{"id":3696,"date":"2026-04-08T11:57:04","date_gmt":"2026-04-08T11:57:04","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3696"},"modified":"2026-11-02T14:32:03","modified_gmt":"2026-11-02T14:32:03","slug":"33-edition-2018","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/33-edition-2018\/","title":{"rendered":"33\u00b0 Edition (2018)"},"content":{"rendered":"\n
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Catalogue<\/a><\/p>\n<\/div>\n\n\n\n

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Program Guide<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Homages III<\/a><\/h6>\n\n\n\n
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Authors: H\u00e9ctor Argente, Pablo De Vita, Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Alejandra Portella<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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OFFICIAL SPOT<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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From November 10th to 17th<\/strong>

AUTHORITIES<\/strong>
\u00a0
INCAA PRESIDENT<\/strong>
Ralph Haiek

FESTIVAL PRESIDENT<\/strong>
Jos\u00e9 Mart\u00ednez Su\u00e1rez

ARTISTIC DIRECTOR<\/strong>
Cecilia Barrionuevo

GENERAL PRODUCER<\/strong>
Carlos Villalba



PROGRAM<\/strong>


OPENING NIGHT<\/strong>

Sue\u00f1o Florian\u00f3polis \/ Florianopolis Dream, by Ana Katz – Argentina, Brazil – 2018 – 103′
\u00a0
CLOSING NIGHT<\/strong>

Roma, by Alfonso Cuar\u00f3n – Mexico – 2018 – 135′
\u00a0
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COMPETITIONS
\u00a0
International Competition<\/strong>

A portuguesa \/ The Portuguese Woman,\u00a0 by Rita Azevedo Gomes – Portugal – 2018 – 136\u2019
Belmonte, by Federico Veiroj – Uruguay, Mexico, Spain – 2018 – 75\u2019
Cassandro el Ex\u00f3tico! \/ Cassandro the Exotico!,\u00a0by Marie Losier – France – 2018 – 73\u2019
Chuva \u00e9 Cantoria na Aldeia dos Mortos \/ The Dead and the Others, by J. Salaviza, R. Nader Messora – Brazil, Portugal – 2018 – 114\u2019
Entre dos aguas \/ Between Two Waters, by Isaki Lacuesta – Spain – 2018 – 135\u2019
If Beale Street Could Talk, by Barry Jenkins – USA – 2018 – 117\u2019
In Fabric, by Peter Strickland – United Kingdom – 2018 – 118\u2019
Muere, monstruo, muere \/ Murder Me, Monster, by Alejandro Fadel – Argentina, France, Chile – 2018 – 109\u2019
Skate Kitchen, by Crystal Moselle – USA – 2018 – 105\u2019
Vendr\u00e1n lluvias suaves \/ There Will Come Soft Rains, by Iv\u00e1n Fund – Argentina – 2018 – 81\u2019
What You Gonna Do When The World\u00b4s on Fire, by Roberto Minervini – Italy, USA, France – 2018 – 123\u2019
Yara, by Abbas Fahdel – Lebanon, Iraq France – 2018 – 101\u2019


Latin American Competition<\/strong>

Bixa Travesty \/ Tranny Fag, by C. Priscilla, K. Goifman – Brazil – 2018 – 75\u2019
C\u00f3mprame un rev\u00f3lver, by Julio Hern\u00e1ndez Cord\u00f3n – Mexico, Colombia – 2018 – 84\u2019
Fausto, by Andrea Bussmann – Mexico, Canada – 2018 – 70\u2019
Introduzione all\u00b4oscuro,\u00a0 by Gast\u00f3n Solnicki – Argentina, Austria – 2018 – 71\u2019
La casa lobo \/ The Wolf House, by C. Le\u00f3n, J. Coci\u00f1a – Chile – 2018 – 73\u2019
La migraci\u00f3n \/ The Migration, by Ezequiel Acu\u00f1a – Peru – 2018 – 80\u2019
Las cruces \/ The Crosses, by T. Arredondo Lugon, C. V\u00e1squez M\u00e9ndez – Chile – 2018 – 80\u2019
Para la guerra \/ To War, by Francisco Marise – Argentina, Spain, Portugal, Panama – 2018 – 64\u2019
Rosita, by Ver\u00f3nica Chen – Argentina – 2018 – 96\u2019
Una vez la noche \/ Once in the Night, by Antonia Rossi – Chile – 2018 – 74\u2019

Special Guest Out of Competition<\/strong>

Chubut, libertad y tierra \/ Chubut, Freedom and Land, by Carlos Echeverr\u00eda – Argentina – 2018 – 128\u2019


