{"id":3843,"date":"2026-11-03T12:24:53","date_gmt":"2026-11-03T12:24:53","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3843"},"modified":"2026-11-03T12:55:01","modified_gmt":"2026-11-03T12:55:01","slug":"31-edicion-2016","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/es\/31-edicion-2016\/","title":{"rendered":"31\u00b0 Edici\u00f3n (2016)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignfull size-full\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_31.jpg\" alt=\"Tapa Catalogo Edici\u00f3n 31\" class=\"wp-image-3842\"\/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Archivos <strong>Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/31-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cat\u00e1logo<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/e.issuu.com\/embed.html#18197401\/40890194\" target=\"_blank\" rel=\"noreferrer noopener\">Gu\u00eda de Programaci\u00f3n<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Homenajes<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/31-Festival-Homenajes-I.pdf\" target=\"_blank\" rel=\"noopener\">Autores: Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Fernando Mart\u00edn Pe\u00f1a, Luis Porter, Natalia Taccetta<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">The Iron Horse<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/31-Festival-El-Caballo-de-hierro.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Dir: John Ford<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/31-Festival-Entre-cortes.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Entre cortes: Conversaciones con montajistas de Argentina<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/vimeo.com\/241632293\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Del 18 al 27 de noviembre<br \/><br \/>AUTORIDADES<\/strong><\/p>\n<p><strong>PRESIDENTE INCAA<\/strong><br \/>Alejandro Alberto Cacetta<br \/><br \/><strong>PRESIDENTE DEL FESTIVAL<\/strong><br \/>Jos\u00e9 Mart\u00ednez Su\u00e1rez<br \/><br \/><strong>DIRECTOR ART\u00cdSTICO<\/strong><br \/>Fernando Mart\u00edn Pe\u00f1a<br \/><br \/><strong>PRODUCCI\u00d3N GENERAL<\/strong><br \/>Carla Alejandra Calafiore<br \/>Lucio Checcacci<br \/><br \/><br \/><strong>PROGRAMACI\u00d3N<\/strong><br \/><br \/><strong>Pelicula de Apertura<\/strong><br \/>Neruda, de Pablo Larra\u00edn &#8211; Chile, Argentina, Francia, Estados Unidos, Espa\u00f1a &#8211; 2016 &#8211; 110\u2019<br \/>\u00a0<br \/><br \/><strong>COMPETENCIAS<br \/><br \/>Competencia Internacional<\/strong><br \/><br \/>Aquarius, de Kleber\u00a0Mendon\u00e7a Filho &#8211; Brasil, Francia -2016 &#8211; 142\u2019<br \/>El Cristo ciego\/The Blind Christ, de Christopher Murray-Chile, Francia -2016 &#8211; 85\u2019<br \/>El futuro perfecto\/The Future Perfect, de Nele Wolhatz &#8211; Argentina &#8211; 2016 &#8211; 65\u2019<br \/>Era el cielo\/The Silence of the Sky, de Marco Dutra &#8211; Brasil -2016 &#8211; 102\u2019\u00a0<br \/>Free fire\/Fuego cruzado, de Ben Wheatley-Francia, Reino Unido\u00a0&#8211;\u00a02016\u00a0&#8211;\u00a090\u2019<br \/>Hermia &amp; Helena, de Mat\u00edas Pi\u00f1eiro &#8211; Argentina, Estados Unidos &#8211; 2016 &#8211; 87\u2019<br \/>La reconquista\/The Reconquest, de Jon\u00e1s Trueba &#8211; Espa\u00f1a &#8211; 2016 &#8211; 107\u2019<br \/>Moonlight\/Luz de luna, de Barry Jenkins &#8211; Estados Unidos\u00a0&#8211; 2016 -111\u2019<br \/>Nocturama,de Bertrand Bonello-Francia, Alemania, B\u00e9lgica &#8211; 2016 -130\u2019<br \/>Paradise\/Rai\/Paraiso, de Andrei Konchalovsky &#8211; Rusia, Alemania &#8211; 2016 -131\u2019<br \/>People that are not me\/Gente que no es yo, de Hadas ben Aroya &#8211; Israel- 2016 &#8211; 80\u2019<br \/>Scarred hearts\/Inimi cicatrizate\/Corazones cicatrizados, de Radu Jude- Rumania, Alemania &#8211; 2016 -141\u2019<\/p>\n<p><br \/><br \/><strong>Competencia Latinoamericana de Largometrajes<\/strong><br \/><br \/>Cuatreros, de Albertina Carri &#8211; Argentina &#8211; 2016 &#8211; 83\u2019<br \/>El auge del humano\/The Human Surge, de Teddy Williams- Argentina, Brasil, Portugal -2016 &#8211; 97\u2019<br \/>El sacrificio de Nehuen Puyelli\/Nehuen Puyelli\u2019s Sacrifice, de Jos\u00e9 Celestino Campusano &#8211; Argentina -2016 &#8211; 88\u2019<br \/>K\u00e9kszak\u00e1ll\u00fa, de Gast\u00f3n Solnicki &#8211; Argentina -2016\u00a0-72\u2019<br \/>Mart\u00edrio, de Vincent Carrelli, Ernesto De Carvalho, Tatiana Almeida -Brasil &#8211; 2016 &#8211; 162\u2019<br \/>Jes\u00fas, de Fernando Guzzoni &#8211; Chile -2016 &#8211; 86\u2019<br \/>Espejuelos oscuros, de Jessica Rodr\u00edguez S\u00e1nchez &#8211; Cuba -2016 &#8211; 96\u2019<br \/>Ma\u00f1ana a esta hora\/This Time Tomorrow, de Lina Rodr\u00edguez &#8211; Colombia, Canad\u00e1 -2016 &#8211; 85\u2019<br \/>Todo lo dem\u00e1s, de Natalia Almada &#8211; M\u00e9xico, Estados Unidos -2016 &#8211; 98\u2019<br \/>Ejercicios de memoria\/Memory Exercises, de Paz Encina &#8211; Paraguay, Argentina, Francia, Alemania, Qatar -2016 &#8211; 70\u2019<br \/>La \u00faltima tarde\/One Last Afternoon, de Joel Calero &#8211; Per\u00fa &#8211; 2016 &#8211; 81\u2019<br \/>Los modernos\/The Moderns, de Mauro Sarser, Marcela Matta &#8211; Uruguay -2016 &#8211; 138\u2019<br \/><br \/><br \/><strong>Competencia Latinoamericana de Cortometrajes<\/strong><br \/><br \/>Coger un monstruo \/ To Catch a Monster, de Michael Y. Lei\u00a0&#8211;\u00a0Brasil, Estados Unidos -2015 &#8211; 14\u2019<br \/>Los tomates de Carmelo\u00a0\/\u00a0Carmelo\u2019s Tomatoes, de Danilo Baracho &#8211; Brasil, Espa\u00f1a, Canad\u00e1 -2016 &#8211; 14\u2019\u00a0<br \/>Pulso\u00a0\/\u00a0Pulse, de Dani Suzuki &#8211; Brasil -2016 &#8211; 15\u2019<br \/>La madre de las madres\u00a0\/\u00a0The Mother of the Mothers, de Wilson Arango &#8211; Colombia -2016 &#8211; 14\u2019<br \/>Aire quemado\u00a0\/\u00a0Winds of Furnace, de Yamil Quintana &#8211; M\u00e9xico -2016 &#8211; 14\u2019<br \/>Ascenci\u00f3n\u00a0\/\u00a0Ascension, de Samantha Pineda Sierra, Davy Giorgi &#8211; M\u00e9xico -2016 &#8211; 10\u2019<br \/>Los aeronautas\u00a0\/\u00a0The Aeronauts, de Le\u00f3n Fern\u00e1ndez &#8211; M\u00e9xico -2016 &#8211; 11\u2019<br \/><br \/><br \/><strong>Competencia Argentina de Largometrajes<\/strong><br \/><br \/>Amateur, de Sebasti\u00e1n Perillo -Argentina -2016 -97\u2019<br \/>El aprendiz, de Tom\u00e1s De Leone -Argentina -2016 -80\u2019<br \/>El silencio\u00a0\/\u00a0The Silence, de Arturo Castro Godoy -Argentina -2016 -105\u2019<br \/>Fuga de la Patagonia\u00a0\/\u00a0Escape From Patagonia, de Javier Zevallos, Francisco D\u2019Eufemia -Argentina -2016 -78\u2019<br \/>La siesta del tigre\u00a0\/\u00a0Sleeping Tiger, de Maximiliano Schonfeld -Argentina -2016 -63\u2019<br \/>Los decentes\u00a0\/\u00a0A decent Woman, de Lukas Valenta Rinner -Argentina -Austria -Corea del Sur -2016 -100\u2019<br \/>Los ganadores\u00a0\/\u00a0The Winners, de N\u00e9stor Frenkel -Argentina -2016 &#8211; 78\u2019<br \/>Los globos\u00a0\/\u00a0Balloons, de Mariano Gonz\u00e1lez -Argentina &#8211; 2016 -65\u2019<br \/>No te olvides de m\u00ed \/ Don\u2019t Forget