{"id":3640,"date":"2026-04-08T11:58:28","date_gmt":"2026-04-08T11:58:28","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3640"},"modified":"2026-10-28T16:41:14","modified_gmt":"2026-10-28T16:41:14","slug":"34-edition-2019","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/34-edition-2019\/","title":{"rendered":"34\u00b0 Edition (2019)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"853\" height=\"1024\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39-853x1024.jpg\" alt=\"\" class=\"wp-image-3638\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39-853x1024.jpg 853w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39-250x300.jpg 250w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39-768x921.jpg 768w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/10\/ediciones-anteriores_39.jpg 1000w\" sizes=\"auto, (max-width: 853px) 100vw, 853px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Archivos <strong>Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/prensa\/34-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Catalogue<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/issuu.com\/festivalinternacionaldecinedemardel\/docs\/mdq_guia\" target=\"_blank\" rel=\"noreferrer noopener\">Program Guide<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Homages IV<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/34-Festival-Homenajes-IV.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Autores: Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Eduardo Montes-Bradley, Alejandra Portela, Cora Roca, Pablo De Vita<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cuadernos de cr\u00edtica 01<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Cuerpos-Invadidos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/mardelplatafilmfest.com\/beta36\/prensa\/Una-Retrospectiva-del-Futuro.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/34-Festival-Cuadernos-de-critica.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Marcelo Alderete &amp; Cecilia Barrionuevo (Compiladores)<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/vimeo.com\/367346316\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">OFFICIAL SPOT <\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>From November 9th to 18th<\/strong><br \/><br \/><strong>AUTHORITIES<\/strong><br \/><br \/><strong>INCAA PRESIDENT<\/strong><br \/>Ralph Haiek<br \/><br \/><strong>ARTISTIC DIRECTOR<\/strong><br \/>Cecilia Barrionuevo<br \/><br \/><strong>GENERAL PRODUCER<\/strong><br \/>Carlos Villalba<br \/><br \/><br \/><br \/><strong>OPENING CEREMONY<\/strong><br \/>Los muchachos de antes no usaban ars\u00e9nico \/ Yesterday\u00b4s Guys Used No Arsenic, by Jos\u00e9 Mart\u00ednez Su\u00e1rez &#8211; Argentina &#8211; 1976 &#8211; 90&#8242;<br \/>\u00a0<br \/><strong>CLOSING CEREMONY<\/strong><br \/>El irland\u00e9s \/ The Irishman, by Martin Scorsese &#8211; US &#8211; 2019 &#8211; 210&#8242;<br \/>\u00a0<br \/>\u00a0<br \/><strong>COMPETITIONS<\/strong><br \/>\u00a0<br \/><strong>International Competition<\/strong><br \/>A vida invis\u00edvel \/ The Invisible Life of Eur\u00eddice Gusm\u00e3o,\u00a0 by Karim A\u00efnouz &#8211; Germany, Brazil &#8211; 2019 &#8211; 139\u2019<br \/>Black Magic for White Boys, by Onur Tukel &#8211; US &#8211; 2019 &#8211; 105\u2019<br \/>El cuidado de los otros \/ Other\u00b4s People Care,\u00a0by Mariano Gonz\u00e1lez &#8211; Argentina &#8211; 2019 &#8211; 72\u2019<br \/>I Was at Home But \/ Ich War Zuhause, Aber, by Angela Schanelec &#8211; Germany, Serbia &#8211; 2019 &#8211; 105\u2019<br \/>La virgen de agosto \/ The August Virgin, by Jon\u00e1s Trueba &#8211; Spain &#8211; 2019 &#8211; 129\u2019<br \/>Les Enfants d\u00b4Isadora \/ Isadora\u2019s Children, by Damien Manivel &#8211; France &#8211; 2018 &#8211; 84\u2019<br \/>Los son\u00e1mbulos \/ The Sleepwalkers, by Paula Hern\u00e1ndez &#8211; Argentina, Uruguay &#8211; 2019 &#8211; 107\u2019<br \/>O que arde \/ Fire Will Come, by Oliver Laxe &#8211; France, Luxemburg, Spain &#8211; 2019 &#8211; 85\u2019<br \/>Planta permanente \/ The Lunchroom, by Ezequiel Radusky &#8211; Argentina, Uruguay &#8211; 2019 &#8211; 78\u2019<br \/>Scattered Night, by Lee Jihyoung, Sol Kim &#8211; South Corea &#8211; 2019 &#8211; 81\u2019<br \/>South Mountain, by Hilary Brougher &#8211; US &#8211; 2019 &#8211; 85\u2019<br \/>Vitalina Varela, by Pedro Costa &#8211; Portugal &#8211; 2019 &#8211; 124\u2019<br \/><br \/><br \/><strong>Latin American Competition<\/strong><br \/>A febre \/ The Fever, by Maya Da-Rin &#8211; Brazil, France, Germany &#8211; 2019 &#8211; 98\u2019<br \/>Ficci\u00f3n privada \/ Private Fiction, by Andr\u00e9s Di Tella &#8211; Argentina &#8211; 2019 &#8211; 78\u2019<br \/>En medio del laberinto \/ In the Middle of the Labyrinth, by Salom\u00f3n P\u00e9rez &#8211; Peru &#8211; 2019 &#8211; 65\u2019<br \/>La protagonista \/ The Protagonist,\u00a0 by Clara Picasso &#8211; Argentina &#8211; 2019 &#8211; 65\u2019<br \/>Lemebel, by Joanna Reposi Garibaldi &#8211; Chile, Colombia &#8211; 2019 &#8211; 96\u2019<br \/>Lina de Lima \/ Lina from Lima, by Mar\u00eda Paz Gonz\u00e1lez &#8211; Argentina, Chile, Peru &#8211; 2019 &#8211; 85\u2019<br \/>Nunca sub\u00ed el Provincia \/ I Never Climbed the Provincia, by Ignacio Ag\u00fcero &#8211; Chile &#8211; 2019 &#8211; 92\u2019<br \/>Por el dinero \/ For the Money, by Alejo Moguillansky &#8211; Argentina &#8211; 2019 &#8211; 80\u2019<br \/>Sirena, by Carlos Pi\u00f1eiro &#8211; Bolivia, Qatar, Chile &#8211; 2019 &#8211; 76\u2019<br \/>Um filme de ver\u00e3o \/ Sun Inside, by Jo Serfaty &#8211; Brazil &#8211; 2019 &#8211; 94\u2019<br \/>Vendr\u00e1 la muerte y tendr\u00e1 tus ojos \/ Death Will Come and Shall Have Your Eyes, by Jos\u00e9 Luis Torres Leiva &#8211; Chile, Argentina, Germany &#8211; 2019 &#8211; 93\u2019<br \/><br \/><br \/><strong>Out of Competition<\/strong><br \/>El silencio del cazador \/ The Hunter\u2019s Silence, by Mart\u00edn Desalvo &#8211; Argentina &#8211; 2019 &#8211; 104\u2019<br \/><br \/><br \/><strong>Latin American Short Films Competition<\/strong><br \/>Bocamina, by Mart\u00edn Hilari &#8211; Bolivia &#8211; 2019 &#8211; 22\u2019<br \/>Ji\u00edbie, by Laura Huertas Mill\u00e1n &#8211; Colombia, France &#8211; 2019 &#8211; 25\u2019<br \/>La bala de Sandoval, by Jean-Jacques Martinod &#8211; Cuba &#8211; Ecuador &#8211; 17\u2019<br \/>La \u00faltima marcha \/ The Last March, by Ivo Aichenbaum, Jhon Mart\u00ednez &#8211; Argentina, Colombia &#8211; 2019 &#8211; 25\u2019<br \/>Onironauta, by Valerie-Malin Schmid &#8211; Germany, Cuba &#8211; 2019 &#8211; 21\u2019<br \/>Plano controle \/ Control Plan, by Juliana Antunes &#8211; Brazil &#8211; 2018 &#8211; 15\u2019\u00a0\u00a0<br \/><br \/><br \/><strong>Argentine Competition<\/strong><br \/>Ang\u00e9lica, by Delfina Castagnino &#8211; Argentina &#8211; 2019 &#8211; 103\u2019<br \/>De la noche a la ma\u00f1ana \/ Overnight, by Manuel Ferrari \u2013 Argentina, Chile &#8211; 2019 &#8211; 88\u2019<br \/>Hogar, by Maura Delpero &#8211; Argentina, Italy &#8211; 2019 &#8211; 90\u2019<br \/>La botera \/ Boat Rower Girl, by Sabrina Blanco \u2013 Argentina, Brazil &#8211; 2019 &#8211; 75\u2019<br \/>La muerte no existe y el amor tampoco \/ Death Doesn\u2019t Exist, and Love Doesn\u2019t Either, by Fernando Salem &#8211; Argentina &#8211; 2019 &#8211; 81\u2019<br \/>Las buenas intenciones \/ The Good Intentions, by Ana Garc\u00eda Blaya &#8211; Argentina &#8211; 2019 &#8211; 86\u2019<br \/>Las poetas visitan a Juana Bignozzi \/ The Poets Visit Juana Bignozzi, by Laura Citarella, Mercedes Halfon &#8211; Argentina &#8211; 2019 &#8211; 90\u2019<br \/>Los que vuelven \/ The Returned, by Laura Casab\u00e9 &#8211; Argentina &#8211; 2019 &#8211; 92\u2019<br \/>Tanya, by Agustina Massa &#8211; Argentina &#8211; 2019 &#8211; 61\u2019<br \/>Those That, At a Distance, Resemble Another, by Jessica Sarah Rinland &#8211; Argentina &#8211; 2019 &#8211; 67\u2019<br \/>\u00a0<br \/><strong>Out of Competition<\/strong><br \/>Bajo mi piel morena\/ Under My Dark Skin, by Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2019 &#8211; 93\u2019<br \/>\u00a0<br \/><strong>Argentine Short Films Competition<\/strong><br \/>Circumplector, by Gast\u00f3n Solnicki &#8211; Argentina &#8211; 2017 &#8211; 3\u2019<br \/>El fuego que vimos \/ The Fire We Saw, by Pilar Condom\u00ed, Candelaria Guti\u00e9rrez &#8211; Argentina &#8211; 2019 &#8211; 12\u2019<br \/>La enorme presencia de los muertos \/ The Presence of the Dead, by Jos\u00e9 Mar\u00eda Avil\u00e9s &#8211; Argentina &#8211; 2019 &#8211; 13\u2019<br \/>Monstruo Dios \/ Monster God, by Agustina San Mart\u00edn &#8211; Argentina &#8211; 2019 &#8211; 10\u2019<br \/>Nos devoraba el fuego \/ Fire Devored Us, by Luc\u00eda Granda &#8211; Argentina &#8211; 2019 &#8211; 13\u2019<br \/>Persona 5, by Ulises Conti \u2013 Argentina, Japan &#8211; 2019 &#8211; 17\u2019<br \/>Pinball, by Nicanor Loreti &#8211; Argentina &#8211; 2019 &#8211; 13\u2019<br \/>Playback. Ensayo de una despedida \/ Playback, by Agustina Comedi &#8211; Argentina &#8211; 2019 &#8211; 14\u2019<br \/>Suqu\u00eda, by Ezequiel Salinas &#8211; Argentina &#8211; 2019 &#8211; 14\u2019<br \/>Una pel\u00edcula hecha de \/ A Movie Made of, by Malena Solarz, Nicol\u00e1s Zukerfeld &#8211; Argentina &#8211; 2019 &#8211; 13\u2019<br \/>\u00a0<br \/><strong>Altered States Competition<\/strong><br \/>Danses macabres, squelettes et autres fantaisies \/ Danses Macabres, Skeletons and Other Fantasies, by Pierre L\u00e9on, Rita Azevedo Gomes, Jean Louis Schefer &#8211; France, Portugal, Switzerland &#8211; 2019 &#8211; 110\u2019<br \/>L\u2019\u00eele aux Oiseaux \/ Bird Island, by Maya Kosa, Sergio da Costa &#8211; Switzerland &#8211; 2019 &#8211; 60\u2019<br \/>Longa noite \/ Endless Night, by Eloy Enciso &#8211; Spain &#8211; 2019 &#8211; 90\u2019<br \/>Ne croyez surtout pas que je hurles \/ Just Don\u2019t Think I\u2019ll Scream, by Frank Beauvais &#8211; France &#8211; 2019 -75\u2019<br \/>Nona. Si me mojan, yo los quemo \/ Nona. If Thet Soak Me, I\u2019ll Burn Them, by Camila Jos\u00e9 Donoso &#8211; Chile, South Corea, Brazil, France &#8211; 2018 &#8211; 100\u2019<br \/>De barrio \/ From the Neighbourhood, by Xurxo Chirro &#8211; Spain &#8211; 2019 &#8211; 69\u2019<br \/>Demonic, by Pia Borg &#8211; Australia &#8211; 2019 &#8211; 28\u2019<br \/>Lonely Rivers, by Mauro Herce &#8211; Spain, France &#8211; 2019 &#8211; 28\u2019<br \/>Parsi, by Eduardo Williams, Mariano Blatt &#8211; Argentina &#8211; 2019 &#8211; 23\u2019<br \/>Pr\u00edncipe de paz \/ Prince of Peace, by Clemente