Latin American Short Film Competition<\/strong>

ALTIPLANO, by Malena Szlam – Chile, Argentina, Canada – 2018 – 16\u2019
ante mis ojos \/ before my eyes, by Lina Rodr\u00edguez – Colombia, Canada – 2018 – 7\u2019
El cementerio se alumbra \/ The Cemetery Lightens, by Luis Alejandro Yero – Cuba – 2018 – 14\u2019
La m\u00e1xima longitud de un puente \/ Big Bridge, by Sim\u00f3n V\u00e9lez – Colombia, Argentina – 2018 – 14\u2019
Ojo malcriado \/ Punky Eye, by Luis Arn\u00edas – Venezuela, USA – 2018 – 15\u2019
O \u00f3rf\u00e3o\u00a0\/ The Orphan, by Carolina Markowicz – Brazil – 2018 – 15\u2019\u00a0\u00a0


Argentine Competition<\/strong>

Construcciones \/ Constructions, by Fernando Mart\u00edn Restelli – Argentina, Qatar – 2017 – 78\u2019
El \u00e1rbol negro \/ The Black Tree, by M. Ciambella, D. Coluccio – Argentina – 2018 – 77\u2019
El d\u00eda que resist\u00eda \/ The Endless Day, by Alessia Chiesa – Argentina, France – 2018 – 98\u2019
El hijo del cazador \/ The Son of the Hunter, by G. Scelso, F. Robles – Argentina – 2018 – 67\u2019
El llanto \/ The Weeping, by Hern\u00e1n Fern\u00e1ndez – Argentina – 2017 – 82\u2019
El lugar de la desaparici\u00f3n \/ Missing, by Mart\u00edn Farina – Argentina – 2018 – 66\u2019
Julia y el zorro \/ Julia and the Fox, by In\u00e9s Mar\u00eda Barrionuevo- Argentina – 2018 – 105\u2019
La cama \/ The Bed, by M\u00f3nica Lairana – Argentina, Brasil – 2018 – 94\u2019
La huella de Tara \/ Tara’s Footprint, by Georgina Barreiro – Argentina – 2018 – 71\u2019
Yo ni\u00f1a, by Natural Arpajou – Argentina – 2018- 85\u2019
\u00a0
Special Guest Out of Competition<\/strong>

La boya \/ The Buoy, by Fernando Spiner – Argentina – 2018 – 90\u2019
\u00a0

Argentine Short Film Competition<\/strong>

Aquel verano sin hogar \/ That Summer Without a Home, by Santiago Reale – Argentina – 2018 – 9\u2019
Berliner Bl\u00e4tter \/ Berlin Leaves \/ Hojas berlinesas, by Alejo Franzetti – Argentina – 2017 – 15\u2019
Bicicletas \/ Bicycles, by Cecilia Kang – Argentina – 2018 – 27\u2019
Hombre bajo la lluvia \/ Man Under the Rain, by Mar\u00eda Aparicio – Argentina – 2018 – 12\u2019
\u00a0Key, Washer, Coin, by Alan Segal – Argentina – 2018 – 15\u2019
Las lil\u00e1ntidas \/ The Lil\u00e1ntidas, by Sebasti\u00e1n Basiluk – Argentina – 2017 – 15\u2019
Los bastardos \/ The Bastards, by Tom\u00e1s Posse – Argentina – 2018 – 16\u2019
Mientras las olas \/ Meanwhile the Waves, by D. Gavald\u00e1, C. Rivoira – Argentina – 2018 – 17\u2019
Petit Daguerre, by Leandro Listorti – Argentina – 2018 – 3\u2019
Volc\u00e1n \/ Volcano, by M. Reyes, Ariel Cheszes – Argentina – 2018 – 9\u2019
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Altered States Competition<\/strong>

Accession, by Tamer Hassan, Armand Yervant Tufenkian – USA – 2018 – 48\u2019
Ada Kaleh, by Helena Wittmann – Germany – 2018 – 15\u2019
Casanovagen \/ Casanova Gene, by Luise Donschen – Germany – 2018 – 67\u2019
Chaos, by Sara Fattahi – Austria, Syria, Lebanon, Qatar – 2018 – 95\u2019
Citt\u00e1 Giardino, by Marco Piccarreda – Italy – 2018 – 55\u2019
Classical Period, by Ted Fendt – USA – 2018 – 62\u2019
Dead Horse Nebula, by Tarik Aktas – Turkey – 2018 – 73\u2019
La ciudad y los patos \/ The Ducks and the City, by Flavia de la Fuente – Argentina – 2018 – 56\u2019
Lembro mais dos corvos \/ I Remember the Crows, by Gustavo Vinagre – Brazil – 2018 – 80\u2019
Terra Franca \/ Ashore, by Leonor Teles – Portugal – 2018 – 82\u2019
Un dios local \/ A Local Kind of God, by Benjam\u00edn Naishtat – Argentina – 2018 – 6\u2019
Veslem\u00f8y’s Song, by Sofia Bohdanowicz – Canada – 2018 – 9\u2019\u00a0
\u00a0