About Me, de Fernanda Ramondo \u2013Argentina -2016 &#8211; 87\u2019<br \/>No sab\u00e9s con qui\u00e9n est\u00e1s hablando\u00a0\/\u00a0You don\u2019t know who you\u2019re talking to, de Demi\u00e1n Rugna -Argentina -2016 -95\u2019<br \/>Pinamar, de Federico Godfrid -Argentina -2016 -83\u2019<br \/>Terror 5, de Sebasti\u00e1n y Federico Rotstein -Argentina -2016 -77\u2019<br \/><br \/><br \/><strong>Competencia Argentina de Cortometrajes<br \/>\u00a0<\/strong><br \/>\u00d3xido, de V\u00edctor Daniel L\u00f3pez &#8211; Argentina &#8211; 2016 &#8211; 15\u2019<br \/>Sobre usos y costumbres, de Marcos Montes de Oca &#8211; Argentina &#8211; 2016 &#8211; 6\u2019<br \/>Este amanecer es un ejemplo, de Leandro Naranjo &#8211; Argentina &#8211; 2016 &#8211; 9\u2019<br \/>Corp., de Pablo Polledri &#8211; Argentina &#8211; 2016 &#8211; 9\u2019<br \/>Soy Buenos Aires, de Tom\u00e1s G\u00f3mez Bustillo -Argentina &#8211; 2016 &#8211; 14\u2019<br \/>Al silencio, de Mariano C\u00f3colo &#8211; Argentina &#8211; 2016 &#8211; 15\u2019<br \/>Primos, de Magdalena S\u00e1enz &#8211; Argentina &#8211; 2016 &#8211; 12\u2019<br \/>\u00dd Ber\u00e1- Aguas de luz, de Jessica Sarah Rinland &#8211; Argentina &#8211; 2016 &#8211; 6\u2019<br \/>Eh che vo dale, de Gonzalo de Miceu Argentina, 2016 \/ 8\u2019<br \/>El pozo, de Hernan Garbarino &#8211; Argentina &#8211; 2016 &#8211; 15\u2019<br \/>Un hada, de Jos\u00e9 Militano &#8211; Argentina &#8211; 2016 &#8211; 15<br \/>Murci\u00e9lagos, de Felipe Ram\u00edrez V\u00edlchez &#8211; Argentina &#8211; 2016 &#8211; 12\u2019<br \/>La bijou, de Paula Magnani y Lucila Presa &#8211; Argentina &#8211; 2016 &#8211; 14\u2019\u00a0<br \/><br \/><br \/><strong>Work In Progress<\/strong><br \/><br \/>Adi\u00f3s entusiasmo, de Vladimir Duran\u00a0<br \/>Al desierto, de Ulises Rosell<br \/>Cartograf\u00eda bonino, de Mart\u00edn Sappia<br \/>Cet\u00e1ceos, de Florencia Percia<br \/>Construcciones, de Fernando Restelli<br \/>Danubio, de Paulina Bettendorff, Natalia Labak\u00e9, Agustina P\u00e9rez Rial<br \/>El \u00e1rbol negro, de M\u00e1ximo Ciambella, Dami\u00e1n Coluccio<br \/>El fulgor, de Mart\u00edn Farina, Marco Berger<br \/>Extra\u00f1o, de Natural Arpajou<br \/>Kentannos, de V\u00edctor Cruz<br \/>La suave noche, de Luz Rapoport, Sof\u00eda Bordenave<br \/>Los \u00e1rboles, de Mariano Luque<br \/>Los Tarakji, de Fernando Dominguez, Constanza Carbonell, Lautaro Villa, Julia Castro<br \/>Mario on Tour, de Pablo Stigliani<br \/>R\u00edo Mekong, de Pablo Stigliani<br \/>Tigre, de Pablo Stigliani<br \/>Vaimbor\u00e1, de Juan Sasia\u00edn<br \/><br \/><br \/><strong>PANORAMA<br \/><br \/>Autores<\/strong><br \/><br \/>CUMP4RSIT4,\u00a0de Raul Perrone &#8211; Argentina &#8211; 2016 -77\u2019<br \/>A Quiet Passion \/ Una pasi\u00f3n silenciosa,\u00a0de Terence Davies &#8211; Reino Unido, B\u00e9lgica -2016\u00a0<br \/>Actor Martinez, de Mike Ott y Nathan Silver &#8211; Estados Unidos -2016 &#8211; 75\u2019<br \/>Afterimage \/ Powidoki, de Andrzej Wajda &#8211; Polonia -2016 &#8211; 98\u2019<br \/>Antiporno, de Sion Sono &#8211; Corea del Sur -2016 -101\u2019<br \/>Assalto al cielo \/ Asalto al cielo, de Francesco Munzi &#8211; Italia -2016 &#8211; 72\u00b4<br \/>Austerlitz, de\u00a0Sergei Loznitsa &#8211; Alemania &#8211; 2016 &#8211; 95\u00b4<br \/>Below Her Mouth \/ Bajo su boca, de April Mullen &#8211; Canad\u00e1 -2016 -90\u2019<br \/>Capit\u00e1n Fant\u00e1stico \/ Captain Fantastic, de Matt Ross &#8211; Estados Unidos -2016 &#8211; 120\u2019<br \/>Des nouvelles de la planete Mars \/ News from Planet Mars \/ Noticias de la familia Mars, de Dominik Moll &#8211; Francia, Alemania -2016 &#8211; 101\u2019<br \/>Destruction Babies \/ Disutorakushon beibizu \/ Hijos de la destrucci\u00f3n, de Mariko Tetsuya &#8211; Jap\u00f3n -2016 &#8211; 108\u2019<br \/>Doctor Strange: Hechicero supremo \/ Dr. Strange,\u00a0de Scott Derrickson &#8211; Estados Unidos -2016 &#8211; 115\u2019<br \/>Belle Dormant \/ La bella durmiente, de Ado Arrieta &#8211; Francia -2016 &#8211; 82\u2019<br \/>La idea de un lago \/ The Idea of a Lake,\u00a0de Milagros Mumenthaler -Argentina, Suiza, Qatar -2016 &#8211; 82\u2019<br \/>La Mort de Louis XIV \/ The Death of Louis XIV \/ La muerte de Luis XIV,\u00a0de Albert Serra\u00a0&#8211; Espa\u00f1a -2016 &#8211; 115\u2019<br \/>Le Cancre \/ El burro, de Paul Vecchiali &#8211; Francia &#8211; 2016 &#8211; 76\u2019<br \/>Lo and Behold, Reveries of the Connected World \/ He aqu\u00ed las enso\u00f1aciones del mundo conectado, de Werner Herzog &#8211; Estados Unidos -2016 &#8211; 98\u2019<br \/>Los 4 golpes, de Fran\u00e7ois Truffaut -Francia, Argentina &#8211; 1962 &#8211; 3\u2019<br \/>Mister Universo,\u00a0de Tizza Covi &amp; Rainer Frimmel &#8211; B\u00e9lgica -2016 &#8211; 90\u2019<br \/>Moana: Un mar de aventuras \/ Moana,\u00a0de Ron Clements, John Musker &#8211; Estados Unidos -2016 &#8211; 103\u2019<br \/>Neruda, de Pablo Larra\u00edn &#8211; Chile, Argentina, Francia, Estados Unidos, Espa\u00f1a &#8211; 2016 &#8211; 110\u2019<br \/>Operaci\u00f3n Avalancha \/ Operation Avalanche, de Matt Johnson &#8211; Estados Unidos -2016 &#8211; 93\u2019<br \/>Paterson,\u00a0de Jim Jarmusch &#8211; Estados Unidos -2016 &#8211; 115\u2019<br \/>Rester Vertical,\u00a0de Alain Guiraudie &#8211; Francia &#8211; 2016 &#8211; 100\u2019<br \/>Safari,\u00a0de Ulrich Seidl &#8211; Austria -2016 &#8211; 90\u2019<br \/>Sieranevada, de Cristi Puiu &#8211; Rumania &#8211; 2016 &#8211; 173\u2019<br \/>Snowden,\u00a0de Oliver Stone\u00a0&#8211;\u00a0Estados Unidos &#8211; 2016 &#8211; 134\u2019<br \/>Take Me Home \/ Llevame a casa,\u00a0de Abbas Kiarostami &#8211; Ir\u00e1n -2016 &#8211; 16\u2019<br \/>The Age of Shadows \/ La era de las sombras, de Kim Jee-woon &#8211; Corea del Sur &#8211; 2016 &#8211; 140\u2019<br \/>The Dreamed Ones \/ Die Getraumten \/ Los so\u00f1ados,\u00a0de Ruth Beckermann &#8211; Austria &#8211; 2016 &#8211; 89\u2019<br \/>The Dreamed Path \/ Der Traumhafte Weg \/ El camino so\u00f1ado, de Angela Schanelec &#8211; Alemania &#8211; 2016 &#8211; 86\u2019<br \/>The Woman Who Left \/Ang Babaeng Humayo \/ La mujer que se fue, de Lav Diaz &#8211; Filipinas &#8211; 2016 &#8211; 226\u00b4<br \/>Three \/ Tres,\u00a0de Johnnie To &#8211; Hong Kong -2016 &#8211; 88\u2019<br \/>Tunnel \/ T\u00fanel, de Kim Seong-hun &#8211; Corea del Sur -2016 &#8211; 126\u2019<br \/>Visita ou mem\u00f3rias e confiss\u00f5es \/ Memories and Confessions \/ Visitas o memorias y confesiones,\u00a0de Manoel de Oliveira &#8211; Portugal -1982 &#8211; 68\u2019<br \/>Wet Woman in the Wind \/ Mujer h\u00fameda en el viento,\u00a0de Akihiko Shiota &#8211; Jap\u00f3n &#8211; 2016 &#8211; 77\u2019<br \/>Yourself and Yours \/ Vos y los tuyos,\u00a0de Hong Sang-soo &#8211; Corea del Sur -2016 &#8211; 86\u2019<br \/>Autumn Days \/ Qiu Ri \/ D\u00edas de oto\u00f1o,\u00a0de Tsai Ming-liang &#8211; Taiw\u00e1n &#8211; 2015 &#8211; 24\u2019<br \/>Bring the Head of Tim Horton \/ Traigan la cabeza\u00a0de Tim Horton,\u00a0de Guy Maddin, Evan Johnson, Galen Johnson &#8211; Canad\u00e1 -2015 &#8211; 31\u2019<br \/>Sarah Winchester, de Bertrand Bonello &#8211; Francia -2016 &#8211; 24\u2019<br \/>Aux quatre coins, de Jacques Rivette &#8211; Francia -1949 &#8211; 20\u2019<br \/>Le Divertissement, de Jacques Rivette &#8211; Francia -1952 &#8211; 45\u2019<br \/>Le Quadrille, de Jacques Rivette &#8211; Francia &#8211; 1950 &#8211; 40\u2019<br \/><br \/><br \/><strong>Nuevos autores<\/strong><br \/><br \/>By the Time It Gets Dark \/ Dao Khanong \/ En el momento en que oscurece, de Anocha Suwichakornpong &#8211; Tailandia, Pa\u00edses Bajos, Francia -2016 &#8211; 105\u2019<br \/>El nacimiento de una naci\u00f3n \/ The Birth of a Nation, de Nate Parker &#8211; Estados Unidos &#8211; 2016 &#8211; 119\u2019<br \/>Gulistan, Land of Roses \/ Gulistan, tierra de rosas, de Zayn\u00ea Akyol &#8211; Canad\u00e1, Alemania &#8211; 2016 &#8211; 86\u2019<br \/>La noche \/ The Night,\u00a0de Edgardo Castro &#8211; Argentina -2016 &#8211; 135\u2019<br \/>Le Parc \/ The Park \/ El parque,\u00a0de Damien Manivel &#8211; Francia -2016 &#8211; 71\u2019<br \/>Life After Life \/ Zhi fan ye mao \/ La vida despu\u00e9s de la vida,\u00a0de Zhang Hanyi &#8211; Hong Kong &#8211; 2016 &#8211; 80\u2019<br \/>Lumieres d&#8217;\u00e9t\u00e9 \/ Summer Lights \/ Luces de verano,\u00a0de Jean-Gabriel P\u00e9riot &#8211; Francia -2016 &#8211; 83\u2019<br \/>Mi \u00faltimo fracaso \/ My Last Failure, de Cecilia Kang &#8211; Argentina &#8211; 2016 &#8211; 61\u2019<br \/>Nunca vas a estar solo \/ You&#8217;ll Never Be Alone,\u00a0de Alex Anwandter &#8211; Chile -2016 &#8211; 81\u2019<br \/>Oscuro animal,\u00a0de Felipe Guerrero -Colombia, Argentina, Pa\u00edses Bajos, Alemania, Grecia- 2016 &#8211; 107\u00b4<br \/>Pow Wow,\u00a0de Rob Devor &#8211; Estados Unidos -2016 &#8211; 74\u2019<br \/>The Challenge \/ El desaf\u00edo, de Yuri Ancarani &#8211; Francia \/ Italia -2016 &#8211; 69\u2019<br \/>The Stairs \/ Las escaleras, de Hugh Gibson &#8211; Canad\u00e1 -2016 &#8211; 95\u2019<br \/><br \/><br \/><strong>Panorama de cine argentino<\/strong><br \/><br \/>2001: mientras Kubrick estaba en el espacio \/ 2001: While Kubrick Was in Space, de Gabriel Nicoli -Argentina -2016 &#8211; 77\u2019<br \/>Ad\u00e1n Buenosayres. La pel\u00edcula \/ Ad\u00e1n Buenosayres. The Movie,\u00a0de Juan Villegas -Argentina-2016 &#8211; 45\u2019<br \/>Bepo, de Marcelo Galvez &#8211; Argentina &#8211; 2016 &#8211; 72\u2019<br \/>Binaria, de Carolina Rimini, Gustavo Galuppo &#8211; Argentina &#8211; 2016 &#8211; 60\u2019<br \/>Carta 12, Praga. \/ Letter 12, Prague., de Vera Czemerinski -Argentina &#8211; 2016 &#8211; 10\u2019<br \/>El invierno llega despu\u00e9s del oto\u00f1o \/ Winter Comes After Autumn,\u00a0de Nicol\u00e1s Zukerfeld, Malena Solarz -Argentina -2015 &#8211; 90\u00b4<br \/>El vecino alem\u00e1n \/ The German Neighbor, de Rosario Cervio, Mart\u00edn Liji -Argentina -2016 &#8211; 94\u2019<br \/>Ensayo de despedida \/ Farewell Essay, de Macarena Albalustri -Argentina &#8211; 2016 &#8211; 75\u2019<br \/>Esteros, de Papu Curotto &#8211; Argentina -2016 &#8211; 84\u2019<br \/>Las lindas \/ The Pretty Ones,\u00a0de Melisa Liebenthal\u00a0&#8211; Argentina -2016 -77\u2019<br \/>Liebig, de Christian Ercolano &#8211; Argentina -2016 &#8211; 68\u2019<br \/>Los sentidos \/ The Senses, de Marcelo Burd &#8211; Argentina &#8211; 2016 &#8211; 72\u2019<br \/>Monger, de Jeff Zorrilla &#8211; Argentina -2016 &#8211; 72\u2019<br \/>Oni\u00f3n, de Juan Pablo Zaramella &#8211; Argentina -2016 &#8211; 22\u2019<br \/>QTH, de Alex Tossenberger &#8211; Argentina &#8211; 2016 &#8211; 94\u2019<br \/>Rom\u00e1ntico italiano \/ Italian Romantic, de Adriano Salgado &#8211; Argentina &#8211; 2016 -65\u2019<br \/>Vigilia \/ Being Awake, de Julieta Ledesma -Argentina, Uruguay -2016 &#8211; 108\u2019<br \/>Vuelo nocturno (La leyenda de las princesitas argentinas) \/ Fly by Night (The Legend of Argentinian Little Princesses), de Nicol\u00e1s Herzog &#8211; Argentina &#8211; 2016 &#8211; 65\u2019<br \/><br \/><br \/><strong>Panorama de cine latinoamericano<\/strong><br \/><br \/>Almacenados\/ Warehoused, de Jack Zagha &#8211; M\u00e9xico &#8211; 2015 &#8211; 90\u2019<br \/>El sonido de las cosas\/ The Sound of Things,\u00a0de Ariel Escalante &#8211; Costa Rica -2016 &#8211; 78\u2019<br \/>La caja vac\u00eda\/ The Empty Box,de Claudia Sainte-Luce &#8211; M\u00e9xico &#8211; 2016 &#8211; 101\u2019<br \/>Los nadie\/ The Nobodies,de Juan Sebasti\u00e1n Mesa &#8211; Colombia &#8211; 2016 &#8211; 84\u2019\u00a0<br \/>Los ofendidos\/ The Offended, de Marcela Zamora &#8211; El Salvador &#8211; 2016 &#8211; 82\u2019\u00a0<br \/>Sin norte\/ Lost North,de Fernando Lavanderos &#8211; Chile &#8211; 2015 &#8211; 93\u2019\u00a0<br \/>X Quinientos\/ X500, de Juan Andr\u00e9s Arango &#8211; Colombia, M\u00e9xico, Canad\u00e1 &#8211; 2016 &#8211; 108\u2019<br \/><br \/><br \/><strong>Super 8 \/ 16 mm<\/strong><br \/><br \/>Canci\u00f3n para Victoria, de Ignacio Tamarit &#8211; Argentina &#8211; 2014 &#8211; 2\u2019<br \/>Triplete Pl\u00e1stico, de Ignacio Tamarit &#8211; Argentina &#8211; 2015 &#8211; 2\u2019\u00a0<br \/>In Film\/On Video, de Ignacio Tamarit Argentina &#8211; 2016 &#8211; 4\u2019\u00a0<br \/>Esta no es una pel\u00edcula hu\u00e9rfana, de Ignacio Tamarit &#8211; Argentina &#8211; 2016 &#8211; 4\u2019<br \/>P\u00edfies!, de Ignacio Tamarit &#8211; Argentina &#8211; 2016 &#8211; 3\u2019\u00a0<br \/>Home Movie,\u00a0de Sergio Brauer &#8211; Argentina &#8211; 2008 &#8211; 8\u2019\u00a0<br \/>Malabia bla bla, de Sergio Brauer &#8211; Argentina &#8211; 2011 &#8211; 6\u2019\u00a0<br \/>Incluso hay veces que hasta la luna se ensombrece, de Sergio Brauer &#8211; Argentina &#8211; 2016 &#8211; 3\u2019\u00a0<br \/>Los sue\u00f1os y las palabras,de Sergio Brauer &#8211; Argentina, 2016 &#8211; 3\u2019\u00a0<br \/>La hora del t\u00e9,\u00a0de Luciana Foglio &#8211; Argentina &#8211; 2015 &#8211; 7\u2019\u00a0<br \/>Vuelta a Italia,\u00a0de Luciana Foglio &#8211; Argentina &#8211; 2016 &#8211; 7\u2019\u00a0<br \/>Agua viva,\u00a0de Luciana Foglio &#8211; Argentina- 2016 &#8211; 6\u2019\u00a0<br \/>S\/T,\u00a0de Claudio Caldini &#8211; Argentina &#8211; 2015 &#8211; 5\u2019\u00a0<br \/>Rolf Gelewski, Spiritual Dancer, de Claudio Caldini &#8211; Argentina &#8211; 2016 &#8211; 16\u2019\u00a0<br \/>Fish Point, de Pablo Mazzolo &#8211; Argentina &#8211; 2015 &#8211; 7\u2019\u00a0<br \/>NN,\u00a0de Pablo Mazzolo &#8211; Argentina &#8211; 2016 &#8211; 2\u2019\u00a0<br \/>Los espejos de Stern, de Paulo P\u00e9cora &#8211; Argentina &#8211; 2016 &#8211; 8\u2019\u00a0<br \/>Making-off, de Paulo P\u00e9cora &#8211; Argentina &#8211; 2016 &#8211; 7\u2019<br \/>SP,\u00a0de Azucena Losana &#8211; Argentina, Brasil &#8211; 2015 &#8211; 3\u2019\u00a0<br \/>Karl-Marx-Allee, de Azucena Losana &#8211; Argentina, Alemania &#8211; 2016 &#8211; 4\u2019<br \/>Ne\u00f3n, de Azucena Losana -Argentina &#8211; 2016 &#8211; 4\u2019\u00a0<br \/>Corumb\u00e9, de Andr\u00e9s Denegri &#8211; Argentina &#8211; 2016 &#8211; 5\u2019<br \/>El Manso,\u00a0de Andr\u00e9s Denegri &#8211; Argentina &#8211; 2016 &#8211; 8\u2019\u00a0<br \/>Denkbilder, de Pablo Mar\u00edn &#8211; Argentina, Alemania &#8211; 2013 &#8211; 5\u2019<br \/>Denkbilder II, de Pablo Mar\u00edn &#8211; Argentina,Alemania &#8211; 2014 &#8211; 5\u2019<br \/>Angelus novus,\u00a0de Pablo Mar\u00edn &#8211; Argentina &#8211; 2014 &#8211; 3\u2019<br \/>S\/T, de Benjamin Ellenberger &#8211; Argentina &#8211; 2015 &#8211; 5\u2019<br \/>Naked Inside, de Emiliano Cativa Argentina &#8211; 2015- 4\u2019\u00a0<br \/>S\/T,\u00a0de Emiliano Cativa &#8211; Argentina &#8211; 2016 &#8211; 4\u2019\u00a0<br \/>Locomoci\u00f3n, de Ernesto Baca &#8211; Argentina &#8211; 2015 &#8211; 2\u2019<br \/>Resonancia Schumann, de Ernesto Baca Argentina &#8211; 2015 &#8211; 4\u2019<br \/>Impregnar,\u00a0de Ernesto Baca Argentina &#8211; 2015 &#8211; 4\u2019<br \/>Destellos, de Ernesto Baca Argentina &#8211; 2016 &#8211; 3\u2019<br \/><br \/><strong>Programa especial: Mario Piazza<\/strong><br \/>Pap\u00e1 Gringo, de Mario Piazza \u2013 Argentina &#8211; 1983 &#8211; 22\u2019<br \/>Sue\u00f1o para un oficinista, de Mario Piazza \u2013 Argentina &#8211; 1978 &#8211; 20\u2019<br \/>A los santos cuetes I,de Mario Piazza Argentina &#8211; 1976-1978 &#8211; 3\u2019<br \/>A los santoscuetes II,de Mario Piazza Argentina &#8211; 1978-1980 &#8211; 3\u2019<br \/>El hombre de acero, de Mario Piazza Argentina &#8211; 1976 &#8211; 5\u2019<br \/><br \/><br \/><strong>Mar de chicos<\/strong><br \/><br \/>1-0 \/ One to Nil, de Saman Hosseinpour &#8211; Kurdist\u00e1n &#8211; 2015 &#8211; 1\u2019<br \/>Belgrano,\u00a0de Andr\u00e9s Ezequiel Milito \u2013 Argentina &#8211; 2016 &#8211; 4\u2019<br \/>Decoraciones \/ Decorations, de Mari Miyazawa &#8211; Jap\u00f3n &#8211; 2016 &#8211; 15\u2019<br \/>Dji. La muerte falla \/ Dji. Death Fails,\u00a0de Dmitri Voloshin \u2013 Moldavia &#8211; 2015 &#8211; 4\u2019<br \/>Do\u00f1a Ubenza,\u00a0de Juan Manuel Costa \u2013 Argentina- 2016 &#8211; 3\u2019<br \/>El presente \/ The Present,de Jacob Frey \u2013 Alemania &#8211; 2014 &#8211; 4\u2019<br \/>El tala,\u00a0de Escuela, c\u00e1mara, \u00a1acci\u00f3n! \u2013Argentina &#8211; 2016 &#8211; 4\u2019<br \/>Feardom\u00a0, de Iv\u00e1n Madolell &#8211; Espa\u00f1a &#8211; 2015 &#8211; 2\u2019<br \/>Los bichos del jard\u00edn,de Taller La Casa del \u00c1rbol \u2013 Uruguay &#8211; 2016 &#8211; 4\u2019<br \/>Los detectives de negro,de Colegio Inmaculada Concepci\u00f3n \u2013 Uruguay &#8211; 2016 &#8211; 5\u2019<br \/>Pasapalabra, de Andrea Testini &#8211; Italia, Espa\u00f1a \u2013 2015 &#8211; 5\u2019<br \/>Pawo,\u00a0de Antje Heyn \u2013 Alemania &#8211; 2015 &#8211; 6\u2019<br \/>Rojo y Azul,\u00a0de Taller de Animaci\u00f3n CAI &#8211; Escuela 165 \u2013 Argentina &#8211; 2016 &#8211; 1\u2019<br \/>S\u00faper escondida, de Taller de Animaci\u00f3n CAI &#8211; Escuela 165 &#8211; Argentina, 2016 &#8211; 2\u2019<br \/>Alas de piedra \/ Wings of Stone, de Francisco Cerchiara Montero, Sof\u00eda Gariazzo &#8211; Argentina, 2016 &#8211; 6\u2019<br \/>Alike \/ Similar, de Daniel Mart\u00ednez Lara, Rafa Cano M\u00e9ndez &#8211; Espa\u00f1a &#8211; 2015 &#8211; 8\u2019<br \/>Au revoir, Balthazar \/ Adi\u00f3s, Baltazar\u2013 de Rafael Sommerhalder &#8211; Suiza, 2016 &#8211; 9\u2019<br \/>Cats &amp; Dogs \/ Perros y gatos, de Jes\u00fas P\u00e9rez, Gerd Gockell &#8211; Suiza, Alemania &#8211; 2016 &#8211; 6\u2019<br \/>El criptozo\u00f3logo \/ The Cryptozoologist, de Vicente Mallols &#8211; Espa\u00f1a &#8211; 2016 &#8211; 8\u2019<br \/>Jonas &amp; The Sea \/ Zeezucht \/ Jon\u00e1s y el mar,\u00a0de Marlies Van der Wel &#8211; Pa\u00edses Bajos &#8211; 2016 &#8211; 12\u2019<br \/>Le Renard minuscule \/ The Teeny-Weeny Fox \/ El peque\u00f1o zorro,\u00a0de Aline Quertain, Sylwia Szkiladz &#8211; B\u00e9lgica, Francia, Suiza &#8211; 2016 &#8211; 8\u2019<br \/>Little Thing \/ Cosita, de Or Kan Tor &#8211; Israel &#8211; 2016 &#8211; 5\u2019<br \/>OTTO,\u00a0de Job Roggeveen, Joris Oprins, Marieke Blaauw &#8211; Pa\u00edses Bajos &#8211; 2015 &#8211; 10\u2019<br \/>Spring jam \/ Ritmo de primavera, de Ned Wenlock &#8211; Nueva Zelanda &#8211; 2016 &#8211; 6\u2019<br \/>Jamais contente \/ Miss Impossible \/ Nunca satisfecha, de \u00c9milie Deleuze &#8211; Francia &#8211; 2016 &#8211; 90\u2019<br \/>Las aventuras de Itzel &amp; Sonia: En busca de los guardianes del agua \/ Itzel and Sonia\u00a0Adventures,de Fernanda Rivero &#8211; M\u00e9xico &#8211; 2016 &#8211; 58\u2019<br \/>Mi mam\u00e1 lora,\u00a0de Mart\u00edn Musarra &#8211; Argentina &#8211; 2016 &#8211; 80\u2019<br \/>Ozzy, de Alberto Rodr\u00edguez, Nacho La Casa &#8211; Espa\u00f1a \u2013 2016 &#8211; 90\u2019<br \/>Sing Street: Reviviendo los 80\u2019s \/ Sing Street,\u00a0de John Carney &#8211; Irlanda, Estados Unidos, Reino Unido &#8211; 2016 &#8211; 105\u2019<br \/>Your Name. \/ Kimi no Na wa. \/ Tu nombre.,\u00a0de Makoto Shinkai &#8211; Jap\u00f3n &#8211; 2016 &#8211; 105\u2019<br \/>Zipi &amp; Zape y la isla del capit\u00e1n \/ Zip &amp; Zap and the Captain&#8217;s Land, de Oskar Santos &#8211; Espa\u00f1a &#8211; 2016 &#8211; 100\u2019<br \/><br \/><br \/><strong>Cine sobre cine<\/strong><br \/><br \/>76 Minutes and 15 Seconds with Abbas Kiarostami \/ 76 minutos y 15 segundos con Abbas Kiarostami, de Seifollah Samadian &#8211; Ir\u00e1n -2016 &#8211; 76\u2019<br \/>Blue Velvet Revisited \/ Terciopelo azul revisitada,\u00a0de Peter Braatz -Alemania, Eslovenia &#8211; 2016 &#8211; 85\u2019<br \/>Cinema Novo, de Eryk Rocha &#8211; Brasil -2016 &#8211; 90\u2019<br \/>David Lynch: The Art Life \/ David Lynch: La vida en el arte, de Jon Nguyen, Olivia Neergaard-Holm &#8211; Estados Unido, Dinamarca \u20132016 96\u2019<br \/>De Palma, de Noah Baumbach, Jake Paltrow &#8211; Estados Unidos -2015 &#8211; 107\u2019<br \/>El profes1on4l \/ The Professional, de Mart\u00edn Farina &#8211; Argentina -2016 &#8211; 72\u2019<br \/>Fritz Lang, de Gordian Maugg &#8211; Alemania\u00a0-2016 &#8211; 104\u2019<br \/>Life, Animated \/ Vida animada,\u00a0de Roger Ross Williams &#8211; Estados Unidos -2016 &#8211; 91\u2019<br \/>Manda huevos,\u00a0de Diego Gal\u00e1n &#8211; Espa\u00f1a &#8211; 2016 &#8211; 95\u2019<br \/>Mifune: Last Samurai \/ Mifune: El \u00faltimo samur\u00e1i, de Steven Okazaki &#8211; Jap\u00f3n -2016 &#8211; 80\u2019<br \/>O homem que matou John Wayne \/ The Man Who Killed John Wayne \/ El hombre que mat\u00f3 a John Wayne,\u00a0de Bruno Laet, Diogo Oliveira &#8211; Brasil -2015 &#8211; 70\u2019<br \/>Pel\u00edculas escondidas \/ Hidden Treasures,\u00a0de Claudia Sandberg, Alejandro Areal V\u00e9lez &#8211; Argentina, Alemania -2016 &#8211; 75\u2019<br \/>The Dying of the Light \/ La muerte de la luz,\u00a0de Peter Flynn &#8211; Estados Unidos -2015 &#8211; 95\u2019<br \/><br \/><br \/><strong>Ventana documental<\/strong><br \/><br \/>Hay un fusilado que vive&#8230; \/ Surviving Execution&#8230; ,\u00a0de Laura Lagar, Mario Salvado &#8211; Argentina &#8211; 2016 &#8211; 45\u2019<br \/>La mirada del colibr\u00ed \/ The Hummingbird\u2019s Gaze, de Pablo Le\u00f3nidas N\u00edsenson &#8211; Argentina -80\u2019 &#8211; 2016<br \/>La virgen de la