{"id":3848,"date":"2026-04-08T11:55:59","date_gmt":"2026-04-08T11:55:59","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3848"},"modified":"2026-11-03T14:24:33","modified_gmt":"2026-11-03T14:24:33","slug":"31-edition-2016","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/31-edition-2016\/","title":{"rendered":"31\u00b0 Edition (2016)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignfull size-full\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_31.jpg\" alt=\"Tapa Catalogo Edici\u00f3n 31\" class=\"wp-image-3842\"\/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\"><strong>Multimedia<\/strong> Files<\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/31-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Catalogue<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/e.issuu.com\/embed.html#18197401\/40890194\" target=\"_blank\" rel=\"noreferrer noopener\">Program Guide<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Homages<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/31-Festival-Homenajes-I.pdf\" target=\"_blank\" rel=\"noopener\">Authors: Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Fernando Mart\u00edn Pe\u00f1a, Luis Porter, Natalia Taccetta<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">The Iron Horse<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/31-Festival-El-Caballo-de-hierro.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Dir: John Ford<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/31-Festival-Entre-cortes.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Entre cortes: Conversaciones con montajistas de Argentina<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/vimeo.com\/241632293\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>November 18th to 27th<br \/><br \/>AUTHORITIES<\/strong><br \/><br \/><strong>INCAA PRESIDENT<\/strong><br \/>Alejandro Alberto Cacetta<br \/><br \/><strong>FESTIVAL PRESIDENT<\/strong><br \/>Jos\u00e9 Mart\u00ednez Su\u00e1rez<br \/><br \/><strong>ARTISTIC DIRECTOR<\/strong><br \/>Fernando Mart\u00edn Pe\u00f1a<br \/><br \/><strong>GENERAL PRODUCERS<\/strong><br \/>Carla Alejandra Calafiore<br \/>Lucio Checcacci<br \/><br \/>\u00a0<br \/><strong>PROGRAM<br \/><br \/>Opening Feature<\/strong><br \/>Neruda, by\u00a0Pablo Larra\u00edn &#8211; Chile, Argentina, France, United States, Spain<br \/>\u00a0<br \/><br \/><strong>International Competition<\/strong><br \/><br \/>Aquarius, by Kleber Mendon\u00e7a Filho &#8211; Brasil, France<br \/>The blind Christ, by Christopher Murray &#8211; Chile, France<br \/>The future perfect, by Nele Wolhatz &#8211; Argentina<br \/>The silence of the sky, by Marco Dutra &#8211; Brasil<br \/>Free fire, by Ben Wheatley &#8211; France, United Kingdom<br \/>Hermia &amp; Helena, by Mat\u00edas Pi\u00f1eiro &#8211; Argentina, United States<br \/>The reconquest, byJon\u00e1s Trueba &#8211; Spain<br \/>Moonlight, by Barry Jenkins &#8211; United States<br \/>Nocturama, by Bertrand Bonello &#8211; France, Germany, Belgium<br \/>Paradise \/ Rai, by\u00a0Andrei Konchalovsky &#8211; Russia, Germany<br \/>People that are not me, by\u00a0Hadas ben Aroya &#8211; Israel<br \/>Scarred hearts \/ Inimi cicatrizate, by Radu Jude &#8211; Romania, Germany<br \/>\u00a0<br \/><br \/><strong>Latin American Competition<\/strong><br \/><br \/>Cuatreros, by Albertina Carri &#8211; Argentina<br \/>The Human Surge,\u00a0by\u00a0Eduardo Williams\u00a0&#8211; Argentina, Brasil, Portugal<br \/>Nehuen Puyelli\u2019s Sacrifice,\u00a0by\u00a0Jos\u00e9 Celestino Campusano &#8211; Argentina<br \/>K\u00e9kszak\u00e1ll\u00fa, by\u00a0Gast\u00f3n Solnicki &#8211; Argentina<br \/>Martirio, by\u00a0Vincent Carrelli, Ernesto De Carvalho, Tatiana Almeida &#8211; Brasil<br \/>Jes\u00fas, by Fernando Guzzoni &#8211; Chile<br \/>Espejuelos oscuros, by Jessica Rodr\u00edguez S\u00e1nchez &#8211; Cuba<br \/>This Time Tomorrow, by Lina Rodr\u00edguez &#8211; Colombia, Canad\u00e1<br \/>Todo lo dem\u00e1s, by Natalia Almada &#8211; M\u00e9xico, United States<br \/>Memory Exercises, by\u00a0Paz Encina &#8211; Paraguay, Argentina, France, Germany, Qatar<br \/>One Last Afternoon, by Joel Calero &#8211; Per\u00fa<br \/>The Moderns, by Mauro Sarser, Marcela Matta &#8211; Uruguay<br \/>\u00a0<br \/><br \/><strong>Latin American Short Films Competition<\/strong><br \/><br \/>To Catch a Monster, by\u00a0Michael Y. Lei &#8211; Brasil, United States<br \/>Carmelo\u2019s Tomatoes, by Danilo Baracho &#8211; Brasil, Spain, Canad\u00e1<br \/>Pulse, by Dani Suzuki &#8211; Brasil<br \/>The Mother of the Mothers, by\u00a0Wilson Arango &#8211; Colombia<br \/>Winds of Furnace, by\u00a0Yamil Quintana &#8211; M\u00e9xico<br \/>Ascension, by Samantha Pineda Sierra, Davy Giorgi &#8211; M\u00e9xico<br \/>The Aeronauts, by\u00a0Le\u00f3n Fern\u00e1ndez &#8211; M\u00e9xico<br \/>\u00a0<br \/><br \/><strong>Argentine Competition<\/strong><br \/><br \/>Amateur, by Sebasti\u00e1n Perillo &#8211; Argentina<br \/>El aprendiz, by Tom\u00e1s De Leone &#8211; Argentina<br \/>The Silence, by Arturo Castro Godoy &#8211; Argentina<br \/>Escape From Patagonia, by\u00a0Javier Zevallos, Francisco D\u2019Eufemia &#8211; Argentina<br \/>Sleeping Tiger, by Maximiliano Schonfeld &#8211; Argentina<br \/>A decent Woman, by\u00a0Lukas Valenta Rinner &#8211; Argentina<br \/>The Winners, by N\u00e9stor Frenkel &#8211; Argentina<br \/>Balloons, by Mariano Gonz\u00e1lez &#8211; Argentina<br \/>Don\u2019t Forget About Me,\u00a0by Fernanda Ramondo &#8211; Argentina<br \/>You don\u2019t know who you\u2019re talking to, by\u00a0Demi\u00e1n Rugna &#8211; Argentina<br \/>Pinamar, by Federico Godfrid &#8211; Argentina<br \/>Terror 5, by Sebasti\u00e1n y Federico Rotstein &#8211; Argentina<br \/>\u00a0<br \/><br \/><strong>Shortfilm\u00a0Argentine Competition<\/strong><br \/><br \/>\u00d3xido, by\u00a0V\u00edctor Daniel L\u00f3pez &#8211; Argentina<br \/>Sobre usos y costumbres, by\u00a0Marcos Montes de Oca &#8211; Argentina<br \/>Este amanecer es un ejemplo,\u00a0by\u00a0Leandro Naranjo &#8211; Argentina<br \/>Corp., by Pablo Polledri &#8211; Argentina<br \/>Soy Buenos Aires, by\u00a0Tom\u00e1s G\u00f3mez Bustillo -Argentina<br \/>Al silencio, by Mariano C\u00f3colo &#8211; Argentina<br \/>Primos,\u00a0by Magdalena S\u00e1enz &#8211; Argentina<br \/>\u00dd Ber\u00e1 &#8211; Aguas de luz,\u00a0by Jessica Sarah Rinland &#8211; Argentina<br \/>Eh che vo dale, by\u00a0Gonzalo de Miceu &#8211; Argentina<br \/>El pozo, by\u00a0Hernan Garbarino &#8211; Argentina<br \/>Un hada, by\u00a0Jos\u00e9 Militano &#8211; Argentina<br \/>Murci\u00e9lagos,\u00a0by Felipe Ram\u00edrez V\u00edlchez<br \/>La bijou, by Paula Magnani y Lucila Presa &#8211; Argentina<br \/>\u00a0<br \/><br \/><strong>Work In Progress<\/strong><br \/><br \/>Adi\u00f3s entusiasmo, by\u00a0Vladimir Duran<br \/>Al desierto, by\u00a0Ulises Rosell<br \/>Cartograf\u00eda bonino, by\u00a0Mart\u00edn Sappia<br \/>Cet\u00e1ceos, by\u00a0Florencia Percia<br \/>Construcciones, by\u00a0Fernando Restelli<br \/>Danubio, by\u00a0Paulina Bettendorff, Natalia Labak\u00e9, Agustina P\u00e9rez Rial<br \/>El \u00e1rbol negro, by\u00a0M\u00e1ximo Ciambella, Dami\u00e1n Coluccio<br \/>El fulgor, by\u00a0Mart\u00edn Farina, Marco Berger<br \/>Extra\u00f1o, by\u00a0Natural Arpajou<br \/>Kentannos, by\u00a0V\u00edctor Cruz<br \/>La suave noche, by\u00a0Luz Rapoport, Sof\u00eda Bordenave<br \/>Los \u00e1rboles, by\u00a0Mariano Luque<br \/>Los Tarakji, by\u00a0Fernando Dom\u00ednguez, Constanza Carbonell, Lautaro Villa, Julia Castro<br \/>Mario on Tour, by\u00a0Pablo Stigliani<br \/>R\u00edo Mekong, by\u00a0Laura Ortego, Leonel D\u00b4Agostino<br \/>Tigre, by\u00a0Ulises Porra, Silvina Schnicer<br \/>Vaimbor\u00e1, by\u00a0Juan Sasia\u00edn<br \/>\u00a0<br \/><br \/><strong>Panorama<br \/><br \/>Authors<\/strong><br \/><br \/>CUMP4RSIT4, by\u00a0Ra\u00fal Perrone &#8211; Argentina<br \/>A quiet passion, by\u00a0Terence Davies &#8211; United Kingdom, Belgium<br \/>Actor Martinez, by\u00a0Mike Ott y Nathan Silver &#8211; United States<br \/>Afterimage \/ Powidoki, by\u00a0Andrzej Wajda &#8211; Poland<br \/>Antiporno, by\u00a0Sion Sono &#8211; South Corea<br \/>Assalto al cielo, by\u00a0Francesco Munzi &#8211; Italy<br \/>Austerlitz, by\u00a0Sergei Loznitsa &#8211; Germany<br \/>Below Her Mouth, by\u00a0April Mullen &#8211; Canad\u00e1<br \/>Captain Fantastic, by\u00a0Matt Ross &#8211; United States<br \/>Des nouvelles de la planete Mars \/ News from Planet Mars, by\u00a0Dominik Moll &#8211; France, Germany<br \/>Destruction Babies \/ Disutorakushon beibizu, by\u00a0Mariko Tetsuya &#8211; Japan<br \/>Dr. Strange, by\u00a0Scott Derrickson &#8211; United States<br \/>Belle Dormant, by\u00a0Ado Arrieta &#8211; France<br \/>he Idea of a Lake, by\u00a0Milagros Mumenthaler -Argentina, Switzerland, Qatar<br \/>La Mort de Louis XIV \/ The Death of Louis XIV, by\u00a0Albert Serra &#8211; Spain<br \/>Le Cancre, by\u00a0Paul Vecchiali &#8211; France<br \/>Lo and Behold, Reveries of the Connected World, by\u00a0Werner Herzog &#8211; United States<br \/>Los 4 golpes, by\u00a0Fran\u00e7ois Truffaut &#8211; France, Argentina<br \/>Mister Universo, by\u00a0Tizza Covi &amp; Rainer Frimmel &#8211; Belgium<br \/>Moana, by\u00a0Ron Clements, John Musker &#8211; United States<br \/>Neruda, by\u00a0Pablo Larra\u00edn &#8211; Chile, Argentina, France, United States, Spain<br \/>Operation Avalanche, by\u00a0Matt Johnson &#8211; United States<br \/>Paterson, by\u00a0Jim Jarmusch &#8211; United States<br \/>Rester Vertical, by\u00a0Alain Guiraudie &#8211; France<br \/>Safari, by\u00a0Ulrich Seidl &#8211; Austria<br \/>Sieranevada, by\u00a0Cristi Puiu &#8211; Romania<br \/>Snowden, by\u00a0Oliver Stone &#8211; United States<br \/>Take Me Home, by\u00a0Abbas Kiarostami &#8211; Ir\u00e1n<br \/>The Age of Shadows, by\u00a0Kim Jee-woon &#8211; South Corea<br \/>The Dreamed Ones \/ Die Getraumten, by\u00a0Ruth Beckermann &#8211; Austria<br \/>The Dreamed Path \/ Der Traumhafte Weg, by\u00a0Angela Schanelec &#8211; Germany<br \/>The Woman Who Left \/Ang Babaeng Humayo, by\u00a0Lav Diaz &#8211; Phillipines<br \/>Three, by\u00a0Johnnie To &#8211; Hong Kong<br \/>Tunnel, by\u00a0Kim Seong-hun &#8211; South Corea<br \/>Visita ou mem\u00f3rias e confiss\u00f5es \/ Memories and Confessions, by\u00a0Manoel de Oliveira &#8211; Portugal<br \/>Wet Woman in the Wind, by\u00a0Akihiko Shiota &#8211; Japan<br \/>Yourself and Yours, by\u00a0Hong Sang-soo &#8211; South Corea<br \/>Autumn Days \/ Qiu Ri, by\u00a0Tsai Ming-liang &#8211; Taiw\u00e1n<br \/>Bring the Head of Tim Horton, by\u00a0Guy Maddin, Evan Johnson, Galen Johnson &#8211; Canad\u00e1<br \/>Sarah Winchester, by\u00a0Bertrand Bonello &#8211; France<br \/>Aux quatre coins, by\u00a0\u00a0Jacques Rivette &#8211; France<br \/>Le Divertissement, by\u00a0Jacques Rivette &#8211; France<br \/>Le Quadrille, by\u00a0Jacques Rivette &#8211; France<br \/>\u00a0<br \/><br \/><strong>New Authors<\/strong><br \/><br \/>By the Time It Gets Dark \/ Dao Khanong, by Anocha Suwichakornpong &#8211; Thailand, Netherlands, France<br \/>The Birth of a Nation, by Nate Parker &#8211; United States<br \/>Gulistan, Land of Roses, by\u00a0Zayn\u00ea Akyol &#8211; Canad\u00e1, Germany<br \/>The Night, by\u00a0Edgardo Castro &#8211; Argentina<br \/>Le Parc \/ The Park, by\u00a0Damien Manivel &#8211; France<br \/>Life After Life \/ Zhi fan ye mao, by\u00a0Zhang Hanyi &#8211; Hong Kong<br \/>Lumieres d&#8217;\u00e9t\u00e9 \/ Summer Lights, by\u00a0Jean-Gabriel P\u00e9riot &#8211; France<br \/>My Last Failure, by\u00a0Cecilia Kang &#8211; Argentina<br \/>You&#8217;ll Never Be Alone, by\u00a0Alex Anwandter &#8211; Chile<br \/>Oscuro animal, by\u00a0Felipe Guerrero -Colombia, Argentina, Netherlands, Germany, Greece<br \/>Pow Wow, by\u00a0Rob Devor &#8211; United States<br \/>The Challenge, by\u00a0Yuri Ancarani &#8211; France \/ Italy<br \/>The Stairs, by Hugh Gibson &#8211; Canad\u00e1<br \/>\u00a0<br \/><br \/><strong>Argentine Cinema Panorama<\/strong><br \/><br \/>2001: While Kubrick Was in Space, by\u00a0Gabriel Nicoli -Argentina<br \/>Ad\u00e1n Buenosayres. The Movie, by\u00a0Juan Villegas &#8211; Argentina<br \/>Bepo, by\u00a0Marcelo Galvez &#8211; Argentina<br \/>Binaria, by\u00a0Carolina Rimini, Gustavo Galuppo &#8211; Argentina<br \/>Letter 12, Prague., by\u00a0Vera Czemerinski &#8211; Argentina<br \/>Winter Comes After Autumn, by\u00a0Nicol\u00e1s Zukerfeld, Malena Solarz &#8211; Argentina<br \/>The German Neighbor, by\u00a0Rosario Cervio, Mart\u00edn Liji &#8211; Argentina<br \/>Farewell Essay, by\u00a0Macarena Albalustri &#8211; Argentina<br \/>Esteros, by\u00a0Papu Curotto &#8211; Argentina<br \/>The Pretty Ones, by\u00a0Melisa Liebenthal &#8211; Argentina<br \/>Liebig, by\u00a0Christian Ercolano &#8211; Argentina<br \/>The Senses, by\u00a0Marcelo Burd &#8211; Argentina<br \/>Monger, by\u00a0Jeff Zorrilla &#8211; Argentina<br \/>Oni\u00f3n, by\u00a0Juan Pablo Zaramella &#8211; Argentina<br \/>QTH, by\u00a0Alex Tossenberger &#8211; Argentina<br \/>Italian Romantic, by\u00a0Adriano Salgado &#8211; Argentina<br \/>Being Awake, by\u00a0Julieta Ledesma -Argentina, Uruguay<br \/>Fly by Night (The Legend of Argentinian Little Princesses), by Nicol\u00e1s Herzog &#8211; Argentina<br \/>\u00a0<br \/><br \/><strong>Latin American Cinema Panorama<\/strong><br \/><br \/>Warehoused, by Jack Zagha &#8211; M\u00e9xico<br \/>The Sound of Things, by\u00a0Ariel Escalante &#8211; Costa Rica<br \/>The Empty Box, by\u00a0Claudia Sainte-Luce &#8211; M\u00e9xico<br \/>The Nobodies, by\u00a0Juan Sebasti\u00e1n Mesa &#8211; Colombia<br \/>The Offended, by\u00a0Marcela Zamora &#8211; El Salvador<br \/>Lost North, by\u00a0Fernando Lavanderos &#8211; Chile<br \/>X500, by\u00a0Juan Andr\u00e9s Arango &#8211; Colombia, M\u00e9xico, Canad\u00e1<br \/>\u00a0<br \/><br \/><strong>S\u00faper 8 \/ 16 mm<\/strong><br \/><br \/>Canci\u00f3n para Victoria, by\u00a0Ignacio Tamarit &#8211; Argentina<br \/>Triplete Pl\u00e1stico, by\u00a0Ignacio Tamarit &#8211; Argentina<br \/>In Film\/On Video, by\u00a0Ignacio Tamarit &#8211; Argentina<br \/>Esta no es una pel\u00edcula hu\u00e9rfana, by\u00a0Ignacio Tamarit &#8211; Argentina<br \/>P\u00edfies!, by\u00a0Ignacio Tamarit &#8211; Argentina<br \/>Home Movie, by\u00a0Sergio Brauer &#8211; Argentina<br \/>Malabia bla bla, by\u00a0Sergio Brauer &#8211; Argentina<br \/>Incluso hay veces que hasta la luna se ensombrece, by\u00a0Sergio Brauer &#8211; Argentina<br \/>Los sue\u00f1os y las