Work in Progress\u00a0<\/strong>

Como el cielo despu\u00e9s de llover \/ The Calm After the Storm, by Mercedes Gaviria – Colombia
Deja que las luces se alejen \/ Let the Lights Move Away, by Javier Favot – Argentina
Diario internacional. Parte I: Revoluciones tropicales \/ International Journal. Part I: Tropical Revolutions\u00a0, by Ivo Aichenbaum – Argentina
El veterano \/ The Veteran, by Jer\u00f3nimo Rodr\u00edguez – Chile
Familia \/ Family, by Edgardo Castro – Argentina
La botera \/ Boat Rower, by Sabrina Blanco – Argentina
La protagonista \/ The Protagonist\u00a0, by Clara Picasso – Argentina
Las poetas \/ The Poets, by Laura Citarella, Mercedes Halfon – Argentina
Los conductos, by Camilo Restrepo – France Colombia, Brazil
Toda la luz que podemos ver \/ All the Light We Can See, by Pablo Escoto – Mexico
Vida social \/ Social Life, by Mart\u00edn Shanly – Argentina
Westonia, by Nadina Marquisio – Argentina
\u00a0

PANORAMA

Auteurs<\/strong>

A Land Imagined,\u00a0by Yeo Siew Hua\u00a0 – Singapore, France, The Netherlands – 2018 – 95\u2019
Asako I & II \/ Netemo sametemo, by Ry\u00fbsuke Hamaguchi – Japan – 2018 – 119\u00b4
Ash Is Purest White, by Jia Zhang-ke – China – 2018 – 141\u2019
Burning,\u00a0by Lee Chang-dong – France – 2018 – 148\u2019
Can You Ever Forgive Me? \/ \u00bfPodr\u00e1s perdonarme?, by Marielle Heller – USA – 2018 – 107\u2019
Communion Los Angeles, by Peter Bo Rappmund, Adam R. Levine – USA – 2018 – 68\u2019
Corsario, by Ra\u00fal Perrone – Argentina – 2018 – 68\u2019
Dead Souls, by Wang Bing – France, Switzerland – 2018 – 495\u2019
Doubles vies \/ Non-fiction, by Olivier Assayas – France – 2018 – 107\u2019
Happy New Year, Colin Burstead, by Ben Wheatley – United Kingdom – 2018 – 92\u2019
Hotel by the River, by Hong Sang-soo – Sputh Korea – 2018 – 96\u2019
I Do Not Care If We Go Down in History as Barbarians\u00a0by Radu Jude – Romania, Czech Republic, France, Bulgaria, Germany – 2018 – 140\u2019
Infiltrado de KKKlan \/ BlacKkKlansman, by Spike Lee – USA – 2018 – 145\u2019
Infinite Football, by Corneliu Porumboiu – Romania – 2018 – 70\u2019
La favorita \/ The Favourite,\u00a0by Yorgos Lanthimos – USA – 2018 – 120\u2019
Le Cahier Noir \/ The Black Book, by Valeria Sarmiento – France, Portugal – 2018 – 103\u2019
Monrovia, Indiana, by Frederick Wiseman – USA – 2018 – 143\u2019
Paul Sanchez est revenu! \/ Paul Sanchez is Back, by Patricia Mazuy – France – 2018 – 110\u2019
Qui\u00e9n te cantar\u00e1, by Carlos Vermut – Spain, France – 2018 – 122\u2019
Roi Soleil, by Albert Serra – Spain, Portugal – 2018 – 62\u2019\u00a0
Sedu\u00e7ao da Carne \/ Seduction, by J\u00falio Bressane – Brazil – 2018 – 70\u2019
Sophia Antipolis, by Virgil Vernier – France – 2018 – 98\u2019
The Great Pretender, by Nathan Silver – USA – 2018 – 72\u2019
The Most Beautiful Country in the World \/\u00a0Das Sch\u00f6nste Land der Welt, by \u017delimir \u017dilnik – Austria, Croatia, Slovenia, Servia – 2018 – 101\u2019
The Trial \/ Process, by Sergei Loznitsa – The Netherlands – 2018 – 127\u2019
The Wild Pear Tree, by Nuri Bilge Ceylan – Turkey, France, Germany, Bulgaria – 2018 – 188\u2019
Through Black Spruce, by Don McKellar – Canada – 2018 – 111\u2019
Your Face, by Tsai Ming-liang – Taiwan – 2018 – 76\u2019
Amelina,\u00a0by Rub\u00e9n Guzm\u00e1n – Argentina – 2018 – 26\u2019
Como Fernando Pessoa salvou Portugal \/ How Fernando Pessoa Saved Portugal, by Eug\u00e8ne Green – Portugal, France, Belgium – 2018 – 26\u00b4
De Natura, by Lucile Had\u017eihalilovic – Romania – 2017 – 6\u2019
Gens du lac \/ People of the Lake,\u00a0by Jean-Marie Straub – Switzerland – 2018 – 18\u2019
Kosmos, la incertidumbre \/ Kosmos, the Uncertainty, by Narcisa Hirsch, Robert Cahen, Rub\u00e9n Guzm\u00e1n – Argentina, France – 2018 – 10\u2019
Optimism, by Deborah Stratman – Canada, USA – 2018 – 15\u2019
Sobre cosas que me han pasado, by Jos\u00e9 Luis Torres Leiva – Chile – 2018 – 13\u2019
Trees Down Here, by Ben Rivers – United Kingdom – 2018 – 14\u2019
Two Basilicas, by Heinz Emigholz – Denmark, Germany – 2018 – 36\u2019