tierra \/ The Holy Mother Earth,\u00a0de Nicol\u00e1s Bratosevich &#8211; Argentina &#8211; 105\u2019 &#8211; 2016<br \/>Los relocalizados \/ The Relocated,\u00a0de Dar\u00edo Arcella &#8211; Argentina &#8211; 90\u2019- 2016\u00a0<br \/>Nacido en Siria \/ Born in Syria, de Hern\u00e1n Zin &#8211; Espa\u00f1a \/ Dinamarca -2016 &#8211; 80\u2019\u00a0<br \/>Orange Sunshine \/ Amanecer naranja, de William A. Kirkley &#8211; Estados Unidos -2016 &#8211; 94\u2019<br \/>Rat Film \/ Pel\u00edcula rata,\u00a0de Theo Anthony &#8211; Estados Unidos -2016 &#8211; 82\u2019<br \/>Reach for the SKY \/ Gong-bu-ui-Na-ra \/ Alcanzar el cielo, de Choi Woo-young, Steven Dhoedt &#8211; Corea del Sur -2015 &#8211; 90\u2019<br \/>Sexo, maracas y chihuahuas \/ Sex, Maracas &amp; Chihuahuas, de Diego Mas Trelles &#8211; Espa\u00f1a -2016 &#8211; 87\u2019<br \/>Vida de perros \/ dog\u2019s life, de Fernando Arditi, Mariano Vega &#8211; Argentina -2016 &#8211; 62\u2019<br \/>Aqueles anos en Dezembro \/ Those Years in December \/ Aquellos a\u00f1os en diciembre, de Felipe Arrojo Poroger Graduado &#8211; Brasil -2016 &#8211; 18\u2019<br \/>Tribus de la Inquisici\u00f3n, de Mabel Lozano &#8211; Espa\u00f1a, Bolivia -2016 &#8211; 29\u2019<br \/><br \/><br \/><strong>Hora cero<\/strong><br \/><br \/>1974,\u00a0de V\u00edctor Dryere &#8211; M\u00e9xico -2016 &#8211; 82\u2019<br \/>Blanco o negro \/ Black or White, de Mat\u00edas Rispau -Argentina -2016 &#8211; 135\u2019<br \/>Downhill \/ Cuesta abajo,\u00a0de Patricio Valladares &#8211; Chile -2016 &#8211; 82\u2019<br \/>Eat that Question: Frank Zappa in His Own Words \/ Tragate esa pregunta: Frank Zappa seg\u00fan sus propias palabras, de Thorsten Sch\u00fctte -Francia, Alemania -2016 &#8211; 93\u2019<br \/>El mago de los vagos \/ The Wizard of the Bums, de Pedro Otero &#8211; Argentina -2016 &#8211; 80\u2019<br \/>El mundo de los vampiros,\u00a0de Alfonso Corona Blake &#8211; M\u00e9xico -1961 &#8211; 83\u2019<br \/>Dr\u00e1cula en Campana, 1972,\u00a0de Titi Ram\u00edrez &#8211; Argentina -1972 &#8211; 20&#8242;<br \/>En busca del mu\u00f1eco perdido \/ Raiders of the Lost Doll, de Hern\u00e1n Biasotti, Facundo Baigorri &#8211; Argentina &#8211; 2016 &#8211; 82\u2019<br \/>Gimme Danger, de Jim Jarmusch &#8211; Estados Unidos -2016 &#8211; 108\u2019<br \/>Headshot \/ Un tiro en la cabeza,\u00a0de Kimo Stamboel, Timo Tjahjanto &#8211; Indonesia -2016 &#8211; 117\u2019<br \/>Hermosos Perdedores Pop,\u00a0de Agust\u00edn Ar\u00e9valo &#8211; Argentina -2016 &#8211; 60\u2019\u00a0<br \/>Hipersomnia,\u00a0de Gabriel Grieco &#8211; Argentina -2016 &#8211; 90\u2019<br \/>Madraza \/ Godmother,\u00a0de Hern\u00e1n Aguilar &#8211; Argentina- 2016 &#8211; 93\u2019<br \/>No Money, No Future \/ No-hu Dae-chaek Eop-da \/ Sin dinero, sin futuro,de Lee Dong-woo -Corea del Sur -2016 &#8211; 100\u2019<br \/>Pepo: La \u00faltima oportunidad, de Juan Irigoyen, Cristian Jure &#8211; Argentina -2016 &#8211; 75\u2019<br \/>Relicto. Un relato mesopot\u00e1mico \/ Relict: A Mesopotamic Tale, de Laura S\u00e1nchez Acosta &#8211; Argentina &#8211; 2016 &#8211; 94\u2019<br \/>Ruido. Historias del vinilo en Buenos Aires \/ Noise. Vynil Stories in Buenos Aires, de Lucila Melfi, Nicol\u00e1s Visent\u00edn -Argentina &#8211; 2016 &#8211; 58\u2019<br \/>Seoul Station \/ Estaci\u00f3n de Se\u00fal, de Yeon Sang-ho &#8211; Corea del Sur -2016 &#8211; 92\u2019<br \/>Supersonic, de Mat Whitecross &#8211; Reino Unido -2016 &#8211; 122\u2019<br \/>Tenemos la carne \/ We Are the Flesh,\u00a0de Emiliano Rocha Minter &#8211; M\u00e9xico -2016 &#8211; 80\u2019<br \/>The Greasy Strangler \/ El estrangulador grasiento,\u00a0de Jim Hosking &#8211; Estados Unidos -2016 &#8211; 93\u2019<br \/>The Man from Mo&#8217;Wax \/ El hombre de Mo&#8217;Wax,\u00a0de Matthew Jones &#8211; Reino Unido &#8211; 2016 &#8211; 108\u2019<br \/>The Sad &amp; Beautiful World of Sparklehorse \/ El triste y hermoso mundo de Sparklehorse, de Alex Crowton, Bobby Dass &#8211; Reino Unido, Estados Unidos -2016 &#8211; 83\u2019<br \/>The Wailing \/ Goksung \/ Los lamentos,\u00a0de Na Hong-Jin &#8211; Corea del Sur -2016 &#8211; 156\u2019<br \/>Transformaci\u00f3n, de Iv\u00e1n Wolovik -Argentina &#8211; 2016 &#8211; 69\u2019<br \/>Under the Shadow \/ Bajo la sombra, de Babak Anvari -Jordania, Qatar, Reino Unido -2016 \u2013 84\u2019<br \/><br \/><br \/><strong>Estados Alterados<\/strong><br \/><br \/>All the Cities of the North \/ Svi severni gradovi \/ Todas las ciudades del norte,\u00a0de Dane Komljen Serbia, Bosnia y Herzegovina, Montenegro &#8211; 2016 &#8211; 100\u2019<br \/>Atlal, de Djamel Kerkar \u2013 Argelia, Francia &#8211; 2016 &#8211; 111\u2019<br \/>El monstruo en la piedra \/ The Monster in the Stone, de Ignasi Duarte \u2013 Francia, Espa\u00f1a, Argentina \u2013 2016 &#8211; 50\u2019<br \/>How I Fell in Love with Eva Ras \/ Kako sam se zaljubio u Evu Ras \/ C\u00f3mo me enamor\u00e9 de Eva Ras, de Andr\u00e9 Gil Mata &#8211; Bosnia y Herzegovina, Portugal &#8211; 2016 &#8211; 74\u2019<br \/>I Had Nowhere to Go \/ No ten\u00eda ad\u00f3nde ir,\u00a0de Douglas Gordon \u2013 Alemania &#8211; 2016 &#8211; 100\u2019<br \/>Measuring Change \/ Midiendo el cambio, de James Benning &#8211; Estados Unidos &#8211; 2016 &#8211; 60\u2019<br \/>The Illinois Parables \/ Las par\u00e1bolas de Illinois, de Deborah Stratman &#8211; Estados Unidos &#8211; 2016 &#8211; 60\u2019<br \/>Wake (Subic), de John Gianvito &#8211; Estados Unidos, Filipinas &#8211; 2015 &#8211; 277\u2019<br \/>Trabajos 2015 &#8211; 2016 \/ Works 2015-2016,\u00a0de Flavia de la Fuente \u2013 Argentina \u2013 2015\/2016<br \/>All Still Orbit,\u00a0de James Lattimer, Dane Komljen \u2013 Croacia, Serbia, Alemania, Brasil &#8211; 2016 &#8211; 23\u2019<br \/>Answer Print \/ Primera copia,de M\u00f3nica Savir\u00f3n &#8211; Estados Unidos &#8211; 2016 &#8211; 5\u2019<br \/>Cilaos, de Camilo Restrepo &#8211; Francia &#8211; 2016 &#8211; 13\u2019<br \/>Im\u00e1genes de ning\u00fan lugar \/ Images of Nowhere,\u00a0de Rub\u00e9n Guzm\u00e1n \u2013 Argentina &#8211; 2016 \u2013 20\u2019<br \/>Jeanette, de Xurxo Chirro &#8211; Espa\u00f1a \u2013 2016 &#8211; 8\u2019<br \/>Luna e Santur,\u00a0de Joshua Solondz &#8211; Estados Unidos &#8211; 2016 &#8211; 11\u2019<br \/>L&#8217;Aquarium et la nation \/ El acuario y la naci\u00f3n, de Jean Marie Straub &#8211; Francia &#8211; 2015 &#8211; 31\u2019<br \/>Incantati,\u00a0de Jean Marie Straub &#8211; Francia &#8211; 2002 &#8211; 6\u2019<br \/>Monta\u00f1as ardientes que vomitan fuego \/ Burning Mountains That Spew Flame,\u00a0de Samuel M. Delgado, Helena Gir\u00f3n &#8211; Espa\u00f1a \u2013 2016 &#8211; 14\u2019<br \/>Rust \/ \u00d3xido, de Eloy Dom\u00ednguez Ser\u00e9n \u2013 Suecia, Espa\u00f1a &#8211; 2016 &#8211; 14\u2019<br \/>Schuld,\u00a0de Gonzalo Egurza \u2013 Argentina \u2013 2016 &#8211; 22\u2019<br \/>The Dockworker&#8217;s Dream \/ El sue\u00f1o del trabajador portuario, de Bill Morrison \u2013 Portugal, Estados Unidos \u2013 2016 &#8211; 18\u2019<br \/>Um campo de aviac\u00e3o An Aviation Field \/ Un campo de aviaci\u00f3n, de