{"id":3709,"date":"2026-04-08T11:56:12","date_gmt":"2026-04-08T11:56:12","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3709"},"modified":"2026-11-02T15:44:51","modified_gmt":"2026-11-02T15:44:51","slug":"32-edition-2017","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/32-edition-2017\/","title":{"rendered":"32\u00b0 Edition (2017)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignfull size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"824\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_32-tapa-2.jpg\" alt=\"Tapa Catalogo Edici\u00f3n 32\" class=\"wp-image-3703\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_32-tapa-2.jpg 634w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_32-tapa-2-231x300.jpg 231w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\"><strong>Multimedia<\/strong> Files<\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/32-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Catalogue<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/e.issuu.com\/embed.html#18197401\/55110342\" target=\"_blank\" rel=\"noreferrer noopener\">Program Guide<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Homages II<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/32-Festival-HOMENAJES-II.pdf\" target=\"_blank\" rel=\"noopener\">Authors: Paula F\u00e9lix-Didier, Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Paran\u00e1 Sendr\u00f3s<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/32-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cinegraphies<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/vimeo.com\/241632293\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>From November 17th to 26th<br \/><br \/>AUTHORITIES<\/strong><br \/>\u00a0<br \/><strong>INCAA PRESIDENT<\/strong><br \/>Ralph Haiek<br \/><br \/><strong>FESTIVAL PRESIDENT<\/strong><br \/>Jos\u00e9 Mart\u00ednez Su\u00e1rez<br \/><br \/><strong>ARTISTIC DIRECTOR<\/strong><br \/>Peter Scarlet<br \/><br \/><strong>GENERAL PRODUCER<\/strong><br \/>Rosa Mart\u00ednez Rivero<br \/><br \/><br \/><strong>PROGRAM<\/strong><br \/><br \/><strong>OPENING FILM\u00a0<\/strong><br \/>Madame Hyde \/ Mrs Hyde \/ Sra. Hyde, by Serge Bozon &#8211; France &#8211; 2017 &#8211; 95&#8242;<br \/>\u00a0<br \/><br \/><strong>COMPETITIONS<br \/><br \/>International Competition<\/strong><br \/><br \/>5 Therapy \/ 5 Terapia, \u00a0by Alisa Pavlovskaya &#8211; Ukraine &#8211; 2017 &#8211; 74\u2019<br \/>A f\u00e1brica de nada \/ The Nothing Factory \/ La f\u00e1brica de nada, by Pedro Pinho &#8211; Portugal &#8211; 2017 &#8211; 176\u2019<br \/>Al desierto \/ To the Desert, by Ulises Rosell &#8211; Argentina, Chile &#8211; 2017 &#8211; 94\u2019<br \/>Columbus, by Kogonada &#8211; United States &#8211; 2017 &#8211; 101\u2019<br \/>El silencio del viento \/ Silence of the Wind, by \u00c1lvaro Aponte-Centeno &#8211; Puerto Rico &#8211; 2017 &#8211; 84\u2019<br \/>Good Luck \/ Koloku \/ Buena suerte, by Ben Russell &#8211; France, Germany &#8211; 2017 &#8211; 143\u2019<br \/>Invisible, by Pablo Giorgelli &#8211; Argentina, Brazil, Uruguay, Germany, France &#8211; 2017 &#8211; 87\u2019<br \/>Les Gardiennes \/ The Guardians \/ Las guardianas,\u00a0by Xavier Beauvois &#8211; France, Switzerland &#8211; 2017 &#8211; 134\u2019<br \/>Primas, by Laura Bari &#8211; Canada, Argentina &#8211; 2017 &#8211; 100\u2019<br \/>Ramiro, by Manuel Mozos &#8211; Portugal &#8211; 2017 &#8211; 104\u2019<br \/>The First Lap \/ Cho-haeng \/ La primera vuelta,\u00a0by Kim Dae-hwan \u2013 South Korea &#8211; 2017 &#8211; 101\u2019<br \/>Thelma, by Joachim Trier -Norway, Sweden, France, Denmark &#8211; 2017 &#8211; 116\u2019<br \/>Wajib, by Annemarie Jacir &#8211; Palestine, France, Germany, Colombia, Norway, Qatar, United Arab Emirates &#8211; 2017 &#8211; 96\u2019<br \/>Western, by Valeska Grisebach &#8211; Germany, Bulgaria, Austria &#8211; 2017 &#8211; 120\u2019<br \/><br \/><br \/><strong>Latin American Competition\u00a0<\/strong><br \/><br \/>Baronesa, by Juliana Antunes &#8211; Brazil &#8211; 2017 &#8211; 71\u2019<br \/>Chaco, by Dani\u00e8le Incalcaterra, Fausta Quattrini &#8211; Argentina, Italy, Switzerland &#8211; 2017 &#8211; 106\u2019<br \/>Cocote, by Nelson Carlo de los Santos Arias \u2013 Dominican Republic, Argentina, Germany, Qatar &#8211; 2017 &#8211; 106\u2019<br \/>El teatro de la desaparici\u00f3n \/ The Theatre of Disappearance, by Adri\u00e1n Villar Rojas &#8211; Argentina, South Korea &#8211; 2017 &#8211; 120\u2019<br \/>Era uma vez Bras\u00edlia \/ Once There Was Bras\u00edlia \/ \u00c9rase una vez Brasilia, by Adirley Queir\u00f3s &#8211; Brazil &#8211; 2017 &#8211; 87\u2019<br \/>Eugenia, by Mart\u00edn Boulocq &#8211; Bolivia, Brazil &#8211; 2017 &#8211; 82\u2019<br \/>La familia \/ The Family,\u00a0by Gustavo Rond\u00f3n C\u00f3rdova &#8211; Venezuela, Chile, Norway &#8211; 2017 &#8211; 82\u2019<br \/>La telenovela errante \/ The Wandering Soap Opera, by Ra\u00fal Ruiz, Valeria Sarmiento &#8211; Chile &#8211; 2017 &#8211; 80\u2019<br \/>Las olas \/ The Waves, by Adri\u00e1n Biniez &#8211; Uruguay, Argentina &#8211; 2017 &#8211; 88\u2019<br \/>Mariana, by Chris Gude &#8211; Colombia &#8211; 2017 &#8211; 64\u2019<br \/>Rey \/ King,\u00a0by Niles Atallah &#8211; Chile, France, Netherland, Germany, Qatar &#8211; 2017 &#8211; 90\u2019<br \/>Tormentero \/ Stormmaker,\u00a0by Rub\u00e9n Imaz &#8211; Mexico, Colombia, Dominican Republic &#8211; 2017 &#8211; 80\u2019<br \/>Una mujer fant\u00e1stica \/ A Fantastic Woman,\u00a0by Sebasti\u00e1n Lelio &#8211; Chile, United States, Germany, Spain- 2017 &#8211; 104\u2019<br \/><br \/><br \/><strong>Out of Competition<\/strong><br \/><br \/>Ata tu arado a una estrella \/ Tie Your Plow to a Star, by Carmen Guarini &#8211; Argentina &#8211; 2017 &#8211; 80\u2019<br \/><br \/><br \/><strong>Latin American Short Film Competition\u00a0<\/strong><br \/><br \/>Cerulia, by Sof\u00eda