palabras, by\u00a0Sergio Brauer &#8211; Argentina<br \/>La hora del t\u00e9, by\u00a0Luciana Foglio &#8211; Argentina<br \/>Vuelta a Italia, by\u00a0Luciana Foglio &#8211; Argentina<br \/>Agua viva, by\u00a0Luciana Foglio &#8211; Argentina<br \/>S\/T, by\u00a0Claudio Caldini &#8211; Argentina<br \/>Rolf Gelewski, Spiritual Dancer, by\u00a0Claudio Caldini &#8211; Argentina<br \/>Fish Point, by\u00a0Pablo Mazzolo &#8211; Argentina<br \/>NN, by\u00a0Pablo Mazzolo &#8211; Argentina<br \/>Los espejos de Stern, by\u00a0Paulo P\u00e9cora &#8211; Argentina<br \/>Making-off, by\u00a0Paulo P\u00e9cora &#8211; Argentina<br \/>SP, by\u00a0Azucena Losana &#8211; Argentina, Brasil<br \/>Karl-Marx-Allee, by Azucena Losana &#8211; Argentina, Germany<br \/>Ne\u00f3n, by\u00a0Azucena Losana -Argentina<br \/>Corumb\u00e9, by\u00a0Andr\u00e9s Denegri &#8211; Argentina<br \/>El Manso, by\u00a0Andr\u00e9s Denegri &#8211; Argentina<br \/>Denkbilder, by Pablo Mar\u00edn &#8211; Argentina, Germany<br \/>Denkbilder II, by Pablo Mar\u00edn &#8211; Argentina, Germany<br \/>Angelus novus, by\u00a0Pablo Mar\u00edn &#8211; Argentina<br \/>S\/T, by\u00a0Benjamin Ellenberger &#8211; Argentina<br \/>Naked Inside, by\u00a0Emiliano Cativa Argentina<br \/>S\/T, by\u00a0Emiliano Cativa &#8211; Argentina<br \/>Locomoci\u00f3n, by\u00a0Ernesto Baca &#8211; Argentina<br \/>Resonancia Schumann, by\u00a0Ernesto Baca &#8211; Argentina<br \/>Impregnar, by\u00a0Ernesto Baca &#8211; Argentina<br \/>Destellos, by\u00a0Ernesto Baca &#8211; Argentina<br \/>Pap\u00e1 Gringo,\u00a0by\u00a0Mario Piazza &#8211; Argentina<br \/>Sue\u00f1o para un oficinista, by\u00a0Mario Piazza &#8211; Argentina<br \/>A los santos cuetes I, by\u00a0Mario Piazza &#8211; Argentina<br \/>A los santos cuetes II, by\u00a0Mario Piazza &#8211; Argentina<br \/>El hombre de acero, by Mario Piazza &#8211; Argentina<br \/>\u00a0<br \/><br \/><strong>Children by the Sea<\/strong><br \/><br \/>1-0 \/ One to Nil, by\u00a0Saman Hosseinpour &#8211; Kurdist\u00e1n<br \/>Belgrano, by\u00a0Andr\u00e9s Ezequiel Milito &#8211; Argentina<br \/>Decorations, by Mari Miyazawa &#8211; Japan<br \/>Dji. Death Fails, by\u00a0Dmitri Voloshin &#8211; Moldavia<br \/>Do\u00f1a Ubenza, by\u00a0Juan Manuel Costa &#8211; Argentina<br \/>The Present, by Jacob Frey &#8211; Germany<br \/>El tala, by\u00a0Escuela, c\u00e1mara, \u00a1acci\u00f3n! &#8211; Argentina<br \/>Feardom, by Iv\u00e1n Madolell &#8211; Spain<br \/>Los bichos del jard\u00edn, by\u00a0Taller La Casa del \u00c1rbol &#8211; Uruguay<br \/>Los detectives de negro, by\u00a0Colegio Inmaculada Concepci\u00f3n &#8211; Uruguay<br \/>Pasapalabra, by Andrea Testini &#8211; Italy, Spain<br \/>Pawo, by Antje Heyn &#8211; Germany<br \/>Rojo y Azul, by\u00a0Taller de Animaci\u00f3n CAI &#8211; Escuela 165 &#8211; Argentina<br \/>S\u00faper escondida, by\u00a0Taller de Animaci\u00f3n CAI &#8211; Escuela 165 &#8211; Argentina<br \/>Wings of Stone, by\u00a0Francisco Cerchiara Montero, Sof\u00eda Gariazzo &#8211; Argentina<br \/>Alike, by Daniel Mart\u00ednez Lara, Rafa Cano M\u00e9ndez &#8211; Spain<br \/>Au revoir, Balthazar, by Rafael Sommerhalder &#8211; France<br \/>Cats &amp; Dogs, by Jes\u00fas P\u00e9rez, Gerd Gockell &#8211; Switzerland, Germany<br \/>The Cryptozoologist, by Vicente Mallols &#8211; Spain<br \/>Jonas &amp; The Sea \/ Zeezucht, by Marlies Van der Wel &#8211; Netherlands<br \/>Le Renard minuscule \/ The Teeny-Weeny Fox, by Aline Quertain, Sylwia Szkiladz &#8211; Belgium, France, Switzerland<br \/>Little Thing, by\u00a0Or Kan Tor &#8211; Israel<br \/>Otto, by Job Roggeveen, Joris Oprins, Marieke Blaauw &#8211; Netherlands<br \/>Spring jam, by Ned Wenlock &#8211; New Zealand<br \/>Jamais contente \/ Miss Impossible, by \u00c9milie Deleuze &#8211; France<br \/>Itzel and Sonia Adventures, by\u00a0Fernanda Rivero &#8211; M\u00e9xico<br \/>Mi mam\u00e1 lora, by\u00a0Mart\u00edn Musarra &#8211; Argentina<br \/>Ozzy, by Alberto Rodr\u00edguez, Nacho La Casa &#8211; Spain<br \/>Sing Street, by John Carney &#8211; Ireland, United States, United Kingdom<br \/>Your Name \/ Kimi no Na wa, by Makoto Shinkai &#8211; Japan<br \/>Zip &amp; Zap and the Captain&#8217;s Land, by Oskar Santos &#8211; Spain<br \/>\u00a0<br \/><br \/><strong>Film on Film<\/strong><br \/><br \/>76 Minutes and 15 Seconds with Abbas Kiarostami, by\u00a0Seifollah Samadian &#8211; Ir\u00e1n<br \/>Blue Velvet Revisited, by Peter Braatz &#8211; Germany, Slovenia<br \/>Cinema Novo, by\u00a0Eryk Rocha &#8211; Brasil<br \/>David Lynch: The Art Life, by Jon Nguyen, Olivia Neergaard-Holm &#8211; United States, Denmark<br \/>De Palma, by Noah Baumbach, Jake Paltrow &#8211; United States<br \/>The Professional, by\u00a0Mart\u00edn Farina &#8211; Argentina<br \/>Fritz Lang, by Gordian Maugg &#8211; Germany<br \/>Life, Animated, by Roger Ross Williams &#8211; United States<br \/>Manda huevos, by Diego Gal\u00e1n &#8211; Spain<br \/>Mifune: Last Samurai, by Steven Okazaki &#8211; Japan<br \/>O homem que matou John Wayne \/ The Man Who Killed John Wayne, by\u00a0Bruno Laet, Diogo Oliveira &#8211; Brasil<br \/>Hidden Treasures, by Claudia Sandberg, Alejandro Areal V\u00e9lez &#8211; Argentina, Germany<br \/>The Dying of the Light, by Peter Flynn &#8211; United States<br \/>\u00a0<br \/><br \/><strong>Documentary Window<\/strong><br \/><br \/>Surviving Execution&#8230;, by\u00a0Laura Lagar, Mario Salvado &#8211; Argentina<br \/>The Hummingbird\u2019s Gaze, by\u00a0Pablo Le\u00f3nidas N\u00edsenson &#8211; Argentina<br \/>The Holy Mother Earth, by\u00a0Nicol\u00e1s Bratosevich &#8211; Argentina<br \/>The Relocated, by\u00a0Dar\u00edo Arcella &#8211; Argentina<br \/>Born in Syria, by Hern\u00e1n Zin &#8211; Espa\u00f1a \/ Denmark<br \/>Orange Sunshine, by William A. Kirkley &#8211; United States<br \/>Rat Film, by Theo Anthony &#8211; United States<br \/>Reach for the SKY \/ Gong-bu-ui-Na-ra, by Choi Woo-young, Steven Dhoedt &#8211; South Corea<br \/>Sex, Maracas &amp; Chihuahuas, by Diego Mas Trelles &#8211; Spain<br \/>Dog\u2019s life, by\u00a0Fernando Arditi, Mariano Vega &#8211; Argentina<br \/>Aqueles anos en Dezembro \/ Those Years in December, by\u00a0Felipe Arrojo Poroger Graduado &#8211; Brasil<br \/>Tribus de la Inquisici\u00f3n, by Mabel Lozano &#8211; Spain, Bolivia<br \/>\u00a0<br \/><br \/><strong>Midnight Screamings<\/strong><br \/><br \/>1974, de V\u00edctor Dryere &#8211; M\u00e9xico<br \/>Black or White, de Mat\u00edas Rispau &#8211; Argentina<br \/>Downhill, de Patricio Valladares &#8211; Chile<br \/>Eat that Question: Frank Zappa in His Own Words, de Thorsten Sch\u00fctte &#8211; France, Germany<br \/>The Wizard of the Bums, de Pedro Otero &#8211; Argentina<br \/>El mundo de los vampiros, de Alfonso Corona Blake &#8211; M\u00e9xico<br \/>Dr\u00e1cula en Campana, 1972, de Titi Ram\u00edrez &#8211; Argentina<br \/>Raiders of the Lost Doll, de Hern\u00e1n Biasotti, Facundo Baigorri &#8211; Argentina<br \/>Gimme Danger, de Jim Jarmusch &#8211; United States<br \/>Headshot, de Kimo Stamboel, Timo Tjahjanto &#8211; Indonesia<br \/>Hermosos Perdedores Pop, de Agust\u00edn Ar\u00e9valo &#8211; Argentina<br \/>Hipersomnia, de Gabriel Grieco &#8211; Argentina<br \/>Godmother, de Hern\u00e1n Aguilar &#8211; Argentina<br \/>No Money, No Future \/ No-hu Dae-chaek Eop-da, de Lee Dong-woo &#8211; South Corea<br \/>Pepo: La \u00faltima oportunidad, de Juan Irigoyen, Cristian Jure &#8211; Argentina<br \/>Relict: A Mesopotamic Tale, de Laura S\u00e1nchez Acosta &#8211; Argentina<br \/>Noise. Vynil Stories in Buenos Aires, de Lucila Melfi, Nicol\u00e1s Visent\u00edn &#8211; Argentina<br \/>Seoul Station, de Yeon Sang-ho &#8211; South Corea<br \/>Supersonic, de Mat Whitecross &#8211; United Kingdom<br \/>We Are the Flesh, de Emiliano Rocha Minter &#8211; M\u00e9xico<br \/>The Greasy Strangler, de Jim Hosking &#8211; United States<br \/>The Man from Mo&#8217;Wax, de Matthew Jones &#8211; United Kingdom<br \/>The Sad &amp; Beautiful World of Sparklehorse, de Alex Crowton, Bobby Dass &#8211; United Kingdom, United States<br \/>The Wailing \/ Goksung, de Na Hong-Jin &#8211; South Corea<br \/>Transformaci\u00f3n, de Iv\u00e1n Wolovik &#8211; Argentina<br \/>Under the Shadow, de Babak Anvari &#8211; Jordania, Qatar, United Kingdom<br \/>\u00a0<br \/><br \/><strong>Altered States<\/strong><br \/><br \/>All the Cities of the North \/ Svi severni gradovi, by Dane Komljen &#8211; Serbia, Bosnia &amp;\u00a0Herzegovina, Montenegro<br \/>Atlal, by Djamel Kerkar &#8211; Algeria, France<br \/>The Monster in the Stone, by Ignasi Duarte &#8211; France, Spain, Argentina<br \/>How I Fell in Love with Eva Ras \/ Kako sam se zaljubio u Evu Ras, by Andr\u00e9 Gil Mata &#8211; Bosnia &amp;\u00a0Herzegovina, Portugal<br \/>I Had Nowhere to Go, by Douglas Gordon &#8211; Germany<br \/>Measuring Change, by James Benning &#8211; United States<br \/>The Illinois Parables, by Deborah Stratman &#8211; United States<br \/>Wake (Subic), by John Gianvito &#8211; United States, Phillipines<br \/>Works 2015-2016, by\u00a0Flavia de la Fuente &#8211; Argentina<br \/>All Still Orbit, by James Lattimer, Dane Komljen &#8211; Croatia, Serbia, Germany, Brasil<br \/>Answer Print, by M\u00f3nica Savir\u00f3n &#8211; United States<br \/>Cilaos, by Camilo Restrepo &#8211; France<br \/>IImages of Nowhere, by\u00a0Rub\u00e9n Guzm\u00e1n &#8211; Argentina<br \/>Jeanette, by Xurxo Chirro &#8211; Spain<br \/>Luna e Santur, by Joshua Solondz &#8211; United States<br \/>L&#8217;Aquarium et la nation, by Jean Marie Straub &#8211; France<br \/>Incantati, by Jean Marie Straub &#8211; France<br \/>Burning Mountains That Spew Flame, by Samuel M. Delgado, Helena Gir\u00f3n &#8211; Spain<br \/>Rust, by Eloy Dom\u00ednguez Ser\u00e9n \u2013 Spain, Sweden<br \/>Schuld, by\u00a0Gonzalo Egurza &#8211; Argentina<br \/>The Dockworker&#8217;s Dream, by Bill Morrison &#8211; Portugal, United States<br \/>Um campo de aviac\u00e3o \/ An Aviation Field, by Joana Pimenta &#8211; Portugal, United States<br \/>\u00a0<br \/><br \/><strong>Visions<br \/><br \/>Thom Andersen<\/strong><br \/><br \/>The Thoughts That Once We Had, by Thom Andersen\u00a0&#8211; United States<br \/>Juke: Passages from the Films of Spencer Williams, by Thom Andersen &#8211; United States<br \/>A Train Arrives at the Station, by Thom Andersen &#8211; United States<br \/><br \/><br \/><strong>Masao Adachi<\/strong><br \/><br \/>Bowl \/ Wan, by Masao Adachi &#8211; Japan<br \/>Closed Vagina \/ Sain, by Masao Adachi &#8211; Japan<br \/>Abortion \/ Datai, by Masao Adachi &#8211; Japan<br \/>Birth Control Revolution \/ Hinin kakumei, by Masao Adachi &#8211; Japan<br \/>Galaxy \/ Gingakei, by Masao Adachi &#8211; Japan<br \/>Sex Zone \/ Sei chitai, by Masao Adachi &#8211; Japan<br \/>Sex Game \/ Seiyu gi, by Masao Adachi &#8211; Japan<br \/>Female Student Guerilla \/ Jogakusei gerira, by Masao Adachi -Japan<br \/>A.K.A. Serial Killer \/ Ryakusho renzoku shasatsuma, by Masao Adachi &#8211; Japan<br \/>A Woman in Revolt \/ Hanjo mugen jigoku, by Masao Adachi &#8211; Japan<br \/>Gushing Prayer \/ Funshutsu kigan &#8211; 15-sai no baishunfu, by Masao Adachi &#8211; Japan<br \/>Red Army\/PFLP: Declaration of World War \/ Sekigun-P.F.L.P: Sekai senso sengen, by Masao Adachi &#8211; Japan<br \/>Prisoner &#8211; Terrorist \/ Yu heisha &#8211; terorisuto, by Masao Adachi &#8211; Japan<br \/>Artist of Fasting \/ Danjiki geinin, by Masao Adachi &#8211; Japan<br \/><br \/><br \/><strong>Olivier Assayas<\/strong><br \/><br \/>Irma Vep, by Olivier Assayas &#8211; France<br \/>Demonlover, by Olivier Assayas &#8211; France<br \/>Clean, by Olivier Assayas \u2013 France, Canad\u00e1, United States<br \/>Personal Shopper, by Olivier Assayas &#8211; France<br \/><br \/><br \/><strong>Pierre L\u00e9on<\/strong><br \/><br \/>Deux dames s\u00e9rieuses, by Pierre L\u00e9on &#8211; France<br \/>Li per li, by Pierre L\u00e9on &#8211; France<br \/>Oncle Vania \/ Uncle Vanya, by Pierre L\u00e9on &#8211; France<br \/>L&#8217;Adolescent, by Pierre L\u00e9on &#8211; France<br \/>L&#8217;Etonnement\/, by Pierre L\u00e9on &#8211; France<br \/>Nissim dit Max, by Pierre L\u00e9on, Vladirmir L\u00e9on &#8211; France<br \/>Octobre, by Pierre L\u00e9on &#8211; France<br \/>Guillaume et les sortile ges, by Pierre L\u00e9on &#8211; France<br \/>L&#8217;Idiot, by Pierre L\u00e9on &#8211; France<br \/>Biette, by Pierre L\u00e9on &#8211; France<br \/>Par exemple, Electre, by Pierre L\u00e9on, Jeanne Balibar &#8211; France<br \/>Phantom Power, by Pierre L\u00e9on \u2013 Russia, Portugal, France, Austria<br \/>Deux R\u00e9mi, deux \/ Two R\u00e9mi, Two, by Pierre L\u00e9on &#8211; France, Switzerland<br \/>\u00c1 la barbe d&#8217;Ivan, by Pierre L\u00e9on &#8211; France<br \/><br \/><br \/><strong>Ted Fendt<\/strong><br \/><br \/>Broken Specs, by Ted Fendt &#8211; United States<br \/>Travel Plans, by Ted Fendt, \u00a0United States<br \/>Going Out, by Ted Fendt &#8211; United States<br \/>Short Stay, by Ted Fendt &#8211; United States<br \/><br \/><br \/><strong>Wang Bing<\/strong><br \/><br \/>Night and Fog in Zona, by Jung Sung-il &#8211; South Corea<br \/>Ta&#8217;Ang\/Deang, by Wang Bing &#8211; Hong Kong, France<br \/>Bitter Money \/ Ku Qian, by Wang Bing &#8211; France, China<br \/><br \/><strong>Peter Von Bagh<\/strong><br \/><br \/>Socialism \/ Sosialismi, by Peter Von Bagh &#8211; Finland<br \/>Peter Von Bagh, by Tapio Piirainen &#8211; Finland<br \/>\u00a0<br \/><br \/><strong>Revisions<br \/><br \/>Hollywood Area<\/strong><br \/><br \/>The Iron Horse, by John Ford &#8211; United States<br \/>Show People, by King Vidor &#8211; United States<br \/>\u00a0<br \/><br \/><strong>Buster Keaton<\/strong><br \/><br \/>One Week, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>The Scarecrow, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>Convict 13, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>Neighbors, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>The Haunted House, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>Hard Luck, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>The High Sign, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>The Playhouse, by Buster Keaton, Eddie Cline &#8211; United States<br \/>The Goat, by Buster Keaton, Eddie Cline &#8211; United States<br \/>The Boat, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>The Paleface, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>Cops, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>My Wife\u2019s