{"id":3860,"date":"2026-11-03T15:01:46","date_gmt":"2026-11-03T15:01:46","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3860"},"modified":"2026-11-03T15:39:34","modified_gmt":"2026-11-03T15:39:34","slug":"29-edicion-2014","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/es\/29-edicion-2014\/","title":{"rendered":"29\u00b0 Edici\u00f3n (2014)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignfull size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"828\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_29-tapa_.jpg\" alt=\"Tapa Catalogo Edici\u00f3n 29\" class=\"wp-image-3862\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_29-tapa_.jpg 634w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_29-tapa_-230x300.jpg 230w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Archivos <strong>Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cat\u00e1logo<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Tinayre<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Tinayre.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Tinayre<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cine Argentino Siempre II<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Cine-Argentino-Siempre-II.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Cine-Argentino-Siempre-II.pdf\" target=\"_blank\" rel=\"noopener\">Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">60 im\u00e1genes, 60 a\u00f1os<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/e.issuu.com\/embed.html#18197401\/30564672\" target=\"_blank\" rel=\"noopener\">Autor: Fernando Mart\u00edn Pe\u00f1a<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Film Comment, una antolog\u00eda<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Film-Comment-una-antologia.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-nowrap is-layout-flex wp-container-core-group-is-layout-995f960e wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-layout-flex wp-container-core-group-is-layout-e1caf3a8 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\" role=\"none\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Film-Comment-una-antologia.pdf\" target=\"_blank\" rel=\"noopener\">Edici\u00f3n y coordinaci\u00f3n: Marcelo Alderete, Cecilia Barrionuevo, Pablo Conde, Manu Y\u00e1\u00f1ez Murillo<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Roa Bastos. Mis reflexiones sobre el guion cinematogr\u00e1fico<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Roa-Bastos.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-e2a4e7e4 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Roa-Bastos.pdf\" target=\"_blank\" rel=\"noopener\">Edici\u00f3n: Carolina Falcone<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Del 22 al 30 de Noviembre<br \/>\u00a0<br \/>AUTORIDADES<br \/>\u00a0<\/strong><br \/><strong>PRESIDENTA INCAA<\/strong><br \/>Lucrecia Cardozo<br \/><br \/><strong>PRESIDENTE DEL FESTIVAL<\/strong><br \/>Jos\u00e9 Mart\u00ednez Su\u00e1rez<br \/><br \/><strong>DIRECTOR ART\u00cdSTICO<\/strong><br \/>Fernando Spiner<br \/><br \/><strong>PRODUCCI\u00d3N GENERAL<\/strong><br \/>Laura Bruno<br \/>\u00a0<br \/><br \/><strong>PROGRAMACI\u00d3N<\/strong><br \/><br \/><strong>Competencia Internacional<\/strong><br \/><br \/>Alive, de Park Jungbum &#8211; Corea del Sur &#8211; 2014<br \/>Cavalo Dinheiro, de Pedro Costa &#8211; Portugal &#8211; 2014<br \/>Come to My Voice, de H\u00fcseyin Karabey &#8211; Turqu\u00eda \/ Francia \/ Alemania &#8211; 2014<br \/>El Perro Molina, de Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2014<br \/>Jauja, de Lisandro Alonso &#8211; Argentina \/ Dinamarca \/ Francia \/ M\u00e9xico &#8211; 2014<br \/>La Chambre bleue, de Mathieu Amalric &#8211; Francia &#8211; 2014<br \/>La vida de alguien, de Ezequiel Acu\u00f1a &#8211; Argentina &#8211; 2014<br \/>Le meraviglie, de Alice Rohrwacher &#8211; Italia &#8211; 2014<br \/>Melbourne, de Nima Javidi &#8211; Ir\u00e1n &#8211; 2014<br \/>No todo es vigilia, de Hermes Paralluelo &#8211; Espa\u00f1a \/ Colombia &#8211; 2014<br \/>The Duke of Burgundy, de Peter Strickland &#8211; Reino Unido &#8211; 2014<br \/>Ventos de agosto, de Gabriel Mascaro &#8211; Brasil &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Competencia Latinoamericana<\/strong><br \/><br \/>Branco sai preto fica, de Adirley Queir\u00f3s &#8211; Brasil \u2013 2014<br \/>El resto del mundo, de Pablo Chavarr\u00eda Guti\u00e9rrez &#8211; M\u00e9xico \/ Espa\u00f1a &#8211; 2014<br \/>Favula, de Ra\u00fal Perrone &#8211; Argentina &#8211; 2014<br \/>Gente de bien, de Franco Lolli &#8211; Colombia \/ Francia &#8211; 2014<br \/>La huella en la niebla, de Emiliano Grieco &#8211; Argentina &#8211; 2014<br \/>Los hongos, de Oscar Ruiz Navia &#8211; Colombia \/ Argentina \/ Francia \/ Alemania &#8211; 2014<br \/>Los muertos, de Santiago Mohar Volkow &#8211; M\u00e9xico &#8211; 2014<br \/>Matar a un hombre, de Alejandro Fern\u00e1ndez Almendras &#8211; Chile &#8211; 2014<br \/>Mr. Kaplan, de \u00c1lvaro Brechner &#8211; Uruguay \/ Espa\u00f1a \/ Alemania &#8211; 2014<br \/>Sinfonia da necr\u00f3pole, de Juliana Rojas &#8211; Brasil &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Competencia Latinoamericana de Cortometrajes<\/strong><br \/><br \/>A tenista, de Daniel Barosa &#8211; Brasil &#8211; 2014<br \/>Barqueiro, de Jos\u00e9 Menezes y Lucas Justiniano &#8211; Brasil &#8211; 2014<br \/>Bestial, de Diego de Haro &#8211; M\u00e9xico &#8211; 2014<br \/>Brasil, de Aly Curitiba &#8211; Brasil &#8211; 2014<br \/>Elefante, de C\u00e9sar Andr\u00e9s Heredia Cruz &#8211; Colombia &#8211; 2014<br \/>El modelo de Pickman, de Pablo \u00c1ngeles &#8211; M\u00e9xico &#8211; 2014<br \/>Los Contreras Family, de Alejandro Becerril El\u00edas &#8211; M\u00e9xico &#8211; 2014<br \/>Naranjas, de Iv\u00e1n D. Gaona &#8211; Colombia &#8211; 2014<br \/>Pacto, de Pedro Miguel Rozo &#8211; Colombia &#8211; 2013<br \/>Sed, de Luc\u00eda Romero P. &#8211; Ecuador &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Competencia Argentina<\/strong><br \/><br \/>Aventurera, de Leonardo D\u2019Antoni &#8211; Argentina &#8211; 2014<br \/>Camino de campa\u00f1a, de Nicol\u00e1s Grosso &#8211; Argentina \u2013 2014<br \/>El 5 de Talleres, de Adri\u00e1n Biniez &#8211; Argentina \/ Uruguay &#8211; 2014<br \/>El hijo buscado, de Daniel Gaglian\u00f3 &#8211; Argentina &#8211; 2014<br \/>El patr\u00f3n, radiograf\u00eda de un crimen, de Sebasti\u00e1n Schindel &#8211; Argentina \/ Venezuela &#8211; 2014<br \/>Mechita, entre el cielo y la tierra, de Mariano Gerbino &#8211; Argentina &#8211; 2013<br \/>Narcisa, de Daniela Mutis &#8211; Argentina &#8211; 2014<br \/>Pantanal, de Andrew Sala &#8211; Argentina &#8211; 2014<br \/>Pistas para volver a casa, de Jazm\u00edn Stuart &#8211; Argentina &#8211; 2014<br \/>Salud rural, de Dar\u00edo Doria &#8211; Argentina &#8211; 2014<br \/>Su realidad, de Mariano Galperin &#8211; Argentina &#8211; 2014<br \/>Yo s\u00e9 lo que envenena, de Federico Sosa &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Competencia Argentina de Cortometrajes<\/strong><br \/><br \/>Autosocorro, de Juli\u00e1n d\u00b4Angiolillo &#8211; Argentina &#8211; 2014<br \/>C\u00f3mo olvidar un amor en 21 pasos, de Julieta Steinberg &#8211; Argentina &#8211; 2014<br \/>El cumplea\u00f1os de Darcy, de Diego Frangi &#8211; Argentina &#8211; 2014<br \/>La gaviota, de Esteban Perroud &#8211; Argentina \/ Francia &#8211; 2014<br \/>Inmentis, de Francisco de la Fuente &#8211; Argentina &#8211; 2014<br \/>Nueve segundos, de Gast\u00f3n Siriczman &#8211; Argentina &#8211; 2014<br \/>Pueblo, de Mariano Tobar &#8211; Argentina &#8211; 2014<br \/>Recalculando, de Ingrid Pokropek &#8211; Argentina &#8211; 2014<br \/>Rieles, de Gual Mostajo &#8211; Argentina &#8211; 2014<br \/>La ventana abierta, de Lucila Las Heras &#8211; Argentina &#8211; 2014<br \/>Zombies, de Sebasti\u00e1n Dietsch &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Work In Progress<\/strong><br \/><br \/>Al centro de la Tierra, de Daniel Rosenfeld &#8211; Argentina &#8211; 2014<br \/>Alptraum, de Ana Piterbarg &#8211; Argentina &#8211; 2014<br \/>Buscando a Myu, de Baltazar Tokman &#8211; Argentina &#8211; 2014<br \/>Cambio de aire, de Rosendo Ruiz &#8211; Argentina &#8211; 2014<br \/>Campa\u00f1a antiargentina, de Alejandro Parysow &#8211; Argentina &#8211; 2014<br \/>Casa del teatro, de Hern\u00e1n Rosselli &#8211; Argentina &#8211; 2014<br \/>El eslab\u00f3n podrido, Valent\u00edn Javier Diment &#8211; Argentina &#8211; 2014<br \/>El exilio de las Malvinas, de Federico J. Palma &#8211; Argentina &#8211; 2014<br \/>El invierno llega despu\u00e9s del oto\u00f1o, de Malena Solarz, Nicol\u00e1s Zukerfeld &#8211; Argentina &#8211; 2014<br \/>El monumento, de Ignacio Masllorens &#8211; Argentina &#8211; 2014<br \/>Ensayo de despedida, de Macarena Albalustri &#8211; Argentina &#8211; 2014<br \/>Implantaci\u00f3n, de Ferm\u00edn Eloy Acosta, Luc\u00eda Salas, Sol Bolloqui &#8211; Argentina &#8211; 2014<br \/>La herencia, de Federico Robles &#8211; Argentina &#8211; 2014<br \/>La sangre del gallo, de Mariano Dawidson &#8211; Argentina &#8211; 2014<br \/>Madres de los dioses, de Pablo Ag\u00fcero &#8211; Argentina &#8211; 2014<br \/>Paula, de Eugenio Canevari &#8211; Argentina &#8211; 2014<br \/>Primero, enero, de Dar\u00edo Mascambroni &#8211; Argentina &#8211; 2014<br \/>Reflejo Narcisa, de Silvina Szperling &#8211; Argentina &#8211; 2014<br \/>Sol\u00e8y, de Manuel Abramovich &#8211; Argentina &#8211; 2014<br \/>Upa! 2, el regreso, de Camila Toker, Santiago Giralt, Tamae Garateguy &#8211; Argentina &#8211; 2014<br \/>Veredas, de Fernando Cricenti &#8211; Argentina &#8211; 2014<br \/>Zebras, Javier Zevallos &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Panorama Autores<\/strong><br \/><br \/>Alma salvaje, de Jean-Marc Vall\u00e9e &#8211; Estados Unidos &#8211; 2014<br \/>Amour fou, de Jessica Hausner &#8211; Austria \/ Luxemburgo \/ Alemania &#8211; 2014<br \/>Birdman, de Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu &#8211; Estados Unidos &#8211; 2014<br \/>La danza de la realidad, de Alejandro Jodorowsky &#8211; Francia \/ Chile &#8211; 2013<br \/>Don\u2019t Go Breaking My Heart 2, de Johnnie To &#8211; Hong Kong \/ China &#8211; 2014<br \/>La entrega, de Micha\u00ebl R. Roskam &#8211; Estados Unidos &#8211; 2013<br \/>From What Is Before, de Lav Diaz &#8211; Filipinas &#8211; 2014<br \/>Gyeongju, de Zhang Lu &#8211; Corea del Sur &#8211; 2014<br \/>Haemoo, de Shim Sung-bo &#8211; Corea del Sur &#8211; 2014<br \/>Hill of Freedom, de Hong Sangsoo &#8211; Corea del Sur &#8211; 2014<br \/>Magical Girl, de Carlos Vermut &#8211; Espa\u00f1a \/ Francia \u2013 2014<br \/>Ma\u00efdan, de Sergei Loznitsa &#8211; Ucrania \/ Holanda &#8211; 2014<br \/>Mommy, de Xavier Dolan &#8211; Canad\u00e1 &#8211; 2014<br \/>National Gallery, de Frederick Wiseman &#8211; Estados Unidos \/ Francia &#8211; 2014<br \/>Ned Rifle, de Hal Hartley &#8211; Estados Unidos &#8211; 2014<br \/>P\u2019tit Quinquin, de Bruno Dumont &#8211; Francia &#8211; 2014<br \/>Pasolini, de Abel Ferrara &#8211; Francia \/ B\u00e9lgica \/ Italia &#8211; 2014<br \/>Revivre, de Im Kwon-taek &#8211; Corea del Sur &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Panorama Argentino<\/strong><br \/><br \/>Avant, de Juan \u00c1lvarez Neme<br \/>Brasc\u00f3, de Ernesto Livon-Grosman &#8211; Argentina &#8211; 2013<br \/>Here, Kitty Kitty, de Santiago Giralt &#8211; Argentina \/ Canad\u00e1 &#8211; 2014<br \/>La Salada, de Juan Mart\u00edn Hsu &#8211; Argentina &#8211; 2014<br \/>Los lemmings contraatacan, de Edmundo Bejarano &#8211; Argentina \/ Alemania &#8211; 2014<br \/>La Misi\u00f3n Argentina, de Adri\u00e1n Jaime &#8211; Argentina &#8211; 2014<br \/>Los ojos de Am\u00e9rica, de Daiana Rosenfeld, An\u00edbal Garisto &#8211; Argentina &#8211; 2014<br \/>No est\u00e1s solo en esto, de Milagros Amondaray &#8211; Argentina &#8211; 2014<br \/>Por el camino de Modesto, de Sebasti\u00e1n Deus &#8211; Argentina &#8211; 2014<br \/>R\u00e9imon, de Rodrigo Moreno &#8211; Argentina \/ Alemania &#8211; 2014<br \/>Si je suis perdu, c\u2019est pas grave, de Santiago Loza &#8211; Argentina &#8211; 2014<br \/>Los silencios y las manos, de Hern\u00e1n Khourian &#8211; Argentina &#8211; 2014<br \/>El tiempo encontrado, de Eva Poncet y Marcelo Burd &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>S8 \/ 16mm<\/strong><br \/><br \/>Jinetes, de Azucena Losana &#8211; Argentina &#8211; 2013<br \/>PAB, de Azucena Losana &#8211; Argentina &#8211; 2014<br \/>Colibr\u00ed, de Azucena Losana &#8211; Argentina &#8211; 2013<br \/>Intermission\u00a0(d\u00edptico), de Azucena Losana &#8211; Argentina &#8211; 2013<br \/>Resumen, de Pablo Ziccarello &#8211; Argentina &#8211; 2012<br \/>Breathe, de Leonardo Zito &#8211; Argentina &#8211; 2014<br \/>Hallazgos, de Leonardo Zito &#8211; Argentina &#8211; 2014<br \/>Reflexiones, de Julio Fermepin &#8211; Argentina &#8211; 2014<br \/>Hornaditas, de Julio Fermepin &#8211; Argentina &#8211; 2014<br \/>Fuerzas\u00a0(trilog\u00eda), de Luj\u00e1n Montes &#8211; Argentina &#8211; 2014<br \/>Intemperie, de Luj\u00e1n Montes &#8211; Argentina &#8211; 2014<br \/>Haiku # 2, de Alvaro Cifuentes &#8211; Argentina &#8211; 2009<br \/>Hay amor tan necesario como el sol I, de Alvaro Cifuentes &#8211; Argentina &#8211; 2011<br \/>Sin t\u00edtulo, de Alvaro Cifuentes &#8211; Argentina &#8211; 2013<br \/>Fantasmas crom\u00e1ticos, de Claudio Caldini &#8211; Argentin &#8211; 2012<br \/>Aula magna, de Andr\u00e9s Denegri &#8211; Argentina &#8211; 2014<br \/>Fresno, de Leandro Listorti &#8211; Argentina &#8211; 2014<br \/>Resistfilm, de Pablo Mar\u00edn &#8211; Argentina\/Canad\u00e1 &#8211; 2014<br \/>S\/T, de Sergio Subero &#8211; Argentina &#8211; 2014<br \/>Fotooxidaci\u00f3n, de Pablo Mazzolo &#8211; Argentina &#8211; 2013<br \/>La mirada errante &#8211; Sue\u00f1os impresos en acetato, de Jorge Honik &#8211; Argentina &#8211; 1969\/1981<br \/>Gaud\u00ed asesinado por un tranv\u00eda, de Jorge Honik &#8211; Argentina &#8211; 1968<br \/>Nubes, de Jorge Honik &#8211; Argentina &#8211; 1969<br \/>Komik, de Jorge Honik- Argentina, 1969<br \/>Un paseo, de Jorge Honik &#8211; Argentina &#8211; 1969<br \/>El inmortal, de Jorge Honik &#8211; Argentina &#8211; 1970<br \/>Passacaglia y fuga, de Jorge Honik &#8211; Argentina &#8211; 1974<br \/>\u00a0<br \/><br \/><strong>Panorama del Cine Latinoamericano<\/strong><br \/><br \/>Las b\u00fasquedas, de Jos\u00e9 Luis Valle M\u00e9xico &#8211; Mexico &#8211; 2013<br \/>Com os punhos cerrados, de Luiz Pretti, Ricardo Pretti,Pedro Diogenes &#8211; Brasil &#8211; 2014<br \/>El cordero, de Juan Francisco Olea &#8211; Chile &#8211; 2014<br \/>Ella, de Libia Stella G\u00f3mez D\u00edaz &#8211; Colombia &#8211; 2014<br \/>Extirpador de idolatr\u00edas, de Manuel Siles &#8211; Per\u00fa &#8211; 2014<br \/>Gonz\u00e1lez, de Christian D\u00edaz Pardo &#8211; M\u00e9xico &#8211; 2014<br \/>\u00cdcaros, de Georgina Barreiro &#8211; Argentina &#8211; 2014<br \/>Lago de luci\u00e9rnagas, de Florencia Iwabut, Samir Marun Helo &#8211; Argentina \/ Colombia &#8211; 2014<br \/>Pip\u00ed mil pup\u00fa dos lucas, de Enrique R. Bencomo, Fernando R. Bencomo &#8211; Venezuela &#8211; 2014<br \/>Ruido rosa, de Roberto Flores Prieto &#8211; Colombia &#8211; 2014<br \/>Solo, de Jos\u00e9 R. N\u00f3voa &#8211; Venezuela \/ Argentina &#8211; 2014<br \/>La tirisia, de Jorge P\u00e9rez Solano &#8211; M\u00e9xico &#8211; 2014<br \/>Las vacas con gafas, de Alex Santiago P\u00e9rez &#8211; Puerto Rico &#8211; 2014<br \/>Viejos amigos, de Fernando Villar\u00e1n &#8211; Per\u00fa &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Mar de Chicos<\/strong><br \/><br \/>Belle et S\u00e9bastien, de Nicolas Vanier &#8211; Francia &#8211; 2013<br \/>Dixie y la rebeli\u00f3n zombi, de Ricardo Ram\u00f3n, Be\u00f1at Beitia &#8211; Espa\u00f1a &#8211; 2013<br \/>El extraordinario viaje de Lucius Dumb, de Maite Ruiz de Austri &#8211; Espa\u00f1a &#8211; 2013<br \/>Pancho, el perro millonario, de Tom Fern\u00e1ndez &#8211; Espa\u00f1a &#8211; 2014<br \/>Pinocchio, de Anna