia &#8211; 2019 &#8211; 90\u2019<br \/>La botera \/ Boat Rower Girl, de Sabrina Blanco \u2013 Argentina, Brasil &#8211; 2019 &#8211; 75\u2019<br \/>La muerte no existe y el amor tampoco \/ Death Doesn\u2019t Exist, and Love Doesn\u2019t Either, de Fernando Salem &#8211; Argentina &#8211; 2019 &#8211; 81\u2019<br \/>Las buenas intenciones \/ The Good Intentions, de Ana Garc\u00eda Blaya &#8211; Argentina &#8211; 2019 &#8211; 86\u2019<br \/>Las poetas visitan a Juana Bignozzi \/ The Poets Visit Juana Bignozzi, de Laura Citarella, Mercedes Halfon &#8211; Argentina &#8211; 2019 &#8211; 90\u2019<br \/>Los que vuelven \/ The Returned, de Laura Casab\u00e9 &#8211; Argentina &#8211; 2019 &#8211; 92\u2019<br \/>Tanya, de Agustina Massa &#8211; Argentina &#8211; 2019 &#8211; 61\u2019<br \/>Those That, At a Distance, Resemble Another, de Jessica Sarah Rinland &#8211; Argentina &#8211; 2019 &#8211; 67\u2019<br \/>\u00a0<br \/><br \/><strong>Fuera de competencia<\/strong><br \/>Bajo mi piel morena\/ Under My Dark Skin, de Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2019 &#8211; 93\u2019<br \/>\u00a0<br \/><br \/><strong>Competencia Argentina de Cortometrajes<\/strong><br \/>Circumplector, de Gast\u00f3n Solnicki &#8211; Argentina &#8211; 2017 &#8211; 3\u2019<br \/>El fuego que vimos \/ The Fire We Saw, de Pilar Condom\u00ed, Candelaria Guti\u00e9rrez &#8211; Argentina &#8211; 2019 &#8211; 12\u2019<br \/>La enorme presencia de los muertos \/ The Presence of the Dead, de Jos\u00e9 Mar\u00eda Avil\u00e9s &#8211; Argentina &#8211; 2019 &#8211; 13\u2019<br \/>Monstruo Dios \/ Monster God, de Agustina San Mart\u00edn &#8211; Argentina &#8211; 2019 &#8211; 10\u2019<br \/>Nos devoraba el fuego \/ Fire Devored Us, de Luc\u00eda Granda &#8211; Argentina &#8211; 2019 &#8211; 13\u2019<br \/>Persona 5, de Ulises Conti \u2013 Argentina, Jap\u00f3n &#8211; 2019 &#8211; 17\u2019<br \/>Pinball, de Nicanor Loreti &#8211; Argentina &#8211; 2019 &#8211; 13\u2019<br \/>Playback. Ensayo de una despedida \/ Playback, de Agustina Comedi &#8211; Argentina &#8211; 2019 &#8211; 14\u2019<br \/>Suqu\u00eda, de Ezequiel Salinas &#8211; Argentina &#8211; 2019 &#8211; 14\u2019<br \/>Una pel\u00edcula hecha de \/ A Movie Made of, de Malena Solarz, Nicol\u00e1s Zukerfeld &#8211; Argentina &#8211; 2019 &#8211; 13\u2019<br \/>\u00a0<br \/><br \/><strong>Competencia Estados Alterados<\/strong><br \/>Danses macabres, squelettes et autres fantaisies \/ Danses Macabres, Skeletons and Other Fantasies, de Pierre L\u00e9on, Rita Azevedo Gomes, Jean Louis Schefer &#8211; Francia, Portugal, Suiza &#8211; 2019 &#8211; 110\u2019<br \/>L\u2019\u00eele aux Oiseaux \/ Bird Island, de Maya Kosa, Sergio da Costa &#8211; Suiza &#8211; 2019 &#8211; 60\u2019<br \/>Longa noite \/ Endless Night, de Eloy Enciso &#8211; Espa\u00f1a &#8211; 2019 &#8211; 90\u2019<br \/>Ne croyez surtout pas que je hurles \/ Just Don\u2019t Think I\u2019ll Scream, de Frank Beauvais &#8211; Francia &#8211; 2019 -75\u2019<br \/>Nona. Si me mojan, yo los quemo \/ Nona. If Thet Soak Me, I\u2019ll Burn Them, de Camila Jos\u00e9 Donoso &#8211; Chile, Corea del Sur, Brasil, Francia &#8211; 2018 &#8211; 100\u2019<br \/>De barrio \/ From the Neighbourhood, de Xurxo Chirro &#8211; Espa\u00f1a &#8211; 2019 &#8211; 69\u2019<br \/>Demonic, de Pia Borg &#8211; Australia &#8211; 2019 &#8211; 28\u2019<br \/>Lonely Rivers, de Mauro Herce &#8211; Espa\u00f1a, Francia &#8211; 2019 &#8211; 28\u2019<br \/>Parsi, de Eduardo Williams, Mariano Blatt &#8211; Argentina &#8211; 2019 &#8211; 23\u2019<br \/>Pr\u00edncipe de paz \/ Prince of Peace, de Clemente Castor &#8211; M\u00e9xico &#8211; 2019 &#8211; 84\u2019<br \/>Sete anos em maio \/ Seven Years in May, de Affonso Uch\u00f4a &#8211; Brasil &#8211; 2019 &#8211; 42\u2019<br \/>Subject to Review, de Theo Anthony &#8211; Canad\u00e1 &#8211; 2019 &#8211; 38\u2019\u00a0<br \/>\u00a0<br \/><br \/><strong>Competencia WIP\u00a0<\/strong><br \/>Adi\u00f3s a la memoria, de Nicol\u00e1s Prividera &#8211; Argentina<br \/>El hombre m\u00e1s fuerte del mundo \/ The Strongest Man in the World, de Fernando Arditi, Mariano Vega &#8211; Argentina<br \/>El ni\u00f1o de Dios \/ The Child of God, de Mart\u00edn Farina &#8211; Argentina<br \/>Herbaria, de Leandro Listorti &#8211; Argentina, Alemania<br \/>Isabella, de Mat\u00edas Pi\u00f1eiro &#8211; Argentina<br \/>La piedra Ambrosetti \/ The Ambrosetti Stone, de Pilar Quinteros, Alan Segal \u2013 Argentina, Chile<br \/>Las cercanas \/ Close, de Mar\u00eda \u00c1lvarez &#8211; Argentina<br \/>Las galaxias \/ The Galaxies, de Guillermina Pico &#8211; Argentina<br \/>Lxs chicxs