{"id":3855,"date":"2026-04-08T11:54:38","date_gmt":"2026-04-08T11:54:38","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3855"},"modified":"2026-11-03T14:53:01","modified_gmt":"2026-11-03T14:53:01","slug":"30-edition-2015","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/30-edition-2015\/","title":{"rendered":"30\u00b0 Edition (2015)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignfull size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"181\" height=\"235\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_30-tapa_.jpg\" alt=\"Tapa Catalogo Edici\u00f3n 30\" class=\"wp-image-3851\"\/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Archivos <strong>Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cat\u00e1logo<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/e.issuu.com\/embed.html#18197401\/30919443\" target=\"_blank\" rel=\"noreferrer noopener\">Gu\u00eda de Programaci\u00f3n<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Carlos F. Borcosque<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">   <a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Carlos-Borcosque.pdf\" target=\"_blank\" rel=\"noopener\">Jos\u00e9 Mart\u00ednez Su\u00e1rez, Fernando Mart\u00edn Pe\u00f1a, Julio Manrique<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Ralph Pappier<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Ralph-Pappier.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ralph Pappier<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Sangre negra. Breve historia de una pel\u00edcula perdida<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noopener\">Autor: Edgardo Krebs<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cine Argentino Siempre III<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Cine-Argentino-Siempre-III.pdf\" target=\"_blank\" rel=\"noopener\">Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cine Argentino Siempre II<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"> <a href=\"https:\/\/e.issuu.com\/embed.html#18197401\/31117718\" target=\"_blank\" rel=\"noopener\">Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cine Argentino Siempre I<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/e.issuu.com\/embed.html#18197401\/31117708\" target=\"_blank\" rel=\"noopener\">Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">La imagen recobrada. La memoria del cine argentino en el Festival de Mar del Plata<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-La-imagen-recobrada.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-layout-flex wp-container-core-group-is-layout-57f9d649 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-La-imagen-recobrada.pdf\" target=\"_blank\" rel=\"noopener\">Paula F\u00e9lix-Didier, Roger Koza, Daniela Kozak, Fernando Mart\u00edn Pe\u00f1a Colaboraci\u00f3n en la investigaci\u00f3n: Micaela Gorojovsky<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Notas para una contrahistoria del cine argentino<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Notas-para-una-contra-historia-del-cine-argentino.pdf\" target=\"_blank\" rel=\"noopener\">Author: Alberto Tabbia. Selecci\u00f3n y pr\u00f3logo: Edgardo Cozarinsky<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">OFICIAL SPOT<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>AUTHORITIES<\/strong><br \/><br \/><strong>INCAA PRESIDENT<\/strong><br \/>Lucrecia Cardoso<br \/><br \/><strong>FESTIVAL PRESIDENT<\/strong><br \/>Jos\u00e9 Mart\u00ednez Su\u00e1rez<br \/><br \/><strong>ARTISTIC DIRECTOR<\/strong><br \/>Fernando Mart\u00edn Pe\u00f1a<br \/><br \/><strong>GENERAL PRODUCER<\/strong><br \/>Ignacio Catoggio<br \/><br \/>\u00a0<br \/>\u00a0<br \/><strong>PROGRAME<\/strong><br \/>\u00a0\u00a0<br \/><br \/><strong>Opening Film<\/strong><br \/>Tres recuerdos de mi juventud, by Arnaud Desplechin &#8211; France<br \/>\u00a0<br \/><br \/><strong>International Competition<\/strong><br \/>El abrazo de la serpiente,\u00a0by\u00a0Ciro Guerra &#8211; Colombia \/ Venezuela \/ Argentina<br \/>El ap\u00f3stata, by Federico Veiroj &#8211; Spain \/ France \/ Uruguay<br \/>El club, by Pablo Larra\u00edn &#8211; Chile<br \/>La ley del mercado\u00a0\/\u00a0La Loi du march\u00e9, by St\u00e9phane Brize &#8211; France<br \/>Eva no duerme, by Pablo Ag\u00fcero &#8211; Argentina \/ France \/ Spain<br \/>Koza, by Ivan Ostrochvsky\u00a0&#8211;\u00a0Slovakia \/ Czech Republic<br \/>La isla del viento, by Manuel Mench\u00f3n Romero &#8211; Spain<br \/>La luz incidente, by Ariel Rotter &#8211; Argentina \/ Uruguay \/ France<br \/>Mec\u00e1nica popular, by Alejandro Agresti &#8211; Argentina<br \/>O futebol, by Sergio Oksman &#8211; Spain<br \/>Remember, by Atom Egoyan &#8211; Canada<br \/>Tangerine,\u00a0by\u00a0Sean Baker &#8211; United States<br \/>\u00a0<br \/><br \/><strong>Latin American Competition<\/strong><br \/>600 millas, by Gabriel