Justice &#8211; Alemania &#8211; 2013<br \/>Cloudy Goats, de Hamid Karimian &#8211; Ir\u00e1n &#8211; 2013<br \/>O cora\u00e7ao do pr\u00edncipe, de Caio Ryuichi &#8211; Brasil &#8211; 2014<br \/>The Gift, de Julio Pot &#8211; Chile &#8211; 2013<br \/>El maestro y la flor, de Daniel Irabien &#8211; M\u00e9xico &#8211; 2014<br \/>Me + Her, de Joseph Oxford &#8211; Estados Unidos &#8211; 2014<br \/>Mops &amp; Ollie, de Christian Kuntz &#8211; Dinamarca &#8211; 2013<br \/>Reflejos, de Federico Larrosa &#8211; Argentina &#8211; 2014<br \/>El trompetista, de Ra\u00fal &#8220;Robin\u201d Morales &#8211; M\u00e9xico &#8211; 2014<br \/>\u00a0<br \/><strong>Programa Ojo al Piojo<\/strong><br \/><br \/>El meteorito, de Taller del Coco (Coordinado por Javier Cabrera &amp; Roc\u00edo Dalmau) &#8211; Argentina &#8211; 2013<br \/>El misterio del gusano, de Sof\u00eda Bast\u00e9 &#8211; Rumania &#8211; 2013<br \/>Bottle, de Kirsten Lepore &#8211; Estados Unidos &#8211; 2013<br \/>\u00a1El elefante est\u00e1 enfermo!, de Verena Fels &#8211; Alemania &#8211; 2013<br \/>A lib\u00e9lula e o sapinho, de Carlos Avalone &#8211; Brasil &#8211; 2013<br \/>La vida de los p\u00e1jaros, de Federico Rathge &#8211; Argentina &#8211; 2014<br \/>Luz fuera &#8211; \u00a1Soy un caracol!, de Verena Fels &#8211; Alemania &#8211; 2012<br \/>Moskina, de Beatriz Herrera Carrillo &#8211; M\u00e9xico &#8211; 2013<br \/>El giro de Rino, de Verena Fels &#8211; Alemania &#8211; 2013<br \/>Paleolito, de Ismael Lito &#8211; Brasil &#8211; 2013<br \/>Twins in Bakery, de Mari Miyazawa &#8211; Jap\u00f3n &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Ventana Documental: Cine Pol\u00edtico<\/strong><br \/><br \/>Almost Friends, de Nitzan Ofir &#8211; Israel &#8211; 2014<br \/>The Aryans, de Mo Asumang &#8211; Alemania &#8211; 2014<br \/>Beyond the Walls, de Gayle Embrey &#8211; Argentina \/ Estados Unidos &#8211; 2014<br \/>Buscamos vida, los cr\u00edmenes del ej\u00e9rcito argentino en Campo de Mayo, de Aldo Getino &#8211; Argentina &#8211; 2013<br \/>Eau argent\u00e9e, Syrie autoportrait, de Ossama Mohammed y Wiam Simav Bedirxan &#8211; Francia \/ Siria &#8211; 2014<br \/>The Forest, de Sinisa Dragin &#8211; Rumania \/ Serbia &#8211; 2014<br \/>Francisco de Buenos Aires, de Miguel Rodr\u00edguez Arias &#8211; Argentina \/ Italia &#8211; 2014<br \/>Gran Chaco, de Lucas van Esso &#8211; Argentina &#8211; 2014<br \/>No Land\u2019s Song, de Ayat Najafi &#8211; Alemania \/ Francia &#8211; 2014<br \/>Osvaldo Bayer &#8220;La livert\u00e1\u201d, de Gustavo Gzain &#8211; Argentina &#8211; 2014<br \/>The Overnighters, de Jesse Moss &#8211; Estados Unidos &#8211; 2014<br \/>Parole de kamikaze, de Masa Sawada &#8211; Francia &#8211; 2014<br \/>Propaganda, de Christopher Murray &#8211; Chile &#8211; 2014<br \/>S.C. Recortes de prensa, de Oriana Castro, Nicol\u00e1s Mart\u00ednez Zemborain &#8211; Argentina &#8211; 2014<br \/>The Square, de L\u00edvia Gyarmathy &#8211; Hungr\u00eda &#8211; 2013<br \/>Tierra abrasada, de Gustavo Siri &#8211; Argentina &#8211; 2014<br \/>UNASUR en Hait\u00ed, reflejos de una Argentina solidaria, de Jorge Diego Gil &#8211; Argentina &#8211; 2014<br \/>Watchers of the Sky, de Edet Belzberg &#8211; Estados Unidos &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Busco Mi Destino<\/strong><br \/><br \/>Before I Disappear, de Shawn Christensen &#8211; Estados Unidos &#8211; 2014<br \/>B.F.E., de Shawn Telford &#8211; Estados Unidos &#8211; 2014<br \/>Diarios de Mendoza, de Luc\u00eda L. Mendoza &#8211; Argentina &#8211; 2014<br \/>Ed\u00e9n, de Elise DuRant &#8211; M\u00e9xico \/ Estados unidos &#8211; 2014<br \/>Juana a los 12, de Mart\u00edn Shanly &#8211; Argentina \/ Austria &#8211; 2014<br \/>Recommended by Enrique, de Rania Attieh, Daniel Garcia &#8211; Estados Unidos \/ Argentina &#8211; 2014<br \/>Retrato de un comportamiento animal, de Florencia Colucci, Gonzalo Lugo &#8211; Uruguay &#8211; 2014<br \/>Tu dors Nicole, de St\u00e9phane Lafleur &#8211; Canad\u00e1 &#8211; 2014<br \/>Voley, de Mart\u00edn Piroyansky &#8211; Argentina &#8211; 2014<br \/>Domingo, de Alejandro Jovic &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Hora Cero<\/strong><br \/><br \/>A Hard Day, de Kim Seong-hun &#8211; Corea del Sur &#8211; 2014<br \/>It Follows, de David Robert Mitchell &#8211; Estados Unidos &#8211; 2014<br \/>Over Your Dead Body, de Takashi Miike &#8211; Jap\u00f3n &#8211; 2014<br \/>Spring, de Justin Benson, Aaron Moorhead &#8211; Estados Unidos &#8211; 2014<br \/>Tokyo Tribe, de Sion Sono &#8211; Jap\u00f3n &#8211; 2014<br \/>What We Do in the Shadows, de Taika Waititi, Jemaine Clement &#8211; Nueva Zelanda \/ Estados Unidos &#8211; 2014<br \/>Wyrmwood, de Kiah Roache-Turner &#8211; Australia &#8211; 2014<br \/>Confetti of the Mind, de Nacho Vigalondo &#8211; Espa\u00f1a &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Las Venas Abiertas<\/strong><br \/><br \/>Coraz\u00f3n muerto, de Mariano Cattaneo &#8211; Argentina &#8211; 2014<br \/>Gritos del bosque, de Jorge Olgu\u00edn &#8211; Chile &#8211; 2014<br \/>Jorge y Alberto contra los demonios neoliberales, de Hern\u00e1n y Gonzalo Quintana &#8211; Argentina &#8211; 2014<br \/>Los monstruos, de Juan Schmidt &#8211; Argentina &#8211; 2014<br \/>Nacido para morir, de Andr\u00e9s Borghi &#8211; Argentina &#8211; 2014<br \/>Naturaleza muerta, de Gabriel Grieco &#8211; Argentina &#8211; 2014<br \/>La parte ausente, de Galel Maidana &#8211; Argentina &#8211; 2014<br \/>Redentor, de Ernesto D\u00edaz Espinoza &#8211; Chile &#8211; 2014<br \/>Tejen, de Pablo Rabe &#8211; Argentina &#8211; 2014<br \/>Albino, de Federico Telerman &#8211; Argentina &#8211; 2014<br \/>Hasta las entra\u00f1as, de Leandro Cozzi &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>BSO<\/strong><br \/><br \/>Bronces en Isla Verde, de Adriana Yurcovich &#8211; Argentina &#8211; 2014<br \/>Desacato a la autoridad, relatos de punks en Argentina 1983-1988 (Cap\u00edtulo 1), de Tom\u00e1s Makaji, Patricia\u00a0Pietrafesa\u00a0&#8211; Argentina &#8211; 2014<br \/>Eden, de Mia Hansen-L\u00f8ve &#8211; Francia &#8211; 2014<br \/>God Help the Girl, de Stuart Murdoch &#8211; Reino Unido &#8211; 2013<br \/>Heaven Adores You, de Nickolas Rossi &#8211; Estados Unidos &#8211; 2014<br \/>Peque\u00f1a Babilonia, de Hern\u00e1n Moyano &#8211; Argentina &#8211; 2014<br \/>Rel\u00e1mpago en la oscuridad, de Germ\u00e1n Fern\u00e1ndez, Pablo Montllau &#8211; Argentina &#8211; 2014<br \/>Salg\u00e1n &amp; Salg\u00e1n: Un tango padre-hijo, de Caroline Neal &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Sentidos del Humor<\/strong><br \/><br \/>Big in Japan, de John Jeffcoat &#8211; Estados Unidos \/ Jap\u00f3n &#8211; 2014<br \/>Bugarach, de Salvador Sunyer, Ventura Durall, Sergi Cameron &#8211; Espa\u00f1a \/ Alemania &#8211; 2014<br \/>Henri Henri, de Martin Talbot &#8211; Canad\u00e1 &#8211; 2014<br \/>Listen Up Philip, de Alex Ross Perry &#8211; Estados Unidos &#8211; 2014<br \/>The Mend, de John Magary &#8211; Estados Unidos &#8211; 2014<br \/>Santiago violenta, de Ernesto D\u00edaz Espinoza &#8211; Chile &#8211; 2014<br \/>Summer of Blood, de Onur Tukel &#8211; Estados Unidos &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Estados Alterados<\/strong><br \/><br \/>La ciudadela, de Rub\u00e9n Guzm\u00e1n &#8211; Argentina &#8211; 2014<br \/>The Guests, de Ken Jacobs &#8211; Estados Unidos &#8211; 2013<br \/>I, of Whom I Know Nothing, de Pablo Sigg &#8211; M\u00e9xico &#8211; 2014<br \/>Mange tes morts, de Jean-Charles Hue &#8211; Francia &#8211; 2014<br \/>Mercuriales, de Virgil Vernier &#8211; Francia &#8211; 2014<br \/>El paseo, de Flavia de la Fuente &#8211; Argentina &#8211; 2014<br \/>Llar, de Elisa Cepedal, Ram\u00f3n Llu\u00eds Bande &#8211; Espa\u00f1a &#8211; 2014<br \/>A noite \u00e9 necesaria, de Marcos M. Merino &#8211; Espa\u00f1a &#8211; 2014<br \/>Ser e voltar, de Xacio Ba\u00f1o &#8211; Espa\u00f1a &#8211; 2014<br \/>Sobre la marxa, de Jordi Morat\u00f3 &#8211; Espa\u00f1a &#8211; 2014<br \/>Salers, de Fernando Dom\u00ednguez &#8211; Argentina &#8211; 2014<br \/>Broken Tongue, de M\u00f3nica Savir\u00f3n &#8211; Estados Unidos &#8211; 2013<br \/>S\u00f3lo te puedo mostrar el color, de Fernando V\u00edlchez Rodr\u00edguez &#8211; Per\u00fa &#8211; 2014<br \/>El asombro, de Iv\u00e1n Fund, Santiago Loza, Lorena Moriconi &#8211; Argentina &#8211; 2014<br \/>Episode of the Sea, de Lonnie van Brummelen, Siebren de Haan &#8211; Holanda &#8211; 2014<br \/>All Vows, de Bill Morrison &#8211; Estados Unidos &#8211; 2013<br \/>As figuras gravadas na faca com a seiva das bananeiras, de Joana Pimenta\u00a0&#8211; Portugal \/ Estados Unidos &#8211; 2014<br \/>Los girasoles, de Mart\u00edn Boulocq &#8211; Bolivia &#8211; 2014<br \/>O velho do restelo, de Manoel de Oliveira &#8211; Portugal \/ Francia &#8211; 2014<br \/>The Tony Longo Trilogy, de Thom Andersen &#8211; Estados Unidos &#8211; 2014<br \/>Dialogue d\u2019ombres, de Jean-Marie Straub &#8211; Suiza \/ Francia &#8211; 1954-2013<br \/>\u00c0 propos de Venise, de Jean-Marie Straub &#8211; Suiza \/ Francia &#8211; 2013<br \/>Assembl\u00e9e g\u00e9n\u00e9rale, de Luc Moullet &#8211; Francia &#8211; 2014<br \/>Things, de Ben Rivers &#8211; Reino Unido &#8211; 2014<br \/>Os son\u00e2mbulos, de Patrick Mendes &#8211; Portugal &#8211; 2014<br \/>It\u2019s Not a Prison If You Never Try the Door, de Joshua Gen Solondz &#8211; Estados Unidos &#8211; 2013<br \/>Atlantis, de Ben Russell &#8211; Estados Unidos &#8211; 2014<br \/>O, Persecuted, de Basma Alsharif &#8211; Palestina \/ Reino Unido \u2013 2014<br \/>\u00a0<br \/><br \/><strong>Proyecciones Especiales<\/strong><br \/><br \/>El acto en cuesti\u00f3n, de Alejandro Agresti &#8211; Argentina \/ Holanda &#8211; 1993<br \/>Ciudadano Piria, de Gustavo Leonel Mendoza &#8211; Argentina &#8211; 2014<br \/>Dancing with Maria, de Ivan Gergolet &#8211; Italia \/ Argentina \/ Eslovenia &#8211; 2014<br \/>Evita, quien quiera oir que oiga, de Eduardo Mignogna &#8211; Argentina &#8211; 1984<br \/>El gancho, de Sandra Higuita Mar\u00edn &#8211; Colombia \/ Espa\u00f1a &#8211; 2014<br \/>A luneta do tempo, de Alceu Valen\u00e7a &#8211; Brasil &#8211; 2014<br \/>Olvidados, de Carlos Bolado &#8211; Bolivia &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Un Mar de Cortos para Vos<\/strong><br \/><br \/>El gigante, de Luis da Matta Almeida, Julio Vanzeler &#8211; Espa\u00f1a \/ Portugal &#8211; 2012<br \/>Juliet de bicicleta, de Marcos Fl\u00e1vio Hinke &#8211; Brasil &#8211; 2013<br \/>El coraz\u00f3n del sastre, de Sofia Carrillo &#8211; M\u00e9xico &#8211; 2014<br \/>Lluvia en los ojos, de Rita Basulto &#8211; M\u00e9xico &#8211; 2013<br \/>Historia de un oso, de Gabriel Osorio &#8211; Chile &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Malvinas, 30 miradas<\/strong><br \/><br \/>Un juego del silencio, de Rolando Almirante &#8211; Argentina &#8211; 2014<br \/>Tratado sobre la crueldad, de Paula de Luque &#8211; Argentina &#8211; 2014<br \/>En la colonia, de Mausi Mart\u00ednez &#8211; Argentina- 2014<br \/>La tumba sin nombre, de Arnaldo Andr\u00e9 &#8211; Paraguay &#8211; 2014<br \/>Certeza, de Sabrina Farji &#8211; Argentina &#8211; 2014<br \/>C.P. 9409, de Miguel Mato &#8211; Argentina &#8211; 2014<br \/>Por derecho, de V\u00edctor Arregui &#8211; Ecuador &#8211; 2014<br \/>Los intrusos, de Pablo Fendrik &#8211; Argentina &#8211; 2014<br \/>De muestra basta un bot\u00f3n, de N\u00e9stor Montalbano &#8211; Argentina &#8211; 2014<br \/>Entrevista, de Sergio Bellotti &#8211; Argentina &#8211; 2014<br \/>La grieta, de Carlos Galettini &#8211; Argentina &#8211; 2014<br \/>Comodoro, de Luc\u00eda Puenzo &#8211; Argentina &#8211; 2014<br \/>Con amigos as\u00ed, de David Blaustein &#8211; Argentina &#8211; 2014<br \/>El retorno, de Luis Alejandro y Andr\u00e9s Rodr\u00edguez &#8211; Venezuela &#8211; 2014<br \/>\u00bfQu\u00e9 hacemos?,\u00a0de Alex Bowen &#8211; Chile &#8211; 2014<br \/>Fragmentos, de Nicol\u00e1s Gil Lavedra &#8211; Argentina &#8211; 2014<br \/>El abrazo de Poseid\u00f3n, de Norman Ruiz &#8211; Argentina &#8211; 2014<br \/>Teor\u00eda sobre las colonias, de Adri\u00e1n Caetano &#8211; Uruguay &#8211; 2014<br \/>Apto, de Rodrigo Grande &#8211; Argentina &#8211; 2014<br \/>Regimiento 7 regresa a casa, de Fernando Spiner &#8211; Argentina &#8211; 2014<br \/>El viaje de Abril, de Julio Cardoso &#8211; Argentina &#8211; 2014<br \/>\u00c9pica, de Julio Cardoso &#8211; Argentina &#8211; 2014<br \/>El agujero, de Juan Bautista Stagnaro &#8211; Argentina &#8211; 2014<br \/>Tao, el camino, de Luc\u00eda Cedr\u00f3n &#8211; Argentina &#8211; 2014<br \/>Una tarde en la vida de dos ni\u00f1os kelpers, de Flavio R. Tambellini &#8211; Brasil &#8211; 2014<br \/>Prohibido el olvido, de Roberto De Biase &#8211; Argentina &#8211; 2014<br \/>Abril,de Juan Pablo Laplace &#8211; Argentina &#8211; 2014<br \/>La mano de Dios, de Rodrigo Triana &#8211; Colombia &#8211; 2014<br \/>Mi mar adentro, de Juan Carlos Valdivia &#8211; Bolivia &#8211; 2014<br \/>El retorno de las naves, de Judith V\u00e9lez &#8211; Per\u00fa &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Focos<\/strong><br \/>\u00a0<br \/><strong>Italia Alterada: 7\u00bd<\/strong><br \/><br \/>Abacuc, de Luca Ferri &#8211; Italia &#8211; 2014<br \/>Belluscone. Una storia siciliana, de Franco Maresco &#8211; Italia &#8211; 2014<br \/>La creazione di significato, de Simone Rapisarda Casanova &#8211; Italia \/ Canad\u00e1 &#8211; 2014<br \/>Piccola patria, de Alessandro Rossetto &#8211; Italia &#8211; 2013<br \/>Rosarno, de Gretta De Lazzaris &#8211; Italia &#8211; 2013<br \/>Il segreto, de cyop&amp;kaf &#8211; Italia &#8211; 2013<br \/>Striplife, de Nicola Grignani, Alberto Mussolini, Luca Scaffidi, Valeria Testagrossa, Andrea Zambelli &#8211; Italia \/ Palestina &#8211; 2013<br \/>La benedizione degli animali, de Cosimo Terlizzi &#8211; Italia \/ Suiza &#8211; 2013<br \/>\u00a0<br \/><strong>Italia Alterada Presenta: Roberto Minervini \/ Trilog\u00eda de Texas<\/strong><br \/><br \/>The Passage, de Roberto Minervini &#8211; Estados Unidos \/ B\u00e9lgica &#8211; 2011<br \/>Low Tide, de Roberto Minervini &#8211; Estados Unidos \/ B\u00e9lgica \/ Italia &#8211; 2012<br \/>Stop the Pounding Heart, de Roberto Minervini &#8211; Estados Unidos \/ B\u00e9lgica \/ Italia &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Claire Denis<\/strong><br \/><br \/>S\u2019en fout la mort, de Claire Denis &#8211; Francia \/ Alemania &#8211; 1990<br \/>J\u2019ai pas sommeil, de Claire Denis &#8211; Francia \/ Alemania \/ Suiza &#8211; 1994<br \/>Bella tarea, de Claire Denis &#8211; Francia &#8211; France, 1999<br \/>Sangre can\u00edbal, de Claire Denis &#8211; Francia \/ Alemania \/ Jap\u00f3n &#8211; 2001<br \/>L\u2019Intrus, de Claire Denis &#8211; Francia &#8211; 2004<br \/>35 rhums, de Claire Denis &#8211; Francia \/ Alemania &#8211; 2008<br \/>White Material, de Claire Denis &#8211; Francia &#8211; 2009<br \/>Voil\u00e0 l\u2019enchainement, de Claire Denis &#8211; Francia &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Jaime Humberto Hermosillo<\/strong><br \/><br \/>La pasi\u00f3n seg\u00fan Berenice, de Jaime Humberto Hermosillo &#8211; M\u00e9xico &#8211; 1976<br \/>Matin\u00e9e, de Jaime Humberto Hermosillo &#8211; M\u00e9xico &#8211; 1976<br \/>Naufragio, de Jaime Humberto Hermosillo &#8211; M\u00e9xico &#8211; 1977<br \/>Las apariencias enga\u00f1an, de Jaime Humberto Hermosillo &#8211; M\u00e9xico &#8211; 1977<br \/>La tarea, de Jaime Humberto Hermosillo &#8211; M\u00e9xico &#8211; 1990<br \/>De noche vienes, Esmeralda, de Jaime Humberto Hermosillo &#8211; M\u00e9xico &#8211; 1997<br \/>eXXXorcismos, de Jaime Humberto Hermosillo &#8211; M\u00e9xico &#8211; 2002<br \/>Juventud, de Jaime Humberto Hermosillo &#8211; M\u00e9xico &#8211; 2010<br \/>\u00a0<br \/><br \/><strong>Francisco J. Lombardi<\/strong><br \/><br \/>Maruja en el infierno, de Francisco J. Lombardi &#8211; Per\u00fa &#8211; 1983<br \/>La ciudad y los perros, de Francisco J. Lombardi &#8211; Per\u00fa &#8211; 1985<br \/>La boca del lobo, de Francisco J. Lombardi &#8211; Per\u00fa \/ Espa\u00f1a &#8211; 1988<br \/>Ca\u00eddos del cielo, de Francisco J. Lombardi &#8211; Per\u00fa &#8211; 1990<br \/>Sin compasi\u00f3n, de Francisco J. Lombardi &#8211; Per\u00fa \/ M\u00e9xico \/ Francia &#8211; 1994<br \/>Bajo la piel, de Francisco J. Lombardi &#8211; Per\u00fa \/ Espa\u00f1a \/ Alemania &#8211; 1996<br \/>Pantale\u00f3n y las visitadoras, de Francisco J. Lombardi &#8211; Per\u00fa \/ Espa\u00f1a &#8211; 1999<br \/>Tinta roja, de Francisco J. Lombardi &#8211; Per\u00fa \/ Espa\u00f1a &#8211; 2000<br \/>Ojos que no ven, de Francisco J. Lombardi &#8211; Per\u00fa &#8211; 2003<br \/>Mariposa negra, de Francisco J. Lombardi &#8211; Per\u00fa \/ Espa\u00f1a &#8211; 2006<br \/>Ella, de Francisco J. Lombardi &#8211; Per\u00fa \/ M\u00e9xico &#8211; 2010<br \/>Ojos que s\u00ed ven: El cine de Lombardi, de Jos\u00e9 Ridoutt Polar &#8211; Per\u00fa \/ Canad\u00e1 &#8211; 2003<br \/>\u00a0<br \/><br \/><strong>Espa\u00f1a Alterada Presenta: Basilio Mart\u00edn Patino<\/strong><br \/><br \/>Nueve cartas a Berta, de Basilio Mart\u00edn Patino &#8211; Espa\u00f1a &#8211; 1965<br \/>Canciones para despu\u00e9s de una guerra, de Basilio Mart\u00edn Patino &#8211; Espa\u00f1a &#8211; 1971<br \/>Querid\u00edsimos verdugos, de Basilio Mart\u00edn Patino &#8211; Espa\u00f1a &#8211; 1973<br \/>Caudillo, de Basilio Mart\u00edn Patino &#8211; Espa\u00f1a &#8211; 1974<br \/>Basilio Mart\u00edn Patino. La d\u00e9cima carta, de Virginia Garc\u00eda del Pino &#8211; Espa\u00f1a &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Revisiones<br \/>\u00a0<br \/>Christensen en Brasil<\/strong><br \/><br \/>Leonora dos sete mares, de Carlos Hugo Christensen &#8211; Brasil &#8211; 1956<br \/>Mis amores en R\u00edo, de Carlos Hugo Christensen &#8211; Brasil &#8211; 1959<br \/>El rey Pel\u00e9, de Carlos Hugo Christensen &#8211; Brasil &#8211; 1962<br \/>Viagem aos seios de Du\u00edlia, de Carlos Hugo Christensen &#8211; Brasil &#8211; 1964<br \/>O menino e o vento, de Carlos Hugo Christensen &#8211; Brasil &#8211; 1966<br \/>Enigma para dem\u00f4nios, de Carlos Hugo Christensen &#8211; Brasil &#8211; 1975<br \/>A mulher do desejo, de Carlos Hugo Christensen &#8211; Brasil &#8211; 1977<br \/>A morte transparente, de Carlos Hugo Christensen &#8211; Brasil &#8211; 1978<br \/>La intrusa, de Carlos Hugo Christensen &#8211; Brasil &#8211; 1979<br \/>\u00a0<br \/><br \/><strong>Homenaje a Alberto Etchebehere<\/strong><br \/><br \/>El secuestrador, de Leopoldo Torre Nilsson &#8211; Argentina &#8211; 1958<br \/>M\u00e1s all\u00e1 del olvido, de Hugo del Carril &#8211; Argentina &#8211; 1956<br \/>\u00a0<br \/><br \/><strong>Aleksei German<\/strong><br \/><br \/>Dura prueba bajo sospecha, de Aleksei German &#8211; URSS &#8211; 1971<br \/>Veinte d\u00edas sin guerra, de Aleksei German &#8211; URSS &#8211; 1976<br \/>Mi amigo Ivan Lapshin, de Aleksei German &#8211; URSS &#8211; 1984<br \/>Khrustalyov, My Car!, de Aleksei German &#8211; Rusia \/ Francia &#8211; 1998<br \/>Hard to Be a God, de Aleksei German &#8211; Rusia &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Britannia Lado A: El Primer Hitchcock<\/strong><br \/><br \/>Downhill, de Alfred Hitchcock &#8211; Reino Unido &#8211; 1927<br \/>The Farmer\u2019s Wife, de Alfred Hitchcock &#8211; Reino Unido &#8211; 1928<br \/>The Manxman, de Alfred Hitchcock &#8211; Reino Unido &#8211; 1929<br \/>\u00a0<br \/><br \/><strong>Augusto Roa Bastos, Guionista<\/strong><br \/><br \/>El trueno entre las hojas, de Armando B\u00f3 &#8211; Argentina \/ Paraguay &#8211; 1958<br \/>La sangre y la semilla, de Alberto Du Bois &#8211; Argentina \/ Paraguay &#8211; 1959<br \/>Shunko, de Lautaro Mur\u00faa &#8211; Argentina &#8211; 1960<br \/>Alias Gardelito, de Lautaro Mur\u00faa &#8211; Argentina &#8211; 1961<br \/>Hijo de hombre, de Lucas Demare &#8211; Argentina \/ Espa\u00f1a &#8211; 1961<br \/>La boda, de Lucas Demare &#8211; Argentina \/ Espa\u00f1a &#8211; 1964<br \/>Castigo al traidor, de Manuel Antin &#8211; Argentina &#8211; 1966<br \/>El port\u00f3n de los sue\u00f1os, de Hugo Gamarra &#8211; Paraguay &#8211; 1998<br \/>\u00a0<br \/><br \/><strong>Sandro<\/strong><br \/><br \/>Muchacho, de Leo Fleider &#8211; Argentina &#8211; 1970<br \/>Siempre te amar\u00e9, de Leo Fleider &#8211; Argentina &#8211; 1971<br \/>Embrujo de amor, de Leo Fleider &#8211; Argentina &#8211; 1971<br \/>Destino de un capricho, de Leo Fleider &#8211; Argentina &#8211; 1972<br \/>El deseo de vivir, de Julio Saraceni &#8211; Argentina &#8211; 1973<br \/>Operaci\u00f3n Rosa Rosa, de Leo Fleider &#8211; Argentina &#8211; 1974<br \/>Sub\u00ed que te llevo, de Rub\u00e9n W. Cavallotti &#8211; Argentina &#8211; 1980<br \/>\u00a0<br \/><br \/><strong>Daniel Tinayre<\/strong><br \/><br \/>Mateo, de Daniel Tinayre &#8211; Argentina &#8211; 1937<br \/>Camino del infierno, de Daniel Tinayre, Luis Saslavsky &#8211; Argentina &#8211; 1946<br \/>Pasaporte a R\u00edo, de Daniel Tinayre &#8211; Argentina &#8211; 1948<br \/>Danza del fuego, de Daniel Tinayre &#8211; Argentina &#8211; 1949<br \/>La vendedora de fantas\u00edas, de Daniel Tinayre &#8211; Argentina &#8211; 1950<br \/>Deshonra, de Daniel Tinayre &#8211; Argentina &#8211; 1952<br \/>En la ardiente oscuridad, de Daniel Tinayre &#8211; Argentina &#8211; 1959<br \/>La patota, de Daniel Tinayre &#8211; Argentina &#8211; 1960<br \/>El rufi\u00e1n, de