Carrillo &#8211; Mexico &#8211; 2016 &#8211; 13\u2019<br \/>Duelo, by Alejandro Alonso &#8211; Cuba &#8211; 2017 &#8211; 12\u2019<br \/>El contramaestre \/ The Boatswain, by Alejandro P\u00e9rez &#8211; Cuba &#8211; 2017 &#8211; 13\u2019<br \/>El hilo \/ The Thread, by Pablo Polanco, Pietro Bulgarelli &#8211; Chile, Costa Rica &#8211; 2017 &#8211; 6\u2019<br \/>Macanao, by Clarissa Duque &#8211; Venezuela &#8211; 2017 &#8211; 12\u2019<br \/>Playa \/ Beach, by Francisco Borrajo &#8211; Mexico &#8211; 2017 &#8211; 13\u2019<br \/>Sob o v\u00e8u da vida oce\u00e2nica \/ Unravelling the Ocean\u2019s Veil \/ Levantando el velo del oc\u00e9ano, by Quico Meirelles &#8211; Brazil &#8211; 2017 &#8211; 9\u2019<br \/>Tonalidades \/ Shades, by Alejandro Small &#8211; Peru, Spain &#8211; 2017 &#8211; 10\u2019<br \/><br \/><br \/><strong>Argentine Competition\u00a0<\/strong><br \/><br \/>Aterrados \/ Terrified, by Demi\u00e1n Rugna &#8211; Argentina &#8211; 2017 &#8211; 90\u2019<br \/>Barrefondo \/ Pool Sweeper, by Jorge Leandro Col\u00e1s &#8211; Argentina &#8211; 2017 &#8211; 76\u2019<br \/>El azote \/ The Scourge, by Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2017 &#8211; 89\u2019<br \/>Estoy ac\u00e1 (Mangui Fi) \/ I Am Here, by Juan Manuel Bramuglia, Esteban Tabacznik &#8211; Argentina &#8211; 2017 &#8211; 77\u2019<br \/>Hasta que me desates \/ Until You Untie Me, by Tamae Garateguy &#8211; Argentina &#8211; 2017 &#8211; 82\u2019<br \/>La nostalgia del centauro \/ The Centaur\u2019s Nostalgia,\u00a0by Nicol\u00e1s Torchinsky &#8211; Argentina &#8211; 2017 &#8211; 70\u2019<br \/>Los Corroboradores \/ The Corroborators, by Luis Bern\u00e1rdez &#8211; Argentina &#8211; 2017 &#8211; 70\u2019<br \/>Los vagos \/ The Bums, by Gustavo Biazzi &#8211; Argentina &#8211; 2017 &#8211; 92\u2019<br \/>R\u00e9quiem para un film olvidado, by Ernesto Baca &#8211; Argentina &#8211; 2017 &#8211; 66\u2019<br \/>Soldado, by Manuel Abramovich &#8211; Argentina &#8211; 2017 &#8211; 73\u2019<br \/>Todo lo que veo es m\u00edo \/ Everything I See Is Mine, by Mariano Galper\u00edn, Rom\u00e1n Podolsky &#8211; Argentina &#8211; 2017 &#8211; 83\u2019<br \/>Un viaje a la luna \/ A Trip to the Moon, by Joaqu\u00edn Cambre &#8211; Argentina &#8211; 2017 &#8211; 87\u2019<br \/><br \/><br \/><strong>Argentine Short Film Competition<\/strong> \u00a0<br \/><br \/>Despechada \/ Crushed, by Jazm\u00edn Stuart &#8211; Argentina &#8211; 2017 &#8211; 13\u2019<br \/>Doce clavos \/ Twelve Nails, by Paula Hern\u00e1ndez &#8211; Argentina &#8211; 2017 &#8211; 15\u2019<br \/>En la sorprendente era de la comunicaci\u00f3n \/ In the Amazing Communication Age, by Augusto Gonz\u00e1lez Polo &#8211; Argentina &#8211; 2017 &#8211; 15\u2019<br \/>Miedo \/ Fear, by Juan Pablo Menchon &#8211; Argentina &#8211; 2017 &#8211; 10\u2019<br \/>Motocross, by Francisco Chiapparo &#8211; Argentina &#8211; 2017 &#8211; 15\u2019<br \/>\u00a1No! \/ No!,\u00a0by Pedro Maccarone, Max Franco &#8211; Argentina &#8211; 2017 &#8211; 12\u2019<br \/>Pasi\u00f3n oriental \/ Oriental Passion, by Santiago Korovsky &#8211; Argentina &#8211; 2017 &#8211; 13\u2019<br \/>Pixied, by Agostina Ravazzola, Gabriela Sorroza &#8211; Argentina &#8211; 2017 &#8211; 9\u2019<br \/>Son, by Alejo Santos &#8211; Argentina\u00a0&#8211; 2017 &#8211; 8\u2019<br \/>Y ahora elogiemos las pel\u00edculas \/ Let Us Now Praise Movies, by Nicol\u00e1s Zukerfeld &#8211; Argentina &#8211; 2017 &#8211; 15\u2019<br \/><br \/><br \/><strong>Work in Progress\u00a0<\/strong><br \/><br \/>\u00bfQu\u00e9 clase de joven le abre la puerta a un vampiro?, by Carlos Dami\u00e1n Rodr\u00edguez, Martiniano Zurita &#8211; Argentina<br \/>El hijo del cazador, by Federico Robles, Germ\u00e1n Scelso &#8211; Argentina<br \/>El motoarrebatador,\u00a0by Agust\u00edn Toscano &#8211; Argentina<br \/>Existir, by Gabriel Grieco &#8211; Argentina<br \/>Hebreos 13:2, by Fernando Dom\u00ednguez &#8211; Argentina<br \/>La ciudad y los \u00e1rboles, by Marcos Rodr\u00edguez &#8211; Argentina<br \/>La luna representa mi coraz\u00f3n, by Juan Mart\u00edn Hsu &#8211; Argentina<br \/>La pel\u00edcula infinita, by Leandro Listorti &#8211; Argentina<br \/>La rompiente, by Juan Schnitman &#8211; Argentina<br \/>La yunga, by Gala Negrello &#8211; Argentina<br \/>Los pasos, by Renzo Blanc &#8211; Argentina<br \/>Lucy y el gram\u00f3fono, by Rub\u00e9n Guzm\u00e1n &#8211; Argentina<br \/>Mochila de plomo, by Dar\u00edo Mascambroni &#8211; Argentina<br \/>Vendr\u00e1n lluvias suaves, by Iv\u00e1n Fund &#8211; Argentina<br \/><br \/><br \/><strong>Special Screenings\u00a0<\/strong><br \/><br \/>Lumi\u00e8re. L&#8217;Aventure commence \/ Lumi\u00e8re. La aventura comienza, by Thierry Fr\u00e9maux &#8211; France &#8211; 2016 &#8211; 90\u2019<br \/>Margaret, by Kenneth Lonergan &#8211; United States &#8211; 2011 &#8211; 150\u2019<br \/>Sea Sorrow, by Vanessa Redgrave \u2013 United Kingdom &#8211; 2016 &#8211; 74\u2019<br \/><br \/><br \/><strong>PANORAMA<br \/><br \/>Auteurs<\/strong><br \/><br \/>12 jours \/ 12 Days \/ 12 d\u00edas, by Raymond Depardon &#8211; France &#8211; 2017 &#8211; 87\u2019<br \/>120 battements par minute \/ 120 Beats Per Minute \/ 120 pulsaciones por minuto, by Robin Campillo &#8211; France &#8211; 2017<br \/>9 Fingers \/ 9 Doigts \/ 9 dedos, by F.J. Ossang &#8211; France, Portugal &#8211; 2017 &#8211; 90\u2019<br \/>Also Known As Jihadi \/ Tambi\u00e9n conocido como Yihadi,\u00a0by Eric Baudelaire &#8211; France &#8211; 2017 &#8211; 101\u2019<br \/>Barbara, by Mathieu Amalric &#8211; France &#8211; 2017 &#8211; 97\u2019<br \/>Caniba, by V\u00e9rena Paravel, Lucien Castaing-Taylor &#8211; France &#8211; 2017 &#8211; 95\u2019<br \/>Claire&#8217;s Camera \/ Keul-le-eo-ui ka-me-la \/ La c\u00e1mara de Claire, by Hong Sang-soo \u2013 South Korea, France &#8211; 2017 &#8211; 69\u2019<br \/>El d\u00eda despu\u00e9s \/ Geu-hu \/ The Day After, by Hong Sang-Soo \u2013 South Korea- 2017 &#8211; 92\u2019<br \/>Coco, by Lee Unkrich, Adri\u00e1n Molina &#8211; United States &#8211; 2017 &#8211; 99\u2019<br \/>En el s\u00e9ptimo d\u00eda \/ On the Seventh Day, by Jim McKay \u2013 United States &#8211; 2017 &#8211; 92\u2019<br \/>Ex Libris \u2013 New York Public Library \/ Ex Libris &#8211; Biblioteca p\u00fablica de Nueva York, by Frederick Wiseman &#8211; United States &#8211; 2017 &#8211; 197\u2019<br \/>F\u00e9licit\u00e9, by Alain Gomis &#8211; France, Senegal &#8211; 2016 &#8211; 123\u2019<br \/>Grandeur et d\u00e9cadence d&#8217;un petit commerce de cin\u00e9ma \/ The Rise and Fall of a Small Film Company \/ Ascenso y ca\u00edda de una peque\u00f1a compa\u00f1\u00eda cinematogr\u00e1fica, by Jean-Luc Godard &#8211; France &#8211; 1986 &#8211; 90\u2019<br \/>How We Live &#8211; Messages to the Family \/ So leben wir &#8211; botschaften an die familie \/ C\u00f3mo vivimos &#8211; Mensajes a la familia,\u00a0by Gustav Deutsch &#8211; Austria &#8211; 2017 &#8211; 107\u2019<br \/>I Want to \/ Delam Mikhad \/ Quiero, by Bahman Farmanara &#8211; Iran &#8211; 2017 &#8211; 93\u2019<br \/>Jo\u00e3o, o maestro \/ Jo\u00e3o, the Maestro \/ Jo\u00e3o, el maestro, by Mauro Lima &#8211; Brazil &#8211; 2017 &#8211; 116\u2019<br \/>L\u2019H\u00e9ro\u00efque lande, la fronti\u00e8re br\u00fble\u00a0\/ The Wild Frontier \/ La frontera salvaje, by Nicolas Klotz, \u00c9lisabeth Perceval &#8211; France &#8211; 2017 &#8211; 225\u2019<br \/>La batalla de los sexos \/ Battle of the Sexes, by Jonathan Dayton, Valerie Faris \u00a0&#8211; United States &#8211; 2017 &#8211; 121\u2019<br \/>La forma del agua \/ The Shape of Water, by Guillermo del Toro &#8211; United States &#8211; 2017 &#8211; 119\u2019<br \/>Last Flag Flying \/ Flamea la \u00faltima bandera, by Richard Linklater \u2013 United States- 2017 &#8211; 124\u2019<br \/>Le V\u00e9n\u00e9rable w. \/ The Venerable W. \/ El venerable W., by Barbet schroeder &#8211; France, Switzerland &#8211; 2017 &#8211; 100\u2019<br \/>Lucky,\u00a0by John Carroll Lynch &#8211; United States &#8211; 2017 &#8211; 88\u2019<br \/>Marea humana \/ Human Flow,\u00a0by Ai Weiwei &#8211; United States &#8211; 2017 &#8211; 140\u2019<br \/>Marshall, by Reginald Hudlin &#8211; United States &#8211; 2017 &#8211; 118\u2019<br \/>Mrs. Fang \/ Fang Xiuying \/ Sra. Fang, by Wang Bing &#8211; Hong Kong, France, Germany &#8211; 2017 &#8211; 86\u2019<br \/>Napalm, by Claude Lanzmann &#8211; France &#8211; 2017 &#8211; 100\u2019<br \/>Outrage: Coda, by takeshi Kitano &#8211; Japan &#8211; 2017 &#8211; 104\u2019<br \/>Piazza Vittorio, by abel Ferrara &#8211; Italy, United States &#8211; 2017 &#8211; 69\u2019<br \/>The Dead Nation \/ Tara moarta \/ La naci\u00f3n muerta, by Radu Jude &#8211; Romania &#8211; 2017 &#8211; 83\u2019<br \/>Thirst Street, by Nathan Silver &#8211; France, United States &#8211; 2017 &#8211; 83\u2019<br \/>Tres avisos por un crimen \/ Three Billboards Outside Ebbing, Missouri, by Martin McDonagh \u2013 United Kingdom &#8211; 2017 &#8211; 115\u2019<br \/>Visages Villages \/ Faces Places \/ Caras lugares, by Agn\u00e8s Varda, JR &#8211; France &#8211; 2016 &#8211; 89\u2019<br \/>Wonderstruck, by Todd Haynes &#8211; United States &#8211; 2017 &#8211; 117\u2019<br \/>Hello, Horse! \/ Zirdin, Hallo! \/ \u00a1Hola, caballo!,\u00a0by Laila pakalnina &#8211; Latvia &#8211; 2017 &#8211; 24\u2019<br \/>O\u00f9 en \u00eates-vous, jo\u00e3o Pedro Rodrigues? Where Do You Stand Now, Jo\u00e3o Pedro Rodrigues? \/ \u00bfD\u00f3nde est\u00e1s ahora, Jo\u00e3o Pedro Rodrigues?, by Jo\u00e3o pedro Rodrigues &#8211; Portugal, France &#8211; 2017 &#8211; 21\u2019<br \/>Fajr, by Lois Pati\u00f1o &#8211; Spain, Morocco &#8211; 2017 &#8211; 12\u2019<br \/><br \/><br \/><strong>New Auteurs<\/strong><br \/><br \/>3 \/ 4, by Ilian Metev &#8211; Bulgaria &#8211; 2017 &#8211; 82\u2019<br \/>Fuck you Jessica Blair, by Karni Haneman &#8211; Israel &#8211; 2017 &#8211; 81\u2019<br \/>Hannah, by Andrea Pallaoro &#8211; Italy, France, Belgium &#8211; 2017 &#8211; 93\u2019<br \/>Il monte delle formiche \/ The Mount of Ants \/ El monte de las hormigas, by Riccardo Palladino &#8211; Italia &#8211; 2017 &#8211; 63\u2019<br \/>Les gar\u00e7ons Sauvages \/ The Wild Boys \/ Los j\u00f3venes salvajes, by Bertrand Mandico \u2013 France &#8211; 2017 &#8211; 110\u2019<br \/>Ouroboros, by Basma Alsharif &#8211; France, Palestine, Belgium, Qatar &#8211; 2017 &#8211; 77\u2019<br \/>Person to Person \/ De persona a persona, by Dustin Guy Defa \u00a0&#8211; United States &#8211; 2017 &#8211; \u00a084\u2019<br \/>Sicilian Ghost Story \/ Cuento siciliano de fantasmas, by Fabio Gassadonia, Antonio Piazza &#8211; Italy &#8211; 2017 &#8211; 120\u2019<br \/>The Charmer \u00a0\/ Charm\u00f8ren \/ El encantador, by Milad Alami &#8211; Denmark &#8211; 2017 &#8211; 100\u2019<br \/>Ver\u00e3o danado \/ Damned Summer \/ Verano da\u00f1ado, by Pedro Cabeleira &#8211; Portugal &#8211; 2017 &#8211; 128\u2019<br \/><br \/><br \/><strong>Latin American Cinema Panorama<\/strong><br \/><br \/>Cabros de mierda \/ The Young Shepherd,\u00a0by Gonzalo Justiniano &#8211; Chile &#8211; 2017 &#8211; 124\u2019<br \/>El silencio de los fusiles \/ When the Guns Go Silent, by Natalia Orozco &#8211; Colombia, France &#8211; 2017 &#8211; 118\u2019<br \/>El vigilante \/ The Night Guard, by Diego Ros &#8211; Mexico &#8211; \u00a02016 &#8211; \u00a075\u2019<br \/>Extra\u00f1o pero verdadero\u00a0\/ Strange But True, by Michel Lipkes &#8211; Mexico &#8211; 2017 &#8211; 90\u2019<br \/>Fattoruso, by Santiago Bednarik &#8211; Uruguay, Brazil, Argentina &#8211; 2017 &#8211; 82\u2019<br \/>Real &#8211; O plano por tr\u00e1s da Hist\u00f3ria\/ \u00a0Real &#8211; A Historic Plan \/ Real &#8211; El plan detr\u00e1s de la historia, by Rodrigo Bittencourt &#8211; Brazil &#8211; 2017 &#8211; 90\u2019<br \/>Violeta al fin \/ Violeta at Last,\u00a0by Hilda