Ripstein \u2013 Mexico<br \/>Allende, mi abuelo Allende, by Marcia Tambiutti \u2013 Chile \/ Mexico<br \/>Campo grande, by Sandra Kogut \u2013 Brazil \/ France<br \/>Desde all\u00e1, by Lorenzo Vigas \u2013 Venezuela \/ Mexico<br \/>La maldad, by Joshua Gil \u2013 Mexico<br \/>Lo que nunca nos dijimos, by Sebasti\u00e1n S\u00e1nchez Amun\u00e1tegui &#8211; Argentina \/ Mexico<br \/>Rastreador de estatuas, by Jer\u00f3nimo Rodr\u00edguez &#8211; Chile<br \/>Samuray-s,\u00a0by Ra\u00fal Perrone- Argentina<br \/>Santa Teresa y otras historias, by Nelson Carlo de los Santos Arias- Dominican Republic \/ Mexico \/ United States<br \/>Te prometo anarqu\u00eda, by Julio Hern\u00e1ndez Cord\u00f3n &#8211; Mexico \/ Germany<br \/>Tiempo suspendido, by Natalia Bruschtein \u2013 Mexico<br \/>\u00a0<br \/><br \/><strong>Latin American Short Film Competition<\/strong><br \/>Haram,byMax Gaggino &#8211; Brazil<br \/>Say I Am Only Seventeen, by Andr\u00e9 Catoto Dias &#8211; Brazil<br \/>Tereza, by Mauricio Baggio &#8211; Brazil<br \/>Mila, by Nahanna Riveros, Luciana Martin &#8211; Colombia<br \/>Capgras, by Ruth Cherem Daniel, Diego S\u00e1nchez Nicol\u00e1s &#8211; Mexico \/ Spain \/ Cuba \/ United Kingdom<br \/>Princesas, by Natural Arpajau &#8211; Paraguay \/ Argentina<br \/>Asesinos, by Gonzalo Guti\u00e9rrez Prado \u2013 Peru<br \/>Eva, by Francisco Pareja &#8211; Venezuela<br \/>\u00a0<br \/><br \/><strong>Argentine Competition<\/strong><br \/>Camino a La Paz, by Francisco Varone -Argentina \/ Holland \/ Germany \/ Qatar<br \/>Como funcionan casi todas las cosas, by Fernando Salem<br \/>El arrullo de la ara\u00f1a, by Jos\u00e9 Celestino Campusano<br \/>El movimiento, by Benjam\u00edn Naishtat &#8211; Argentina \/ South Korea<br \/>Hijos nuestros, by Juan Fern\u00e1ndez Gebauer and Nicol\u00e1s Su\u00e1rez<br \/>Hortensia, de Diego Lublinsky and \u00c1lvaro Urtizberea<br \/>Kryptonita, by Nicanor Loreti<br \/>Los cuerpos d\u00f3ciles, by Diego Gachassin and Mat\u00edas Scarvaci<br \/>Los pibes, by Jorge Leandro Col\u00e1s<br \/>Paula, by Eugenio Canevari &#8211; Argentina \/ Spain<br \/>Peque\u00f1o diccionario ilustrado de la electricidad, by Carolina Rimini and Gustavo Galuppo<br \/>Un tango m\u00e1s, by Germ\u00e1n Kral \u2013 Argentina \/ Germany<br \/>\u00a0<br \/><br \/><strong>Argentine Short Film Competition<\/strong><br \/>Abismo,de Gisela Pel\u00e1ez<br \/>Antonio, by Gast\u00f3n Siriczman<br \/>El c\u00edrculo, by Nicol\u00e1s Bagnulo<br \/>Ecosistema, by Iara Udijara \/ Tom\u00e1s Raimondo<br \/>Fant\u00e1stico, by Tom\u00e1s Sposato<br \/>Gomorra, by Pablo Camaiti<br \/>Jorge, by Roberto Porta<br \/>Pabell\u00f3n IV, by Nicol\u00e1s Le\u00f3n Tannchen<br \/>Quiero saber por qu\u00e9 me dejaste, by Iv\u00e1n Stoessel \/ Fede Pozzi<br \/>Relatos de f\u00fatbol, by Tadeo Su\u00e1rez<br \/>Rosa, by Sebasti\u00e1n de Caro<br \/>Salir, by Javier Pera<br \/>El silencio de Antonella, by Ruth Natalia G\u00f3mez \/ Horacio Florent\u00edn<br \/>El tesoro de Aurora, by Gonzalo Acosta<br \/>\u00a0<br \/><br \/><strong>WIP<\/strong><br \/>Agosto final, by Eduardo L.S\u00e1nchez<br \/>Amando y La Emperatriz, by Fernanda Otero<br \/>Los Corroboradores, by Luis Bernardez<br \/>Desaparecer, by Francisco Bouzas<br \/>El encuentro de Guayaquil, by Nicol\u00e1s Capelli<br \/>El esta\u00f1o de los peces, by Oscar Frenkel<br \/>Fuga del pa\u00eds de las manzanas, by Francisco D&#8217;Eufemia \/ Javier Zevallos<br \/>Hagofalta, by Melina Terribili<br \/>La helada negra, by Maximiliano Schonfeld<br \/>Mamadua: Nacer en conciencia, by Ana Amor \/ Valeria D\u00e1vila<br \/>Mihisteriaen el cine, by Mar\u00eda Victoria Menis<br \/>La mirada escrita, by Nicol\u00e1s Abello<br \/>Monger, by Jeff Zorrilla<br \/>Pinamar, by Federico Godfrid<br \/>El triple crimen (t\u00edtulo provisorio), by Rub\u00e9n Plataneo<br \/>Valherjes, by Juan Schmidt<br \/>Wanderlust, cuerpos en tr\u00e1nsito, by Mar\u00eda P\u00e9rez Escal\u00e1 \/ Anne Von Petersdorff<br \/>\u00a0<br \/><br \/><strong>Authors<\/strong><br \/>11 Minutes, by Jerzy Skolimowski &#8211; Poland \/ Ireland<br \/>La academia de las musas, by Jos\u00e9 Luis Guerin &#8211; Spain<br \/>Afternoon, by Tsai Ming-liang &#8211; Taiwan<br \/>The Assassin, by Hou Hsiao-Hsien &#8211; Taiwan<br \/>C&#8217;estl&#8217;amour, by Paul Vecchiali &#8211; France<br \/>Chant d&#8217;hiver, by Otar Iosseliani &#8211; France \/ Georgia<br \/>CemeteryofSplendour, by Apichatpong Weerasethakul &#8211; Thailand \/ United Kingdom \/ France \/ Germany \/ Malaysia<br \/>Elcielo delCentauro, by Hugo Santiago &#8211; Argentina \/ France<br \/>Counting, by Jem Cohen &#8211; United States<br \/>Deux R\u00e9mi, deux, by Pierre L\u00e9on &#8211; France \/ Switzerland<br \/>Ederly, by Piotr Dumala &#8211; Poland<br \/>The Event, by Sergei Loznitsa &#8211; Holland \/ Belgium<br \/>The Old Jewish Cemetery, by Sergei Loznitsa &#8211; Holland \/ Latvia<br \/>The Forbidden Room, by Guy Maddin &#8211; Canada<br \/>Heart of a Dog, by Laurie Anderson &#8211; United States<br \/>High-Rise, by Ben Wheatley &#8211; United Kingdom<br \/>In Jackson Heights, by Frederick Wiseman &#8211; United States<br \/>Kommunisten, by Jean-Marie Straub &#8211; United States<br \/>La Guerre d&#8217;Alg\u00e9rie!, by Jean-Marie straub &#8211; France \/ Switzerland<br \/>Love &amp; Peace, by Sion Sono &#8211; Japan<br \/>As mil e uma noites. Volume 1, O inquieto, by Miguel Gomes &#8211; Portugal \/ France \/ Germany \/ Switzerland<br \/>As mil e uma noites. Volume 2, O desolado, by Miguel Gomes &#8211; Portugal \/ France \/ Germany \/ Switzerland<br \/>As mil e uma noites. Volume 3, O encantado, by Miguel Gomes &#8211; Portugal \/ France \/ Germany \/ Switzerland<br \/>Mountains May Depart, by Jia Zhang-ke &#8211; China \/ Japan \/ France<br \/>No Home Movie, by Chantal Akerman &#8211; Belgium \/ France<br \/>Office,by Johnnie To &#8211; China \/ Hong Kong<br \/>The Other Side, by Roberto Minervini &#8211; France \/ Italy<br \/>Right Now, Wrong Then, by Hong Sangsoo &#8211; South Korea<br \/>Ryuzo and His Seven Henchmen, by Takeshi Kitano &#8211; Japan<br \/>Sunset Song, by Terence Davies &#8211; United Kingdom \/ Luxemburg<br \/>Tag, by Sion Sono &#8211; Japan<br \/>Todo comenz\u00f3 por el fin, by Luis Ospina &#8211; Colombia<br \/>Tres recuerdos de mi juventud, by Arnaud Desplechin &#8211; France<br \/>Gli uomini di questa citt\u00e1 io non li conosco. Vita e teatro di Franco Scaldati, by Franco Maresco &#8211; Italy<br \/>Virgin Mountain, by Dagur K\u00e1ri &#8211; Iceland \/ Denmark<br \/>Yakuza Apocalypse, by Takashi Miike &#8211; Japan<br \/>The Exquisite Corpus, by Peter Tscherkassky &#8211; Austria<br \/>Iec Long, by Jo\u00e3o Pedro Rodrigues, Jo\u00e3o Rui Guerra da Mata &#8211; Portugal<br \/><br \/>\u00a0<br \/><strong>New Authors<\/strong><br \/>A Midsummer&#8217;s Fantasia, by Jang Kun-jae &#8211; South Korea<br \/>Amama, by Asier Altuna &#8211; Spain<br \/>TheAutomaticHate, by Justin Lerner &#8211; United States<br \/>H., by Rania Attieh &#8211; United States \/ Argentina<br \/>Homeland (Iraq Year Zero), by Abbas Fahdel &#8211; Irak \/ France<br \/>NecktieYouth, by Sibs Shongwe-La Mer &#8211; Sud\u00e1frica \/ Holland<br \/>The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers, by Ben Rivers &#8211; United Kingdom<br \/>Videofilia (y otros s\u00edndromes virales), by Juan Daniel F. Molero &#8211; Peru<br \/>Yo, \u00e9l y Raquel, by Alfonso Gomez-Rejon &#8211; United States<br \/>A Distant Episode, by Ben Rivers &#8211; United Kingdom<br \/>On Board, by Seo Won-tae &#8211; South Korea<br \/>\u00a0<br \/><br \/><strong>Argentine Panorama<\/strong><br \/>Bien de familia, una pel\u00edcula musical, by Mar\u00eda Eugenia Fontana &#8211; Argentina<br \/>El Deportivo, by Rosendo Ruiz, Alejandro Cozza &#8211; Argentina<br \/>Elementos visuales de construcci\u00f3n y destrucci\u00f3n, by Jos\u00e9 Mujica &#8211; Argentina<br \/>Kombit, by An\u00edbal Ezequiel Garisto &#8211; Argentina<br \/>Lul\u00fa, by Luis Ortega &#8211; Argentina<br \/>\u00d3nix, by Nicol\u00e1s Tet\u00e9 &#8211; Argentina<br \/>El organismo, by Iv\u00e1n Fund &#8211; Argentina<br \/>Parabellum, by Lukas Valenta Rinner &#8211; Argentina \/ Austria \/ Uruguay<br \/>Subte &#8211; Polska, by Alejandro Magnone &#8211; Argentina<br \/>Latierraroja, by Diego Mart\u00ednez Vignatti &#8211; Argentina \/ Brazil \/ Belgium<br \/>UPA! 2 Elregreso, by Tamae Garateguy, Santiago Giralt, Camila Toker &#8211; Argentina<br \/>\u00a0<br \/><br \/><strong>Argentine Short Films Panorama<\/strong><br \/>55 pastillas, by Sebasti\u00e1n Muro &#8211; Argentina<br \/>Gulliver, by Mar\u00eda Alch\u00e9 &#8211; Argentina<br \/>The Mad Half Hour, by Leonardo Brzezicki &#8211; Argentina \/ Denmark<br \/>La novia de Frankenstein, by Francisco Lezama, Agostina G\u00e1lvez &#8211; Argentina<br \/>El pasado roto, by Mart\u00edn Morgenfeld, Sebasti\u00e1n Schjaer &#8211; Argentina<br \/>Presente imperfecto, by Iair Said &#8211; Argentina<br \/>El ser magn\u00e9tico, by Mateo Bendesky &#8211; Argentina<br \/>Videojuegos, by Cecilia Kang &#8211; Argentina<br \/>\u00a0<br \/><br \/><strong>Super 8mm<\/strong><br \/><br \/><strong>Program 1<\/strong><br \/>Alicia, by Montserrat Callao Escalada &#8211; Argentina \/ United Kingdom<br \/>Enero, by Montserrat Callao Escalada &#8211; Argentina \/ United States<br \/>Zoominfinito, by Sebasti\u00e1n Tolosa &#8211; Argentina<br \/>Microcortos, by Sebasti\u00e1n Tolosa &#8211; Argentina \/ Spain<br \/>Disuelto en la lengua, by Jeff Zorrilla &#8211; Argentina<br \/>\u00a0<br \/>Girasoles,by Jeff Zorrilla- Argentina<br \/>Innombrable, by Jeff Zorrilla &#8211; Argentina<br \/>\u00a0<br \/><strong>Program 2<\/strong><br \/>Linternainternacional, by Magdalena Jitrik &#8211; Argentina<br \/>\u00c9xodo, by Mario Bocchicchio &#8211; Argentina<br \/>Lafuente luminosa, by Mario Bocchicchio &#8211; Argentina<br \/>Ujvarimuere, by Mario Bocchicchio, Maximiliano Sans &#8211; Argentina<br \/>Octavaher\u00e9tica, by Maximiliano Sans &#8211; Argentina<br \/>Diluvio, by Maximiliano Sans &#8211; Argentina<br \/>Albedo, by Maximiliano Sans &#8211; Argentina<br \/>Escultor, by Maximiliano Sans &#8211; Argentina<br \/>\u00a0<br \/>Noche Especial: Silvestre Byr\u00f3n<br \/>Camposba\u00f1ados de azul, by Silvestre Byr\u00f3n &#8211; Argentina<br \/>\u00bfD\u00f3ndeestar\u00e1 Vampirella?, by Silvestre Byr\u00f3n &#8211; Argentina<br \/>29 segundos de cine absoluto, by Silvestre Byr\u00f3n &#8211; Argentina<br \/>Point Blank &#8211; Alfabeto del diablo, by Silvestre Byr\u00f3n &#8211; Argentina<br \/>Chicas de Flores, by Silvestre Byr\u00f3n &#8211; Argentina<br \/>Experimental, by Silvestre Byr\u00f3n &#8211; Argentina<br \/>\u00a0<br \/>Panorama of Latin American Cinema<br \/>A orillas del mar, by Bladimir Abud &#8211; Dominican Republic<br \/>Ella y \u00e9l, by Frank P\u00e9rez Garland &#8211; Peru<br \/>Hijade la laguna, by Ernesto Cabellos Dami\u00e1n &#8211; Peru<br \/>Ixcanul, by Jayro Bustamante &#8211; Guatemala \/ France<br \/>Loque lleva el r\u00edo, by Mario Crespo &#8211; Venezuela<br \/>NN, by H\u00e9ctor G\u00e1lvez &#8211; Peru \/ Colombia \/ France \/ Germany<br \/>Pa\u00f1uelos para la historia, by Alejandro Haddad, Nicol\u00e1s Valentini &#8211; Argentina \/ Turkey<br \/>Para minha amada morta, by Aly Muritiba &#8211; Brazil<br \/>La \u00faltima noticia, by Alejandro Legaspi &#8211; Peru \/ Spain<br \/>\u00a0<br \/>Mar de chicos<br \/>Avril et le monde truqu\u00e9, by Christian Desmares, Franck Ekinci &#8211; Belgium \/ Canada \/ France<br \/>La incre\u00edble historia del ni\u00f1o de piedra, by Pablo Aldrete, Miguel Bonilla, Jaime Romand\u00eda, Miguel \u00c1ngel Uriegas &#8211; Mexico<br \/>\u00a0<br \/>Program 1<br \/>9:30 am, by Alfonso by la Cruz &#8211; Mexico<br \/>Losases del corral, by Irving Sevilla &#8211; Mexico<br \/>BlueMoon, by Marsha Onderstijn, Jordie Roomer &#8211; Holland<br \/>Dog-e, by Patrick Raats &#8211; Holland<br \/>Lam\u00e1quina, by Ren\u00e9 David Reyes Garc\u00eda &#8211; Mexico<br \/>Olas del cielo, by Gildardo Santoyo del Castillo &#8211; Mexico<br \/>\u00a0<br \/>Program 2<br \/>A Single Life, by Job, Joris &amp; Marieke &#8211; Holland<br \/>AmigoSkateCuba, by Luiz Furtado, Pedro Cantelmo &#8211; Brazil \/ Cuba<br \/>FabricCosmos, by Seung-hee Jung &#8211; South Korea<br \/>A fuga, by Douglas Alves Ferreira &#8211; Brazil<br \/>The Golden Watch, by Nicol\u00e1s Ponta &#8211; Argentina \/ Canada<br \/>Of a Forest, by Katarzyna Melnyk &#8211; Poland<br \/>El sonido de la perseverancia, by Samir Marun Helo &#8211; Colombia<br \/>Waves&#8217;98, by Ely Dagher &#8211; Lebanon \/ Qatar<br \/>\u00a0<br \/>Program 3<br \/>A Lonely Sun Story, by Enrique F. Guzm\u00e1n, Juanma Su\u00e1rez &#8211; Spain<br \/>Castillo y el Armado, by Pedro Harres &#8211; Brazil<br \/>Miss &amp; Grubs, by Camila Kamimura, Jonas Brand\u00e3o &#8211; Brazil<br \/>Tsunami, by Sofie N\u00f8rgaard Kampmark &#8211; Denmark<br \/>\u00a0<br \/>Ojo al Piojo Program<br \/>Pomp\u00f3n, by Jard\u00edn N\u00ba 189 Clelio Pedro Villaverde (Proyecto Institucional Luz, C\u00e1mara, Acci\u00f3n) &#8211; Argentina<br \/>Dustin, by Kristina Jaeger &#8211; Germany<br \/>Lila, by Carlos Lascano &#8211; Argentina \/ Spain<br \/>Leyendas del fondo del mar, by Taller del Coco &#8211; Argentina<br \/>Bob Esponja y Happy Feet contra las ratas mutantes, by Escuela by Ense\u00f1anza Media Distrito Escolar 7 &#8211; Argentina<br \/>Losconejos y el diamante m\u00e1gico, by Ezequiel Gonz\u00e1lez &#8211; Argentina<br \/>Viaje a los &#8217;60, by Taller by Cine El Mate &#8211; Argentina<br \/>Desolado, by V\u00edctor Nores &#8211; Spain<br \/>La gota, by Josep Calle Buend\u00eda &#8211; Spain<br \/>Splash, by Escuela N\u00b0 165 Mar\u00eda E. Horne (Taller by Animaci\u00f3n CAI) &#8211; Argentina<br \/>La Vagabundo, by Emmanuel Moscoso &#8211; Argentina<br \/>\u00a0<br \/>Argentine Animation Cinema<br \/>Juli\u00e1n Centeya, by Juan Oliva &#8211; 1938<br \/>La caza del puma, by Juan Oliva &#8211; 1940<br \/>El refr\u00e1n animado, by Jos\u00e9 Burone Bruche &#8211; 1947<br \/>F\u00e1bulas, by Jos\u00e9 Burone Bruche &#8211; 1947\/48<br \/>Pu\u00f1osdecampe\u00f3n, by Jorge Caro &#8211; 1950<br \/>Cortosde la vizcacha, by Jorge Caro, circa &#8211; 1950<br \/>Cortos de humor pol\u00edtico, by Quirino Cristiani &#8211; 1920s<br \/>Historianegra, by Ricardo Alventosa &#8211; 1960<br \/>El mago Faf\u00e1, by Alberto Br\u00f3ccoli &#8211; 1978\/79<br \/>Elgigante bueno, by Irena Dodal, circa &#8211; 1950<br \/>Lareina de las ondas, by Irena Dodal, circa &#8211; 1950<br \/>Perico y Mart\u00edn, by Rodolfo by Luca &amp; Estela Saenz de Mendez, circa &#8211; 1970<br \/>Perico en la campa\u00f1a del Peru, by Rodolfo by Luca &amp; Estela Saenz de Mendez, circa &#8211; 1970<br \/>\u00a0<br \/><strong>Tribute to V\u00edctor Iturralde (1927-2004)<\/strong><br \/>Ide\u00edtas- 1952<br \/>Hic&#8230;!