Castor &#8211; Mexico &#8211; 2019 &#8211; 84\u2019<br \/>Sete anos em maio \/ Seven Years in May, by Affonso Uch\u00f4a &#8211; Brazil &#8211; 2019 &#8211; 42\u2019<br \/>Subject to Review, by Theo Anthony &#8211; Canada &#8211; 2019 &#8211; 38\u2019\u00a0<br \/>\u00a0<br \/><strong>WIP Competition<\/strong><br \/>Adi\u00f3s a la memoria, by Nicol\u00e1s Prividera &#8211; Argentina<br \/>El hombre m\u00e1s fuerte del mundo \/ The Strongest Man in the World, by Fernando Arditi, Mariano Vega &#8211; Argentina<br \/>El ni\u00f1o de Dios \/ The Child of God\u00a0, by Mart\u00edn Farina &#8211; Argentina<br \/>Herbaria, by Leandro Listorti &#8211; Argentina, Germany<br \/>Isabella, by Mat\u00edas Pi\u00f1eiro &#8211; Argentina<br \/>La piedra Ambrosetti \/ The Ambrosetti Stone, by Pilar Quinteros, Alan Segal \u2013 Argentina, Chile<br \/>Las cercanas \/ Close, by Mar\u00eda \u00c1lvarez &#8211; Argentina<br \/>Las galaxias \/ The Galaxies, by Guillermina Pico &#8211; Argentina<br \/>Lxs chicxs de las motitos \/ Motorcycle Kids, by Gabriela Vidal, In\u00e9s Mar\u00eda Barrionuevo &#8211; Argentina, Mexico<br \/>Mato seco em chamas \/ Dry Ground Burning, by Joana Pimenta, Adirley Queir\u00f3s &#8211; Brazil, Portugal<br \/>Mudos testigos \/ Silent Witnesses, by Luis Ospina &#8211; Colombia, France<br \/>Si yo fuera el invierno mismo \/ If I Were the Winter Itself, by Jazm\u00edn L\u00f3pez &#8211; Argentina<br \/>Una pel\u00edcula elegante \/ Cool Movie, by Lorena Best &#8211; Peru<br \/><br \/><br \/><strong>PANORAMA<\/strong><br \/><br \/><strong>Auteurs<\/strong><br \/>About Endlessness,\u00a0by Roy Andersson &#8211; Sweden, Germany, Norway &#8211; 2019 &#8211; 76\u2019<br \/>Atlantics, by Mati Diop &#8211; France &#8211; 2019 &#8211; 104\u00b4<br \/>Bitter Bread, by Abbas Fahdel &#8211; Lebanon, Iraq, France &#8211; 2019 &#8211; 87\u2019<br \/>Carelia: Internacional con monumento,\u00a0by Andr\u00e9s Duque &#8211; Spain &#8211; 2019 &#8211; 90\u2019<br \/>Caterina, by Dan Sallitt &#8211; US &#8211; 2019 &#8211; 17\u2019<br \/>Fourteen, by Dan Sallitt &#8211; US &#8211; 2019 &#8211; 94\u2019<br \/>\u00catre vivant et le savoir \/ Living and Knowing You\u2019re Alive, by Alain Cavalier &#8211; France &#8211; 2019 &#8211; 82\u2019<br \/>Family Romance, LLC, by Werner Herzog &#8211; US &#8211; 2019 &#8211; 89\u2019<br \/>Heimat is a Space in Time \/ Heimat ist ein Raum aus Zeit, by Thomas Heise &#8211; Germany, Austria &#8211; 2019 &#8211; 218\u2019<br \/>Hu\u00e9rfanos de Brooklyn \/ Motherless Brooklyn, by Edward Norton &#8211; US &#8211; 2019 &#8211; 144\u2019<br \/>I diari di Angela &#8211; Noi due cineasta \/ Angela\u2019s Diaries. Two Filmmakers, by Yervant Gianikian, Angela Ricci Lucci &#8211; Italy &#8211; 2018 &#8211; 125\u2019<br \/>I diari di Angela &#8211; Noi due cineasta &#8211; Capitolo secondo\/ Angela\u2019s Diaries. Two Filmmakers. Chapter Two, by Yervant Gianikian, Angela Ricci Lucci &#8211; Italy &#8211; 2019 &#8211; 100\u2019<br \/>Il traditore \/ The Traitor, by Marco Bellocchio &#8211; Italy &#8211; 2019 &#8211; 145\u2019<br \/>Jeanne \/ Joan of Arc, by Bruno Dumont &#8211; France &#8211; 2019 &#8211; 138\u2019<br \/>Jojo Rabbit,\u00a0by Taika Waititi &#8211; US &#8211; 2019 &#8211; 108\u2019<br \/>Krabi, 2562, by Ben Rivers, Anocha Suwichakornpong &#8211; Thailand, UK &#8211; 2019 &#8211; 93\u2019<br \/>Libert\u00e9, by Albert Serra &#8211; Spain, France, Portugal &#8211; 2019 &#8211; 132\u2019<br \/>Love Me Not, by Llu\u00eds Mi\u00f1arro &#8211; Espa\u00f1a, Mexico &#8211; 2019 &#8211; 81\u2019<br \/>Lucy in the Sky, by Noah Hawley &#8211; US &#8211; 2019 &#8211; 124\u2019<br \/>Parasite, by Bong Joon-ho \u2013 South Corea &#8211; 2019 &#8211; 132\u2019\u00a0<br \/>Portrait de la jeune fille en feu \/ Portrait of a Lady on Fire, by C\u00e9line Sciamma &#8211; France &#8211; 2019 &#8211; 120\u2019<br \/>Rushing Green with Horses \/ Rasendes Gr\u00fcn mit Pferden, by Ute Aurand &#8211; Germany &#8211; 2019 &#8211; 82\u2019<br \/>State Funeral, by Sergei Loznitsa &#8211; Netherlands, Lithuania &#8211; 2019 &#8211; 135\u2019<br \/>To the Ends of the Earth \/\u00a0Tabi no owari sekai no hajimari, by\u00a0Kiyoshi Kurosawa &#8211; Japan, Qatar, Uzbekistan &#8211; 2019 &#8211; 120\u2019<br \/>Un film dramatique, by \u00c9ric Baudelaire &#8211; France &#8211; 2019 &#8211; 114\u2019<br \/>Una vida oculta \/ A Hidden Life, by Terrence Malick &#8211; US, Germany &#8211; 2019 &#8211; 173\u2019<br \/>Calendario de lluvias \/ Rain Calendar, by Claudio Caldini &#8211; Argentina &#8211; 2019 &#8211; 10\u2019<br \/>Felix in Wonderland, by Marie Losier &#8211; Germany, France &#8211; 2019 &#8211; 50\u2019<br \/>La timidez de los \u00e1rboles \/ The Shyness of Trees,\u00a0by Flavia de la Fuente &#8211; Argentina &#8211; 2019 &#8211; 25\u2019<br \/>Mi piel, luminosa \/ My Skin, Luminous, by Nicol\u00e1s Pereda, Gabino Rodr\u00edguez \u2013 Mexico, Canada &#8211; 2019 &#8211; 39\u00b4<br \/>Myst, by\u00a0Narcisa Hirsch &#8211; Argentina &#8211; 2019 &#8211; 15\u2019<br \/>Sapphire Crystal,\u00a0by Virgil Vernier &#8211; France &#8211; 2019 &#8211; 31\u2019<br \/>Vever (for Barbara), by Deborah Stratman &#8211; Guatemala, US &#8211; 2019 &#8211; 12\u2019<br \/>\u00a0<br \/><strong>New Auteurs<\/strong><br \/>Babenco &#8211; Algu\u00e9m tem que ouvir o cora\u00e7\u00e3o e dizer: Parou,\u00a0by B\u00e1rbara Paz \u2013 Brazil &#8211; 2019 &#8211; 75\u2019<br \/>Delphine et Carole, insoumuses \/ Delphine and Carole, by Callisto Mc Nulty \u2013 France, Switzerland &#8211; 2019 &#8211; 70\u2019<br \/>Diz a ela que me viu chorar \/ Let It Burn, by Maira B\u00fchler &#8211; Brazil &#8211; 2019 &#8211; 85\u2019<br \/>El hombre del futuro \/ The Man of the Future, by Felipe R\u00edos &#8211; Chile, Argentina &#8211; 2019 &#8211; 96\u2019<br \/>From Tomorrow on, I Will \/ Chun Nuan Hua Kai, by Ivan Markovi\u0107, Linfeng Wu &#8211; China, Germany, Serbia &#8211; 2019 &#8211; 60\u2019<br \/>Giraffe, by Anne Sofie Hartmann &#8211; Germany, Denmark &#8211; 2019 &#8211; 87\u2019<br \/>House of Hummingbird, by Kim Bora \u2013 South Corea &#8211; 2018 &#8211; 138\u2019<br \/>Immortal \/ Surematu, by Ksenia Okhapkina &#8211; Russia &#8211; 2019 &#8211; 60\u2019<br \/>La noche de las nerds \/ Booksmart, by Olivia Wilde &#8211; US &#8211; 2019 &#8211; 102\u2019<br \/>Las letras de Jordi \/ Jordi\u2019s Letters, by Maider Fern\u00e1ndez Iriarte &#8211; Spain &#8211; 2019 &#8211; 70\u2019<br \/>Present. Perfect, by Shengze Zhu &#8211; US, Hong Kong &#8211; 2019 &#8211; 124\u2019<br \/>Rare Beasts, by Billie Piper &#8211; UK &#8211; 2019 &#8211; 87\u2019<br \/>Space Dogs, by Elsa Kremser, Levin Peter &#8211; Austria, Germany &#8211; 2019 &#8211; 91\u2019<br \/>The World is Full of Secrets, by Graham Swon &#8211; US &#8211; 2018 &#8211; 98\u2019<br \/>Tinnitus, by Daniil Zinchenko &#8211; Russia &#8211; 2019 &#8211; 90\u2019<br \/>Ya no estoy aqu\u00ed \/ I\u2019m No Longer Here, by Fernando Fr\u00edas de la Parra \u2013 Mexico, US &#8211; 2019 &#8211; 105\u2019<br \/>Aqu\u00ed y all\u00e1 \/ Here and There, by Lina Rodr\u00edguez &#8211; Canada, Colombia &#8211; 2019 &#8211; 22\u2019<br \/>C\u00e3es que ladram aos p\u00e1ssaros \/ Dogs Barking at Birds, by Leonor Teles &#8211; Portugal &#8211; 2019 &#8211; 20\u2019<br \/>Die Str\u00e4nde, by Astrid J. Ofner &#8211; Austria &#8211; 2019 &#8211; 10\u2019<br \/>Entire Days Together \/ Ganze Tage Zusammen, by Luise Donschen &#8211; Germany &#8211; 2019 &#8211; 23\u2019<br \/>Past Perfect, by Jorge J\u00e1come &#8211; Portugal &#8211; 2019 &#8211; 23\u2019<br \/>Sol negro \/ Black Sun, by Maureen Fazendeiro &#8211; Portugal, France &#8211; 2019 &#8211; 7\u2019<br \/>Tourism Studies, by Joshua Gen Solondz &#8211; US &#8211; 2019 &#8211; 8\u2019<br \/><br \/><strong>Lee Ranaldo &amp; Leah Singer Special<\/strong><br \/>Sonic Youth &#8211; NYC and Beyond, by Aaron Mullan &#8211; US &#8211; 2019 &#8211; 98\u2019<br \/><br \/><br \/><strong>Panorama of Argentine Cinema<\/strong><br \/>Azul el mar \/ An Ocean Blue, by Sabrina Moreno &#8211; Argentina &#8211; 2019 &#8211; 67\u2019<br \/>Ceniza negra \/ Land of Ashes, by Sof\u00eda Quir\u00f3s Ubeda \u2013 Argentina, Chile, Costa Rica, France &#8211; 2019 &#8211; 82\u2019<br \/>La invenci\u00f3n de Borges \/ The Invention of Borges, by Nicol\u00e1s Azalbert \u2013 Argentina, France &#8211;\u00a0 2019 &#8211;\u00a0 64\u2019<br \/>Tiempo perdido\u00a0\/ Lost Time, by Francisco Novick, Natalio Pag\u00e9s &#8211; Argentina &#8211; 2019 &#8211; 70\u2019<br \/>Un sue\u00f1o hermoso \/ A Beautiful Dream, by Tom\u00e1s de Leone &#8211; Argentina &#8211; 2019 &#8211; 74\u2019<br \/>Venezia, by Rodrigo Guerrero \u2013 Argentina, France &#8211; 2019 &#8211; 73\u2019<br \/>El bosque \/ The Forest, by Esteban Lamothe &#8211; Argentina &#8211;\u00a0 2019 &#8211;\u00a0 15\u2019<br \/><br \/><br \/><strong>Special Nights<\/strong><br \/>La fiesta silenciosa \/ The Silent Party, by Diego Fried &#8211; Argentina, Brazil &#8211; 2019 &#8211; 87\u2019<br \/>Lava, by Ayar Blasco &#8211; Argentina &#8211;\u00a0 2019 &#8211;\u00a0 63\u2019<br \/><br \/><br \/><strong>Super 8 &#8211; 16 mm<\/strong><br \/>\u00c1rbol de cristal, by Federico Lanchares &#8211; Argentina &#8211; 2019 &#8211; 4\u2019<br \/>Reflejo nocturno, by Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2019 &#8211; 9\u2019<br \/>Pantano, by Azucena Losana &#8211; Argentina &#8211; 2019 &#8211; 12\u2019<br \/>Fotogramas grabados en piedra, by Leandro Varela &#8211; Argentina &#8211; 2019 &#8211; 3\u2019<br \/>Lo repet\u00eds hacia adentro con la fuerza de un trueno,\u00a0by Luciana Foglio, Luj\u00e1n Montes &#8211; Argentina &#8211; 2019 &#8211; 12\u2019<br \/>La cabellera de Berenice, by Horacio Vallereggio &#8211; Argentina &#8211; 1972 \u2013 65\u2019<br \/>Clima,\u00a0by Juan Jos\u00e9 Mugni &#8211; Argentina &#8211; 1972 &#8211; 7\u2019<br \/>Grito, by Juan Jos\u00e9 Mugni &#8211; Argentina &#8211; 1973 &#8211; 8\u2019<br \/>El jard\u00edn de las delicias, by Juan Jos\u00e9 Mugni &#8211; Argentina &#8211; 1975 &#8211; 15\u2019<br \/>Proyecciones, by Juan Jos\u00e9 Mugni &#8211; Argentina &#8211; 1976 &#8211; 12\u2019<br \/>Ritual,\u00a0by Juan Jos\u00e9 Mugni &#8211; Uruguay &#8211; 1982 &#8211; 20\u2019<br \/>\u00a0\u00a0<br \/><br \/><strong>Children by the Sea<\/strong><br \/>El patalarga \/ The Longleg, by Mercedes Moreira &#8211; Argentina &#8211; 2019 &#8211; 70\u2019<br \/>L\u2019Extraordinaire Voyage de Marona \/Marona\u2019s Fantastic Tale, by Anca Damian &#8211; Romania, Belgium, France &#8211; 2019 &#8211; 92\u2019<br \/>La Fameuse Invasion des ours en Sicile \/ The Bears\u2019 Famous Invasion, by Lorenzo Mattotti &#8211; Italy &#8211; 2019 &#8211; 82\u2019<br \/>Le Voyage du Prince \/ The Prince\u2019s Voyage, de Jean-Fran\u00e7ois Laguionie, Xavier Picard &#8211; France, Luxemburg &#8211; 2019 &#8211; 77\u2019<br \/>Chuck Shimezou,\u00a0by Eiichiro Nishiyama &#8211; Japan &#8211; 2019 &#8211; 23\u2019<br \/>El pajarocubo,\u00a0by Jorge Alberto Vega &#8211; Colombia &#8211; 2019 &#8211; 9\u2019<br \/>Extra\u00f1as criaturas \/ Strange Creatures, by Crist\u00f3bal Le\u00f3n, Cristina Sitja &#8211; Chile &#8211; 2019 &#8211; 15\u2019<br \/>First Step \/ Prvi korak, by Petra Ko\u017ear &#8211; Croatia &#8211; 2019 &#8211; 10\u2019<br \/>Maestro, by Illogic &#8211; France &#8211; 2019 &#8211; 2\u2019<br \/>Nest, by Sonja Rohleder &#8211; Germany &#8211; 2019 &#8211; 4\u2019<br \/>The Kite \/ Poustet draka, by Martin Smatana \u2013 Czech Republic, Slovakia, Poland &#8211; 2019 &#8211; 13\u2019<br \/><br \/><br \/><strong>Original Soundtrack<\/strong><br \/>A Dog Called Money, by Seamus Murphy &#8211; Ireland, UK &#8211; 2019 &#8211; 90\u2019<br \/>Die Toten Hosen \u2013 You Only Live Once \/ Weil Du Nur Winmal Lebst &#8211; Die Toten Hosen auf Tour, by Cordula Kablitz-Post, Paul Dugdale &#8211; Germany &#8211; 2019 &#8211; 107\u2019<br \/>Radio Olmos, by Gustavo Mosquera &#8211; Argentina &#8211; 2019 &#8211; 120\u2019<br \/>Satori Sur, by Federico Rotstein &#8211; Argentina &#8211; 2019 &#8211; 68\u2019<br \/>Rocanrol Cowboys, by Pl\u00e1stico (Alejandro Ruax, Ramiro Mart\u00ednez) &#8211; Argentina &#8211; 2019 &#8211; 77\u2019<br \/>Stud Free Pub (Una buena historia) \/ Stud Free Pub (A Good Story), by Ariel Topo Raiman &#8211; Argentina &#8211; 2019 &#8211; 90\u2019<br \/><br \/><br \/><strong>Midnight Screamings<\/strong><br \/>Bliss, by Joe Begos &#8211; US &#8211; 2019 &#8211; 80\u2019<br \/>Entre navajas y secretos \/ Knives Out,\u00a0by Rian Johnson &#8211; US &#8211; 2019 &#8211; 130\u2019<br \/>First Love, by Takashi Miike &#8211; Japan, UK &#8211; 2019 &#8211; 108\u2019<br \/>Ventajas de viajar en tren \/ Advantages of Traveling by Train, by Aritz Moreno &#8211; France, Spain &#8211; 2019 &#8211; 105\u2019<br \/>Warning: Do No Play \/ Amjeon, by Kim Jin-won &#8211; South Corea &#8211; 2019 &#8211; 86\u2019<br \/><br \/><br \/><strong>Open Veins<\/strong><br \/>Carro\u00f1a \/ Scavenger, by\u00a0Luciana Garraza, Eric Fleitas &#8211; Argentina &#8211; 2019 &#8211; 73\u2019<br \/>La casa \/ The House,\u00a0by Jorge Olgu\u00edn &#8211; Chile &#8211; 2019 &#8211; 75\u2019<br \/>Matar al drag\u00f3n \/ To Kill the Dragon, by Jimena Monteoliva &#8211; Argentina &#8211; 2019 &#8211; 89\u2019<br \/>Zombies en el ca\u00f1averal. El documental \/ Zombies in the Sugar Cane Field. The Documentary, by Pablo Schembri &#8211; Argentina &#8211; 2019 &#8211; 88\u2019<br \/><br \/><br \/><strong>Special Screenings<\/strong><br \/>La gallina Turuleca \/ Turu, the Wacky Hen, by Eduardo Gondell, Victor Monigote &#8211; Argentina, Spain &#8211; 2019 &#8211; 80\u2019<br \/>Milagro de oto\u00f1o \/ Miracle in the Fall, by N\u00e9stor Zapata &#8211; Argentina &#8211; 2019 &#8211; 97\u2019<br \/><br \/><br \/><strong>FOCUS AND RETROSPECTIVES<\/strong><br \/><br \/><strong>Nina Menkes Retrospective<\/strong><br \/>A Soft Warrior, by\u00a0Nina Menkes &#8211; US &#8211; 1981 &#8211; 11\u2019<br \/>The Great Sadness of Zohara, by\u00a0Nina Menkes &#8211; US &#8211; 1983 &#8211; 40\u2019<br \/>Magdalena Viraga,\u00a0by Nina Menkes &#8211; US &#8211; 1986 &#8211; 90\u2019<br \/>Queen of Diamonds, by Nina Menkes &#8211; US &#8211; 1991 &#8211; 77\u2019<br \/>The Bloody Child,\u00a0by Nina Menkes &#8211; US &#8211; 1996 &#8211; 85\u2019<br \/>Massaker \/ Massacre, de Nina Menkes &#8211; France, Germany, Lebanon, US &#8211; 2005 &#8211; 98\u2019<br \/>Phantom Love, by Nina Menkes &#8211; US &#8211; 2008 &#8211; 87\u2019<br \/>Dissolution,\u00a0by Nina Menkes &#8211; Israel, US &#8211; 2010 &#8211; 88\u2019<br \/><br \/><br \/><strong>Djibril Diop Mamb\u00e9ty Retrospective<\/strong><br \/>Contras\u2019 City \/ City of Contrasts, by Djibril Diop Mamb\u00e9ty &#8211; Senegal &#8211; 1968 &#8211; 27\u2019<br \/>Badou Boy \/ Bad Boy, by Djibril Diop Mamb\u00e9ty &#8211; Senegal &#8211; 1970 &#8211; 56\u2019<br \/>Touki Bouki, by Djibril Diop Mamb\u00e9ty &#8211; Senegal &#8211; 1973 &#8211; 188\u2019<br \/>Parlons grand-m\u00e8re, by Djibril Diop Mamb\u00e9ty &#8211; Senegal &#8211; 1989 &#8211; 34\u2019<br \/>Hy\u00e8nes \/ Hyenas, by Djibril Diop Mamb\u00e9ty &#8211; Switzerland, France, Senegal &#8211; 1991 &#8211; 108\u2019<br \/>Le Franc, by Djibril Diop Mamb\u00e9ty &#8211; Switzerland, France, Senegal &#8211; 1994 &#8211; 44\u2019<br \/>La Petite Vendeuse du Soleil \/ The Little Girl Who Sold the Sun, by Djibril Diop Mamb\u00e9ty &#8211; Switzerland, France, Senegal &#8211; 1998 &#8211; 44\u2019<br \/><br \/><br \/><strong>John M. Stahl Focus<\/strong><br \/>Seed,\u00a0by John M. Stahl &#8211; US &#8211; 1931 &#8211; 96\u2019<br \/>Back Street, by John M. Stahl &#8211; US &#8211; 1932 &#8211; 84\u2019<br \/>La imitaci\u00f3n de la vida \/\u00a0Imitation of Life, by John M. Stahl &#8211; US &#8211; 1934 &#8211; 111\u2019<br \/>Letter of Introduction,\u00a0by John M. Stahl &#8211; US &#8211; 1938 &#8211; 100\u2019<br \/>When Tomorrow Comes,\u00a0by John M. Stahl &#8211; US &#8211; 1939 &#8211; 90\u2019<br \/>Our Wife, by John M. Stahl &#8211; US &#8211; 1941 &#8211; 95\u2019<br \/>Que el cielo la juzgue \/\u00a0Leave Her to Heaven, by John M. Stahl &#8211; US &#8211; 1945 &#8211; 111\u2019<br \/>D\u00e9bil es la carne \/ The Foxes of Harrow,\u00a0by John M. Stahl &#8211; US &#8211; 1947 &#8211; 115\u2019<br \/><br \/><br \/><strong>Generation VHS Presents: \u00a1Blaxploitation!