Hidalgo &#8211; Costa Rica, Mexico &#8211; 2017 &#8211; 85\u2019<br \/>Wi\u00f1aypacha, by Oscar Catacora &#8211; Peru &#8211; \u00a02017 &#8211; \u00a086\u2019<br \/><br \/><br \/><strong>Argentine Cinema Panorama<\/strong><br \/><br \/>A\u00f1os luz, by Manuel Abramovich &#8211; Argentina &#8211; 2017 &#8211; 75\u2019<br \/>C\u00f3rdoba sinfon\u00eda urbana \/ C\u00f3rdoba, a City Symphony, by Polo Obligado, Daniela Goldes, Antonio Moro, Natalia Comello, Manuel Torrado, Mart\u00edn \u00c1lvarez, Micaela Conti, Germ\u00e1n Scelso &#8211; Argentina &#8211; 2017 &#8211; 60\u2019<br \/>Cuentos de chacales \/ Jackal Stories, by Mart\u00edn Farina &#8211; Argentina &#8211; 2017 &#8211; 70\u2019<br \/>El origen de la tristeza \/ The Origin of Sadness, by Oscar Frenkel &#8211; Argentina &#8211; 2017 &#8211; 71\u2019<br \/>El volc\u00e1n adorado \/ The Beloved Volcano, by Fernando Krapp &#8211; Argentina &#8211; 2017 &#8211; 67\u2019<br \/>Entre Per\u00f3n y mi padre \/ Per\u00f3n, My Father and I, by Blas Eloy Mart\u00ednez &#8211; Argentina &#8211; 2017 &#8211; 73\u2019<br \/>La suave noche \/ The Good Night, by Luz Rapoport, Sof\u00eda Bordenave &#8211; Argentina, Chile &#8211; 2017 &#8211; 70\u2019<br \/>Pabell\u00f3n 4 \/ Cell Block 4, by Diego Gachassin &#8211; Argentina &#8211; 2017 &#8211; 71\u2019<br \/>Proyecto 55, by Miguel Colombo &#8211; Argentina &#8211; 2017 &#8211; 73\u2019<br \/>Un cine en concreto \/ A Concrete Cinema, by Luz Ruciello &#8211; Argentina &#8211; 2017 &#8211; 77\u2019<br \/><br \/><br \/><strong>Original Soundtrack<\/strong><br \/><br \/>American Valhalla, by Andreas Neumann, Joshua Homme &#8211; United States &#8211; 2017 &#8211; 81\u2019<br \/>Bunch of Kunst &#8211; A Film About Sleaford Mods \/ Banda de idiotas &#8211; Una pel\u00edcula sobre Sleaford Mods, by Christine Franz &#8211; Germany- 2017 &#8211; 102\u2019<br \/>Cien caminos &#8211; Su\u00e1rez segunda parte \/ One Hundred Paths. Su\u00e1rez Second Part,\u00a0by Fernando Blanco &#8211; Argentina &#8211; 2017 &#8211; 85\u2019<br \/>Rumble: The Indians Who Rocked the World, by Catherine Bainbridge, Alfonso Maiorana &#8211; Canada &#8211; 2017 &#8211; 102\u2019<br \/>Sepultura Endurance, by Otavio Juliano &#8211; Brazil &#8211; 2017 &#8211; 103\u2019<br \/><br \/><br \/><strong>Midnight Screamings<\/strong><br \/><br \/>Brawl in Cell Block 99 \/ Ri\u00f1a en el pabell\u00f3n 99,\u00a0by S. Craig Zahler &#8211; United States- 2017 &#8211; 132\u2019<br \/>Housewife \/ Ama de casa, by Can Evrenol &#8211; Turkey &#8211; 2017 &#8211; 82\u2019<br \/>How to Talk to Girls at Parties, by John Cameron Mitchell \u2013 United Kingdom &#8211; 2017 &#8211; 102\u2019<br \/>Laissez bronzer les cadavres \/ Let the Corpses Tan \/ Dejad que los cad\u00e1veres se bronceen, by H\u00e9l\u00e8ne Cattet, Bruno Forzani &#8211; France, Belgium &#8211; 2017 &#8211; 92\u2019<br \/>Les Affam\u00e9s \/ The Ravenous \/ Los hambrientos, by Robin Aubert &#8211; Canada &#8211; 2017 &#8211; 96\u2019<br \/>Lowlife, by Ryan Prows &#8211; United States &#8211; 2017 &#8211; 96\u2019<br \/>Matar a Dios \/ To Kill God, by Caye Casas, Albert Pint\u00f3 &#8211; Spain &#8211; 2017 &#8211; 90\u2019<br \/>The Disaster Artist, by James Franco &#8211; United States &#8211; 2017 &#8211; 105\u2019<br \/>Tokyo Vampire Hotel, by Sion Sono &#8211; Japan &#8211; 2017 &#8211; 142\u2019<br \/><br \/><br \/><strong>Open Veins<\/strong><br \/><br \/>\u00bfD\u00f3nde est\u00e1 Susan? \/ Where Is Susan?,\u00a0by Pedro Maccarone, Max Franco &#8211; Argentina &#8211; 2017 &#8211; 6\u2019<br \/>2 Dudes 1 Vang \/ 2 tipos 1 van, by Pedro Maccarone, Max Franco &#8211; Argentina &#8211; 2017 &#8211; 14\u2019<br \/>Carnada \/ Bait, by Pedro Maccarone, Max Franco &#8211; Argentina, Ecuador &#8211; 2017 &#8211; 4\u2019<br \/>Los olvidados \/ What the Waters Left Behind,\u00a0by Luciano Onetti, Nicol\u00e1s Onetti &#8211; Argentina &#8211; 2017 &#8211; 98\u2019<br \/>Mala vida \/ A Bad Life, by Mad Crampi, Fernando D\u00edaz &#8211; Argentina &#8211; 2017 &#8211; 70\u2019<br \/>M\u00e9xico b\u00e1rbaro II, by Lex Ortega, Abraham Sanchez, Fernando Urdapilleta, Diego Cohen, Ricardo Far\u00edas, Christian Cueva, Michelle Garza, Carlos Melendez, Sergio Tello &#8211; Mexico &#8211; 2017 &#8211; 118\u2019<br \/>Mirada de cristal \/ Crystal Eyes,\u00a0by Ezequiel Endelman, Leandro Montejano &#8211; Argentina &#8211; 2017 &#8211; 82\u2019<br \/>Sexo, zombies y Bret Michaels \/ Sex, zombies and Bret Michaels, by Samot M\u00e1rquez &#8211; Argentina &#8211; 2017 &#8211; 80\u2019<br \/><br \/><br \/><strong>Documentary Showcase<\/strong><br \/><br \/>78\/52,\u00a0by Alexandre O. Phillipe &#8211; United States &#8211; 2017 &#8211; 91\u2019<br \/>\u00c1balos, una historia de cinco hermanos \/ \u00c1balos, A Five Brothers Tale, by Josefina Zaval\u00eda \u00c1balos, Pablo No\u00e9 &#8211; Argentina &#8211; 2017 &#8211; 74\u2019<br \/>Fame \/ Fama, by Giacomo Abbruzzese, Angelo Milano &#8211; Italy, France &#8211; 2017 &#8211; 57\u2019<br \/>Makala, by Emmanuel Gras &#8211; France &#8211; 2017 &#8211; 96\u2019<br \/>Marquis de Wavrin, from the Manor to the Jungle \/ Marquis de Wavrin, du manoir \u00e0 la jungle \/ Marquis de Wavrin, de la casona a la selva, by Grace Winter, Luc Plantier &#8211; Belgium &#8211; 2017 &#8211; 85\u2019<br \/>Muchos hijos, un mono y un castillo \/ Lots of Kids, a Monkey and a Castle, by Gustavo Salmer\u00f3n &#8211; Spain &#8211; 2017 &#8211; 91\u2019<br \/>Ni juge ni soumise \/ So Help Me God \/ Ni jueza ni sumisa,\u00a0by Jean Libon, Yves Hinant &#8211; France, Belgium &#8211; 2017 &#8211; 99\u2019<br \/>Open the Door \/ Abre la puerta, by Shahram Karimi &#8211; Germany, Italy &#8211; 2017 &#8211; 47\u2019<br \/>Rambla, sin tu amor yo no soy nadie,\u00a0by Nicol\u00e1s Bratosevich &#8211; Argentina &#8211; 2017 &#8211; 35\u2019<br \/><br \/><br \/><strong>Children by the Sea<\/strong><br \/><br \/>A Hell of a Wedding \/ Janjal Dar Aroosi \/ Una boda infernal,\u00a0by Seyed Reza Khatibi Sarabi &#8211; Iran, France &#8211; 2016 &#8211; 94\u2019<br \/>As duas Irenes \/ Two Irenes \/ Dos Irenes, by Fabio Meira &#8211; Brazil &#8211; 2017 &#8211; 88\u2019<br \/>B\u00e1kiro \/ Bakiro, by Miguel New &#8211; Venezuela &#8211; 2017 &#8211; 15\u2019<br \/>Corky, by Ty Primosch &#8211; United States &#8211; 2017 &#8211; 6\u2019<br \/>Easygoing Teddy \/ Medo Trapavko, by Tomislav Gregl &#8211; Croatia &#8211; 2017 &#8211; 8\u2019<br \/>El chico Pelo-de-flor \/ The Flower-Headed Boy, by Vanessa Heeger &#8211; Argentina &#8211; 2017 &#8211; 2\u2019<br \/>Khalkhali &#8211; Fire \/ Khalkhali &#8211; Atash \/ Khalkhali &#8211; Fuego, by Amineh Foroughiv &#8211; Iran &#8211; 2017 &#8211; 3\u2019<br \/>Mi mundial \/ Home Team, by Carlos Andr\u00e9s Morelli &#8211; Uruguay, Brazil, Argentina &#8211; 2017 &#8211; 102\u2019<br \/>Natacha, la pel\u00edcula \/ Natacha, the Movie, by Fernanda Ribeiz, Eduardo Pinto &#8211; Argentina &#8211; 2017 &#8211; 70\u2019<br \/>Negative Space \/ Espacio negativo, by Max Porter, Ru Kuwahata &#8211; France &#8211; 2017 &#8211; 6\u2019<br \/>Quiero \/ I Want, by Urzula Barba Hopfner &#8211; Mexico &#8211; 2017 &#8211; 3\u2019<br \/>Sabaku, by Marlies van der Wel &#8211; Netherland &#8211; 2016 &#8211; 3\u2019<br \/>Scrambled \/ Desordenado, by Bastiaan Schravendeel &#8211; Netherland &#8211; 2017 &#8211; 7\u2019<br \/>The Little Bird and the Caterpillar \/ El pajarito y la oruga, by Lena von D\u00f6hren &#8211; Switzerland &#8211; 2017 &#8211; 4\u2019<br \/>Wonders of the Sea 3D \/ Las maravillas del mar, by Jean-Michel Cousteau, Jean-Jacques Mantello \u2013 United Kingdom, Francia &#8211; 2017 &#8211; 82\u2019<br \/><br \/><br \/><strong>Super 8 &#8211; 16 mm<\/strong><br \/><br \/>Autobiogr\u00e1fico 2, by Marie Louise Alemann &#8211; Argentina &#8211; 1974 &#8211; 5\u2019<br \/>Born to Be Blue, by Federico Lanchares &#8211; Argentina &#8211; 2016 &#8211; 7\u2019<br \/>Clasificando sensaciones, by Marie Louise Alemann &#8211; Argentina &#8211; 1974 &#8211; 18\u2019<br \/>Copacabana, by Guillermo Detzel &#8211; Argentina &#8211; 2016 &#8211; 6\u2019<br \/>Corina, by Marto \u00c1lvarez &#8211; Argentina &#8211; 2015 &#8211; 4\u2019<br \/>Cuerpo, by Nina Righi &#8211; Argentina &#8211; 2016 &#8211; 6\u2019<br \/>D\u00e1 trilog\u00eda,\u00a0by Reina Escofet &#8211; Argentina &#8211; 2017 &#8211; 9\u2019<br \/>Desv\u00edo,\u00a0by Marto \u00c1lvarez &#8211; Argentina, Uruguay &#8211; 2013 &#8211; 5\u2019<br \/>Escenas de mesa, by Marie Louise Alemann &#8211; Argentina &#8211; 1979 &#8211; 7\u2019<br \/>Infancia intervenida, by Ana Villanueva &#8211; Argentina &#8211; 2016 &#8211; 4\u2019<br \/>Interferencia,\u00a0by Manuel Reyes &#8211; Argentina &#8211; 2016 &#8211; 3\u2019<br \/>La fuente, by Ana Villanueva &#8211; Argentina &#8211; 2016 &#8211; 3\u2019<br \/>La mujer proyectada, by Ana Villanueva &#8211; Argentina &#8211; 2016 &#8211; 2\u2019<br \/>Leg\u00edtima defensa, by Marie Louise Alemann &#8211; Argentina &#8211; 1980 &#8211; 8\u2019<br \/>Lenin,\u00a0by Manuel Reyes &#8211; Argentina &#8211; 2016 &#8211; 5\u2019<br \/>Liebig, by Ana Villanueva, Marto \u00c1lvarez &#8211; Argentina &#8211; 2017 &#8211; 3\u2019<br \/>Metric Film, by Federico Lanchares &#8211; Argentina &#8211; 2017 &#8211; 2\u2019<br \/>Nacer\u00e9, by Marto \u00c1lvarez &#8211; Argentina &#8211; 2014 &#8211; 4\u2019<br \/>Parque, by Guillermo Detzel &#8211; Argentina &#8211; 2016 &#8211; 7\u2019<br \/>Puertas, by Marto \u00c1lvarez &#8211; Argentina &#8211; 2016 &#8211; 4\u2019<br \/>Sensaci\u00f3n 77: Mimetismo, by Marie Louise Alemann &#8211; Argentina &#8211; 1977 &#8211; 8\u2019<br \/>Terremoto, by Manuel Reyes &#8211; Argentina &#8211; 2016 &#8211; 4\u2019<br \/>Umbrales, by Marie Louise Alemann &#8211; Argentina &#8211; 1980 &#8211; 19\u2019<br \/>Valpara\u00edso, by Guillermo Detzel &#8211; Argentina &#8211; 2016 &#8211; 7\u2019<br \/><br \/><br \/><strong>Altered States<\/strong><br \/><br \/>Aliens, by Jorge Honik &#8211; Spain &#8211; 2017 &#8211; 23\u2019<br \/>Did You Wonder Who Fired the Gun? \/ \u00bfTe preguntaste qui\u00e9n dispar\u00f3 el arma?,\u00a0by Travis Wilkerson &#8211; United States &#8211; 2017 &#8211; 90\u2019<br \/>El mar la mar, by J.P. Sniadecki, Joshua Bonnetta &#8211; United States &#8211; 2017 &#8211; 94\u2019<br \/>Elementos, by Jorge Honik &#8211; Argentina &#8211; 2017 &#8211; 38\u2019<br \/>Fantasy Sentences \/ Phantasies\u00e4tze \/ Frases de fantas\u00eda, by Dane Komljen &#8211; Germany, Denmark &#8211; 2017 &#8211; 17\u2019<br \/>Farewell \/ Abschied Von Den Eltern \/ Adi\u00f3s,\u00a0by Astrid Johanna Ofner &#8211; Austria &#8211; 2017 &#8211; 78\u2019<br \/>Farp\u00f5es baldios \/ Barbs, Wastelands \/ P\u00faas, bald\u00edos,\u00a0by Marta Mateus &#8211; Portugal &#8211; 2017 &#8211; 25\u2019<br \/>From a Year of Non-Events \/ Aus Einem Jahr der Nichtereignisse \/ En un a\u00f1o sin eventos, by Ann Carolin Renninger, Ren\u00e9 Fr\u00f6lke \u2013 Germany &#8211; 2017 &#8211; 83\u2019<br \/>Jeunes hommes a la fenetre \/ Young Men at Their Window \/ Los j\u00f3venes en la ventana, by Loukianos Moshonas &#8211; France &#8211; 2017 &#8211; 18\u2019<br \/>Kosmos, by Narcisa Hirsch, Rub\u00e9n Guzm\u00e1n, Robert Cahe &#8211; Argentina &#8211; 2017 &#8211; 10\u2019<br \/>La Bouche \/ La boca, by Camilo Restrepo &#8211; France &#8211; 2017 &#8211; 19\u2019<br \/>Las expansiones \/ The Expansions, by Manuel Ferrari &#8211; Argentina, Germany &#8211; 2017 &#8211; 32\u2019<br \/>Le Fort des fous \/ La fortaleza de los locos,\u00a0by Narimane Mari &#8211; France, Algeria, Qatar, Greece, Germany &#8211; 2017 &#8211; 120\u2019<br \/>MLA, by Paulo P\u00e9cora &#8211; Argentina &#8211; 2017 &#8211; 4\u2019<br \/>Niebla \/ Mist,\u00a0by Flavia de la Fuente &#8211; Argentina &#8211; 2017 &#8211; 15\u2019<br \/>Noches de oto\u00f1o \/ Autumn Nights, by Flavia de la Fuente &#8211; Argentina &#8211; 2017 &#8211; 66\u2019<br \/>O\u00f9 en \u00eates-vous, Jean-Marie Straub? \/ Where Are You, Jean-Marie Straub? \/ \u00bfD\u00f3nde est\u00e1s, Jean-Marie Straub?,\u00a0by Jean-Marie Straub &#8211; France, Switzerland &#8211; 2016 &#8211; 10\u2019<br \/>Plus Ultra,\u00a0by Helena Gir\u00f3n, Samuel M. Delgado &#8211; Spain &#8211; 2017 &#8211; 13\u2019<br \/>Prototype \/ Prototipo, by Blake Williams &#8211; Canada, United States &#8211; 2017 &#8211; 63\u2019<br \/>Red Capriccio,\u00a0by Blake Williams &#8211; Canada &#8211; 2014 &#8211; 7\u2019<br \/>Scaffold,\u00a0by Kazik Radwanski &#8211; Canada &#8211; 2017 &#8211; 15\u2019<br \/><br \/><br \/><strong>Special Program: Rafael Ram\u00edrez\u00a0<\/strong><br \/><br \/>Alona, by Rafael Ram\u00edrez &#8211; Cuba &#8211; 2016 &#8211; 13\u2019<br \/>Diarios de niebla, by Rafael Ram\u00edrez &#8211; Cuba &#8211; 2015 &#8211; 13\u2019<br \/>Limbo, by Rafael Ram\u00edrez &#8211; Cuba &#8211; 2016 &#8211; 13\u2019<br \/>Los perros de Amudsen, by Rafael Ram\u00edrez &#8211; Cuba &#8211; 2017 &#8211; 27\u2019<br \/>Traces of the Inscribed \/ Indicios de lo inscrito, by Rafael Ram\u00edrez &#8211; Cuba &#8211; 2017 &#8211; 5\u2019<br \/><br \/><br \/><strong>Focus and Retrospectives\u00a0<br \/><br \/>Ado Arrietta<\/strong><br \/><br \/>Belle Dormant, by Ado Arrietta &#8211; France &#8211; 2016 &#8211; 82\u2019<br \/>Dry Martini \/ Bu\u00f1uelino cocktail, by Adorpho Arrieta &#8211; Spain &#8211; 2008 &#8211; 7\u2019<br \/>Eco y Narciso,\u00a0by Ado Arrieta &#8211; Spain &#8211; 2003 &#8211; 19\u2019<br \/>Flammes, by A. Arrietta &#8211; France &#8211; 1978 &#8211; 82\u2019<br \/>Grenouilles, by A. Arrieta &#8211; France &#8211; 1984 &#8211; 35\u2019<br \/>Kik\u00ed, by Adorfo Arrieta &#8211; \u00a0Spain &#8211; 1989 &#8211; 22\u2019<br \/>La imitaci\u00f3n del angel, by A. Arrieta &#8211; Spain &#8211; 1967 &#8211; 21\u2019<br \/>Le Ch\u00e2teau de Pointilly, by A. Arrieta &#8211; France &#8211; 1972 &#8211; 39\u2019<br \/>Le Crime de la toupie \/ El crimen de la pirindola,\u00a0by A. Arrieta &#8211; Spain &#8211; 1965 &#8211; 18\u2019<br \/>Le Jouet Criminel,\u00a0by A. Arrieta &#8211; France &#8211; 1969 &#8211; 37\u2019<br \/>Les Intrigues de Silvia Couski, by Adolpho Arrieta &#8211; France &#8211; 1974 &#8211; 71\u2019<br \/>Merl\u00edn, by Udolfo Arrietta &#8211; France &#8211; 1990 &#8211; 58\u2019<br \/>Tam Tam, by A. Arrieta &#8211; France &#8211; 1976 &#8211; 57\u2019<br \/>Vacanza permanente, by A. Arrieta &#8211; Spain &#8211; 2006 &#8211; 29\u2019<br \/><br \/><br \/><strong>Claude Lelouch<\/strong><br \/><br \/>Chacun sa vie \/ Everyone&#8217;s Life \/ Cada uno con su vida,\u00a0by Claude Lelouch &#8211; France &#8211; 2017 &#8211; 113\u2019<br \/>Los unos y los otros \/ Les Uns et les autres \/ Within Memory,\u00a0by Claude Lelouch &#8211; France &#8211; 1981 &#8211; 180\u2019<br \/>Un hombre y una mujer \/ Un homme et une femme \/ A Man and a Woman,\u00a0by Claude Lelouch &#8211; France &#8211; 1966 &#8211; 102\u2019<br \/>Una chica y los fusiles \/ Une fille et des fusils \/ The Decadent Influence, by Claude Lelouch &#8211; France &#8211; 1964 &#8211; 90\u2019<br \/><br \/><br \/><strong>Maurice Pialat\u00a0<\/strong><br \/><br \/>L&#8217;Enfance Nue \/ Naked Childhood, by Maurice Pialat &#8211; France &#8211; 1969 &#8211; 83\u2019<br \/>Loulou, by Maurice Pialat &#8211; France &#8211; 1980 &#8211; 110\u2019<br \/>Sous le soleil de Satan \/ Under the Sun of Satan, by Maurice Pialat &#8211; France &#8211; 1987 &#8211; 97\u2019<br \/>Van Gogh,\u00a0by Maurice Pialat &#8211; France &#8211; 1991 &#8211; 158\u2019<br \/><br \/><br \/><strong>Zelimir Zilnik<\/strong><br \/><br \/>Black Film \/ Crni film \/ Pel\u00edcula negra,\u00a0by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1971 &#8211; 14\u2019<br \/>Brooklyn &#8211; Gusinje \/ Bruklin \u2013 Gusinje, by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1988 &#8211; 85\u2019<br \/>Early Works \/ Rani radovi \/ Primeros trabajos, by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1969 &#8211; 75\u2019<br \/>For Ella \/ Za Ellu \/ Para Ella, by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1997 &#8211; 10\u2019<br \/>Inventory \/ Inventur &#8211; Metzstrasse 11 \/ Inventario, by Zelimir Zilnik &#8211; Federal Republic of Germany &#8211; 1975 &#8211; 9\u2019<br \/>June Turmoil \/ Lipanjska gibanja \/ Crisis de junio, by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1969 &#8211; 10\u2019<br \/>Kenedi Is Getting Married \/ Kenedi se zeni \/ Kenedi se casa, by Zelimir Zilnik &#8211; Serbia &#8211; 2007 &#8211; 80\u2019<br \/>Little Pioneers \/ Pioniri maleni mi smo vojska prava, svakog dana ni\u010demo ko zelena trava \/ Peque\u00f1os pioneros, by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1968 &#8211; 18\u2019<br \/>Marble Ass \/ Culo de m\u00e1rmol,\u00a0by Zelimir Zilnik \u2013 Federal Republic of Yugoslavia &#8211; 1995 &#8211; 87\u2019<br \/>Oldtimer \/ Stara masina \/ Veterano,\u00a0by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1989 &#8211; 81\u2019<br \/>Paradise &#8211; An Imperialist Tragicomedy \/ Paradies. Eine imperialistische Tragikom\u00f6die \/ Para\u00edso &#8211; Una tragicomedia imperialista, by Zelimir Zilnik &#8211; Federal Republic of Germany &#8211; 1976 &#8211; 60\u2019<br \/>Pirika on Film \/ Pirika na filmu \/ Pirika en el cine, by Zelimir Zilnik &#8211; Serbia &#8211; 2013 &#8211; 53\u2019<br \/>Silo Danube, Vukovar \u2014 Silos Dunav, Vukovar, by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1993 &#8211; 1\u2019<br \/>The Comedy and Tragedy of Bora Joksimovic \/ Komedija i tragedija Bore Joksimovica La comedia y tragedia de Bora Joksimovic,\u00a0by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1977 &#8211; 30\u2019<br \/>The Old School of Capitalism \/ Stara skola kapitalizma \/ La vieja escuela del capitalismo, by Zelimir Zilnik &#8211; Serbia &#8211; 2009 &#8211; 122\u2019<br \/>The Second Generation \/ Druga generacija \/ La segunda generaci\u00f3n, by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1984 &#8211; 90\u2019<br \/>The Way Steel Was Tempered \/ Tako se kalio celik \/ As\u00ed se templ\u00f3 el acero, by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1988 &#8211; 101\u2019<br \/>Throwing Off the Yolks of Bondage \/ Do jaja \/ Arrojando las yemas de la esclavitud, by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1996 &#8211; 12\u2019<br \/>Tito Among the Serbs for the Second Time \/ \u00a0Tito entre los serbios por segunda vez,\u00a0by Zelimir Zilnik &#8211; Yugoslavia &#8211; 1994 &#8211; 43\u2019<br \/><br \/><br \/><strong>Centennial of the Russian Revolution: Art, Film, Revolution<\/strong><br \/><br \/>Angels of Revolution \/ Angely Revolucii \/ \u00c1ngeles de la revoluci\u00f3n, by Alexey Fedorchenko &#8211; Rusia &#8211; 2014 &#8211; 113\u2019<br \/>Chagall-Malevich \/ Shagall-Malevich, by Alexander Mitta &#8211; Russia &#8211; 2014 &#8211; 120\u2019<br \/>Kharms, by Ivan Bolotnivok &#8211; Russia, Lithuania, Macedonia &#8211; 2017 &#8211; 95\u2019<br \/>L&#8217;Utopie des images de la R\u00e9volution russe \/ The Russian Revolution Through Its Films, by Emmanuel Hamon &#8211; France &#8211; 2017 &#8211; 88\u2019<br \/>Octubre Octjabre \/ October &#8211; Ten Days That Shook the World, by Sergei M. Eisenstein, Grigoriy Aleksandrov &#8211; Russia &#8211; 1928 &#8211; 101\u2019<br \/><br \/><br \/><strong>Korea \u2013 Guest Country of Honor<\/strong><br \/><br \/>A Taxi Driver \/ Un chofer de taxi,\u00a0by Jang Hun &#8211; South Korea &#8211; 2017 &#8211; 137\u2019<br \/>Autumn, Autumn \/ Oto\u00f1o, oto\u00f1o, by Jang Woo-jin &#8211; South Korea &#8211; 2016 &#8211; 77\u2019<br \/>Behind the Dark Night \/ Detr\u00e1s de la noche oscura, by Shim Chan-yang &#8211; South Korea &#8211; 2017 &#8211; \u00a0117\u2019<br \/>Die Bad \/ Morir mal,\u00a0by Ryoo Seung-wan &#8211; South Korea &#8211; 2000 &#8211; 95\u2019<br \/>Loser\u2019s Adventure \/ La aventura del perdedor,\u00a0by Ko Bong-soo &#8211; South Korea &#8211; 2017 &#8211; 105\u2019<br \/>The Battleship Island \/ La Isla Acorazado, by Ryoo Seung-wan &#8211; South Korea &#8211; 2017 &#8211; 132\u2019<br \/>The Seeds of Violence \/ Las semillas de la violencia, by Lim Tea Geu &#8211; Corea del Sur &#8211; 2017 &#8211; 82\u2019<br \/>The Villainess \/ La villana, by Jung Byung-gil &#8211; South Korea &#8211; 2017 &#8211; 123\u2019<br \/><br \/><br \/><strong>Rescues<\/strong><br \/><br \/>All That Jazz, by Bob Fosse &#8211; United States &#8211; 1979 &#8211; 123\u2019<br \/>Blow-Up,\u00a0by Michelangelo Antonioni \u2013 United Kingdom, Italy, United States &#8211; 1966 &#8211; 111\u2019<br \/>Camila, by Mar\u00eda Luisa Bemberg &#8211; Argentina &#8211; 1984 &#8211; 105\u2019<br \/>Los guantes m\u00e1gicos \/ Tha Magic Gloves, by Mart\u00edn Rejtman &#8211; Argentina &#8211; 2003 &#8211; 90\u2019<br \/>Luc\u00eda, by Humberto Sol\u00e1s &#8211; Cuba &#8211; 1968 &#8211; 160\u2019<br \/>Pizza, birra, faso, by Israel Adri\u00e1n Caetano, Bruno Stagnaro &#8211; Argentina &#8211; 1998 &#8211; 80\u2019<br \/><br \/><br \/><strong>Generation VHS<\/strong><br \/><br \/>Doble de cuerpo \/ Body Double, by Brian De Palma &#8211; United States &#8211; 1985 &#8211; 114\u2019<br \/>Donnie Darko, by Richard Kelly &#8211; United States &#8211; 2001 &#8211; 113\u2019<br \/>Reencuentro \/ The Big Chill, by Lawrence Kasdan &#8211; United States &#8211; 1983 &#8211; 105\u2019<br \/>Robocop,\u00a0by Paul Verhoeven &#8211; United States &#8211; 1987 &#8211; 102\u2019<br \/>Twin Peaks: Fuego camina conmigo \/ Twin Peaks: Fire Walk with Me,\u00a0by David Lynch &#8211; United States, France &#8211; 1992 &#8211; 135\u2019<br \/><br \/><br \/><strong>TRIBUTES<br \/><br \/>Alberto Sordi<\/strong><br \/><br \/>Cuentos de verano \/ Racconti d\u2019estate \/ Love on the Riviera, by Gianni Franciolini &#8211; Italy, France &#8211; 1958 &#8211; 109\u2019<br \/>Detenuto in attessa di giudizio \/ Why \/ Detenido en espera de juicio, by Nanni Loy &#8211; Italy &#8211; 1971 &#8211; 102\u2019<br \/>Il vedovo \/ The Widower, by Dino Risi &#8211; Italy &#8211; 1959 &#8211; 87\u2019<br \/>Los complejos \/ I complessi \/ Complexes, by Luigi Filippo D\u2019Amico, Dino Risi, \u00a0Franco Rossi &#8211; Italy, France &#8211; 1965 &#8211; 100\u2019<br \/><br \/><br \/><strong>PARALLEL PROGRAMS<br \/><br \/>Short Stories XV<\/strong><br \/><br \/>Carla, by Luc\u00eda Ayel\u00e9n Dobal &#8211; 12\u2019<br \/>El \u00faltimo cuentista,\u00a0by Adrean Ram\u00edrez &#8211; 14\u2019<br \/>La de Messi, by Mauro Iv\u00e1n Ojeda &#8211; 13\u2019<br \/>La sombra quema, by Ezequiel Yoffe &#8211; 19\u2019<br \/>Capacocha, by Tom\u00e1s Pernich &#8211; 16\u2019<br \/>Superdulce, by Guido Villaclara &#8211; 17\u2019<br \/>Toda mi alegr\u00eda, by Micaela Gonzalo &#8211; 13\u2019<br \/><br \/><br \/><strong>Short Film Night<\/strong><br \/><br \/>Al silencio, by Mariano C\u00f3colo &#8211; 16\u2019<br \/>Amalia y Eduardo, by Tom\u00e1s Morelli &#8211; 5\u2019<br \/>Bienvenida Nur, by Gabriel Bertini &#8211; 10\u2019<br \/>Copia A, by Gervasio Rodr\u00edguez Traverso, Pablo Alberto D\u00edaz &#8211; 6\u2019<br \/>Corp., by Pablo Polledri &#8211; 9\u2019<br \/>El secreto, by Rodrigo Tenuta, \u00c1ngel Zamora &#8211; 6\u2019<br \/>Error 404, by Mariana Wainstein &#8211; 14\u2019<br \/>Flor de durazno, by Cristian Monetti &#8211; 2\u2019<br \/>Los dos cines de Yody Jars\u00fan, by Alejandro Gallo Berm\u00fadez &#8211; 5\u2019<br \/>Once, by Hebe Urricelqui, Juan Cruz Llobera &#8211; 7\u2019<br \/>Reflectorista, by David Nazareno &#8211; 11\u2019<br \/>Solemne y melanc\u00f3lico, by Luciana Bilotti &#8211; 3\u2019<br \/><br \/><br \/><strong>CINE.AR