- 1953<br \/>Puna- 1956<br \/>Piripip\u00ed- 1956<br \/>Baladita- 1957<br \/>Commercialpara Sugus- 1957<br \/>Petrolita- 1958<br \/>Botellita- 1959<br \/>Commercialpara Telam- 1970<br \/>Cr\u00f3nica en Maciel- 1958<br \/>\u00a0<br \/><strong>Slapstick + Live Music<\/strong><br \/>Chofer de fin de semana, by y with Larry Semon<br \/>Unachakra moderna, with Bud Jamison<br \/>Elvecino de al lado, with Harold Lloyd and Snub Pollard<br \/>Enel estudio de cine, by y with Charles Chaplin<br \/>El convicto 13, by and with Buster Keaton<br \/>\u00a0<br \/><strong>Documentary Window<\/strong><br \/>BirriLata, una vuelta en tren, by Lorena Yenni &#8211; Argentina<br \/>TheBirth of Sak\u00e9, by Erik Shirai &#8211; United States \/ Japan<br \/>CartelLand, by Matthew Heineman &#8211; United States \/ Mexico<br \/>CookingUp a Tribute, by Luis Gonz\u00e1lez, Andrea G\u00f3mez &#8211; Spain<br \/>Gored, by Ido Mizrahy &#8211; United States \/ Mexico<br \/>\u00c9lme nombr\u00f3 Malala, by Davis Guggenheim \u2013 United Arab Emirates \/ United States<br \/>Human, by Yann Arthus-Bertrand &#8211; France<br \/>Llamasde nitrato, by Mirko Stopar &#8211; Argentina\/ Norway<br \/>ThePropaganda Game, by \u00c1lvaro Longoria &#8211; Spain \/ France<br \/>The Seventh Fire, by Jack Pettibone Riccobono &#8211; United States<br \/>El sistema Gorevisi\u00f3n, by Valent\u00edn Javier Diment &#8211; Argentina<br \/>Un d\u00eda vi 10.000 elefantes, by Alex Guimer\u00e0, Juan Pajares &#8211; Spain<br \/>C\u00edrculo, by Eduardo Pinto &#8211; Argentina<br \/>The Deal, by Ewa Smyk &#8211; United Kingdom<br \/>In the Language of Cowbells \/ Straw Coffin, by Zsigmond Dezs\u0151 &#8211; Hungary<br \/>Kandire, by Rosana Matecki &#8211; Bolivia \/ Venezuela<br \/>\u00a0<br \/><strong>Gramado presents<\/strong><br \/>O corpo, by Lucas Cassales &#8211; Brazil<br \/>Que horas ela volta?, by Anna Muylaert &#8211; Brazil<br \/>\u00a0<br \/><strong>Midnight Screamings<\/strong><br \/>Aaaaaaaah!, by Steve Oram &#8211; United Kingdom<br \/>B-Movie: Lust &amp; Sound in West-Berlin 1979-1989, by J\u00f6rg A. Hoppe, Heiko Lange, Klaus Maeck &#8211; Germany<br \/>Daemonium:Soldado del inframundo, by Pablo Par\u00e9s &#8211; Argentina<br \/>Desacato a la autoridad, relatos de punks en Argentina 1983-1988 (Cap\u00edtulo 2), by Tom\u00e1s Makaji, Patricia Pietrafesa &#8211; Argentina<br \/>The Devil&#8217;s Candy, by Sean Byrne &#8211; United States<br \/>Drunk Stoned Brilliant Dead: The Story of the National Lampoon, by Douglas Tirola &#8211; United States<br \/>Entre dos luces &#8211; Su\u00e1rez. Primera parte, by Fernando M. Blanco &#8211; Argentina<br \/>Lace Crater, by Harrison Atkins &#8211; United States<br \/>Lexter, la ola perfecta, by Luis Hitoshi D\u00edaz &#8211; Argentina \/ Brazil<br \/>La sangre del gallo, by Mariano Dawidson &#8211; Argentina<br \/>Sucio y desprolijo: El heavy metal en Argentina, by Lucas Lot Calabr\u00f3, Paula Alvarez &#8211; Argentina<br \/>Toda la noche, by T. Garateguy, J. Monteoliva &#8211; Argentina<br \/>Los mentirosos, by Alejandro Jovic &#8211; Argentina<br \/>TheyAll Will Die in Space, by Javier Chillon \u2013 Spain<br \/>\u00a0<br \/><strong>Altered States<\/strong><br \/>88:88, by Isiah Medina &#8211; Canada<br \/>Alex film, by Pablo Chavarr\u00eda Guti\u00e9rrez &#8211; Mexico<br \/>Aragane, by Kaori Oda &#8211; Bosnia y Herzegovina \/ Japan<br \/>DeadSlowAhead, by Mauro Herce &#8211; Spain \/ France<br \/>LosdiariosdeFF, by Flavia de la Fuente &#8211; Argentina \/ Chile<br \/>D\u00edasdelluvia, by Flavia de la Fuente &#8211; Argentina<br \/>KailiBlues, by Bi Gan &#8211; China<br \/>Machine Gun orTypewriter?, by Travis Wilkerson &#8211; United States<br \/>Minotauro, by Nicol\u00e1s Pereda &#8211; Mexico \/ Canada<br \/>No Cow on the Ice, by Eloy Dom\u00ednguez Ser\u00e9n &#8211; Sweden \/ Spain<br \/>Pawel and Wawel, by Krzysztof Kaczmarek &#8211; Poland<br \/>Poeton a Business Trip, by Ju Anqi &#8211; China<br \/>A Copa do Mundo no Recife, by Kleber Mendon\u00e7a Filho &#8211; Brazil<br \/>Cr\u00f3nicas de Solitude, by Manuel Ferrari &#8211; Argentina \/ Germany<br \/>A gl\u00f3ria de fazer cinema em Portugal, by Manuel Mozos &#8211; Portugal<br \/>Gran hotel, by Xurxo Chirro &#8211; Spain<br \/>La impresi\u00f3n de una guerra, by Camilo Restrepo &#8211; France \/ Colombia<br \/>Las manos de Nastasia, by Andr\u00e9s Duque &#8211; Spain \/ Russia<br \/>Noite sem distancia, by Lois Pati\u00f1o &#8211; Portugal \/ Spain<br \/>Riot, by Nathan Silver &#8211; United States<br \/>Sin dios ni Santa Mar\u00eda, by Samuel M. Delgado, Helena Gir\u00f3n &#8211; Spain<br \/>A vida \u00e9 estranha, by Mossa Bildner &#8211; Brazil<br \/>\u00a0<br \/><strong>Altered Bolivia<\/strong><br \/>Amazonas, by Carlos Pi\u00f1eiro &#8211; Bolivia<br \/>Boliwood, by Sergio Bastani &#8211; Bolivia<br \/>Despedida, by Pablo Paniagua &#8211; Argentina \/ Bolivia<br \/>Nueva vida, by Kiro Russo &#8211; Bolivia \/ Argentina<br \/>Primavera, by Joaqu\u00edn Tapia Guerra &#8211; Bolivia<br \/>\u00a0<br \/><strong>Visions<br \/><br \/>Gustav Deutsch<\/strong><br \/>Film ist. (1-6), by Gustav Deutsch &#8211; Austria<br \/>Film ist. (7-12), by Gustav Deutsch &#8211; Austria<br \/>FILM IST. a girl &amp; a gun, by Gustav Deutsch &#8211; Austria<br \/>Shirley- Visions ofReality, by Gustav Deutsch \u2013 Austria<br \/>\u00a0<br \/><strong>Marlen Khutsiev<\/strong><br \/>Spring on Zarechnaya Street, by Marlen Khutsiev, Feliks Mironer &#8211; USSR<br \/>Two Fyodors, by Marlen Khutsiev &#8211; USSR<br \/>I Am Twenty (Illyich&#8217;s Gate), by Marlen Khutsiev &#8211; USSR<br \/>JulyRain, by Marlen Khutsiev &#8211; USSR<br \/>It Was the Month of May, by Marlen Khutsiev &#8211; USSR<br \/>Afterword, by Marlen Khutsiev &#8211; USSR<br \/>Infinitas, by Marlen Khutsiev &#8211; USSR<br \/>People of 1941, by Marlen Khutsiev &#8211; Russia<br \/>Khutsiev. Action Starts!, by Peter Shepotinnik \u2013 Russia<br \/>\u00a0<br \/><strong>Kidlat Tahimik<\/strong><br \/>Perfumed Nightmare, by Kidlat Tahimik &#8211; Philippines<br \/>Who Invented the Yoyo? Who Invented the Moon Buggy?, by Kidlat Tahimik &#8211; Philippines<br \/>I Am Furious Yellow, by Kidlat Tahimik &#8211; Philippines<br \/>Turumba, by Kidlat Tahimik &#8211; Philippines<br \/>JapaneseSummers of a Filipino Fundoshi, by Kidlat Tahimik &#8211; Philippines<br \/>Balikbayan #1, by Kidlat Tahimik \u2013 Philippines<br \/>\u00a0<br \/><strong>The Video Diaries of Kidlat Tahimik<\/strong><br \/>Orbit 50: Letters to My Three Sons, by Kidlat Tahimik &#8211; Philippines<br \/>Celebrating the Year 2021, Today, by Kidlat Tahimik &#8211; Philippines<br \/>Our Film-grimage to Guimaras, by Kidlat Tahimik &#8211; Philippines<br \/>Some More Rice, by Kidlat Tahimik &#8211; Philippines<br \/>Roofs of the World! Unite!, by Kidlat Tahimik \u2013 Philippines<br \/>\u00a0<br \/><strong>Native Classics<\/strong><br \/>Los tallos amargos, by Fernando Ayala &#8211; Argentina<br \/><br \/><strong>Cine publicitario recuperado (1966-1986)<\/strong><br \/>\u00a0<br \/><strong>Tribute to Hugo del Carril<\/strong><br \/>Esta tierra es m\u00eda, by Hugo del Carril &#8211; Argentina<br \/>La calesita, by Hugo del Carril &#8211; Argentina<br \/>\u00a0<br \/><strong>Tribute to Luis C\u00e9sar Amadori<\/strong><br \/>Maestro Levita, by Luis C\u00e9sar Amadori &#8211; Argentina<br \/>Madreselva, by Luis C\u00e9sar Amadori &#8211; Argentina<br \/>\u00a0<br \/><strong>Tribute to Humberto R\u00edos<\/strong><br \/>Faena, by Humberto R\u00edos &#8211; Argentina<br \/>Esta voz&#8230; entre muchas, by Humberto R\u00edos &#8211; Mexico<br \/><br \/><strong>Tribute to Carlos Borcosque<\/strong><br \/>Pobres habr\u00e1 siempre, by Carlos Borcosque \u2013 Argentina<br \/>\u00a0<br \/><strong>Ralph Pappier<\/strong><br \/>Pobre mi madre querida, by Homero Manzi, Ralph Pappier &#8211; Argentina<br \/>Ayer y hoy, by Ralph Pappier &#8211; Argentina<br \/>El \u00faltimo payador, by Homero Manzi, Ralph Pappier &#8211; Argentina<br \/>El fest\u00edn de Satan\u00e1s (fragmento), by Ralph Pappier &#8211; Argentina<br \/>Escuela de campeones, by Ralph Pappier &#8211; Argentina<br \/>Caballito criollo, by Ralph Pappier &#8211; Argentina<br \/>La morocha, by Ralph Pappier &#8211; Argentina<br \/>Donde el viento brama, by Ralph Pappier &#8211; Argentina<br \/>\u00a0<br \/><strong>Forever Argentine Cinema III<\/strong><br \/>Los venerables todos, by Manuel Antin &#8211; Argentina<br \/>En las nuevas tierras donde el oro abunda, by Francois Verstraeten &#8211; Argentina<br \/>P\u00e1jaros sin nido, by Jos\u00e9 Agust\u00edn Ferreyra &#8211; Argentina<br \/>Peluquer\u00eda de se\u00f1oras, by Luis Jos\u00e9 Bay\u00f3n Herrera &#8211; Argentina<br \/>La suerte llama tres veces, by Luis Jos\u00e9 Bay\u00f3n Herrera &#8211; Argentina<br \/>Mundo extra\u00f1o, by Franz Eichhorn &#8211; Argentina \/ Brazil \/ Germany<br \/>La Tierra del Fuego se apaga, by Emilio Fern\u00e1ndez &#8211; Argentina<br \/>Alto Paran\u00e1, by Catrano Catrani &#8211; Argentina<br \/>Aquello que amamos, by Leopoldo Torres R\u00edos &#8211; Argentina<br \/>El encuentro, by Dino Minniti &#8211; Argentina<br \/>El juego m\u00e1s hermoso del mundo, by Rom\u00e1n Vi\u00f1oly Barreto &#8211; Argentina<br \/>Noche terrible, by Rodolfo Kuhn &#8211; Argentina<br \/>Palo y hueso, by Nicol\u00e1s Sarqu\u00eds &#8211; Argentina<br \/>\u00a0<br \/><strong>Audiovisual Heritage Recovery Program<\/strong><br \/>Los inundados, by Fernando Birri &#8211; Argentina<br \/>Tiredi\u00e9, by varios directores &#8211; Argentina<br \/>El camino hacia la muerte del &#8220;Viejo&#8221; Reales, by Gerardo Vallejo &#8211; Argentina<br \/>Las cosas ciertas, by Gerardo Vallejo &#8211; Argentina<br \/>\u00a0<br \/>Short Films by Raymundo Gleyzer &#8211; Argentina &#8211; 1965\/1971<br \/>\u00a0<br \/><strong>Leonardo Favio<\/strong><br \/>Favio: Cr\u00f3nica de un director, by Alejandro Venturini &#8211; Argentina<br \/>Favio, la est\u00e9tica de la ternura, by Luis Rodr\u00edguez, Andr\u00e9s Rodr\u00edguez &#8211; Venezuela<br \/>Cr\u00f3nica de un ni\u00f1o solo, by Leonardo Favio &#8211; Argentina<br \/>\u00a0<br \/><strong>Pierre Chenal in Latin America<\/strong><br \/>Todo un hombre, by Pierre Chenal &#8211; Argentina<br \/>El muerto falta a la cita, by Pierre Chenal &#8211; Argentina<br \/>Se abre el abismo, by Pierre Chenal &#8211; Argentina<br \/>Viaje sin regreso, by Pierre Chenal &#8211; Argentina<br \/>El \u00eddolo, by Pierre Chenal &#8211; Chile<br \/>Secci\u00f3n desaparecidos, by Pierre Chenal &#8211; Argentina \/ France<br \/>Sangrenegra, by Pierre Chenal &#8211; Argentina<br \/>\u00a0<br \/><strong>Revisions<\/strong><br \/>El nacimiento de una naci\u00f3n, by D. W. Griffith &#8211; United States<br \/>Los cuatro jinetes del Apocalipsis, by Rex Ingram &#8211; United States<br \/>\u00a0<br \/><strong>The Slashing Swords of Daisuke Ito<\/strong><br \/>Diary of Chuji\u2019s Travels, by Daisuke Ito &#8211; Japan<br \/>Jirokichi the Rat, by Daisuke Ito \u2013 Japan<br \/>\u00a0<br \/><strong>Short Fragments<\/strong><br \/>An Unforgettable Grudge, by Daisuke Ito &#8211; 1926<br \/>Blood Splattered at Takadanobaba, by Daisuke Ito &#8211; 1928<br \/>Ooka&#8217;s Trials (New Version),Part One, by Daisuke Ito &#8211; 1928<br \/>Ooka&#8217;s Trials (New Version),Part Two, by Daisuke Ito &#8211; 1928<br \/>Man-Slashing, Horse-Piercing Sword, by Daisuke Ito &#8211; 1929<br \/>Hayato Hotta, by Daisuke Ito &#8211; 1933<br \/>\u00a0<br \/><strong>Aleksandr Dovzhenko<\/strong><br \/>Love&#8217;s Berries, by Aleksandr Dovzhenko &#8211; USSR<br \/>El malet\u00edn diplom\u00e1tico, by Aleksandr Dovzhenko &#8211; USSR<br \/>Zvenigora, by Aleksandr Dovzhenko &#8211; USSR<br \/>Arsenal, by Aleksandr Dovzhenko &#8211; USSR<br \/>Latierra, by Aleksandr Dovzhenko &#8211; USSR<br \/>Ivan, by Aleksandr Dovzhenko &#8211; USSR<br \/>Aerograd, by Aleksandr Dovzhenko &#8211; USSR<br \/>Schors, by Aleksandr Dovzhenko, Yuliya Michurin &#8211; USSR<br \/>Solntseva, by Aleksandr Dovzhenko &#8211; USSR<br \/>Farewell,America, by Aleksandr Dovzhenko &#8211; USSR<br \/>\u00a0<br \/><strong>Hollywood Pre-Code<\/strong><br \/>20.000 a\u00f1os en Sing Sing, by Michael Curtiz &#8211; United States<br \/>El arrabal, by Raoul Walsh &#8211; United States<br \/>Consolation Marriage, by Paul Sloane &#8211; United States<br \/>Divorcio, by Hobart Henley &#8211; United States<br \/>Lechoderosas, by Gregory La Cava &#8211; United States<br \/>Mosqueteros del aire, by George Archainbaud &#8211; United States<br \/>Polvorilla, by Victor Fleming &#8211; United States<br \/>El precio de la fama, by George Cukor &#8211; United States<br \/>Senda entre abismos, by Gregory La Cava &#8211; United States<br \/>\u00bfSon estos nuestros hijos?, by Wesley Ruggles &#8211; United States<br \/>The Wild Party, by Dorothy Arzner &#8211; United States<br \/>La zarpa del jaguar, by Ralph Murphy &#8211; United States<br \/>\u00a0<br \/><strong>Generation VHS<\/strong><br \/>El ejecutor, by Mike Marvin &#8211; United States \/ Canada<br \/>El joven h\u00e9roe, by Richard Franklin &#8211; United States<br \/>Mala pata, by Francis Veber &#8211; France \/ Mexico \/ Malta<br \/>Ninja III: La dominaci\u00f3n, by Sam Firstenberg &#8211; United States<br \/>Peligro inminente, by Carl Schenkel &#8211; Germany<br \/>Pesadilla en lo profundo de la noche, by Wes Craven &#8211; United States<br \/>Sue\u00f1os el\u00e9ctricos, by Steve Barron &#8211; United States \/ United Kingdom<br \/>\u00a0<br \/><strong>Trent Harris. The Triumph of the Heroic Misfits<\/strong><br \/>Rubin and Ed, by Trent Harris &#8211; United States<br \/>Plan 10 from Outer Space, by Trent Harris &#8211; United States<br \/>Beaver Trilogy, by Trent Harris &#8211; United States<br \/>Beaver Trilogy Part IV, by Brad Besser &#8211; United States<br \/>\u00a0<br \/><strong>Special Screenings<\/strong><br \/>La guarder\u00eda, by Virginia Croatto &#8211; Argentina<br \/>Sacramento, by Carlos Ca\u00f1eque &#8211; Spain<br \/>\u00a0<br \/><strong>Short Films Awarded by INCAA TV at National Festivals<\/strong><br \/>Catalina y el sol, by Anna Paula H\u00f6nig<br \/>Como pez en el aire, by Fredo Landaveri<br \/>Do\u00f1a Ubenza, by Juan Manuel Costa<br \/>Extremos, by Juan Manuel Ferraro &amp; Federico Molentino<br \/>El insomnio del artista, by Mauricio Vides<br \/>Lila, by Carlos Lascano<br \/>Otra orilla, by Luc\u00eda Orlando &amp; Alex Faur<br \/>Todos los veranos, by Josefina Rossi &amp; Delfina Grennon Viel<br \/>La ventana abierta, by Lucila Las Heras<br \/>\u00a0<br \/><strong>Historias Breves: Fiction and Reality<\/strong><br \/>20 a\u00f1osbreves, by Bebe Kamin &#8211; Argentina<br \/>Cimarr\u00f3n, by Chiara Ghio &#8211; Argentina<br \/>El plan, by V\u00edctor Postiglione &#8211; Argentina<br \/>Una mujer en el bosque, by C\u00e9sar Sodero &#8211; Argentina<br \/>\u00a0<br \/><strong>The Night of the Short Film<\/strong><br \/>ABCD, by Federico Maximiliano<br \/>El Birque, g\u00e9nesis, by Juan Manuel Costa<br \/>Ricardo electricista, by Nicol\u00e1s Bratosevich<br \/>Lapsus, by Juan Pablo Zaramella<br \/>El empleo, by Santiago Bou Grasso &amp; Patricio Plaza<br \/>Chamam\u00e9, by Susana Szperling &amp; Silvina Szperling<br \/>Tecl\u00f3polis, by Javier Mrad<br \/>Luminaris, by Juan Pablo Zaramella<br \/>Vinesolo, by Mart\u00edn Boggiano<br \/>Alexia, by Andr\u00e9s Borghi<br \/>Lareina, by Manuel Abramovich<br \/>\u00a0<br \/><strong>LoboLab<\/strong><br \/>Antawara, by Carlos Pi\u00f1eiro &#8211; Bolivia<br \/>Loscolonos, by Felipe G\u00e1lvez &#8211; Chile<br \/>Elestudiante de cine, by Agust\u00edn Godoy &#8211; Colombia<br \/>Elfuturo que viene, by Constanza Novick &#8211; Argentina<br \/>Jugo by tomate fr\u00edo, by Sof\u00eda Mora &#8211; Argentina<br \/>Ontem havia coisas estranhas no c\u00e9u, by Bruno Risas &#8211; Brazil<br \/>Panam\u00e1, by Javier Izquierdo &#8211; Ecuador<br \/>Petit fr\u00e8re, by Roberto Coll\u00edo, Rodrigo Robledo &#8211; Chile<br \/>P\u00f3lvora en el coraz\u00f3n, by Camila Urrutia &#8211; Guatemala &#8211; Mexico<br \/>Los vagos, by Gustavo Biazzi &#8211; Argentina<br \/>\u00a0<br \/><strong>Special Screening: Chile Factory<\/strong><br \/>Marea de tierra, by Manuela Martelli &amp; Amirah Tajdin &#8211; Kenya<br \/>Necesito saber, by Mat\u00edas Rojas &amp; Mariko Saga &#8211; Poland<br \/>El llano de la paciencia, by Ignacio Rodr\u00edguez &amp; Sara Rastegar &#8211; France<br \/>La discotheque, by Teresita Ugarte &amp; Ofir Graizer &#8211; Israel<br \/><br \/><strong>AWARDS\u00a0<\/strong><br \/><br \/><strong>INTERNATIONAL COMPETITION<\/strong><br \/><br \/><strong>Golden Astor for Best Feature Film \u00a0<\/strong><br \/>El abrazo de la serpiente, by Ciro Guerra<br \/><strong>Silver Astor for Best Director<\/strong><br \/>Iv\u00e1n Ostrochovsky for Koza<br \/><strong>Silver Astor for best script<\/strong><br \/>Guillermo Calder\u00f3n, Daniel Villalobos, Pablo Larra\u00edn for El Club, by Pablo Larra\u00edn<br \/><strong>Silver Astor for Best Actor<\/strong><br \/>Alfredo Castro, Roberto Far\u00edas, Alejandro Goic, Jaime Vadell for El club, by Pablo Larra\u00edn<br \/><strong>Silver Astor for Best Actress<\/strong><br \/>\u00c9rica Rivas for La luz incidente, by Ariel Rotter.<br \/><strong>Honorable Mention a la Fotograf\u00eda<\/strong><br \/>Sean Baker and Radium Cheung, for Tangerine<br \/><br \/><strong>Audience Award<\/strong><br \/>Remember, by Atom Egoyan<br \/><br \/><strong>LATIN AMERICAN COMPETITION<\/strong><br \/><br \/><strong>Best Feature Film<\/strong><br \/>Santa Teresa y otras historias by Nelson Carlo de Los Santos Arias.<br \/><strong>Best Short Film<\/strong><br \/>Princesas by Natural Arpajou.<br \/><br \/><strong>ARGENTINE COMPETITION<\/strong><br \/><br \/><strong>Best Feature Film<\/strong><br \/>El Movimiento, by Banjamin Naishtat<br \/><strong>Best Director<\/strong><br \/>Fernando Salem for C\u00f3mo funcionan casi todas las cosas<br \/><strong>Best Short Film<\/strong><br \/>Fant\u00e1stico, by Tom\u00e1s Sposato.<br \/><strong>Best Short Film Director<\/strong><br \/>Pablo Camaiti for Gomorra<br \/><strong>Honorable Mention<\/strong><br \/>Los cuerpos d\u00f3ciles, by Mat\u00edas Scarvaci and Diego Gachassin<br \/><br \/><strong>WIP COMPETITION<\/strong><br \/><br \/><strong>Best Project<\/strong><br \/>La helada negra, by Maximiliano Schonfeld.<br \/><strong>Honorable Mention<\/strong><br \/>Los Corroboradores, by Luis Bernardez.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logo Gu\u00eda de Programaci\u00f3n Carlos F. Borcosque Jos\u00e9 Mart\u00ednez Su\u00e1rez, Fernando Mart\u00edn Pe\u00f1a, Julio Manrique Ralph Pappier Ralph Pappier Sangre negra. Breve historia de una pel\u00edcula perdida Autor: Edgardo Krebs Cine Argentino Siempre III Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV Cine Argentino Siempre II Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV Cine [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3851,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-3855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>30\u00b0 Edition (2015) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades 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