de las motitos \/ Motorcycle Kids, de Gabriela Vidal, In\u00e9s Mar\u00eda Barrionuevo &#8211; Argentina, M\u00e9xico<br \/>Mato seco em chamas \/ Dry Ground Burning, de Joana Pimenta, Adirley Queir\u00f3s &#8211; Brasil, Portugal<br \/>Mudos testigos \/ Silent Witnesses, de Luis Ospina &#8211; Colombia, Francia<br \/>Si yo fuera el invierno mismo \/ If I Were the Winter Itself, de Jazm\u00edn L\u00f3pez &#8211; Argentina<br \/>Una pel\u00edcula elegante \/ Cool Movie, de Lorena Best &#8211; Per\u00fa<br \/><br \/><br \/><strong>PANORAMA<\/strong><br \/><br \/><strong>Autores &#8211; Autoras<\/strong><br \/>About Endlessness,\u00a0de Roy Andersson &#8211; Suecia, Alemania, Noruega &#8211; 2019 &#8211; 76\u2019<br \/>Atlantics, de Mati Diop &#8211; Francia &#8211; 2019 &#8211; 104\u00b4<br \/>Bitter Bread, de Abbas Fahdel &#8211; L\u00edbano, Irak, Francia &#8211; 2019 &#8211; 87\u2019<br \/>Carelia: Internacional con monumento,\u00a0de Andr\u00e9s Duque &#8211; Espa\u00f1a &#8211; 2019 &#8211; 90\u2019<br \/>Caterina, de Dan Sallitt &#8211; Estados Unidos &#8211; 2019 &#8211; 17\u2019<br \/>Fourteen, de Dan Sallitt &#8211; Estados Unidos &#8211; 2019 &#8211; 94\u2019<br \/>\u00catre vivant et le savoir \/ Living and Knowing You\u2019re Alive, de Alain Cavalier &#8211; Francia &#8211; 2019 &#8211; 82\u2019<br \/>Family Romance, LLC, de Werner Herzog &#8211; Estados Unidos &#8211; 2019 &#8211; 89\u2019<br \/>Heimat is a Space in Time \/ Heimat ist ein Raum aus Zeit, de Thomas Heise &#8211; Alemania, Austria &#8211; 2019 &#8211; 218\u2019<br \/>Hu\u00e9rfanos de Brooklyn \/ Motherless Brooklyn, de Edward Norton &#8211; Estados Unidos &#8211; 2019 &#8211; 144\u2019<br \/>I diari di Angela &#8211; Noi due cineasta \/ Angela\u2019s Diaries. Two Filmmakers, de Yervant Gianikian, Angela Ricci Lucci &#8211; Italia &#8211; 2018 &#8211; 125\u2019<br \/>I diari di Angela &#8211; Noi due cineasta &#8211; Capitolo secondo\/ Angela\u2019s Diaries. Two Filmmakers. Chapter Two, de Yervant Gianikian, Angela Ricci Lucci &#8211; Italia &#8211; 2019 &#8211; 100\u2019<br \/>Il traditore \/ The Traitor, de Marco Bellocchio &#8211; Italia &#8211; 2019 &#8211; 145\u2019<br \/>Jeanne \/ Joan of Arc, de Bruno Dumont &#8211; Francia &#8211; 2019 &#8211; 138\u2019<br \/>Jojo Rabbit,\u00a0de Taika Waititi &#8211; Estados Unidos &#8211; 2019 &#8211; 108\u2019<br \/>Krabi, 2562, de Ben Rivers, Anocha Suwichakornpong &#8211; Tailandia, Reino Unido &#8211; 2019 &#8211; 93\u2019<br \/>Libert\u00e9, de Albert Serra &#8211; Espa\u00f1a, Francia, Portugal &#8211; 2019 &#8211; 132\u2019<br \/>Love Me Not, de Llu\u00eds Mi\u00f1arro &#8211; Espa\u00f1a, M\u00e9xico &#8211; 2019 &#8211; 81\u2019<br \/>Lucy in the Sky, de Noah Hawley &#8211; Estados Unidos &#8211; 2019 &#8211; 124\u2019<br \/>Parasite, de Bong Joon-ho &#8211; Corea del Sur &#8211; 2019 &#8211; 132\u2019\u00a0<br \/>Portrait de la jeune fille en feu \/ Portrait of a Lady on Fire, de C\u00e9line Sciamma &#8211; Francia &#8211; 2019 &#8211; 120\u2019<br \/>Rushing Green with Horses \/ Rasendes Gr\u00fcn mit Pferden, de Ute Aurand &#8211; Alemania &#8211; 2019 &#8211; 82\u2019<br \/>State Funeral, de Sergei Loznitsa &#8211; Holanda, Lituania &#8211; 2019 &#8211; 135\u2019<br \/>To the Ends of the Earth \/\u00a0Tabi no owari sekai no hajimari, de\u00a0Kiyoshi Kurosawa &#8211; Jap\u00f3n, Qatar, Uzbekist\u00e1n &#8211; 2019 &#8211; 120\u2019<br \/>Un film dramatique, de \u00c9ric Baudelaire &#8211; Francia &#8211; 2019 &#8211; 114\u2019<br \/>Una vida oculta \/ A Hidden Life, de Terrence Malick &#8211; Estados Unidos, Alemania &#8211; 2019 &#8211; 173\u2019<br \/>Calendario de lluvias \/ Rain Calendar, de Claudio Caldini &#8211; Argentina &#8211; 2019 &#8211; 10\u2019<br \/>Felix in Wonderland, de Marie Losier &#8211; Alemania, Francia &#8211; 2019 &#8211; 50\u2019<br \/>La timidez de los \u00e1rboles \/ The Shyness of Trees,\u00a0de Flavia de la Fuente &#8211; Argentina &#8211; 2019 &#8211; 25\u2019<br \/>Mi piel, luminosa \/ My Skin, Luminous, de Nicol\u00e1s Pereda, Gabino Rodr\u00edguez &#8211; M\u00e9xico, Canad\u00e1 &#8211; 2019 &#8211; 39\u00b4<br \/>Myst, de\u00a0Narcisa Hirsch &#8211; Argentina &#8211; 2019 &#8211; 15\u2019<br \/>Sapphire Crystal,\u00a0de Virgil Vernier &#8211; Francia &#8211; 2019 &#8211; 31\u2019<br \/>Vever (for Barbara), de Deborah Stratman &#8211; Guatemala, Estados Unidos &#8211; 2019 &#8211; 12\u2019<br \/>\u00a0<br \/><br \/><strong>Nuevos Autores &#8211; Nuevas Autoras<\/strong><br \/>Babenco &#8211; Algu\u00e9m tem que ouvir o cora\u00e7\u00e3o e dizer: Parou,\u00a0de B\u00e1rbara Paz \u2013 