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New Auteurs<\/strong>

Boni bonita,\u00a0by Daniel Barosa – Brazil, Argentina – 2018 – 84\u2019
Chained for Life, by Aaron Schimberg – USA – 2018 – 91\u2019
El silencio de otros \/ The Silence of Others, by Almudena Carracedo, Robert Bahar – Spain, USA – 2018 – 96\u2019
Flesh Memory, by Jacky Goldberg – France – 2018 – 60\u2019
John McEnroe: L’Empire de la Perfection \/ John McEnroe: In the Realm of Perfection, by Julien Faraut – France – 2018 – 95\u2019
Living the Light – Robby M\u00fcller, by Claire Pijman – The Netherlands – 2018 – 86\u2019
Mudar la piel \/ The Spy Within, by Ana Schulz, Crist\u00f3bal Fern\u00e1ndez – Spain – 2018 – 88\u2019
Puzzle, by Marc Turtletaub – USA – 2018 – 102\u2019
Sheeple, by Houman Seyyedi – Iran – 2018 – 90\u2019
Still Recording, by Ghiath Ayoub, Saeed Al Batal – Syria, Lebanon, France, Germany, Qatar – 2018 – 120\u2019
The Grand Bizarre, by Jodie Mack – USA – 2018 – 61\u2019
The Land on the Waves, by Lim Tae-gue – South Korea – 2018 – 82\u2019
Wildlife, by Paul Dano – USA – 2018 – 104\u2019
Winter’s Night, by Jang Woo-jin – South Korea – 2018 – 98\u2019
La casa de Julio Iglesias, by Natalia Mar\u00edn – Spain – 2018 – 13\u2019
Panorama of Argentine Cinema

Ac\u00e1 y acull\u00e1 \/ Here and Yonder, by Hern\u00e1n Khouri\u00e1n – Argentina – 2018 – 66\u2019
Anoche \/ Last night, by Paula Manzone, Nicanor Loreti – Argentina – 2018 – 70\u2019
Cuando brillan las estrellas \/ When the stars shine, by Natalia Hern\u00e1ndez – Argentina –\u00a0 2018 –\u00a0 81\u2019
El cuadrado perfecto\u00a0\/ The Perfect Square, by Pablo Bagedelli – Argentina – 2018 – 61\u2019
El roc\u00edo \/ The Dew, by Emiliano Grieco – Argentina – 2018 – 79\u2019
Me quedo contigo \/ I Choose You, by Juli\u00e1n Gonz\u00e1lez D\u00edaz – Argentina – 2018 – 70\u2019
Segundo subsuelo, by Oriana Castro, Nicol\u00e1s Mart\u00ednez Zemborain – Argentina – 2018 – 62\u2019
Tampoco tan grandes \/ Not Quite Adults, by Federico Sosa – Argentina –\u00a0 2018 –\u00a0 79\u2019


Super 8 – 16 mm<\/strong>

Vistas \/ Views, by Juan Ignacio Slobayen – Argentina – 2018 – 3\u2019
La ra\u00edz de lo ligero \/ The Root of Lightness, by Juan Ignacio Slobayen – Argentina – 2018 – 3\u2019
El exilio de s\u00ed mismo \/ Exile from Oneself, by Tom\u00e1s Rautenstrauch – Canada, Argentina – 2017 – 18\u201930\u00b4\u00b4
Back and Forth de Michael Snow, by Tom\u00e1s Rautenstrauch – Canada, Argentina – 2017 – 6\u2019
Automedicaci\u00f3n\u00a0by Jorge Doncel – Argentina – 2018 – 12\u2019
M\u00e1s paritarias, menos yuta, by Moira Lacowicz – Argentina – 2018 – 3\u201950\u00b4\u00b4
Let’s Take a Walk, by Moira Lacowicz – Argentina – 2018 – 5\u201930\u00b4\u00b4
Factor de transcripci\u00f3n, by Mar\u00eda Eugenia Samman – Argentina – 2018 – 2\u2019
Recuerdos del futuro pasado \/ Memories of the Future Past,\u00a0by Hern\u00e1n Hayet – Argentina – 2017 – 25\u2019
Toc toc toc,\u00a0by Luis Bras – Argentina – 1965 – 4\u2019
Bongo rock, by Luis Bras – Argentina – 1969 – 7\u2019
La danza de los cubos, by Luis Bras – Argentina – 1976 – 4\u2019
Danubio azul, by Luis Bras – Argentina – 1977 – 7\u2019
El ladr\u00f3n de colores,\u00a0by Luis Bras – Argentina – 1982 – 4\u2019
Algo sobre lo mismo una vez m\u00e1s, by Juan Villola – Argentina – 1974-75 – 11\u2019
To Be Continued, by Juan Villola – Argentina – 1979 – 6\u2019
\u00c1mbitos,\u00a0 by Juan Villola – Argentina – 1979 – 10\u2019
\u00a0\u00a0