\u00a0<\/strong><br \/>Sweet Sweetback\u2019s Baadasssss Song, by Melvin Van Peebles &#8211; US &#8211; 1971 &#8211; 97\u2019<br \/>Dolemite,\u00a0by D\u00b4Urville Martin &#8211; US &#8211; 1975 &#8211; 90\u2019<br \/>The Muthers, by Cirio H. Santiago &#8211; Phillippines &#8211; 1976 &#8211; 83\u2019<br \/><br \/><br \/><strong>Generation VHS Presents: The Exorcist\u00a0<\/strong><br \/>El exorcista (Corte del director) \/ The Exorcist (Director\u2019s Cut), by William Friedkin &#8211; US &#8211; 1973 &#8211; 132\u2019<br \/>Leap of Faith: William Friedkin on The Exorcist, by Alexandre O. Philippe &#8211; US, Spain &#8211; 2019 &#8211; 105\u2019<br \/><br \/><br \/><strong>RESTORATIONS<\/strong><br \/><br \/><strong>Restored and Rescues<\/strong><br \/>20 a\u00f1os de Silvia Prieto, by Mart\u00edn Rejtman &#8211; Argentina &#8211; 1999 &#8211; 90\u2019<br \/>Bonanza, by Ulises Rosell &#8211; Argentina &#8211; 2001 &#8211; 84\u2019<br \/>De quelques \u00e9v\u00e9nements sans signification \/ About Some Meaningless Events, by Mostafa Derkaoui &#8211; Morocco &#8211; 1974 &#8211; 76\u2019<br \/>El negoci\u00f3n, by Sim\u00f3n Feldman &#8211; Argentina &#8211; 1958 &#8211; 60\u2019<br \/>Juguetes \/ Toys, by Mar\u00eda Luisa Bemberg &#8211; Argentina &#8211; 1978 &#8211; 12\u2019<br \/>La vuelta al nido, by\u00a0Leopoldo Torres R\u00edos &#8211; Argentina &#8211; 1938 &#8211; 77\u2019<br \/>Le Psychodrame, by Roberto Rossellini &#8211; France &#8211; 1956 &#8211; 53\u2019<br \/>The General\u2019s Mustache, by\u00a0Lee Seong-gu &#8211; South Corea &#8211; 1968 &#8211; 103\u2019<br \/>The House Is Black,\u00a0by Forough Farrokhzad &#8211; Iran &#8211; 1963 &#8211; 20\u2019<br \/><br \/><br \/><strong>Homage to Jonas Mekas<\/strong><br \/>Walden: Diaries, Notes and Sketches,\u00a0by Jonas Mekas &#8211; US &#8211; 1969 &#8211; 180\u2019<br \/>Lost, Lost, Lost, by Jonas Mekas &#8211; US &#8211; 1976 &#8211; 176\u2019<br \/>\u00a0<br \/><br \/><strong>Harvard Film Archive Presents<\/strong><br \/>Le Cousin Jules, by Dominique Benicheti &#8211; France &#8211; 1972 &#8211; 91\u2019<br \/>Jessica, Look at Me, by Dominique Benicheti &#8211; US &#8211; 1974 &#8211; 36\u2019<br \/>Abstronic, by Mary Ellen Bute &#8211; 1952 &#8211; 6\u2019<br \/>Free Radicals, by Len Lye &#8211; 1958 &#8211; 5\u2019<br \/>Allures, by Jordan Belson &#8211; 1961 &#8211; 8\u2019<br \/>Sand or Peter and the Wolf, by Caroline Leaf &#8211; 1969 &#8211; 10\u2019<br \/>Asparagus, by Suzan Pitt &#8211; 1979 &#8211; 20\u2019<br \/>Going Home Sketchbook, by\u00a0Mary Beams &#8211; 1975 &#8211; 6\u2019<br \/>River Lethe, by Amy Kravitz &#8211; 1985 &#8211; 7\u2019<br \/>Vessel, by\u00a0Helen Hill &#8211; 1992 &#8211; 6\u2019<br \/>Milk of Amnesia, by\u00a0Jeff Scher &#8211; 1992 &#8211; 6\u2019<br \/><br \/><br \/><strong>INSTITUTIONALS SCREENINGS<\/strong><br \/><br \/><strong>ENERC Exhibition<\/strong><br \/>Desde el puente, by Mar\u00eda Rosa Lovato &#8211; Sede Patagonia Norte &#8211; 13\u2019<br \/>Imilla, by Mayra Arasy Nieva &#8211; Sede NOA &#8211; 13\u2019<br \/>La espera, by Fabi\u00e1n Bielinsky &#8211; Serie Hist\u00f3rica &#8211; 18\u2019<br \/>La hija indigna, by Abril Victoria Dores Portaluppi &#8211; Sede Centro &#8211; 14\u2019<br \/>Siesta, by David Ezequiel Chacon Soria &#8211; Sede Cuyo &#8211; 11\u2019<br \/>Trabalenguas, by Gretel Su\u00e1rez &#8211; Sede Centro &#8211; 11\u2019<br \/>Visitas, by Marcela Guill\u00f3n &#8211; Sede NEA &#8211; 12\u2019<br \/><br \/><strong>Short Stories 18<\/strong><br \/>12 kil\u00f3metros, by Mar\u00eda Soledad Laici &#8211; 12\u2019<br \/>El nombre del hijo, by Martina Matzkin &#8211; 14\u2019<br \/>Instrucciones para Adela, by Laura Huberman, Manuela Mart\u00ednez &#8211; 14\u2019<br \/>Justo, by Paula Romero Levit &#8211; 10\u2019<br \/>La playita, by Sonia Bertotti &#8211; 13\u2019<br \/>Te seguir\u00e9, by Pedro Levati &#8211; 12\u2019<br \/>\u00a0<br \/><strong>Pantalla UBA<\/strong><br \/>Bailar a la guerra, de Caroline Hada, Thales Pessoa &#8211; 14\u2019<br \/>Cinisca, de Micaela Llorca &#8211; 4\u2019<br \/>Dalo todo, de Manuel Calvo &#8211; 11\u2019<br \/>Desesperaci\u00f3n, de Dami\u00e1n Bottamedi &#8211; 4\u2019<br \/>Diana, de Sof\u00eda Yanz\u00f3n &#8211; 11\u2019<br \/>Escribime, de Milagros Carbery Noriega &#8211; 3\u2019<br \/>H muda, de Natalia Mercado &#8211; 12\u2019<br \/>Hijas del silencio, de Luciano Acu\u00f1a &#8211; 15\u2019<br \/>Ilusi\u00f3n, de Dominique Di Russo &#8211; 4\u2019<br \/>\u00d3bito, de Tamia Berenice Mena S\u00e1nchez &#8211; 7\u2019<br \/>Proyecto suicida, de Luc\u00eda Salinas &#8211; 12\u2019<br \/>Ser, de Milagros Unamuno &#8211; 6\u2019<br \/>Vacaciones en USA, de Luc\u00eda Salinas &#8211; 12\u2019<br \/><br \/><strong>Gipuzkoa Cooperates<\/strong><br \/>La 37, de Jer\u00f3nimo Carranza\u00a0&#8211; 60\u2019<br \/>Mateo, proyecto realizado por los alumnos de la Escuela 37 de Mar del Plata\u00a0&#8211; 15\u2019<br \/>Otras maternidades, proyecto realizado por los alumnos de la Escuela 37 de Mar del Plata\u00a0\u00a0&#8211; 38\u2019<br \/>\u00a0<br \/><strong>Video-essays from the Universidad Di Tella Film Program<\/strong><br \/>El embrujo de La mujer sin cabeza, by Catherine Grant\u00a0&#8211; UK &#8211; 2019 &#8211; 5\u2019<br \/>Ingrid Bergman en\u2026, by Ver\u00f3nica Balduzzi &#8211; Argentina &#8211; 2019 &#8211; 9\u2019<br \/>Irreconciliable, by A. Feldman, F. Chiapparo &#8211; Argentina &#8211; 2019 &#8211; 3\u2019<br \/>Justicia po\u00e9tica, by M. Boughen, A. Gurevich &#8211; Argentina\u00a0&#8211; 2019 &#8211; 13\u2019<br \/>Las nucas de Tarkovsky, by Pavel Tavares &#8211; Argentina &#8211; 2019 &#8211; 15\u2019<br \/>Luz de verano, by Andr\u00e9s Di Tella &#8211; Argentina &#8211; 2019 &#8211; 12\u2019<br \/>Un animal metaf\u00edsico, by Laura Plasencia, Alex Del R\u00edo &#8211; Argentina\u00a0&#8211; 2019 &#8211; 3\u2019<br \/><br \/>El cine a trav\u00e9s de la m\u00fasica, by Emilio Cartoy D\u00edaz &#8211; Argentina\u00a0&#8211; 2019 &#8211; 130\u2019<br \/><br \/><strong>Homage to Jos\u00e9 Mart\u00ednez Su\u00e1rez<\/strong><br \/>Soy lo que quise ser, by Mariana Scarone, Betina Casanova &#8211; Argentina &#8211; 2018 &#8211; 105\u2019<br \/><br \/><strong>CINE.AR Presents<\/strong><br \/>Soy Ander, by Gisela Benenz\u00f3n &#8211; 93\u2019<br \/>Estilo Esther, by Pedro Levati &#8211; Season 1, 47\u2019 &#8211; Season 2, 70\u2019<br \/>Cortos de gigantes, by Sol Rietti \u2013 83\u2019<br \/>Migrante, by Esteban Ezequiel Dalinger, C\u00e9sar Daniel Iezzi &#8211; 6\u2019<br \/>We Are the Inmigrants, by Catalina Matamoros Puerto &#8211; 6\u2019<br \/>Pixied, by Agostina Ravazzola, Gabriela Sorroza &#8211; 8\u2019<br \/>El tambor y la sombra, by David Bisbano &#8211; 5\u2019<br \/>Tanguito argentino, by Joaqu\u00edn Braga &#8211; 8\u2019<br \/>Cenizas, by Luciana Digiglio &#8211; 4\u2019<br \/>On the Border, by Wei Shujun &#8211; 15\u2019<br \/>Toprak, by Tonur Yagiz &#8211; 11\u2019<br \/>The Tent, by Dmitrii Fetisov &#8211; 16\u2019<br \/>Flying Dream, by Sai Leng Learn Kham &#8211; 24\u2019<br \/>El casamiento, by Juan Camardella &#8211; 11\u2019<br \/>Podest\u00e1, by Joaqu\u00edn Caba &#8211; 12\u2019<br \/>Corp., by Pablo Polledri &#8211; 9\u2019<br \/>Planetario, by Teodoro Ciampagna &#8211; 7\u2019<br \/>Fuego, by Pablo Penchansky &#8211; 12\u2019<br \/>Tantalo, by Juan Facundo Ayerbe, Christian Krieghoff &#8211; 5\u2019<br \/>El cielo de los animales, by Juan Renau &#8211; 15\u2019<br \/>Bon appetit, by Pablo Polledri &#8211; 1\u2019<br \/>Handshake, by Mart\u00edn Schurmann &#8211; 1\u2019<br \/>Transmuta, by Mar\u00eda Bel\u00e9n Tagliabue, Miriana Baz\u00e1n &#8211; 2\u2019<br \/>Supervielle, by Leonardo Garc\u00eda Franchi &#8211; 3\u2019<br \/>Flotar, by Ana Mart\u00edn &#8211; 5\u2019<br \/>Entre mundos, by Franco Ariel Malizia &#8211; 6\u2019<br \/>Mate?, by Dalmiro Buigues, Mart\u00edn Dasnoy &#8211; 3\u2019<br \/>Warm Puna, by Cez Comerci &#8211; 3\u2019<br \/>Bug, by Joaqu\u00edn Ortiz &#8211; 8\u2019<br \/>Mu\u00f1eca rota, by Gaspar Aguirre, Rom\u00e1n Sovrano &#8211; 4\u2019<br \/>Puente natural, by Galia Lorena Guerrero &#8211; 4\u2019<br \/>Alba, by Nicol\u00e1s Detry &#8211; 3\u2019<br \/>Bardero$\u00a0&#8211; Unidad 9, by Lucas Badano &#8211; 2\u2019<br \/>Cacha\u00f1a, by Mari\u00e1ngeles Casella &#8211; 4\u2019<br \/><br \/><strong>Traiga su manta y vea<\/strong><br \/>La odisea de los giles, by Sebasti\u00e1n Borenzstein &#8211; 116\u2019<br \/>El cuento de las comadrejas, by Juan Jos\u00e9 Campanella &#8211; 129\u2019<br \/>La afinadora de \u00e1rboles, by Natalia Smirnoff &#8211; 101\u2019<br \/>Iniciales S.G., by Rania Attieh, Daniel Garc\u00eda &#8211; 93\u2019<br \/><br \/><br \/><strong>AWARDS<\/strong><br \/><br \/><b>INTERNATIONAL COMPETITION<\/b><br \/><br \/><strong>Golden Astor for Best Feature Film<\/strong><br \/>O que arde, by Oliver Laxe<br \/><strong>Silver Astor for Best Director (tied)<\/strong><br \/>Pedro Costa by Vitalina Varela\u00a0\/ Angela Schanelec by I Was at Home, But<br \/><strong>Silver Astor for Best Actress<\/strong><br \/>Liliana Ju\u00e1rez by The Lunchroom<br \/><strong>Silver Astor for Best Actor<\/strong><br \/>Ventura by Vitalina Varela<br \/><strong>Silver Astor for Best Screenplay<\/strong><br \/>Oliver Laxe &amp; Santiago Fillol by O que arde<br \/><br \/><strong>Audience Award<\/strong><br \/>A vida invis\u00edvel, by Karim A\u00efnouz<br \/><br \/><b>LATIN AMERICAN COMPETITION<\/b><br \/><br \/><strong>Best Feature Film (tied)<\/strong><br \/>The fever, by Maya Da-Rin \/\u00a0I Never Climbed the Provincia, by Ignacio Ag\u00fcero<br \/><strong>Honorable Mention<\/strong><br \/>Death Will Come and Shall Have Your Eyes,\u00a0by Jos\u00e9 Luis Torres Leiva<br \/><b>Best Short Film<\/b><br \/>Control Plan, by Juliana Antunes<br \/><br \/><strong>ARGENTINE COMPETITION<\/strong><br \/><br \/><strong>Jos\u00e9 Mart\u00ednez Su\u00e1rez Award to Best Argentine Director<\/strong><br \/>Laura Citarella &amp; Mercedes Halfon by The Poets Visit Juana Bignozzi<br \/><strong>Best Feature