Brasil &#8211; 2019 &#8211; 75\u2019<br \/>Delphine et Carole, insoumuses \/ Delphine and Carole, de Callisto Mc Nulty \u2013 Francia, Suiza &#8211; 2019 &#8211; 70\u2019<br \/>Diz a ela que me viu chorar \/ Let It Burn, de Maira B\u00fchler &#8211; Brasil &#8211; 2019 &#8211; 85\u2019<br \/>El hombre del futuro \/ The Man of the Future, de Felipe R\u00edos &#8211; Chile, Argentina &#8211; 2019 &#8211; 96\u2019<br \/>From Tomorrow on, I Will \/ Chun Nuan Hua Kai, de Ivan Markovi\u0107, Linfeng Wu &#8211; China, Alemania, Serbia &#8211; 2019 &#8211; 60\u2019<br \/>Giraffe, de Anne Sofie Hartmann &#8211; Alemania, Dinamarca &#8211; 2019 &#8211; 87\u2019<br \/>House of Hummingbird, de Kim Bora &#8211; Corea del Sur &#8211; 2018 &#8211; 138\u2019<br \/>Immortal \/ Surematu, de Ksenia Okhapkina &#8211; Rusia &#8211; 2019 &#8211; 60\u2019<br \/>La noche de las nerds \/ Booksmart, de Olivia Wilde &#8211; Estados Unidos &#8211; 2019 &#8211; 102\u2019<br \/>Las letras de Jordi \/ Jordi\u2019s Letters, de Maider Fern\u00e1ndez Iriarte &#8211; Espa\u00f1a &#8211; 2019 &#8211; 70\u2019<br \/>Present. Perfect, de Shengze Zhu &#8211; Estados Unidos, Hong Kong &#8211; 2019 &#8211; 124\u2019<br \/>Rare Beasts, de Billie Piper &#8211; Reino Unido &#8211; 2019 &#8211; 87\u2019<br \/>Space Dogs, de Elsa Kremser, Levin Peter &#8211; Austria, Alemania &#8211; 2019 &#8211; 91\u2019<br \/>The World is Full of Secrets, de Graham Swon &#8211; Estados Unidos &#8211; 2018 &#8211; 98\u2019<br \/>Tinnitus, de Daniil Zinchenko &#8211; Rusia &#8211; 2019 &#8211; 90\u2019<br \/>Ya no estoy aqu\u00ed \/ I\u2019m No Longer Here, de Fernando Fr\u00edas de la Parra \u2013 M\u00e9xico, Estados Unidos &#8211; 2019 &#8211; 105\u2019<br \/>Aqu\u00ed y all\u00e1 \/ Here and There, de Lina Rodr\u00edguez &#8211; Canad\u00e1, Colombia &#8211; 2019 &#8211; 22\u2019<br \/>C\u00e3es que ladram aos p\u00e1ssaros \/ Dogs Barking at Birds, de Leonor Teles &#8211; Portugal &#8211; 2019 &#8211; 20\u2019<br \/>Die Str\u00e4nde, de Astrid J. Ofner &#8211; Austria &#8211; 2019 &#8211; 10\u2019<br \/>Entire Days Together \/ Ganze Tage Zusammen, de Luise Donschen &#8211; Alemania &#8211; 2019 &#8211; 23\u2019<br \/>Past Perfect, de Jorge J\u00e1come &#8211; Portugal &#8211; 2019 &#8211; 23\u2019<br \/>Sol negro \/ Black Sun, de Maureen Fazendeiro &#8211; Portugal, Francia &#8211; 2019 &#8211; 7\u2019<br \/>Tourism Studies, de Joshua Gen Solondz &#8211; Estados Unidos &#8211; 2019 &#8211; 8\u2019<br \/><br \/><br \/><strong>Especial Lee Ranaldo &amp; Leah Singer<\/strong><br \/>Sonic Youth &#8211; NYC and Beyond, de Aaron Mullan &#8211; Estados Unidos &#8211; 2019 &#8211; 98\u2019<br \/>Lee Ranaldo &amp; Leah Singer presentan: Contre Jour<br \/><br \/><br \/><strong>Panorama de Cine Argentino<\/strong><br \/>Azul el mar \/ An Ocean Blue, de Sabrina Moreno &#8211; Argentina &#8211; 2019 &#8211; 67\u2019<br \/>Ceniza negra \/ Land of Ashes, de Sof\u00eda Quir\u00f3s Ubeda \u2013 Argentina, Chile, Costa Rica, Francia &#8211; 2019 &#8211; 82\u2019<br \/>La invenci\u00f3n de Borges \/ The Invention of Borges, de Nicol\u00e1s Azalbert \u2013 Argentina, Francia &#8211;\u00a0 2019 &#8211;\u00a0 64\u2019<br \/>Tiempo perdido\u00a0\/ Lost Time, de Francisco Novick, Natalio Pag\u00e9s &#8211; Argentina &#8211; 2019 &#8211; 70\u2019<br \/>Un sue\u00f1o hermoso \/ A Beautiful Dream, de Tom\u00e1s de Leone &#8211; Argentina &#8211; 2019 &#8211; 74\u2019<br \/>Venezia, de Rodrigo Guerrero \u2013 Argentina, Francia &#8211; 2019 &#8211; 73\u2019<br \/>El bosque \/ The Forest, de Esteban Lamothe &#8211; Argentina &#8211;\u00a0 2019 &#8211;\u00a0 15\u2019<br \/><br \/><br \/><strong>Noches especiales<\/strong><br \/>La fiesta silenciosa \/ The Silent Party, de Diego Fried &#8211; Argentina, Brasil &#8211; 2019 &#8211; 87\u2019<br \/>Lava, de Ayar Blasco &#8211; Argentina &#8211;\u00a0 2019 &#8211;\u00a0 63\u2019<br \/><br \/><br \/><strong>Super 8 &#8211; 16mm<\/strong><br \/>\u00c1rbol de cristal, de Federico Lanchares &#8211; Argentina &#8211; 2019 &#8211; 4\u2019<br \/>Reflejo nocturno, de Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2019 &#8211; 9\u2019<br \/>Pantano, de Azucena Losana &#8211; Argentina &#8211; 2019 &#8211; 12\u2019<br \/>Fotogramas grabados en piedra, de Leandro Varela &#8211; Argentina &#8211; 2019 &#8211; 3\u2019<br \/>Lo repet\u00eds hacia adentro con la fuerza de un trueno,\u00a0de Luciana Foglio, Luj\u00e1n Montes &#8211; Argentina &#8211; 2019 &#8211; 12\u2019<br \/>La cabellera de Berenice, de Horacio Vallereggio &#8211; Argentina &#8211; 1972 \u2013 65\u2019<br \/>Clima,\u00a0de Juan