Relation, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>The Frozen North, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>The Love Nest, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>The Blacksmith, by Buster Keaton, Malcolm St. Clair &#8211; United States<br \/>The Electric House, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>Daydreams, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>The Balloonatic, by\u00a0Buster Keaton, Eddie Cline &#8211; United States<br \/>\u00a0<br \/><br \/><strong>Film Noir<\/strong><br \/><br \/>Fallen Angel, de Otto Preminger &#8211; Estados Unidos<br \/>Cornered, de Edward Dmytryk &#8211; Estados Unidos<br \/>Crooked Way, de Robert Florey &#8211; Estados Unidos<br \/>Jeopardy, de John Sturges &#8211; Estados Unidos<br \/>The Prowler, Joseph Losey &#8211; Estados Unidos<br \/>The Glass Key, de Stuart Heisler &#8211; Estados Unidos<br \/>Brute Force, de Jules Dassin &#8211; Estados Unidos<br \/>Pushover, de Richard Quine &#8211; Estados Unidos<br \/>Phantom Lady, de Robert Siodmak &#8211; Estados Unidos<br \/>The Sound of Fury, de Cy Endfield Estados Unidos<br \/>Too Late for Tears, de Byron Haskin &#8211; Estados Unidos<br \/>The High Wall, de Curtis Bernhardt &#8211; Estados Unidos<br \/>The Sniper, de Edward Dmytryk- Estados Unidos<br \/>Panic in the Streets, de Elia Kazan &#8211; Estados Unidos<br \/>Cry Danger, de Robert Parrish &#8211; Estados Unidos<br \/>Intruder in the Dust, de Clarence Brown &#8211; Estados Unidos<br \/>Woman on the Run, de Norman Foster &#8211; Estados Unidos<br \/>\u00a0<br \/><br \/><strong>The Greatest Show On Earth<\/strong><br \/><br \/>55 Days at Peking, by Nicholas Ray &#8211; United States<br \/>Zul\u00fa, by Cy Endfield &#8211; United Kingdom<br \/>The Fall of the Roman Empire, by\u00a0Anthony Mann &#8211; United States<br \/>\u00a0<br \/><br \/><strong>Buenos Aires Film Museum<\/strong><br \/><br \/>Cine publicitario recuperado II, by\u00a0VV. AA. &#8211; Argentina<br \/>Manuelita Rosas, by\u00a0Ricardo Villar\u00e1n &#8211; Argentina<br \/>Archivos intervenidos: Cine Escuela, by\u00a0A. Carri, C. Echeverr\u00eda, C. Murga &amp; J. Villegas, D. Rosenfeld, D. Castagnino, E. Bellande, H. Rosselli, J. C. Campusano, M. Alch\u00e9 &amp; J. P. Mench\u00f3n, M. Bendesky, M. Pi\u00f1eiro, N. Wohlatz, N. Prividera, S. Loza &amp; Lorena Moriconi &#8211; Argentina<br \/><br \/><br \/><strong>Orphans<\/strong><br \/><br \/><strong>A Tribute To Argentine Film Personalities<\/strong><br \/><br \/>Con gusto a rabia, by\u00a0Fernando Ayala &#8211; Argentina<br \/>Mirad los lirios del campo, by\u00a0Ernesto Arancibia &#8211; Argentina<br \/>La Parda Flora, by\u00a0Le\u00f3n Kilmovsky &#8211; Argentina<br \/>Romance en tres noches, by\u00a0Ernesto Arancibia &#8211; Argentina<br \/>Cinco gallinas y el cielo, by\u00a0Rub\u00e9n W. Cavallotti &#8211; Argentina<br \/>El bruto, by\u00a0Rub\u00e9n W. Cavallotti &#8211; Argentina<br \/>El centroforward muri\u00f3 al amanecer, by\u00a0Ren\u00e9 Mugica &#8211; Argentina<br \/>El negoci\u00f3n, by\u00a0Sim\u00f3n Feldman &#8211; Argentina<br \/>Las furias, by\u00a0Vlasta Lah &#8211; Argentina<br \/>Doce mujeres, by\u00a0Luis Jos\u00e9 Moglia Barth &#8211; Argentina<br \/>Edici\u00f3n extra, by\u00a0Luis Jos\u00e9 Moglia Barth &#8211; Argentina<br \/>Concierto para una l\u00e1grima, by\u00a0Julio Porter &#8211; Argentina<br \/>Historia de una carta, by\u00a0Julio Porter &#8211; Argentina<br \/>Arroz con leche, by\u00a0Carlos Schlieper &#8211; Argentina<br \/>El deseo, by Carlos Schlieper &#8211; Argentina<br \/>\u00a0<br \/><br \/><strong>Generation VHS<\/strong><br \/><br \/>Apocalypse Now (Redux), by Francis Ford Coppola &#8211; United States<br \/>L&#8217;ultima orgia del III Reich, by Cesare Canevari &#8211; Italy<br \/>Helter Skelter, by Tom Gries &#8211; United States<br \/>Les Comperes, by Francis Veber &#8211; France<br \/>Roller Boogie, by Mark L. Lester &#8211; United States<br \/>She, by Avi Nesher &#8211; Italy<br \/>Possession, by Andrzej Zulawski &#8211; France<br \/>Chissa perch\u00e9&#8230; capitano tutte a me, by Michele Lupo &#8211; Italy<br \/>Stridulum \/ The Visitor, by\u00a0Giulio Paradisi &#8211; Italy\u00a0\/ United States<br \/>\u00a0<br \/><br \/><strong>Special Screenings\/Historias Breves<\/strong><br \/><br \/>Centauro, by Nicol\u00e1s Su\u00e1rez &#8211;\u00a0Argentina<br \/>De la muerte de un costero, by\u00a0Carlos Alberto D\u00edaz &#8211; Argentina<br \/>El asado, by\u00a0Ignacio Antonio Guggiari &#8211; Argentina<br \/>Hesperidina Express, by\u00a0Franco Cerana &#8211; Argentina<br \/>Los invasores, by\u00a0Juan Francisco Zini &#8211; Argentina<br \/>Plegarias, by\u00a0Lucia Ursi Sotelo &#8211; Argentina<br \/>Puertas adentro, by\u00a0Eugenio Caracoche, Julieta Cejas &#8211; Argentina<br \/>\u00daltimos d\u00edas del