Daniel Tinayre &#8211; Argentina &#8211; 1961<br \/>Bajo un mismo rostro, de Daniel Tinayre &#8211; Argentina &#8211; 1962<br \/>La Cigarra no es un bicho, de Daniel Tinayre &#8211; Argentina &#8211; 1963<br \/>Extra\u00f1a ternura, de Daniel Tinayre &#8211; Argentina &#8211; 1964<br \/>La Mary, de Daniel Tinayre &#8211; Argentina &#8211; 1974<br \/>\u00a0<br \/><br \/><strong>Cosmos 70: Homenaje a la distribuidora Artkino Pictures<\/strong><br \/><br \/>Tres cantos para Lenin, de Dziga Vertov &#8211; URSS &#8211; 1934<br \/>El 41, de Grigori Chujrai &#8211; URSS &#8211; 1956<br \/>Don Quijote, de Grigori Kozintsev &#8211; URSS &#8211; 1957<br \/>Pasaron las grullas, de Mikhail Kalatozov &#8211; URSS &#8211; 1957<br \/>Detr\u00e1s de un vidrio oscuro, de Ingmar Bergman &#8211; Suecia &#8211; 1961<br \/>La infancia de Iv\u00e1n, de Andrei Tarkovski &#8211; URSS &#8211; 1962<br \/>Un d\u00eda, un gato, de Vojtech Jasny &#8211; Checoslovaquia &#8211; 1963<br \/>Los amores de una rubia, de Milos Forman &#8211; Checoslovaquia &#8211; 1965<br \/>El fascismo al desnudo, de Mikhail Romm &#8211; URSS &#8211; 1965<br \/>Trenes rigurosamente vigilados, de Jir\u00ed Menzel &#8211; Checoslovaquia &#8211; 1966<br \/>Cuerno de cabra, de Metodi Andonov &#8211; Bulgaria &#8211; 1972<br \/>\u00a0<br \/><br \/><strong>Cine Argentino Siempre II<\/strong><br \/><br \/>El linyera, de Enrique Larreta &#8211; Argentina &#8211; 1933<br \/>Besos brujos, de Jos\u00e9 Agust\u00edn Ferreyra &#8211; Argentina &#8211; 1937<br \/>Sol de primavera, de Jos\u00e9 Agust\u00edn Ferreyra &#8211; Argentina &#8211; 1937<br \/>Historia de una noche, de Luis Saslavsky &#8211; Argentina &#8211; 1941<br \/>De la sierra al valle, de Antonio Ber Ciani &#8211; Argentina &#8211; 1938<br \/>Los isleros, de Lucas Demare &#8211; Argentina &#8211; 1951<br \/>Si muero antes de despertar, de Carlos Hugo Christensen &#8211; Argentina &#8211; 1952<br \/>Facundo, el tigre de los llanos, de Miguel P. Tato &#8211; Argentina &#8211; 1952<br \/>La Tigra, de Leopoldo Torre Nilsson &#8211; Argentina &#8211; 1953<br \/>Rutas argentinas\u00a0&#8211; Argentina<br \/>\u00a0<br \/><br \/><strong>Generaci\u00f3n VHS<\/strong><br \/><br \/>Electric Boogaloo: The Wild, Untold Story of Cannon Films, de Mark Hartley &#8211; Australia &#8211; 2014<br \/>Salsa picante, de William Sachs &#8211; Estados Unidos &#8211; 1985<br \/>Invasi\u00f3n U.S.A., de Joseph Zito &#8211; Estados Unidos &#8211; 1985<br \/>Halc\u00f3n, de Menahem Golam &#8211; Estados Unidos &#8211; 1987<br \/>Hardware, de Richard Stanley &#8211; Reino Unido \/ Estados Unidos &#8211; 1990<br \/>Lost Soul: The Doomed Journey of Richard Stanley\u2019s Island of Dr. Moreau, de David Gregory &#8211; Estados Unidos \u2013 2014<br \/><br \/><strong>PREMIOS<\/strong><br \/><br \/><strong>COMPETENCIA INTERNACIONAL<\/strong><br \/><br \/><strong>Astor de Oro a la Mejor pel\u00edcula<\/strong><br \/>Come to My Voice, de H\u00fcseyin Karabey<br \/><strong>Astor de Plata al Mejor Director<\/strong><br \/>Mathieu Amalric por La Chambre bleue<br \/><strong>Astor de Plata al Mejor Guion<\/strong><br \/>Le meraviglie, de Alice Rohrwacher<br \/><strong>Astor de Plata al Mejor Actor<\/strong><br \/>Park Jungbum por Alive, de Park Jungbum<br \/><strong>Astor de Plata a la Mejor Actriz<\/strong><br \/>Negar Javaherian por Melbourne, de Nima Javidi<br \/><strong>Menci\u00f3n Especial a la Fotograf\u00eda<\/strong><br \/>Cavalo Dinheiro, de Pedro Costa<br \/><br \/><strong>COMPETENCIA LATINOAMERICANA<\/strong><br \/><br \/><strong>Mejor Largometraje<\/strong><br \/>Branco Sai preto Fica, de Adirley Queir\u00f3s<br \/><strong>Mejor Cortometraje<\/strong><br \/>Naranjas, de Iv\u00e1n D. Gaona<br \/><br \/><strong>COMPETENCIA ARGENTINA<br \/><br \/>Mejor Largometraje<\/strong><br \/>Su realidad, de Mariano Galperin<br \/><strong>Menci\u00f3n Especial<\/strong><br \/>Salud rural, de Dar\u00edo Doria<br \/><strong>Mejor Director de Largometraje<\/strong><br \/>Adri\u00e1n Biniez por El 5 de Talleres<br \/><strong>Mejor Cortometraje<\/strong><br \/>Zombies, de Sebasti\u00e1n Dietsch<br \/><strong>Mejor Director de Cortometraje<\/strong><br \/>Gast\u00f3n Siriczman por Nueve segundos<br \/><br \/><strong>COMPETENCIA WORK IN PROGRESS<\/strong><br \/><br \/><strong>Mejor Proyecto<\/strong><br \/>Soley, de Manuel Abramovich<br \/><strong>1\u00ba Menci\u00f3n Especial<\/strong><br \/>Veredas, de Fernando Cricenti<br \/><strong>2\u00ba Menci\u00f3n Especial<\/strong><br \/>Madre de los dioses, de Pablo Ag\u00fcero<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logo Tinayre Tinayre Cine Argentino Siempre II Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV 60 im\u00e1genes, 60 a\u00f1os Autor: Fernando Mart\u00edn Pe\u00f1a Film Comment, una antolog\u00eda Edici\u00f3n y coordinaci\u00f3n: Marcelo Alderete, Cecilia Barrionuevo, Pablo Conde, Manu Y\u00e1\u00f1ez Murillo Roa Bastos. Mis reflexiones sobre el guion cinematogr\u00e1fico Edici\u00f3n: Carolina Falcone SPOT OFICIAL Del 22 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3862,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-3860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>29\u00b0 Edici\u00f3n (2014) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 41\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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