Joana Pimenta &#8211; Portugal, Estados Unidos &#8211; 2016 \u2013 14\u2019<br \/><br \/><br \/><strong>VISIONES<br \/><br \/>Thom Andersen<\/strong><br \/><br \/>The Thoughts That Once We Had \/ Los pensamientos que alguna vez tuvimos,\u00a0de Thom Andersen &#8211; Estados Unidos \u2013 2015 &#8211; 108\u2019<br \/>Juke: Passages from the Films of Spencer Williams \/ Juke: Fragmentos de las pel\u00edculas de Spencer Williams,\u00a0de Thom Andersen &#8211; Estados Unidos &#8211; 2015 &#8211; 30\u2019<br \/>A Train Arrives at the Station \/ Un tren llega a la estaci\u00f3n,\u00a0de Thom Andersen &#8211; Estados Unidos \u2013 2016 &#8211; 15\u2019<br \/><br \/><br \/><strong>Masao Adachi<\/strong><br \/><br \/>Bowl \/ Wan \/ Taz\u00f3n,\u00a0de Masao Adachi &#8211; Jap\u00f3n -1961 &#8211; 25\u2019<br \/>Closed Vagina \/ Sain \/ Vagina cerrada,\u00a0de Masao Adachi &#8211; Jap\u00f3n -1963 &#8211; 56\u2019<br \/>Abortion \/ Datai \/ Aborto, de Masao Adachi &#8211; Jap\u00f3n -1966 &#8211; 75\u2019<br \/>Birth Control Revolution \/ Hinin kakumei \/ La revoluci\u00f3n anticonceptiva, de Masao Adachi Jap\u00f3n -1967 &#8211; 76\u2019<br \/>Galaxy \/ Gingakei \/ Galaxia, de Masao Adachi &#8211; Jap\u00f3n -1967 &#8211; 75\u2019<br \/>Sex Zone \/ Sei chitai \/ Zona de sexo, de Masao Adachi &#8211; Jap\u00f3n -1968 &#8211; 72\u2019<br \/>Sex Game \/ Seiyu gi \/ Juego sexual, de Masao Adachi &#8211; Jap\u00f3n -1969 &#8211; 71\u2019<br \/>Female Student Guerilla \/ Jogakusei gerira \/ Guerrilla estudiantil femenina, de Masao Adachi -Jap\u00f3n -1969 &#8211; 73\u2019<br \/>A.K.A. Serial Killer \/ Ryakusho renzoku shasatsuma \/ Alias: asesino serial,de Masao Adachi &#8211; Jap\u00f3n -1969 &#8211; 86\u2019<br \/>A Woman in Revolt \/ Hanjo mugen jigoku \/ La revuelta de una mujer, de Masao Adachi &#8211; Jap\u00f3n -1970 &#8211; 80\u2019<br \/>Gushing Prayer \/ Funshutsu kigan &#8211; 15-sai no baishunfu \/ Oraci\u00f3n chorreante, de Masao Adachi &#8211; Jap\u00f3n -1971 &#8211; 72\u2019<br \/>Red Army\/PFLP: Declaration of World War \/ Sekigun-P.F.L.P: Sekai senso sengen \/ Ej\u00e9rcito Rojo\/PFLP: declaraci\u00f3n de guerra mundial, de Masao Adachi &#8211; Jap\u00f3n -1971 &#8211; 71\u2019<br \/>Prisoner &#8211; Terrorist \/ Yu heisha &#8211; terorisuto \/ Prisionero \u2013Terrorista, de Masao Adachi &#8211; Jap\u00f3n -2007 &#8211; 113\u2019<br \/>Artist of Fasting \/ Danjiki geinin \/ El artista del ayuno, de Masao Adachi &#8211; Jap\u00f3n -2016 &#8211; 105\u2019<br \/><br \/><br \/><strong>Olivier Assayas<\/strong><br \/><br \/>Irma Vep,\u00a0de Olivier Assayas &#8211; Francia &#8211; 1996 &#8211; 99\u2019\u00a0<br \/>Demonlover, de Olivier Assayas &#8211; Francia &#8211; 2002 &#8211; 129\u2019<br \/>Clean,\u00a0de Olivier Assayas \u2013 Francia, Canad\u00e1, Estados Unidos &#8211; 2004 &#8211; 111\u2019\u00a0<br \/>Personal Shopper, de Olivier Assayas &#8211; Francia &#8211; 2016 \u2013 105\u2019<br \/><br \/><br \/><strong>Pierre L\u00e9on<\/strong><br \/><br \/>Deux dames s\u00e9rieuses \/ Dos damas serias,\u00a0de Pierre L\u00e9on &#8211; Francia &#8211; 1988 &#8211; 95\u2019<br \/>Li per li, de Pierre L\u00e9on &#8211; Francia &#8211; 1994 &#8211; 61\u2019<br \/>Oncle Vania \/ Uncle Vanya \/ T\u00edo Vania,de Pierre L\u00e9on &#8211; Francia &#8211; 1997 &#8211; 80\u2019<br \/>L&#8217;Adolescent \/ El adolescente,de Pierre L\u00e9on &#8211; Francia &#8211; 2001 &#8211; 75\u2019<br \/>L&#8217;Etonnement\/ El asombro,de Pierre L\u00e9on &#8211; Francia &#8211; 2002 &#8211; 52\u2019<br \/>Nissim dit Max, de Pierre L\u00e9on, Vladirmir L\u00e9on &#8211; Francia &#8211; 2004 &#8211; 83\u2019<br \/>Octobre \/ Octubre, de Pierre L\u00e9on &#8211; Francia &#8211; 2006 &#8211; 88\u2019<br \/>Guillaume et les sortile ges \/ Guillaume y los sortilegios, de Pierre L\u00e9on &#8211; Francia &#8211; 2007 &#8211; 62\u2019<br \/>L&#8217;Idiot \/ El idiota, de Pierre L\u00e9on &#8211; Francia &#8211; 2008 &#8211; 61\u2019<br \/>Biette,\u00a0de Pierre L\u00e9on &#8211; Francia &#8211; 2011 &#8211; 109\u2019<br \/>Par exemple, Electre \/ Por ejemplo, Electra, de Pierre L\u00e9on, Jeanne Balibar &#8211; Francia &#8211; 2013 &#8211; 80\u2019<br \/>Phantom Power,\u00a0de Pierre L\u00e9on \u2013 Rusia, Portugal, Francia, Austria &#8211; 2014 &#8211; 80\u2019<br \/>Deux R\u00e9mi, deux Two R\u00e9mi, Two \/ Dos R\u00e9mi, dos, de Pierre L\u00e9on &#8211; Francia, Suiza &#8211; 2015 &#8211; 66\u2019<br \/>\u00c1 la barbe d&#8217;Ivan \/ En la barba de Iv\u00e1n, de Pierre L\u00e9on &#8211; Francia &#8211; 2010 &#8211; 10\u2019<br \/><br \/><br \/><strong>Ted Fendt<\/strong><br \/><br \/>Broken Specs, de Ted Fendt &#8211; Estados Unidos \u2013 2012 &#8211; 6\u2019<br \/>Travel Plans, de Ted Fendt, de Estados Unidos &#8211; 2013 &#8211; 7\u2019<br \/>Going Out,\u00a0de Ted Fendt &#8211; Estados Unidos &#8211; 2015 &#8211; 8\u2019<br \/>Short Stay, de Ted Fendt &#8211; Estados Unidos &#8211; 2016 &#8211; 61\u2019<br \/><br \/><br \/><strong>Wang Bing<\/strong><br \/><br \/>Night and Fog in Zona \/ Noche y niebla en Zona, de Jung Sung-il &#8211; Corea del Sur &#8211; 2015 &#8211; 235\u2019<br \/>Ta&#8217;Ang\/ Deang, de Wang Bing &#8211; Hong Kong, Francia &#8211; 2016 &#8211; 147\u2019<br \/>Bitter Money Ku Qian \/ Dinero amargo, de Wang Bing \u2013 Francia, China &#8211; 2016 &#8211; 152\u2019<br \/><br \/><br \/><strong>Peter Von Bagh<\/strong><br \/><br \/>Socialism \/ Sosialismi \/ Socialismo,\u00a0de Peter Von Bagh \u2013 Finlandia &#8211; 2014 &#8211; 86\u2019<br \/>Peter Von Bagh, de Tapio Piirainen &#8211; Finlandia &#8211; 2016 &#8211; 70\u2019<br \/><br \/><br \/><strong>REVISIONES<br \/><br \/>Zona Hollywood<\/strong><br \/><br \/>El caballo de hierro\u00a0\/ The Iron Horse, de John Ford &#8211; Estados Unidos &#8211; 1924 &#8211; 150\u2019<br \/>Gente de cine \/ Show People, de King Vidor &#8211; Estados Unidos &#8211; 1928 &#8211; 83\u2019<br \/><br \/><br \/><strong>Buster Keaton<\/strong><br \/><br \/>Una semana \/ One Week, de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1920 &#8211; 25\u2019<br \/>El espantap\u00e1jaros \/ The Scarecrow, de Buster Keaton, Eddie Cline &#8211; Estados Unidos &#8211;<br \/>1920 &#8211; 19\u2019<br \/>Convicto 13 \/ Convict 13, de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1920 &#8211; 19\u2019<br \/>Vecinos \/ Neighbors, de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1920 &#8211; 18\u2019<br \/>La casa embrujada \/ The Haunted House, de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1921 &#8211; 21\u2019<br \/>Mala suerte \/ Hard Luck,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos\u00a0-1921 &#8211; 22\u2019<br \/>La contrase\u00f1a \/ The High Sign,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1921 &#8211; 20\u2019<br \/>El teatro \/ The Playhouse,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos-1921 &#8211; 18\u2019<br \/>El chivo \/ The Goat,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1921 &#8211; 20\u2019<br \/>El barco \/ The Boat,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1922 &#8211; 