Jos\u00e9 Mugni &#8211; Argentina &#8211; 1972 &#8211; 7\u2019<br \/>Grito, de Juan Jos\u00e9 Mugni &#8211; Argentina &#8211; 1973 &#8211; 8\u2019<br \/>El jard\u00edn de las delicias, de Juan Jos\u00e9 Mugni &#8211; Argentina &#8211; 1975 &#8211; 15\u2019<br \/>Proyecciones, de Juan Jos\u00e9 Mugni &#8211; Argentina &#8211; 1976 &#8211; 12\u2019<br \/>Ritual,\u00a0de Juan Jos\u00e9 Mugni &#8211; Uruguay &#8211; 1982 &#8211; 20\u2019<br \/>\u00a0\u00a0<br \/><br \/><strong>Mar de Chicos<\/strong><br \/>El patalarga \/ The Longleg, de Mercedes Moreira &#8211; Argentina &#8211; 2019 &#8211; 70\u2019<br \/>L\u2019Extraordinaire Voyage de Marona \/Marona\u2019s Fantastic Tale, de Anca Damian &#8211; Rumania, B\u00e9lgica, Francia &#8211; 2019 &#8211; 92\u2019<br \/>La Fameuse Invasion des ours en Sicile \/ The Bears\u2019 Famous Invasion, de Lorenzo Mattotti &#8211; Italia &#8211; 2019 &#8211; 82\u2019<br \/>Le Voyage du Prince \/ The Prince\u2019s Voyage, de Jean-Fran\u00e7ois Laguionie, Xavier Picard &#8211; Francia, Luxemburgo &#8211; 2019 &#8211; 77\u2019<br \/>Chuck Shimezou,\u00a0de Eiichiro Nishiyama &#8211; Jap\u00f3n &#8211; 2019 &#8211; 23\u2019<br \/>El pajarocubo,\u00a0de Jorge Alberto Vega &#8211; Colombia &#8211; 2019 &#8211; 9\u2019<br \/>Extra\u00f1as criaturas \/ Strange Creatures, de Crist\u00f3bal Le\u00f3n, Cristina Sitja &#8211; Chile &#8211; 2019 &#8211; 15\u2019<br \/>First Step \/ Prvi korak, de Petra Ko\u017ear &#8211; Croacia &#8211; 2019 &#8211; 10\u2019<br \/>Maestro, de Illogic &#8211; Francia &#8211; 2019 &#8211; 2\u2019<br \/>Nest, de Sonja Rohleder &#8211; Alemania &#8211; 2019 &#8211; 4\u2019<br \/>The Kite \/ Poustet draka, de Martin Smatana &#8211; Rep\u00fablica Checa, Eslovaquia, Polonia &#8211; 2019 &#8211; 13\u2019<br \/><br \/><br \/><strong>Banda Sonora Original<\/strong><br \/>A Dog Called Money, de Seamus Murphy &#8211; Irlanda, Reino Unido &#8211; 2019 &#8211; 90\u2019<br \/>Die Toten Hosen \u2013 You Only Live Once \/ Weil Du Nur Winmal Lebst &#8211; Die Toten Hosen auf Tour, de Cordula Kablitz-Post, Paul Dugdale &#8211; Alemania &#8211; 2019 &#8211; 107\u2019<br \/>Radio Olmos, de Gustavo Mosquera &#8211; Argentina &#8211; 2019 &#8211; 120\u2019<br \/>Satori Sur, de Federico Rotstein &#8211; Argentina &#8211; 2019 &#8211; 68\u2019<br \/>Rocanrol Cowboys, de Pl\u00e1stico (Alejandro Ruax, Ramiro Mart\u00ednez) &#8211; Argentina &#8211; 2019 &#8211; 77\u2019<br \/>Stud Free Pub (Una buena historia) \/ Stud Free Pub (A Good Story), de Ariel Topo Raiman &#8211; Argentina &#8211; 2019 &#8211; 90\u2019<br \/><br \/><br \/><strong>Hora Cero<\/strong><br \/>Bliss, de Joe Begos &#8211; Estados Unidos &#8211; 2019 &#8211; 80\u2019<br \/>Entre navajas y secretos \/ Knives Out,\u00a0de Rian Johnson \u2013 Estados Unidos &#8211; 2019 &#8211; 130\u2019<br \/>First Love, de Takashi Miike &#8211; Jap\u00f3n, Reino Unido &#8211; 2019 &#8211; 108\u2019<br \/>Ventajas de viajar en tren \/ Advantages of Traveling by Train, de Aritz Moreno \u2013 Francia, Espa\u00f1a &#8211; 2019 &#8211; 105\u2019<br \/>Warning: Do No Play \/ Amjeon, de Kim Jin-won &#8211; Corea del Sur &#8211; 2019 &#8211; 86\u2019<br \/><br \/><br \/><strong>Las Venas Abiertas<\/strong><br \/>Carro\u00f1a \/ Scavenger, de\u00a0Luciana Garraza, Eric Fleitas &#8211; Argentina &#8211; 2019 &#8211; 73\u2019<br \/>La casa \/ The House,\u00a0de Jorge Olgu\u00edn &#8211; Chile &#8211; 2019 &#8211; 75\u2019<br \/>Matar al drag\u00f3n \/ To Kill the Dragon, de Jimena Monteoliva &#8211; Argentina &#8211; 2019 &#8211; 89\u2019<br \/>Zombies en el ca\u00f1averal. El documental \/ Zombies in the Sugar Cane Field. The Documentary, de Pablo Schembri &#8211; Argentina &#8211; 2019 &#8211; 88\u2019<br \/><br \/><br \/><strong>Presentaciones especiales<\/strong><br \/>La gallina Turuleca \/ Turu, the Wacky Hen, de Eduardo Gondell, Victor Monigote &#8211; Argentina, Espa\u00f1a &#8211; 2019 &#8211; 80\u2019<br \/>Milagro de oto\u00f1o \/ Miracle in the Fall, de N\u00e9stor Zapata &#8211; Argentina &#8211; 2019 &#8211; 97\u2019<br \/><br \/><br \/><strong>FOCOS Y RETROSPECTIVAS<\/strong><br \/><br \/><strong>Retrospectiva Nina Menkes<\/strong><br \/>A Soft Warrior, de\u00a0Nina Menkes &#8211; Estados Unidos &#8211; 1981 &#8211; 11\u2019<br \/>The Great Sadness of Zohara, de\u00a0Nina Menkes &#8211; Estados Unidos &#8211; 1983 &#8211; 40\u2019<br \/>Magdalena Viraga,\u00a0de Nina Menkes &#8211; Estados Unidos &#8211; 1986 &#8211; 90\u2019<br \/>Queen of Diamonds, de Nina Menkes &#8211; Estados Unidos &#8211; 1991 &#8211; 77\u2019<br \/>The Bloody Child,\u00a0de Nina Menkes &#8211; Estados Unidos &#8211; 1996 &#8211; 85\u2019<br \/>Massaker \/ Massacre, de Nina Menkes &#8211; Francia, Alemania, L\u00edbano &#8211; Estados Unidos &#8211; 2005 &#8211; 98\u2019<br \/>Phantom Love, de Nina Menkes &#8211; Estados Unidos &#8211; 2008 &#8211; 87\u2019<br \/>Dissolution,\u00a0de Nina Menkes &#8211; Israel, Estados Unidos &#8211; 2010 &#8211; 88\u2019<br \/><br \/><br \/><strong>Retrospectiva Djibril Diop Mamb\u00e9ty<\/strong><br \/>Contras\u2019 City \/ City of Contrasts, de Djibril Diop Mamb\u00e9ty &#8211; Senegal &#8211; 1968 &#8211; 27\u2019<br \/>Badou Boy \/ Bad Boy, de Djibril Diop Mamb\u00e9ty &#8211; Senegal &#8211; 1970 &#8211; 56\u2019<br \/>Touki Bouki, de Djibril Diop Mamb\u00e9ty &#8211; Senegal &#8211; 1973 &#8211; 188\u2019<br \/>Parlons grand-m\u00e8re, de Djibril Diop Mamb\u00e9ty &#8211; Senegal &#8211; 1989 &#8211; 34\u2019<br \/>Hy\u00e8nes \/ Hyenas, de Djibril Diop Mamb\u00e9ty &#8211; Suiza, Francia, Senegal &#8211; 1991 &#8211; 108\u2019<br \/>Le Franc, de Djibril Diop Mamb\u00e9ty &#8211; Suiza, Francia, Senegal &#8211; 1994 &#8211; 44\u2019<br \/>La Petite Vendeuse du Soleil \/ The Little Girl Who Sold the Sun, de Djibril Diop Mamb\u00e9ty- Suiza, Francia, Senegal &#8211; 1998 &#8211; 44\u2019<br \/><br \/><br \/><strong>Foco John M. Stahl\u00a0<\/strong><br \/>Seed,\u00a0de John M. Stahl &#8211; Estados Unidos &#8211; 1931 &#8211; 96\u2019<br \/>Back Street, de John M. Stahl &#8211; Estados Unidos &#8211; 1932 &#8211; 84\u2019<br \/>La imitaci\u00f3n de la vida \/\u00a0Imitation of Life, de John M. Stahl &#8211; Estados Unidos &#8211; 1934 &#8211; 111\u2019<br \/>Letter of Introduction,\u00a0de John M. Stahl &#8211; Estados Unidos &#8211; 1938 &#8211; 100\u2019<br \/>When Tomorrow Comes,\u00a0de John M. Stahl &#8211; Estados Unidos &#8211; 1939 &#8211; 90\u2019<br \/>Our Wife, de John M. Stahl &#8211; Estados Unidos &#8211; 1941 &#8211; 95\u2019<br \/>Que el cielo la juzgue \/\u00a0Leave Her to Heaven, de John M. Stahl &#8211; Estados Unidos &#8211; 1945 &#8211; 111\u2019<br \/>D\u00e9bil es la carne \/ The Foxes of Harrow,\u00a0de John M. Stahl &#8211; Estados Unidos &#8211; 1947 &#8211; 115\u2019<br \/><br \/><br \/><strong>Generaci\u00f3n VHS presenta: \u00a1Blaxploitation!\u00a0<\/strong><br \/>Sweet Sweetback\u2019s Baadasssss Song, de Melvin Van Peebles &#8211; Estados Unidos &#8211; 1971 &#8211; 97\u2019<br \/>Dolemite,\u00a0de D\u00b4Urville Martin &#8211; Estados Unidos &#8211; 1975 &#8211; 90\u2019<br \/>The Muthers, de Cirio H. Santiago &#8211; Filipinas &#8211; 1976 &#8211; 83\u2019<br \/><br \/><br \/><strong>Generaci\u00f3n VHS presenta: El exorcista\u00a0<\/strong><br \/>El exorcista (Corte del director) \/ The Exorcist (Director\u2019s Cut), de William Friedkin &#8211; Estados Unidos &#8211; 1973 &#8211; 132\u2019<br \/>Leap of Faith: William Friedkin on The Exorcist, de Alexandre O. Philippe &#8211; Estados Unidos, Espa\u00f1a &#8211; 2019 &#8211; 105\u2019<br \/><br \/>\u00a0<br \/><strong>RESTAURACIONES<\/strong><br \/><br \/><strong>Restauradas y Rescates<\/strong><br \/>20 a\u00f1os de Silvia Prieto, de Mart\u00edn Rejtman &#8211; Argentina &#8211; 1999 &#8211; 90\u2019<br \/>Bonanza, de Ulises Rosell &#8211; Argentina &#8211; 2001 &#8211; 84\u2019<br \/>De quelques \u00e9v\u00e9nements sans signification \/ About Some Meaningless Events, de Mostafa Derkaoui &#8211; Marruecos &#8211; 1974 &#8211; 76\u2019<br \/>El negoci\u00f3n, de Sim\u00f3n Feldman &#8211; Argentina &#8211; 1958 &#8211; 60\u2019<br \/>Juguetes \/ Toys, de Mar\u00eda Luisa Bemberg &#8211; Argentina &#8211; 1978 &#8211; 12\u2019<br \/>La vuelta al nido, de\u00a0Leopoldo Torres R\u00edos &#8211; Argentina &#8211; 1938 &#8211; 77\u2019<br \/>Le Psychodrame, de Roberto Rossellini &#8211; Francia &#8211; 1956 &#8211; 53\u2019<br \/>The General\u2019s Mustache, de\u00a0Lee Seong-gu &#8211; Corea del Sur &#8211; 1968 &#8211; 103\u2019<br \/>The House Is Black,\u00a0de Forough Farrokhzad &#8211; Ir\u00e1n &#8211; 1963 &#8211; 20\u2019<br \/><br \/><br \/><strong>Homenaje a Jonas Mekas<\/strong><br \/>Walden: Diaries, Notes and Sketches,\u00a0de Jonas Mekas &#8211; Estados Unidos &#8211; 1969 &#8211; 180\u2019<br \/>Lost, Lost, Lost, de Jonas Mekas &#8211; Estados Unidos &#8211; 1976 &#8211; 176\u2019<br \/>\u00a0<br \/><br \/><strong>Harvard Film Archive presenta<\/strong><br \/>Le Cousin Jules, de Dominique Benicheti &#8211; Francia &#8211; 1972 &#8211; 91\u2019<br \/>Jessica, Look at Me, de Dominique Benicheti &#8211; Estados Unidos- 1974 &#8211; 36\u2019<br \/>Abstronic, de Mary Ellen Bute &#8211; 1952 &#8211; 6\u2019<br \/>Free Radicals, de Len Lye &#8211; 1958 &#8211; 5\u2019<br \/>Allures, de Jordan Belson &#8211; 1961 &#8211; 8\u2019<br \/>Sand or Peter and the Wolf, de Caroline Leaf &#8211; 1969 &#8211; 10\u2019<br \/>Asparagus, de Suzan Pitt &#8211; 1979 &#8211; 20\u2019<br \/>Going Home Sketchbook, de\u00a0Mary Beams &#8211; 1975 &#8211; 6\u2019<br \/>River Lethe, de Amy Kravitz &#8211; 1985 &#8211; 7\u2019<br \/>Vessel, de\u00a0Helen Hill &#8211; 1992 &#8211; 6\u2019<br \/>Milk of Amnesia, de\u00a0Jeff Scher &#8211; 1992 &#8211; 6\u2019<br \/><br \/><br \/><strong>FUNCIONES INSTITUCIONALES<\/strong><br \/><br \/><strong>Muestra ENERC<\/strong><br \/>Desde el puente, de Mar\u00eda Rosa Lovato &#8211; Sede Patagonia Norte &#8211; 13\u2019<br \/>Imilla, de Mayra Arasy Nieva &#8211; Sede NOA &#8211; 13\u2019<br \/>La espera, de Fabi\u00e1n Bielinsky &#8211; Serie Hist\u00f3rica &#8211; 18\u2019<br \/>La hija indigna, de Abril Victoria Dores Portaluppi &#8211; Sede Centro &#8211; 14\u2019<br \/>Siesta, de David Ezequiel Chacon Soria &#8211; Sede Cuyo &#8211; 11\u2019<br \/>Trabalenguas, de Gretel Su\u00e1rez &#8211; Sede Centro &#8211; 11\u2019<br \/>Visitas, de Marcela Guill\u00f3n &#8211; Sede NEA &#8211; 12\u2019<br \/><br \/><strong>Historias Breves 18<\/strong><br \/>12 kil\u00f3metros, de Mar\u00eda Soledad Laici &#8211; 12\u2019<br \/>El nombre del hijo, de Martina Matzkin &#8211; 14\u2019<br \/>Instrucciones para Adela, de Laura Huberman, Manuela Mart\u00ednez &#8211; 14\u2019<br \/>Justo, de Paula Romero Levit &#8211; 10\u2019<br \/>La playita, de Sonia Bertotti &#8211; 13\u2019<br \/>Te seguir\u00e9, de Pedro Levati &#8211; 12\u2019<br \/>\u00a0<br \/><strong>Pantalla UBA<\/strong><br \/>Bailar a la guerra, de Caroline Hada, Thales Pessoa &#8211; 14\u2019<br \/>Cinisca, de Micaela Llorca &#8211; 4\u2019<br \/>Dalo todo, de Manuel Calvo &#8211; 11\u2019<br \/>Desesperaci\u00f3n, de Dami\u00e1n Bottamedi &#8211; 4\u2019<br \/>Diana, de Sof\u00eda Yanz\u00f3n &#8211; 11\u2019<br \/>Escribime, de Milagros Carbery Noriega &#8211; 3\u2019<br \/>H muda, de Natalia Mercado &#8211; 12\u2019<br \/>Hijas del silencio, de Luciano Acu\u00f1a &#8211; 15\u2019<br \/>Ilusi\u00f3n, de Dominique Di Russo &#8211; 4\u2019<br \/>\u00d3bito, de Tamia Berenice Mena S\u00e1nchez &#8211; 7\u2019<br \/>Proyecto suicida, de Luc\u00eda Salinas &#8211; 12\u2019<br \/>Ser, de Milagros Unamuno &#8211; 6\u2019<br \/>Vacaciones en USA, de Luc\u00eda Salinas &#8211; 12\u2019<br \/><br \/><strong>Gipuzkoa Coopera<\/strong><br \/>La 37, de Jer\u00f3nimo Carranza\u00a0&#8211; 60\u2019<br \/>Mateo, proyecto realizado por los alumnos de la Escuela 37 de Mar del Plata\u00a0&#8211; 15\u2019<br \/>Otras maternidades, proyecto realizado por los alumnos de la Escuela 37 de Mar del Plata\u00a0\u00a0&#8211; 38\u2019<br \/>\u00a0<br \/><strong>33\u00b0 Premio Georges M\u00e9li\u00e8s &#8211; Concurso de Cortometrajes<\/strong><br \/><br \/><strong>Video-ensayos del Programa de Cine de la Universidad Di Tella<\/strong><br \/>El embrujo de\u00a0La mujer sin cabeza, de Catherine Grant\u00a0&#8211; Gran Breta\u00f1a \u2013 2019 &#8211; 5\u2019<br \/>Ingrid Bergman en\u2026, de Ver\u00f3nica Balduzzi &#8211; Argentina &#8211; 2019 &#8211; 9\u2019<br \/>Irreconciliable, de A. Feldman, F. Chiapparo &#8211; Argentina &#8211; 2019 &#8211; 3\u2019<br \/>Justicia po\u00e9tica, de M. Boughen, A. Gurevich &#8211; Argentina\u00a0&#8211; 2019 &#8211; 13\u2019<br \/>Las nucas de Tarkovsky, de Pavel Tavares &#8211; Argentina &#8211; 2019 &#8211; 15\u2019<br \/>Luz de verano, de Andr\u00e9s Di Tella &#8211; Argentina &#8211; 2019 &#8211; 12\u2019<br \/>Un animal metaf\u00edsico, de Laura Plasencia, Alex Del R\u00edo &#8211; Argentina\u00a0&#8211; 2019 &#8211; 3\u2019<br \/><br \/>El cine a trav\u00e9s de la m\u00fasica, de Emilio Cartoy D\u00edaz &#8211; Argentina\u00a0&#8211; 2019 &#8211; 130\u2019<br \/><br \/><br \/><strong>Homenaje a Jos\u00e9 Mart\u00ednez Su\u00e1rez<\/strong><br \/>Soy lo que quise ser, de Mariana Scarone, Betina Casanova &#8211; Argentina &#8211; 2018 &#8211; 105&#8242;<br \/><br \/><br \/><strong>CINE.AR presenta: Apto para todo p\u00fablico<\/strong><br \/>Soy Ander, de Gisela Benenz\u00f3n &#8211; 93\u2019<br \/>Estilo Esther, de Pedro Levati &#8211; Temporada 1, 47\u2019 &#8211; Temporada 2, 70\u2019<br \/>Cortos de gigantes, de Sol Rietti &#8211; 83\u2019<br \/>Migrante, de Esteban Ezequiel Dalinger, C\u00e9sar Daniel Iezzi &#8211; 6\u2019<br \/>We Are the Inmigrants, de Catalina Matamoros Puerto &#8211; 6\u2019<br \/>Pixied, de Agostina Ravazzola, Gabriela Sorroza &#8211; 8\u2019<br \/>El