Children by the Sea<\/strong>

Cartitas \/ Love Notes, by Marco Bentancor, Alejandro Rocchi – Uruguay – 2018 – 50\u2019
Pachamama, by Juan Antin – France, Luxembourg, Canada – 2018 – 72\u2019
Tito e os p\u00e1ssaros \/ Tito and the Birds, by Gustavo Steinberg, Gabriel Bitar, Andr\u00e9 Catoto – Brazil – 2018 – 73\u2019
To Me You Are Beautiful \/ Bei Mir Bist Du Sch\u00f6n, by Bouwine Pool – The Netherlands – 2017 – 12\u2019
Between the Lines \/ Vdol’ e Poperyok,\u00a0by Maria Koneva – Russia – 2018 – 5\u2019
Bita y Cora \/ Bita and Cora,\u00a0by Vicente Mallols – Spain – 2018 – 6\u2019
Blau, by David Jansen – Germany – 2017 – 15\u2019
Lost & Found, by Andrew Goldsmith, Bradley Slabe – Austria – 2018 – 8\u2019
Red Misterio \/ Mystery Network, by Ariel L\u00f3pez V. – Argentina – 2018 – 11\u2019
Sand Wanderer, by Eric Giessmann – The Netherlands – 2017 – 7\u2019


Original Soundtrack<\/strong>

Almost Fashionable: A Film about Travis, by Fran Healy – USA, France, Germany, Mexico – 2018 – 60\u2019
Carmine Street Guitars, by Ron Mann – Germany – 2018 – 80\u2019
Encandilan luces, viaje psicotr\u00f3pico con Los S\u00edquicos Litorale\u00f1os \/ Dazzle Lights, a Psychotropic Journey with Los S\u00edquicos Litorale\u00f1os, by Alejandro Gallo Berm\u00fadez – Argentina – 2018 – 80\u2019
Los Knacks: D\u00e9jame en el pasado \/ The Knacks: Leave Me in the Past, by Mariano Nesci, Gabriel Nesci – Argentina – 2018 – 108\u2019
Una banda de chicas \/ A Girl’s Band, by Marilina Gim\u00e9nez – Argentina – 2018 – 85\u2019


Midnight Screamings<\/strong>

Freaks, by Zach Lipovsky, Adam B. Stein – Canada, USA – 2018 – 104\u2019
Inuyashiki, by Shinsuke Sato – Japan – 2018 – 127\u2019
Mandy, by Panos Cosmatos – USA – 2018 – 121\u2019
Nightmare Cinema, by M. Garris, J. Dante, D. Slade, R. Kitamura, A. Brugu\u00e9s – USA – 2018 – 119\u2019
Prospect, by Zeek Earl, Christopher Caldwell – USA – 2018 – 97\u2019


Open Veins<\/strong>

A mata negra \/ The Black Forest, by Rodrigo Arag\u00e3o – Brazil – 2018 – 98\u2019
Abrakadabra,\u00a0by Luciano Onetti, Nicol\u00e1s Onetti – Argentina – 2018 – 80\u2019
Punto muerto \/ Dead End, by Daniel de la Vega – Argentina – 2018 – 77\u2019
Soy t\u00f3xico \/ I Am Toxic, by Pablo Par\u00e9s, Daniel de la Vega – Argentina – 2018 – 76\u2019
(We are not going to) Fiesta Nibiru, by Manuel Facal – Uruguay – 2018 – 75\u2019


Senses of Humor<\/strong>

Coincoin et les z’inhumains \/ Coincoin and the Extra-Humans,\u00a0by Bruno Dumont – France – 2018 – 208\u2019
Los mentirosos \/ The Fucking Liars, by Alejandro Jovic – Argentina – 2018 – 75\u2019
Porno para principiantes \/ Porn for Newbies, by Carlos Ameglio – Uruguay – 2018 – 93\u2019
Thunder Road, by Jim Cummings – USA – 2018 – 90\u2019


Galas<\/strong>\u00a0\u00a0

Arte arte arte: El parten\u00f3n de los libros prohibidos de Marta Minuj\u00edn \/ Art Art Art: The Parthenon of Forbidden Books by Marta Minuj{n, by Alessio Rigo de Righi – Argentina – 2018 – 40\u2019
Unidad XV, by Mart\u00edn Desalvo – Argentina – 2018 – 104\u2019


HOMMAGES AND RETROSPECTIVES

Jean-Pierre L\u00e9aud Hommage<\/strong>

Los 400 golpes \/ Les 400 coups, by Fran\u00e7ois Truffaut – France – 1959 – 99\u2019
Besos robados \/ Baisers vol\u00e9s, by Fran\u00e7ois Truffaut – France – 1968 – 90\u2019
La maman et la putain \/ The Mother and the Whore,\u00a0by Jean Eustache – France – 1973 – 217\u2019
La mort de Louis XIV, by Albert Serra – France, Spain, Portugal – 1978 – 82\u2019