20\u2019<br \/>El carap\u00e1lida \/ The Paleface,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1922 &#8211; 20\u2019<br \/>Polic\u00edas \/ Cops,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos\u00a0-1922 &#8211; 18\u2019\u00a0<br \/>Los parientes de mi mujer \/ My Wife\u2019s Relation,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1922 &#8211; 22\u2019<br \/>El helado norte \/ The Frozen North,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos\u00a0-1923 &#8211; 15\u2019<br \/>El nido de amor \/ The Love Nest,\u00a0de Buster Keaton, Eddie Cline &#8211; Estados Unidos\u00a0-1922 &#8211; 20\u2019<br \/>El herrero &#8211; Primera versi\u00f3n \/ The Blacksmith,\u00a0de Buster Keaton, Malcolm St. Clair &#8211; Estados Unidos -1922 &#8211; 19\u2019<br \/>El herrero &#8211; Segunda versi\u00f3n \/ The Blacksmith,\u00a0de Buster Keaton, Malcolm St. Clair &#8211; Estados Unidos -1922 &#8211; 19\u2019<br \/>La casa el\u00e9ctrica \/ The Electric House, de Buster Keaton, Eddie Cline &#8211; Estados Unidos<br \/>&#8211; 1922 &#8211; 19\u2019<br \/>Sue\u00f1os diurnos \/ Daydreams, de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1923 &#8211; 17\u2019<br \/>El aeronauta \/ The Balloonatic, de Buster Keaton, Eddie Cline &#8211; Estados Unidos -1923 &#8211; 22\u2019<br \/><br \/><br \/><strong>Film Noir<\/strong><br \/><br \/>\u00bf\u00c1ngel o diablo?\u00a0\/Fallen Angel\u00a0, de Otto Preminger &#8211; Estados Unidos &#8211; 1945 &#8211; 98\u2019<br \/>Acorralado\u00a0\/\u00a0Cornered, de Edward Dmytryk &#8211; Estados Unidos &#8211; 1945 &#8211; 102\u2019<br \/>Arrostrando la muerte\u00a0\/\u00a0Crooked Way, de Robert Florey &#8211; Estados Unidos -1949 &#8211; 90\u2019<br \/>Devoci\u00f3n de mujer\u00a0\/\u00a0Jeopardy\u00a0, de John Sturges &#8211; Estados Unidos &#8211; 1952 &#8211; 69\u2019\u00a0<br \/>El c\u00f3mplice de las sombras\u00a0\/\u00a0The Prowler\u00a0, Joseph Losey &#8211; Estados Unidos &#8211; 1951 &#8211; 92\u2019\u00a0<br \/>El hombre que supo perder\u00a0\/\u00a0The Glass Key, de\u00a0Stuart Heisler &#8211; Estados Unidos -1951 &#8211; 92\u2019<br \/>Entre rejas\u00a0\/\u00a0Brute Force,\u00a0de Jules Dassin &#8211; Estados Unidos &#8211; 1947 &#8211; 98\u2019<br \/>La casa N\u00b0 332\u00a0\/\u00a0Pushover, de Richard Quine &#8211; Estados Unidos &#8211; 1954 -88\u2019<br \/>La dama fantasma\u00a0\/\u00a0Phantom\u00a0Lady, de Robert Siodmak &#8211; Estados Unidos &#8211; 1944 &#8211; 87\u2019<br \/>La justicia injusta\u00a0\/\u00a0The Sound of Fury\u00a0, de Cy Endfield Estados Unidos &#8211; 1950 &#8211; 91\u2019\u00a0<br \/>L\u00e1grimas tard\u00edas\u00a0\/\u00a0Too Late for Tears,\u00a0de Byron Haskin &#8211; Estados Unidos -1949 &#8211; 99\u2019<br \/>Muro de tinieblas\u00a0\/\u00a0The High Wall, de Curtis Bernhardt &#8211; Estados Unidos -1947 &#8211; 100\u2019<br \/>P\u00e1nico\/\u00a0The Sniper\u00a0, de Edward Dmytryk- Estados Unidos &#8211; 1952 &#8211; 87\u2019\u00a0<br \/>P\u00e1nico en las calles\u00a0\/\u00a0Panic in the Streets,\u00a0de Elia Kazan &#8211; Estados Unidos &#8211; 1950 &#8211; 96\u2019<br \/>Peligro\u00a0\/\u00a0Cry Danger\u00a0, de Robert Parrish &#8211; Estados Unidos &#8211; 1951 &#8211; 79\u2019\u00a0<br \/>Rencor \/ Intruder in the Dust, de Clarence Brown &#8211; Estados Unidos &#8211; 1949 &#8211; 87\u2019<br \/>Un asesino en la noche\u00a0\/\u00a0Woman on the Run, de Norman Foster &#8211; Estados Unidos &#8211; 1950 &#8211; 77\u2019<br \/><br \/><br \/><strong>El espect\u00e1culo m\u00e1s grande del mundo<\/strong><br \/><br \/>55 d\u00edas en Pek\u00edn\u00a0\/\u00a055 Days at Peking, de Nicholas Ray &#8211; Estados Unidos \u2013 1963 &#8211; 154\u2019<br \/>Zul\u00fa, de Cy Endfield &#8211; Reino Unido &#8211; 1964 &#8211; 138\u2019<br \/>La ca\u00edda del Imperio romano\u00a0\/\u00a0The Fall of the Roman Empire, de Anthony Mann &#8211; Estados Unidos &#8211; 1964 \u2013 188\u2019<br \/><br \/><br \/><strong>Museo del Cine de Buenos Aires<\/strong><br \/><br \/>Cine publicitario recuperado II, de VV. AA. &#8211; Argentina &#8211; 1963\/1983 &#8211; 45\u2019\u00a0<br \/>Manuelita Rosas, de Ricardo Villar\u00e1n &#8211; Argentina -1925 &#8211; 56\u2019\u00a0<br \/>Archivos intervenidos: Cine Escuela, de A. Carri, C. Echeverr\u00eda, C. Murga &amp; J. Villegas, D. Rosenfeld, D. Castagnino, E. Bellande, H. Rosselli, J. C. Campusano, M. Alch\u00e9 &amp; J. P. Mench\u00f3n, M. Bendesky, M. Pi\u00f1eiro, N. Wohlatz, N. Prividera, S. Loza &amp; Lorena Moriconi &#8211; Argentina &#8211; 2016 &#8211; 74\u2019\u00a0<br \/><br \/><br \/><strong>Hu\u00e9rfanos del cine \/ Orphans<br \/><br \/>Homenaje a Personalidades del Cine Argentino<\/strong><br \/><br \/>Con gusto a rabia,\u00a0de Fernando Ayala &#8211; Argentina &#8211; 1965 &#8211; 93\u2019<br \/>Mirad los lirios del campo,\u00a0de Ernesto Arancibia -Argentina &#8211; 1947 &#8211; 109\u2019<br \/>La Parda Flora, de Le\u00f3n Kilmovsky &#8211; Argentina &#8211; 1952- 92\u2019<br \/>Romance en tres noches, Ernesto Arancibia &#8211; Argentina &#8211; 1950 &#8211; 92\u2019<br \/>Cinco gallinas y el cielo, Argentina, de Rub\u00e9n W. Cavallotti &#8211; 1957 &#8211; 75\u2019<br \/>El bruto,\u00a0de Rub\u00e9n W. Cavallotti &#8211; Argentina -1962 &#8211; 80\u2019<br \/>El centroforward muri\u00f3 al amanecer,\u00a0de Ren\u00e9 Mugica &#8211; Argentina &#8211; 1961 &#8211; 80\u2019<br \/>El negoci\u00f3n, de Sim\u00f3n Feldman &#8211; Argentina, 1959 &#8211; 70\u2019 \/ 96\u2019<br \/>Las furias,\u00a0de Vlasta Lah &#8211; Argentina &#8211; 1960 &#8211; 93\u2019<br \/>Doce mujeres, de Luis Jos\u00e9 Moglia Barth &#8211; Argentina &#8211; 1939 &#8211; 82\u2019<br \/>Edici\u00f3n extra,\u00a0de Luis Jos\u00e9 Moglia Barth &#8211; Argentina &#8211; 1949 &#8211; 81\u2019\u00a0<br \/>Concierto para una l\u00e1grima, de Julio Porter &#8211; Argentina &#8211; 1955 &#8211; 97\u2019<br \/>Historia de una carta, de Julio Porter &#8211; Argentina &#8211; 1957 &#8211; 64\u2019<br \/>Arroz con leche, de Carlos Schlieper &#8211; Argentina &#8211; 1950 &#8211; 79\u2019\u00a0<br \/>El deseo, de Carlos Schlieper &#8211; Argentina &#8211; 1944 \u2013 88\u2019<br \/><br \/><br \/><strong>Generaci\u00f3n VHS<\/strong><br \/><br \/>Apocalypse Now (Redux),\u00a0de Francis Ford Coppola &#8211; Estados Unidos -2001 &#8211; 202\u2019<br \/>El amor inmoral \/ L&#8217;ultima orgia del III Reich, de Cesare Canevari &#8211; Italia-1977 -81\u2019<br \/>Los cr\u00edmenes del clan Manson \/ Helter Skelter, de Tom Gries &#8211; Estados Unidos &#8211; 1976 &#8211; 194\u2019\u00a0<br \/>Los compadres \/ Les Comperes, de Francis Veber &#8211; Francia -1983 &#8211; 92\u2019<br \/>Roller Boogie, de Mark L. Lester &#8211; Estados Unidos -1979 &#8211; 103\u2019<br \/>She, de Avi Nesher &#8211; Italia -1982 &#8211; 102\u2019<br \/>Una mujer pose\u00edda \/ Possession, de Andrzej Zulawski &#8211; Francia &#8211; 1981 &#8211; 127\u2019<br \/>Mientras el cuerpo aguante \/ Chissa perch\u00e9&#8230; capitano tutte a me,\u00a0de Michele Lupo &#8211; Italia -1980 &#8211; 97\u2019<br \/>Visitante del m\u00e1s all\u00e1 \/ Stridulum \/ The Visitor, de Giulio Paradisi &#8211; Italia \/ Estados Unidos -1979 &#8211; 99\u2019\u00a0<br \/><br \/><br \/><strong>Proyecciones especiales \/ Historias Breves<\/strong><br \/><br \/>Centauro,\u00a0de Nicol\u00e1s Su\u00e1rez Argentina &#8211; 2016 &#8211; 14\u2019\u00a0<br \/>De la muerte de un costero,de Carlos Alberto D\u00edaz &#8211; Argentina &#8211; 2016 &#8211; 14\u2019\u00a0<br \/>El asado,\u00a0de Ignacio Antonio Guggiari &#8211; Argentina &#8211; 2016 &#8211; 13\u2019\u00a0<br \/>Hesperidina Express, de Franco Cerana &#8211; Argentina &#8211; 2016 &#8211; 14\u2019\u00a0<br \/>Los invasores,de Juan Francisco Zini &#8211; Argentina &#8211; 2016 &#8211; 13\u2019\u00a0<br \/>Plegarias, de Lucia Ursi Sotelo &#8211; Argentina &#8211; 2016 &#8211; 14\u2019\u00a0<br \/>Puertas adentro, de Eugenio Caracoche, Julieta Cejas &#8211; Argentina &#8211; 2016 &#8211; 14\u2019\u00a0<br \/>\u00daltimos d\u00edas del artista, de Agust\u00edn Ford &#8211; Argentina &#8211; 2015 &#8211; 8\u2019<br \/><br \/><br \/><strong>Proyecciones especiales \/ La noche del cortometraje \/ The Night of the Short Film<\/strong><br \/><br \/>Berta y las menores,de Marina Glezer &#8211; 14\u2019<br \/>C\u00edrculo,\u00a0de Eduardo Pinto &#8211; 9\u2019<br \/>Da\u00f1o moral,de Gonzalo Bazillo &#8211; 11\u2019<br \/>Deolinda,\u00a0de Ana Pelichotti &#8211; 12\u2019<br \/>El valle interior,de Alejandro Tel\u00e9maco Tarraf &#8211; 16\u2019<br \/>Promenade,\u00a0de Cirila Luz Ferr\u00f3n &#8211; 9\u2019<br \/>Extremos,\u00a0de Juan Manuel Ferraro, Federico Molentino &#8211; 28\u2019<br \/>Reflejos, de Federico Larrosa &#8211; 9\u2019<br \/>La humedad,\u00a0de Gonzalo Zapico &#8211; 14\u2019<br \/>S\u00e9,\u00a0de Mar\u00eda Amanda Celi &#8211; 13\u2019<br \/>La variaci\u00f3n de L\u00f3pez,de Pablo Parra &#8211; 25\u2019<br \/>Tupasy,\u00a0de Alejandro Nakano &#8211; 10\u2019<br \/>Mal trago,\u00a0de Francisco Inchausti &#8211; 8\u2019<br \/>Una de esas noches,\u00a0de Germ\u00e1n Servidio &#8211; 20\u2019<br \/><br \/><br \/><strong>Proyecciones especiales \/ Cortometrajes ganadores del Premio INCAA TV en<br \/>festivales nacionales INCAA TV \/ Award-winning Shorts at Local Festivals<\/strong><br \/><br \/>Autosocorro,\u00a0de Juli\u00e1n D\u2019Angiolillo &#8211; 2014 &#8211; 13\u2019<br \/>El cumplea\u00f1os de Darcy,\u00a0de Diego Frangi &#8211; 2014 &#8211; 7\u2019<br \/>En las nubes,\u00a0de Marcelo Mitnik &#8211; 2014 &#8211; 21\u2019\u00a0<br \/>Esta es mi selva, de Santiago Reale &#8211; 2015 &#8211; 22\u2019\u00a0<br \/>Fant\u00e1stico,\u00a0de Tom\u00e1s Sposato &#8211; 2015 &#8211; 7\u2019\u00a0<br \/>Ishinomaki Rock n\u2019 Roll City,\u00a0de Federico Aletta &#8211; 2015 &#8211; 18\u2019\u00a0<br \/>La gaviota,\u00a0de Esteban Perroud &#8211; 2014 &#8211; 15\u2019\u00a0<br \/>Payada pa\u2019 Sat\u00e1n, de Antonio Balseiro, Carlos Balseiro &#8211; 2013 &#8211; 8\u2019<br \/><br \/><br \/><strong>Proyecciones especiales \/ Po\u00e9ticas documentales \/ Documentary Poetics<\/strong><br \/><br \/>Campo adentro,\u00a0de Melina Gutman, Gala Negrello &#8211; 2015 &#8211; 16\u2019\u00a0<br \/>Gemelos,\u00a0de Pablo Santiago Radice Garc\u00eda &#8211; 2015 &#8211; 13\u2019\u00a0<br \/>Celestial Candy,\u00a0de Nicole Ernst &#8211; 2016 &#8211; 8\u2019\u00a0<br \/>Kallawaya,\u00a0de Laura Pastor, Gabriel Mart\u00ednez Boulangger &#8211; 2015 &#8211; 5\u2019\u00a0<br \/>Clausura,\u00a0de Jes\u00fas Barbosa &#8211; 2015 &#8211; 11\u2019\u00a0<br \/>Olvidados, Carolina Swiderski, Alejandra Acevedo &#8211; 2015 &#8211; 4\u2019\u00a0<br \/>El ni\u00f1o invisible,\u00a0de Nicol\u00e1s Carol, Andr\u00e9s Montero Bustamante, Tatiana Vinci, Natalio\u00a0Altube,\u00a0Dominique Barbouth &#8211; 2016 &#8211; 16\u2019\u00a0<br \/>Principio de precauci\u00f3n, de Christopher Bisman &#8211; 2015 &#8211; 15\u2019\u00a0<br \/>Geige, legado,\u00a0de Axel Gaibison &#8211; 2015 &#8211; 11\u2019\u00a0<br \/>Variaci\u00f3n sobre proceso documental,de Claudia Olivera &#8211; 2015 &#8211; 11\u2019\u00a0<br \/>El hombre de las mil caras,de Alberto Rodr\u00edguez &#8211; Espa\u00f1a &#8211; 2016 &#8211; 122\u2019<br \/>Lantouri,\u00a0de Reza Dormishian &#8211; Ir\u00e1n &#8211; 2016 &#8211; 120\u2019\u00a0<br \/>Callback, de Carles Torras &#8211; Espa\u00f1a &#8211; 2016 &#8211; 83\u2019\u00a0<br \/>Socotra, la isla de los genios \/ Socotra, the Land of Djinns,\u00a0de Jordi Esteva &#8211; Espa\u00f1a &#8211; 2015 &#8211; 64\u2019<br \/>No me quites,\u00a0de Laura Jou &#8211; Espa\u00f1a &#8211; 2015 &#8211; 14\u2019<br \/><br \/><b>PREMIOS<\/b><br \/><br \/><strong>COMPETENCIA INTERNACIONAL<\/strong><br \/><br \/><strong>Astor de Oro a la Mejor Pel\u00edcula<\/strong><br \/>People that are not me, de Hadas Ben Aroya<br \/><strong>Astor de plata al mejor director<\/strong><br \/>Radu Jude por Scarred Hearts<br \/><strong>Astor de plata al mejor guion<\/strong><br \/>Paradise, de Andrey Konchalovskiy.<br \/><strong>Premio Alfredo Alc\u00f3n al mejor actor<\/strong><br \/>Mahershala Al\u00ed por Moonlight de Barry Jenkins.<br \/><strong>Astor de plata a la mejor actriz<\/strong><br \/>Sonia Braga por Aquarius de Kleber Mendon\u00e7a Filho.<br \/><strong>Menci\u00f3n especial<\/strong><br \/>Leo Histin, director de fotograf\u00eda de Nocturama, de Bertrand Bonello.<br \/><br \/><strong>Premio del p\u00fablico<\/strong><br \/>Aquarius, de Kleber Mendon\u00e7a Filho.<br \/><br \/><strong>COMPETENCIA LATINOAMERICANA<br \/><br \/>Mejor Largometraje<\/strong><br \/>Martirio de Vincent Carelli, Ernesto de Carvalho y Tatiana Almeida.<br \/><strong>Mejor Cortometraje<\/strong><br \/>Aire Quemado, de Yamil Quintana<br \/><strong>Premio especial del Jurado<\/strong><br \/>El Auge del Humano, de Eduardo Williams.<br \/><br \/><strong>COMPETENCIA ARGENTINA<br \/>Mejor Largometraje<\/strong><br \/>El aprendiz, de Tom\u00e1s De Leone.<br \/><strong>Mejor Director<\/strong><br \/>Los decentes, de Lukas Valenta Rinner<br \/><strong>Mejor Cortometraje<\/strong><br \/>Murci\u00e9lagos, de Felipe Ramirez Vilchez<br \/><strong>Mejor Director de Cortometraje<\/strong><br \/>Al Silencio, de Mariano C\u00f3colo.<br \/><br \/><strong>COMPETENCIA WORK IN PROGRESS<br \/><br \/>Mejor proyecto<\/strong><br \/>Extra\u00f1o, de Natural Arpajou.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logo Gu\u00eda de Programaci\u00f3n Homenajes Autores: Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Fernando Mart\u00edn Pe\u00f1a, Luis Porter, Natalia Taccetta The Iron Horse Dir: John Ford Entre cortes: Conversaciones con montajistas de Argentina SPOT OFICIAL Del 18 al 27 de noviembre AUTORIDADES PRESIDENTE INCAAAlejandro Alberto Cacetta PRESIDENTE DEL FESTIVALJos\u00e9 Mart\u00ednez Su\u00e1rez DIRECTOR ART\u00cdSTICOFernando Mart\u00edn [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3842,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-3843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>31\u00b0 Edici\u00f3n (2016) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed 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