tambor y la sombra, de David Bisbano &#8211; 5\u2019<br \/>Tanguito argentino, de Joaqu\u00edn Braga &#8211; 8\u2019<br \/>Cenizas, de Luciana Digiglio &#8211; 4\u2019<br \/>On the Border, de Wei Shujun &#8211; 15\u2019<br \/>Toprak, de Tonur Yagiz &#8211; 11\u2019<br \/>The Tent, de Dmitrii Fetisov &#8211; 16\u2019<br \/>Flying Dream, de Sai Leng Learn Kham &#8211; 24\u2019<br \/>El casamiento, de Juan Camardella &#8211; 11\u2019<br \/>Podest\u00e1, de Joaqu\u00edn Caba &#8211; 12\u2019<br \/>Corp., de Pablo Polledri &#8211; 9\u2019<br \/>Planetario, de Teodoro Ciampagna &#8211; 7\u2019<br \/>Fuego, de Pablo Penchansky &#8211; 12\u2019<br \/>Tantalo, de Juan Facundo Ayerbe, Christian Krieghoff &#8211; 5\u2019<br \/>El cielo de los animales, de Juan Renau &#8211; 15\u2019<br \/>Bon appetit, de Pablo Polledri &#8211; 1\u2019<br \/>Handshake, de Mart\u00edn Schurmann &#8211; 1\u2019<br \/>Transmuta, de Mar\u00eda Bel\u00e9n Tagliabue, Miriana Baz\u00e1n &#8211; 2\u2019<br \/>Supervielle, de Leonardo Garc\u00eda Franchi &#8211; 3\u2019<br \/>Flotar, de Ana Mart\u00edn &#8211; 5\u2019<br \/>Entre mundos, de Franco Ariel Malizia &#8211; 6\u2019<br \/>Mate?, de Dalmiro Buigues, Mart\u00edn Dasnoy &#8211; 3\u2019<br \/>Warm Puna, de Cez Comerci &#8211; 3\u2019<br \/>Bug, de Joaqu\u00edn Ortiz &#8211; 8\u2019<br \/>Mu\u00f1eca rota, de Gaspar Aguirre, Rom\u00e1n Sovrano &#8211; 4\u2019<br \/>Puente natural, de Galia Lorena Guerrero &#8211; 4\u2019<br \/>Alba, de Nicol\u00e1s Detry &#8211; 3\u2019<br \/>Bardero$ &#8211; Unidad 9, de Lucas Badano &#8211; 2\u2019<br \/>Cacha\u00f1a, de Mari\u00e1ngeles Casella &#8211; 4\u2019<br \/><br \/><br \/><strong>Traiga su manta y vea<\/strong><br \/>La odisea de los giles, de Sebasti\u00e1n Borenzstein &#8211; 116\u2019 &#8211; Argentina<br \/>El cuento de las comadrejas, de Juan Jos\u00e9 Campanella &#8211; 129\u2019 &#8211; Argentina<br \/>La afinadora de \u00e1rboles, de Natalia Smirnoff &#8211; 101\u2019 &#8211; Argentina<br \/>Iniciales S.G., de Rania Attieh, Daniel Garc\u00eda &#8211; 93\u2019 &#8211; Argentina<br \/><br \/><br \/><br \/><strong>PREMIOS<\/strong><br \/><br \/><strong>COMPETENCIA INTERNACIONAL<\/strong><br \/><br \/><strong>Astor de Oro al Mejor Largometraje<\/strong><br \/>O que arde,\u00a0de Oliver Laxe<br \/><strong>Astor de Plata al Mejor Director\/a (Ex Aequo)<\/strong><br \/>Pedro Costa por\u00a0Vitalina Varela\u00a0\/ Angela Schanelec por\u00a0I Was at Home, But<br \/><strong>Astor de Plata a Mejor Actriz<\/strong><br \/>Liliana Ju\u00e1rez por\u00a0Planta permanente<br \/><strong>Astor de Plata al Mejor Actor<\/strong><br \/>Ventura por\u00a0Vitalina Varela<br \/><strong>Astor de Plata a Mejor Guion<\/strong><br \/>Oliver Laxe &amp; Santiago Fillol por\u00a0O que arde<br \/><br \/><strong>Premio del p\u00fablico<\/strong><br \/>A vida invis\u00edvel, de Eur\u00eddice Gusm\u00e3o de Karim A\u00efnouz<br \/><br \/><strong>COMPETENCIA LATINOAMERICANA<\/strong><br \/><br \/><strong>Mejor Largometraje (Ex Aequo)<\/strong><br \/>A febre,\u00a0de Maya Da-Rin \/\u00a0Nunca sub\u00ed el Provincia,\u00a0de Ignacio Ag\u00fcero<br \/><strong>Menci\u00f3n Especial<\/strong><br \/>Vendr\u00e1 la muerte y tendr\u00e1 tus ojos,\u00a0de Jos\u00e9 Luis Torres Leiva<br \/><strong>Mejor Cortometraje<\/strong><br \/>Plano controle,\u00a0de Juliana Antunes<br \/><br \/><strong>COMPETENCIA ARGENTINA<\/strong><br \/><br \/><strong>Premio Jos\u00e9 Mart\u00ednez Su\u00e1rez al Mejor Director\/a Argentino\/a<\/strong><br \/>Laura Citarella &amp; Mercedes Halfon por\u00a0Las poetas visitan a Juana Bignozzi<br \/><strong>Mejor Largometraje<\/strong><br \/>Ang\u00e9lica,\u00a0de Delfina Castagnino<br \/><strong>Menci\u00f3n Especial al Mejor Largometraje<\/strong><br \/>Hogar,\u00a0de Maura Delpero<br \/><strong>Mejor Cortometraje<\/strong><br \/>Playback. Ensayo de una despedida,\u00a0de Agustina Comedi<br \/><br \/><strong>PREMIO CINE.AR<\/strong><br \/><strong>Mejor Cortometraje Latinoamericano<\/strong><br \/>La \u00faltima marcha,\u00a0de Ivo Aichenbaum &amp; John Mart\u00ednez<br \/><strong>Mejor Cortometraje Argentino<\/strong><br \/>Playback. Ensayo de una despedida,\u00a0de Agustina Comedi<br \/><br \/><strong>COMPETENCIA ESTADOS ALTERADOS<\/strong><br \/><br \/><strong>Mejor Pel\u00edcula<\/strong><br \/>L\u2019\u00eele aux Oiseaux,\u00a0de Maya Kosa &amp; Sergio Da Costa<br \/><strong>Menci\u00f3n Especial<\/strong><br \/>Longa noite,\u00a0de Eloy Enciso<br \/><br \/><strong>COMPETENCIA WIP<\/strong><br \/><br \/><strong>Premio INCAA a Mejor Proyecto<\/strong><br \/>Mato seco em chamas,\u00a0de Joana