L\u00e9os Carax Hommage<\/strong>

Boy Meets girl, by L\u00e9os Carax – France – 1984 – 100\u2019
Mala sangre \/ Mauvais sang, by L\u00e9os Carax – France, Switzerland – 1986 – 116\u2019
Los amantes de Pont Neuf \/ Les amants du Pont-Neuf, by L\u00e9os Carax – France – 1991 – 125\u2019
Holy Motors, by L\u00e9os Carax – France, Germany – 2012 – 115\u2019


Pierre Richard Hommage<\/strong>

Un perfecto desgraciado \/ Les Malheurs d’ Alfred,\u00a0by Pierre Richard – France – 1972 – 98\u2019
Alto, rubio y… con un zapato negro \/ Le Grand Blond avec une chaussure noire, by Yves Robert – France – 1972 – 90\u2019
Mala pata \/\u00a0La Ch\u00e8vre, by Francis Veber – France, Mexico, Malta – 1981 – 95\u2019
Los fugitivos \/ Les Fugitifs,\u00a0by Francis Veber – France – 1986 – 95\u2019


Wolfgang Staudte Retrospective\u00a0<\/strong>

Ins Grab kann man nichts mitnehmen, by Wolfgang Staudte – Germany – 1941 – 11\u2019
Los asesinos est\u00e1n entre nosotros \/\u00a0Die M\u00f6rder sind unter uns \/ Murders among Us, by Wolfgang Staudte – East Germany – 1946 – 85\u2019
Rotation, by Wolfgang Staudte – East Germany – 1948 – 80\u2019
The Story of Little Mook \/ Die Geschichte vom kleinen Muck, by Wolfgang Staudte – East Germany – 1953 – 100\u2019
Leuchtfeuer, by Wolfgang Staudte – West Germany, Sweden – 1954 – 95\u2019
The Fair \/ Kirmes, by Wolfgang Staudte – West Germany – 1960 – 102\u2019
The Threepenny Opera \/ Die Dreigroschenoper, by Wolfgang Staudte – West Germany, France – 1964 – 87\u2019
Das Lamm, by Wolfgang Staudte – West Germany – 1964 – 87\u2019
Destination Death \/ Herrenpartie, by Wolfgang Staudte – West Germany, Yugoslavia – 1964 – 92\u2019
Little Secrets \/ Heimlichkeiten,\u00a0by Wolfgang Staudte – West Germany, Bulgaria – 1968 – 92\u2019
Hot Traces of St. Pauli \/\u00a0Fluchtweg St. Pauli. Gro\u00dfalarm f\u00fcr die Davidswache, by Wolfgang Staudte – West Germany – 1971 – 83\u2019
Yesterday’s Tomorrow \/ Zwischengleis,\u00a0by Wolfgang Staudte – West Germany – 1978 – 109\u2019


Laura Huertas Mill\u00e1n Retrospective<\/strong>

Voyage en la terre autrement dite \/ Journey to a Land Otherwise Known \/ Viaje en tierra otrora contada, by Laura Huertas Mill\u00e1n – France, Colombia – 2011 – 23\u2019
Aequador, by Laura Huertas Mill\u00e1n – France, Colombia – 2012 – 20\u2019
Sol negro \/ Black Sun, by Laura Huertas Mill\u00e1n – France, Colombia – 2016 – 43\u2019
La libertad, by Laura Huertas Mill\u00e1n – Colombia, France, USA – 2017 – 30\u2019
jeny303,\u00a0by Laura Huertas Mill\u00e1n – France – 2018 – 6\u2019
El laberinto \/ The Labyrinth,\u00a0by Laura Huertas Mill\u00e1n – France, Colombia – 2018 – 21\u2019


Maya Deren Retrospective<\/strong>

Meshes of the Afternoon,\u00a0by Maya Deren, Alexander Hammid – USA – 1943 – 14\u2019
At Land, by Maya Deren – USA – 1944 – 14\u2019
Study in Choreography for Camera, by Maya Deren – USA – 1945 –\u00a0 4\u2019
Ritual in Transfigured Time,\u00a0by Maya Deren – USA – 1946 – 14\u2019
Meditation on Violence,\u00a0by Maya Deren – USA – 1948 – 10\u2019
The Very Eye of Night, by Maya Deren – USA – 1959 – 15\u2019
\u00a0

Generation VHS presents: Hal Ashby<\/strong>

Harold & Maude, by Hal Ashby – USA – 1971 – 91\u2019
Shampoo, by Hal Ashby – USA – 1975 – 109\u2019
Hal, by Amy Scott – USA – 2018 – 90\u2019
\u00a0

RESTORATIONS

Restored<\/strong>

A ilha dos amores \/ The Island of Love, by Paulo Rocha – Portugal, Japan – 1982 – 169\u2019
Funeral Parade of Roses \/\u00a0Bara no s\u00f4retsu, by Toshio Matsumoto – Japan – 1969 – 105\u2019
The American Dreamer, by L.M. Kit Carson, Lawrence Schiller – USA – 1971 – 90\u2019
The Last Movie, by Dennis Hopper – USA – 1971 – 108\u2019
Golden Eighties, by Chantal Akerman – France, Belgium, Switzerland – 1986 – 96\u2019
Out of the Present, by Andrei Ujica – Germany – 1995 – 96\u2019