artista, by\u00a0Agust\u00edn Ford &#8211; Argentina<br \/>\u00a0<br \/><br \/><strong>Special Screenings\/The Night of the Short Film<\/strong><br \/><br \/>Berta y las menores, by\u00a0Marina Glezer<br \/>C\u00edrculo, by\u00a0Eduardo Pinto<br \/>Da\u00f1o moral, by\u00a0Gonzalo Bazillo<br \/>Deolinda, by\u00a0Ana Pelichotti<br \/>El valle interior, by\u00a0Alejandro Tel\u00e9maco Tarraf<br \/>Promenade, by\u00a0Cirila Luz Ferr\u00f3n<br \/>Extremos, by\u00a0Juan Manuel Ferraro, Federico Molentino<br \/>Reflejos, by\u00a0Federico Larrosa<br \/>La humedad, by\u00a0Gonzalo Zapico<br \/>S\u00e9, by\u00a0Mar\u00eda Amanda Celi<br \/>La variaci\u00f3n de L\u00f3pez, by\u00a0Pablo Parra<br \/>Tupasy, by\u00a0Alejandro Nakano<br \/>Mal trago, by\u00a0Francisco Inchausti<br \/>Una de esas noches, by\u00a0Germ\u00e1n Servidio<br \/><br \/>\u00a0<br \/><strong>Special Screenings\/Award-winning Shorts at Local Festivals<\/strong><br \/><br \/>Autosocorro, by\u00a0Juli\u00e1n D\u2019Angiolillo<br \/>El cumplea\u00f1os de Darcy, by\u00a0Diego Frangi<br \/>En las nubes, by\u00a0Marcelo Mitnik<br \/>Esta es mi selva, by\u00a0Santiago Reale<br \/>Fant\u00e1stico, by\u00a0Tom\u00e1s Sposato<br \/>Ishinomaki Rock n\u2019 Roll City, by\u00a0Federico Aletta<br \/>La gaviota, by\u00a0Esteban Perroud<br \/>Payada pa\u2019 Sat\u00e1n, by Antonio Balseiro, Carlos Balseiro<br \/>\u00a0<br \/><br \/><strong>Special Screenings\/Documentary Poetics<\/strong><br \/><br \/>Campo adentro, by\u00a0Melina Gutman, Gala Negrello<br \/>Gemelos, by\u00a0Pablo Santiago Radice Garc\u00eda<br \/>Celestial Candy, by\u00a0Nicole Ernst<br \/>Kallawaya, by\u00a0Laura Pastor, Gabriel Mart\u00ednez Boulangger<br \/>Clausura, by\u00a0Jes\u00fas Barbosa<br \/>Olvidados, by\u00a0Carolina Swiderski, Alejandra Acevedo<br \/>El ni\u00f1o invisible, by\u00a0Nicol\u00e1s Carol, Andr\u00e9s Montero Bustamante, Tatiana Vinci, Natalio Altube, Dominique Barbouth<br \/>Principio de precauci\u00f3n, by\u00a0Christopher Bisman<br \/>Geige, legado, by\u00a0Axel Gaibison<br \/>Variaci\u00f3n sobre proceso documental, by\u00a0Claudia Olivera<br \/>El hombre de las mil caras, by\u00a0Alberto Rodr\u00edguez &#8211; Spain<br \/>Lantouri, by\u00a0Reza Dormishian &#8211; Iran<br \/>Callback, by\u00a0Carles Torras &#8211; Spain<br \/>Socotra, the Land of Djinns, by\u00a0Jordi Esteva &#8211; Spain<br \/>No me quites, by Laura Jou &#8211; Spain<br \/><br \/><b>AWARDS<\/b><br \/><br \/><strong>INTERNATIONAL COMPETITION<\/strong><br \/><br \/><strong>Golden Astor for Best Feature Film \u00a0<\/strong><br \/>People that are not me, by Hadas Ben Aroya<br \/><strong>Silver Astor for Best Director<\/strong><br \/>Radu Jude for Scarred Hearts<br \/><strong>Silver Astor for best script<\/strong><br \/>Paradise, by Andrey Konchalovskiy.<br \/><strong>Alfredo Alc\u00f3n award for best actor<\/strong><br \/>Mahershala Al\u00ed for Moonlight by Barry Jenkins.<br \/><strong>Silver Astor for Best Actress<\/strong><br \/>Sonia Braga for Aquarius by Kleber Mendon\u00e7a Filho.<br \/><strong>Honorable Mention<\/strong><br \/>Leo Histin, cinematography for Nocturama, by Bertrand Bonello.<br \/><br \/><strong>Audience Award<\/strong><br \/>Aquarius, by Kleber Mendon\u00e7a Filho.<br \/><br \/><strong>LATIN AMERICAN COMPETITION<br \/><br \/>Best Feature Film<\/strong><br \/>Martirio by Vincent Carelli, Ernesto de Carvalho and Tatiana Almeida.<br \/><strong>Best Short Film<\/strong><br \/>Aire Quemado, by Yamil Quintana<br \/><strong>Honorable Mention<\/strong><br \/>El Auge del Humano, by Eduardo Williams.<br \/><br \/><strong>ARGENTINE COMPETITION<br \/><br \/>Best Feature Film<\/strong><br \/>El aprendiz, by Tom\u00e1s De Leone.<br \/><strong>Best Director<\/strong><br \/>Los Decentes, by Lukas Valenta Rinner<br \/><strong>Best Short Film<\/strong><br \/>Murci\u00e9lagos, by Felipe Ramirez Vilchez<br \/><strong>Best Short Film Director<\/strong><br \/>Al Silencio, by Mariano C\u00f3colo.<br \/><br \/><strong>WIP COMPETITION<br \/><br \/>Best Project<\/strong><br \/>Extra\u00f1o, by Natural Arpajou.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Multimedia Files Catalogue Program Guide Homages Authors: Mario Gallina, Daniel L\u00f3pez, Ra\u00fal Manrupe, Fernando Mart\u00edn Pe\u00f1a, Luis Porter, Natalia Taccetta The Iron Horse Dir: John Ford Entre cortes: Conversaciones con montajistas de Argentina SPOT OFICIAL November 18th to 27th AUTHORITIES INCAA PRESIDENTAlejandro Alberto Cacetta FESTIVAL PRESIDENTJos\u00e9 Mart\u00ednez Su\u00e1rez ARTISTIC DIRECTORFernando Mart\u00edn Pe\u00f1a GENERAL PRODUCERSCarla Alejandra [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3842,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-3848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- 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