Pimenta &amp; Adirley Queir\u00f3s<br \/><br \/><strong>PREMIO DEL JURADO DE CRITICA JOVEN<\/strong><br \/><br \/><strong>Mejor \u00d3pera Prima Internacional<\/strong><br \/>A febre,\u00a0de Maya Da-Rin<br \/><strong>Menci\u00f3n Especial<\/strong><br \/>Um filme de ver\u00e3o,\u00a0de Jo Serfaty<br \/><br \/><strong>BANDA SONORA ORIGINAL<\/strong><br \/><br \/><strong>Mejor Pel\u00edcula<\/strong><br \/>Satori Sur,\u00a0de Federico Rotstein<br \/><strong>Menci\u00f3n de Honor del Jurado<\/strong><br \/>Radio Olmos,\u00a0de Gustavo Mosquera<br \/><br \/><br \/>\u00a0<br \/><strong>INVITADOS<\/strong><br \/>Lee Ranaldo, Nicole Brenez, Nina Menkes, Agathe Bonitzer, Hadas Ben Aroya, Birgit Kohler, Maialen Beloki Berasategui, Onur Tukel, Florence Almozini, Francisco Ferreira, Marcos Uzal, Graham Swon, Nele Wohlatz, Alejandra Trelles, Leah Singer, Nicol\u00e1s Pereda, Hyeyoung Kim, Jihyoung Lee, Lina Rodr\u00edguez, Pierre L\u00e9on, Rebecca De Pas, Marion Klotz, Gonzalo De Pedro, Jon\u00e1s Trueba, Itsaso Arana, Dan Sallitt, Lisandro Alonso, Hilary Brougher, Thomas Heise, \u00c1lvaro Arroba, Cordula Kablitz-Post, Alejandro Fadel, Juliana Antunes, Mart\u00edn Rejtman, Luciana Calcagno, Haden Guest, Affonso Uchoa, Fernando Fr\u00edas de la Parra, Carol Duarte, Amparo Noguera, Ben Rivers, Adirley Queir\u00f3s, Joana Pimenta, Agustina Comedi, Santiago Fillol, Sof\u00eda Castiglione, Juan Solanas, Theo Anthony, Valerie-Malin Schmid, H\u00e9ctor Olivera, Albertina Carri, Graciela Borges, Camila Donoso, Ignacio Ag\u00fcero, B\u00e1rbara Paz, Nicol\u00e1s Azalbert, Luciano Monteagudo, Mariano Llin\u00e1s, Nicol\u00e1s Prividera, Claudio Caldini, Agustina Massa, Paula Hern\u00e1ndez, Gast\u00f3n Solnicki, Boris Nelepo, Gustavo Mosquera, Alejo Moguillansky, Luciana Acu\u00f1a, Gabriel Chwojnik, Maider Fern\u00e1ndez Iriarte, Esther D\u00edaz, Amador Arias Mon, Felipe R\u00edos, Andr\u00e9s Di Tella, Ulises Rosell, Paula F\u00e9lix-Didier, Pablo Echarri, Liliana Ju\u00e1rez, Maya Da Rin, Nina Su\u00e1rez, Laura Citarella, Mercedes Halfon, Ivo Aichenbaum, Clara Picasso, Sof\u00eda Quir\u00f3s Ubeda, Agustina San Mart\u00edn, Ana Garc\u00eda Blaya, Ayar Blasco, Alan Segal, Alejandro Ruax, Ramiro Mart\u00ednez, Ezequiel Radusky, Jos\u00e9 Celestino Campusano, Jo Serfaty, Federico Lanchares, Paula Luzzi, Mar\u00eda Paz Gonz\u00e1lez, Jimena Monteoliva, Eleonor Faur, Joanna Reposi Garibaldi, Luis Mach\u00edn, Juan Minuj\u00edn, Amanda Minuj\u00edn, Carmela Minuj\u00edn, Anal\u00eda Barrionuevo, Mariano Gonz\u00e1lez, Andr\u00e9s Levinson, Antonella Saldicco, Jer\u00f3nimo Atehortua, Jessica Sarah Rinland, Ariel Raiman, Federico Rotstein, Manuel Ferrari, Mar\u00eda \u00c1lvarez, In\u00e9s Barrionuevo, Azucena Losana, Benjam\u00edn Ellenberger, Fernando Salem, Carlos Pi\u00f1eiro, Carolina Konstantinovsky, Catalina Dlugi, Leandro Listorti, Pilar Quinteros, Rodrigo Guerrero, Pablo Schembri, Juan Jos\u00e9 Mugni, Mart\u00edn Desalvo, Mora Recalde, Cecilia Rainero, Charo L\u00f3pez, C\u00e9sar Bord\u00f3n, Clemente Pastor, Pilar Condom\u00ed, Mart\u00edn Farina, Delfina Castagnino, Denise Florencia Carrizo, Jorge Olgu\u00edn, Diego Fried, Jazm\u00edn Stuart, Luciana Garraza, Eric Fleitas, Esteban Lamothe, Fernando Arditi, Maura Delpero, Francisco Novick, Natalio Pag\u00e9s, Guillermina Pico, Horacio Vallereggio, Katia Szechtman, Romina Escobar, Laura Casab\u00e9, Lali Gonz\u00e1lez, Leandro Varela, Lorena Best, Luc\u00eda Granda, Luciana Foglio, Luis Ziembrowski, Luj\u00e1n Montes, Malena Solarz, Nicol\u00e1s Zukerfeld, Mercedes Moreira, Muriel Santa Ana, \u00a0Natalia Smirnoff, Nicanor Loreti, N\u00e9stor Zapata, Nicole Rivadero, Sabrina Blanco, Rosario Varela, Sabrina Moreno, Salom\u00f3n P\u00e9rez, Ulises Conti.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logo Gu\u00eda de Programaci\u00f3n Homenajes IV Autores: Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Eduardo Montes-Bradley, Alejandra Portela, Cora Roca, Pablo De Vita Cuadernos de cr\u00edtica 01 Marcelo Alderete &amp; Cecilia Barrionuevo (Compiladores) SPOT OFICIAL Del 9 al 18 de Noviembre AUTORIDADES PRESIDENTE INCAARalph Haiek\u00a0DIRECTORA ART\u00cdSTICACecilia Barrionuevo PRODUCTOR GENERALCarlos Villalba FUNCI\u00d3N DE APERTURALos muchachos [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3638,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-3634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>34\u00b0 Edici\u00f3n (2019) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 41\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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