Awarded Short Films<\/strong><br \/><br \/>Clausura, by Jes\u00fas Barbosa &#8211; 11\u2019<br \/>El mes del amigo, by Florencia Percia &#8211; 17\u2019<br \/>La revancha, by Pablo Bochard &#8211; 6\u2019<br \/>No hay bestias, by Agustina San Mart\u00edn &#8211; 21\u2019<br \/>Puelo Park, by Fabi\u00e1n Soto, Emmanuel Olivares, Bruno Ruiz, Rafael Rigonatto &#8211; 8\u2019<br \/>Sue\u00f1os de Paine, by Esteban Degregori &#8211; 13\u2019<br \/><br \/><br \/><strong>ENERC First Productions -NOA and NEA<\/strong><br \/><br \/>El despu\u00e9s, by Leandro Vallejo &#8211; 13\u2019<br \/>El trabajo, by M. E. Pelu Romero &#8211; 14\u2019<br \/>Eva, by Dana G\u00f3mez &#8211; 15\u2019<br \/>Hambre, by Diana Quiroga &#8211; 12\u2019<br \/>Ruido blanco, by Constanza Epifanio &#8211; 13\u2019<br \/>Vidas habitables, by Gisela Villanueva &#8211; 14\u2019<br \/><br \/><br \/><strong>10 Editions &#8211; 5 Films. Raymundo Gleyzer Contest<\/strong><br \/><br \/>Cet\u00e1ceos, by Florencia Percia &#8211; 77\u2019<br \/>Dhaulagiri, ascenso a la monta\u00f1a blanca, by Guillermo Glass y Cristi\u00e1n Harbaruk &#8211; 70\u2019<br \/>Fin de semana, by Moroco Colman &#8211; 74\u2019<br \/>La peli de Batato, by Goyo Anchou y Peter Pank &#8211; 150\u2019<br \/>Tigre, by Silvina Schnicer y Ulises Porra Guardiola &#8211; 93\u2019<br \/><br \/><br \/><strong>Pantalla UBA Screen. Exhibit of Works from the Image and Sound Design major of the University of Buenos Aires\u00a0<\/strong><br \/><br \/>Afrontera, by Felipe Campos &#8211; 20\u2019<br \/>Ah\u00ed viene el avioncito, by Nicol\u00e1s Sol\u00e9 &#8211; 4\u2019<br \/>Coronados, by Josefina Alen, Abril Lucini &#8211; 16\u2019<br \/>Educaci\u00f3n rural, by Federico Garc\u00eda Bedoya &#8211; 13\u2019<br \/>El nirvana de Benito,\u00a0by Ariel Fossa Luengo &#8211; 30\u2019\u2019<br \/>Experimental 1, by Ver\u00f3nica Flores &#8211; 37\u2019\u2019<br \/>Fuera de temporada, by Sebasti\u00e1n Badino Lynch &#8211; 17\u2019<br \/>Hochi, by Melisa Serpas &#8211; 10\u2019<br \/>Komorebi, by Agustina Abeijon &#8211; 34\u2019\u2019<br \/>La ara\u00f1a de mi jard\u00edn, by Daniela Bazzano &#8211; 12\u2019<br \/>Leal, by Julieta Caputo, Guadalupe Sierra &#8211; 9\u2019<br \/>Mizuki, by Maximiliano Cabrera &#8211; 1\u2019<br \/>Nosotros, los de entonces, by Gabriela Estrin &#8211; 2\u2019<br \/>Podest\u00e1, by Joaqu\u00edn Caba &#8211; 13\u2019<br \/><br \/><br \/><strong>Gipuzkoa Coopera Program. With the collaboration of the San Sebastian Fil Festival and INCAA\u00a0<\/strong><br \/><br \/>Canta para m\u00ed,\u00a011\u2019<br \/>Julieta, 14\u2019<br \/>Mi vecino vende plantas, 7\u2019<br \/><br \/><br \/><strong>Sitges \u2013 Sus primeros 50 a\u00f1os<\/strong><br \/><br \/>El habitante, by Guillermo Amoedo &#8211; 93\u2019<br \/>Madraza, de Hern\u00e1n Aguilar &#8211; Argentina &#8211; 93\u00b4<br \/><br \/><strong>AWARDS<\/strong><br \/><br \/><strong>INTERNATIONAL COMPETITION<\/strong><br \/><br \/><strong>Golden Astor for Best Feature Film<\/strong><br \/>Wajib, by Annemarie Jacir<br \/><strong>Silver Astor for Best Director<\/strong><br \/>Valeska Grisebach for Western<br \/><strong>Silver Astor for Best Screenplay<\/strong><br \/>Kim Dae-hwan for The First Lap<br \/><strong>Silver Astor for Best Actor<\/strong><br \/>Mohammad Bakri for Wajib<br \/><strong>Silver Astor for Best Actress<\/strong><br \/>Eili Harboe for Thelma<br \/><strong>Honorable Mention<\/strong><br \/>Kairiana Nu\u00f1ez Santaliz for El silencio del viento, by \u00c1lvaro Aponte-Centeno.<br \/><br \/><strong>Audience Award<\/strong><br \/>Primas, by Laura Bari<br \/><br \/><strong>LATIN AMERICAN COMPETITION<\/strong><br \/><br \/><strong>Best Feature Film (tied)<\/strong><br \/>Baronesa, by Juliana Antunes \/ Cocote, by Nelson Carlo de los Santos Arias<br \/><strong>Honorable Mention<\/strong><br \/>La telenovela errante by Ra\u00fal Ruiz and Valeria Sarmiento<br \/><strong>Best Short Film<\/strong><br \/>Duelo, by Alejandro Alonso<br \/><strong>Honorable Mention<\/strong><br \/>El Contramaestre, by Alejandro P\u00e9rez<br \/><br \/><strong>ARGENTINE COMPETITION<br \/>Best Feature Film<\/strong><br \/>El Azote, by Jos\u00e9 Celestino Campusano<br \/><strong>Best Short Film<\/strong><br \/>Y ahora elogiemos las pel\u00edculas, by Nicol\u00e1s Zukerfeld<br \/><br \/><strong>CINE.AR AWARD<br \/><br \/>Best Argentine Short Film<\/strong><br \/>Despechada, by Jazm\u00edn Stuart.<br \/><br \/><strong>COMPETENCIA WIP<\/strong><br \/><br \/><strong>Best Project<\/strong><br \/>Hebreos 13:2, by Fernando Dom\u00ednguez.<br \/><br \/><br \/><strong>GUESTS<\/strong><br \/><br \/>Claude Lelouch &#8211; Valeria Sarmiento &#8211; Sylvie Pialat &#8211; Ado Arrietta &#8211; Serge Bozon &#8211; Pierre L\u00e9on &#8211; Zelimir Zilnik &#8211; Juliana Antunes &#8211; Daniela Vega &#8211; Thierry Fr\u00e9maux &#8211; Vanessa Redgrave &#8211; F.J. Ossange &#8211; Lois Pati\u00f1o &#8211; Karni Haneman\u00a0 &#8211; Bruno Forzani &#8211; Patricia Muzuy &#8211; Rafael Ram\u00edrez<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Multimedia Files Catalogue Program Guide Homages II Authors: Paula F\u00e9lix-Didier, Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Paran\u00e1 Sendr\u00f3s Cinegraphies SPOT OFICIAL From November 17th to 26th AUTHORITIES\u00a0INCAA PRESIDENTRalph Haiek FESTIVAL PRESIDENTJos\u00e9 Mart\u00ednez Su\u00e1rez ARTISTIC DIRECTORPeter Scarlet GENERAL PRODUCERRosa Mart\u00ednez Rivero PROGRAM OPENING FILM\u00a0Madame Hyde \/ Mrs Hyde \/ Sra. Hyde, by Serge Bozon &#8211; France [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3703,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-3709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>32\u00b0 Edition (2017) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 41\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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