Restored Argentine Cinema<\/strong>

El \u00faltimo mal\u00f3n,\u00a0by Alcides Greca – Argentina – 1917 – 65\u2019
Prisioneros de la tierra, by Mario Soffici – Argentina – 1939 – 85\u2019
La hora de los hornos (Primera parte) \/ The Hour of the Furnaces (Part I), by Fernando Pino Solanas, Octavio Getino – Argentina – 1968 – 90\u2019
Se\u00f1ora de nadie, by Mar\u00eda Luisa Bemberg – Argentina – 1982 – 95\u2019
\u00a0

100 Years of Ingmar Bergman in Argentina<\/strong>

Un verano con Monika \/ Summer with Monika, by Ingmar Bergman – Sweden – 1953 – 97\u2019
Cuando huye el d\u00eda \/ Wild Strawberries, by Ingmar Bergman – Sweden- 1957 – 90\u2019
El s\u00e9ptimo sello \/ The Seventh Seal, by Ingmar Bergman – Sweden – 1957 – 96\u2019
Persona, by Ingmar Bergman – Sweden – 1966 – 85\u2019
Sonata Oto\u00f1al \/ Autumn Sonata, by Ingmar Bergman – Sweden – 1978 – 93\u2019
Fanny y Alexander \/ Fanny and Alexander, by Ingmar Bergman – Sweden – 1982 – 188\u2019
Saraband, by Ingmar Bergman – Sweden – 2003 – 107\u2019
Bergman Island, by Marie Myrer\u00f6d – Sweden – 2006 – 174\u2019


SPECIAL SCREENINGS

Short Stories 16<\/strong>

11:40, by Claudia Marcela Ruiz – 12\u2019
La religiosa \/ The Nun, by Sof\u00eda Torre, Andrea Armentano – 15\u2019
Media hora \/ Half and Hour, by Sebasti\u00e1n Rodr\u00edguez – 10\u2019
Nada de todo esto \/ None of This, by Hern\u00e1n Alvarado M. – 15\u2019
Insilios (Exiliados en el interior) \/ Insiles (Exiled in the Interior), by Luis Camargo – 15\u2019
Ni\u00f1o rana \/ Frog Boy, by Laura Zenobi, Lucas Altmann – 13\u2019
Una cabrita sin cuernos \/ A Goat with No Horns, by Sebasti\u00e1n Dietsch – 14\u2019

Secreto a voces \/ Open secret, by Misael Bustos – Argentina – 76\u2019
\u00a0

DAC Award<\/strong>

Aventurera, by Leonardo D’Antoni\u00a0– 85\u2019
Estoy ac\u00e1, by Juan M. Bramuglia, Esteban Tabacznik\u00a0– 77\u2019
La utilidad de un revistero, by Adriano Salgado\u00a0– 115\u2019
Los cuerpos d\u00f3ciles, by Mat\u00edas Scarvaci, Diego Gachassin\u00a0– 75\u2019
Los ganadores, by N\u00e9stor Frenkel\u00a0– 78\u2019
Samurai, by Gaspar Scheuer\u00a0– 96\u2019
\u00a0

ENERC Short Films – Gazes, Identity, Passion<\/strong>

Sunchos van, by Carolina Costa – 12\u2019
Siesta, by David Chac\u00f3n – 13\u2019
Mares calmados, by Emanuel Morte – 12\u2019
Pater Noster, by J.C. Fabio S\u00e1nchez – 13\u2019
Imilla, by Mayra Arasy Nieva – 14\u2019
Mazap\u00e1n “El gran show”,\u00a0by Agust\u00edn Dorado, Franco Fern\u00e1ndez – 13\u2019
Visitas, by Marcela Guill\u00f3n – 12\u2019
En la oscuridad,\u00a0by Francisco Ruiz D\u00edaz – 12\u2019


Gipuzkoa Cooperates Program<\/strong>

Libres, by Dami\u00e1n Nicol\u00e1s Feriale
Yo, Sof\u00eda, by Sof\u00eda G\u00f3mez
Del otro lado del amor, by Jackeline Rodo
Una noche en el colegio, by Candela Ver\u00f3n


Inmersive Content<\/strong>

La secta del gatillo, by Jos\u00e9 Celestino Campusano – 60\u2019
Garage Stories + Festival de Sitges
Rally inmersivo MDQ \/ MDQ Inmersive Rally
S\u00e9quito arrogante: “\u00bfY si es el rock and roll?”,\u00a0by Poll Pebe Pueyrred\u00f3n
Metro veinte, cita a ciegas, by Mar\u00eda Bel\u00e9n Poncio
\u00a0