Film<\/strong><br \/>Ang\u00e9lica, by Delfina Castagnino<br \/><strong>Honorable Mention to Best Feature Film<\/strong><br \/>Hogar, by Maura Delpero<br \/><strong>Best Short Film<\/strong><br \/>Playback, by Agustina Comedi<br \/><br \/><strong>CINE.AR AWARD<\/strong><br \/><b>Best Latin American Short Film<\/b><br \/>The Last March, by Ivo Aichenbaum &amp; John Mart\u00ednez<br \/><b>Best Argentine Short Film<\/b><br \/>Playback, by Agustina Comedi<br \/><br \/><b>ALTERED STATES COMPETITION<\/b><br \/><br \/><b>Best Feature Film<\/b><br \/>Bird Island, by Maya Kosa &amp; Sergio Da Costa<br \/><strong>Honorable Mention<\/strong><br \/>Endless Night, by Eloy Enciso<br \/><br \/><strong>WIP COMPETITION<\/strong><br \/><br \/><strong>INCAA Award to Best Project<\/strong><br \/>Dry Groung Burning, by Joana Pimenta &amp; Adirley Queir\u00f3s<br \/><br \/><strong>YOUNG CRITICS AWARD<\/strong><br \/><br \/><strong>Best International First Film<\/strong><br \/>The Fever, by Maya Da-Rin<br \/><b>Honorable Mention<\/b><br \/>Sun Inside, by Jo Serfaty<br \/><br \/><strong>ORIGINAL SOUNDTRACK<\/strong><br \/><br \/><b>Best Feature Film<\/b><br \/>Satori Sur, by Federico Rotstein<br \/><strong>Honorable Mention<\/strong><br \/>Radio Olmos, by Gustavo Mosquera<br \/><br \/><br \/><br \/><strong>GUESTS<\/strong><br \/>Lee Ranaldo, Nicole Brenez, Nina Menkes, Agathe Bonitzer, Hadas Ben Aroya, Birgit Kohler, Maialen Beloki Berasategui, Onur Tukel, Florence Almozini, Francisco Ferreira, Marcos Uzal, Graham Swon, Nele Wohlatz, Alejandra Trelles, Leah Singer, Nicol\u00e1s Pereda, Hyeyoung Kim, Jihyoung Lee, Lina Rodr\u00edguez, Pierre L\u00e9on, Rebecca De Pas, Marion Klotz, Gonzalo De Pedro, Jon\u00e1s Trueba, Itsaso Arana, Dan Sallitt, Lisandro Alonso, Hilary Brougher, Thomas Heise, \u00c1lvaro Arroba, Cordula Kablitz-Post, Alejandro Fadel, Juliana Antunes, Mart\u00edn Rejtman, Luciana Calcagno, Haden Guest, Affonso Uchoa, Fernando Fr\u00edas de la Parra, Carol Duarte, Amparo Noguera, Ben Rivers, Adirley Queir\u00f3s, Joana Pimenta, Agustina Comedi, Santiago Fillol, Sof\u00eda Castiglione, Juan Solanas, Theo Anthony, Valerie-Malin Schmid, H\u00e9ctor Olivera, Albertina Carri, Graciela Borges, Camila Donoso, Ignacio Ag\u00fcero, B\u00e1rbara Paz, Nicol\u00e1s Azalbert, Luciano Monteagudo, Mariano Llin\u00e1s, Nicol\u00e1s Prividera, Claudio Caldini, Agustina Massa, Paula Hern\u00e1ndez, Gast\u00f3n Solnicki, Boris Nelepo, Gustavo Mosquera, Alejo Moguillansky, Luciana Acu\u00f1a, Gabriel Chwojnik, Maider Fern\u00e1ndez Iriarte, Esther D\u00edaz, Amador Arias Mon, Felipe R\u00edos, Andr\u00e9s Di Tella, Ulises Rosell, Paula F\u00e9lix-Didier, Pablo Echarri, Liliana Ju\u00e1rez, Maya Da Rin, Nina Su\u00e1rez, Laura Citarella, Mercedes Halfon, Ivo Aichenbaum, Clara Picasso, Sof\u00eda Quir\u00f3s Ubeda, Agustina San Mart\u00edn, Ana Garc\u00eda Blaya, Ayar Blasco, Alan Segal, Alejandro Ruax, Ramiro Mart\u00ednez, Ezequiel Radusky, Jos\u00e9 Celestino Campusano, Jo Serfaty, Federico Lanchares, Paula Luzzi, Mar\u00eda Paz Gonz\u00e1lez, Jimena Monteoliva, Eleonor Faur, Joanna Reposi Garibaldi, Luis Mach\u00edn, Juan Minuj\u00edn, Amanda Minuj\u00edn, Carmela Minuj\u00edn, Anal\u00eda Barrionuevo, Mariano Gonz\u00e1lez, Andr\u00e9s Levinson, Antonella Saldicco, Jer\u00f3nimo Atehortua, Jessica Sarah Rinland, Ariel Raiman, Federico Rotstein, Manuel Ferrari, Mar\u00eda \u00c1lvarez, In\u00e9s Barrionuevo, Azucena Losana, Benjam\u00edn Ellenberger, Fernando Salem, Carlos Pi\u00f1eiro, Carolina Konstantinovsky, Catalina Dlugi, Leandro Listorti, Pilar Quinteros, Rodrigo Guerrero, Pablo Schembri, Juan Jos\u00e9 Mugni, Mart\u00edn Desalvo, Mora Recalde, Cecilia Rainero, Charo L\u00f3pez, C\u00e9sar Bord\u00f3n, Clemente Pastor, Pilar Condom\u00ed, Mart\u00edn Farina, Delfina Castagnino, Denise Florencia Carrizo, Jorge Olgu\u00edn, Diego Fried, Jazm\u00edn Stuart, Luciana Garraza, Eric Fleitas, Esteban Lamothe, Fernando Arditi, Maura Delpero, Francisco Novick, Natalio Pag\u00e9s, Guillermina Pico, Horacio Vallereggio, Katia Szechtman, Romina Escobar, Laura Casab\u00e9, Lali Gonz\u00e1lez, Leandro Varela, Lorena Best, Luc\u00eda Granda, Luciana Foglio, Luis Ziembrowski, Luj\u00e1n Montes, Malena Solarz, Nicol\u00e1s Zukerfeld, Mercedes Moreira, Muriel Santa Ana, \u00a0Natalia Smirnoff, Nicanor Loreti, N\u00e9stor Zapata, Nicole Rivadero, Sabrina Blanco, Rosario Varela, Sabrina Moreno, Salom\u00f3n P\u00e9rez, Ulises Conti<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Catalogue Program Guide Homages IV Autores: Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Eduardo Montes-Bradley, Alejandra Portela, Cora Roca, Pablo De Vita Cuadernos de cr\u00edtica 01 Marcelo Alderete &amp; Cecilia Barrionuevo (Compiladores) OFFICIAL SPOT From November 9th to 18th AUTHORITIES INCAA PRESIDENTRalph Haiek ARTISTIC DIRECTORCecilia Barrionuevo GENERAL PRODUCERCarlos Villalba OPENING CEREMONYLos muchachos de antes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3638,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-3640","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>34\u00b0 Edition (2019) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 41\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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