Mar del Plata te hace feliz – Cine

Espacio CINE.AR<\/strong>

Natacha, la pel\u00edcula, de Eduardo Pinto, Fernanda Ribeiz – 75\u2019
La m\u00e1quina que hace estrellas, de Esteban Echeverr\u00eda – 80\u2019
Plum\u00edferos, de Daniel De Felippo, Gustavo Giannini – 83\u2019
Lucha, jugando con lo imposible, de Ana Quiroga, Miguel P\u00e9rez – 97\u2019
\u00a0

El cine en nuestros barrios<\/strong>

Rodencia y el diente de la princesa, de David Bisbano – 84\u2019
Esperando la carroza, de Alejandro Doria – 96\u2019
\u00a0

Autocine en Museo Mar<\/strong>
El amor menos pensado, de Juan Vera – 136\u2019
Mi obra maestra, de Gast\u00f3n Duprat – 100\u2019
\u00a0

Traiga su manta y vea<\/strong>

Pensando en \u00e9l, de Pablo C\u00e9sar – 110\u2019
\u00a0
AWARDS

INTERNATIONAL COMPETITION<\/strong>

Golden Astor for Best Feature Film<\/strong>
Entre dos aguas, by Isaki Lacuesta
Honorable Mention\u00a0<\/strong>
Chuva \u00c9 Cantoria Na Aldeia Dos Mortos, by Ren\u00e9e Nader Messora & Jo\u00e3o Salaviza \/ Vendr\u00e1n lluvias suaves, by Iv\u00e1n Fund
Silver Astor for Best Director<\/strong>
Roberto Minervini, for What You Gonna Do When the World’s on Fire?
Silver Astor for Best Actress\u00a0<\/strong>
Judy Hill, for What You Gonna Do When the World’s on Fire?
Silver Astor for Best Actor\u00a0<\/strong>
Israel G\u00f3mez Romero, for Entre dos aguas
Silver Astor for best script\u00a0<\/strong>
Federico Veiroj for Belmonte

Audience Award\u00a0<\/strong>
If Beale Street Could Talk, by Barry Jenkins

LATIN AMERICAN COMPETITION<\/strong>

Best Feature Film<\/strong>
Fausto, by Andrea Bussmann
Honorable Mention<\/strong>
Las cruces, by Teresa Arredondo Lugon and Carlos V\u00e1squez M\u00e9ndez
Best Short Film<\/strong>
El cementerio se alumbra, by Luis Alejandro Yero

ARGENTINE COMPETITION

Best Feature Film\u00a0<\/strong>
El \u00e1rbol negro, by M\u00e1ximo Ciambella & Dami\u00e1n Coluccio
Honorable Mention\u00a0<\/strong>
Julia y el zorro, by In\u00e9s Barrionuevo
Best Short Film (tied)<\/strong>
Aquel verano sin hogar, by Santiago Reale \/ Mientras las olas, by D. Gavald\u00e1 & C. Rivoira

COMPETENCIA WIP<\/strong>

Best Project\u00a0<\/strong>
Los conductos, by Camilo Restrepo.

ALTERED STATES COMPETITION<\/strong>

Best Feature Film (tied)<\/strong>
Chaos, by Sara Fattahi \/ Casanovagen, by Louis Donschen\u00a0

YOUNG CRITICS AWARD<\/strong>

Best International First Film<\/strong>
Terra franca, by Leonor Tales

BANDA SONORA ORIGINAL<\/strong>

Best Feature Film<\/strong>
Los knacks: d\u00e9jame en el pasado, by Mariano Nesci & Gabriel Nesci\u00a0


GUESTS<\/strong><\/p>\n

Jean-Pierre L\u00e9aud – Leos Carax – Pierre Richard – Laura Huertas Mill\u00e1n – Lucrecia Martel – Rita Azevedo Gomes – Abbas Fahdel – Rachelle Vinberg – Fran Healy – Federico Veiroj – Marie Losier – Ana Katz – Daniel Katz – Ivan Fund – Ezequiel Acu\u00f1a – Carlos Echeverr\u00eda – Fernando Spiner – Ted Fendt – Leonor Teles – Benjam\u00edn Naishtat – Camilo Restrepo – Valeria Sarmiento – Patricia Mazuy – Jacky Goldberg – Juan Antin – Luis Pesceti – Toto Ferro<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Multimedia Files Catalogue Program Guide Homages III Authors: H\u00e9ctor Argente, Pablo De Vita, Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Alejandra Portella OFFICIAL SPOT From November 10th to 17th AUTHORITIES\u00a0INCAA PRESIDENTRalph Haiek FESTIVAL PRESIDENTJos\u00e9 Mart\u00ednez Su\u00e1rez ARTISTIC DIRECTORCecilia Barrionuevo GENERAL PRODUCERCarlos Villalba PROGRAM OPENING NIGHT Sue\u00f1o Florian\u00f3polis \/ Florianopolis Dream, by Ana Katz – Argentina, Brazil […]<\/p>\n","protected":false},"author":2,"featured_media":3694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-3696","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"\n33\u00b0 Edition (2018) | 41\u00b0 Festival Internacional de cine de Mar del 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