{"id":3864,"date":"2026-04-08T11:53:20","date_gmt":"2026-04-08T11:53:20","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3864"},"modified":"2026-11-03T15:41:05","modified_gmt":"2026-11-03T15:41:05","slug":"29-edition-2014","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/29-edition-2014\/","title":{"rendered":"29\u00b0 Edition (2014)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignfull size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"828\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_29-tapa_.jpg\" alt=\"Tapa Catalogo Edici\u00f3n 29\" class=\"wp-image-3862\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_29-tapa_.jpg 634w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_29-tapa_-230x300.jpg 230w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Archivos <strong>Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cat\u00e1logo<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Tinayre<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Tinayre.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Tinayre<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cine Argentino Siempre II<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Cine-Argentino-Siempre-II.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Cine-Argentino-Siempre-II.pdf\" target=\"_blank\" rel=\"noopener\">Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">60 im\u00e1genes, 60 a\u00f1os<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/e.issuu.com\/embed.html#18197401\/30564672\" target=\"_blank\" rel=\"noopener\">Autor: Fernando Mart\u00edn Pe\u00f1a<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Film Comment, una antolog\u00eda<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Film-Comment-una-antologia.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-nowrap is-layout-flex wp-container-core-group-is-layout-995f960e wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-layout-flex wp-container-core-group-is-layout-e1caf3a8 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\" role=\"none\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Film-Comment-una-antologia.pdf\" target=\"_blank\" rel=\"noopener\">Edici\u00f3n y coordinaci\u00f3n: Marcelo Alderete, Cecilia Barrionuevo, Pablo Conde, Manu Y\u00e1\u00f1ez Murillo<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Roa Bastos. Mis reflexiones sobre el guion cinematogr\u00e1fico<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Roa-Bastos.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-e2a4e7e4 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Roa-Bastos.pdf\" target=\"_blank\" rel=\"noopener\">Edici\u00f3n: Carolina Falcone<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>From November 22nd\u00a030th<br \/>\u00a0<br \/>AUTHORITIES<br \/>\u00a0<\/strong><br \/><strong>INCAA PRESIDENT<\/strong><br \/>Lucrecia Cardozo<br \/><br \/><strong>FESTIVAL PRESIDENT<\/strong><br \/>Jos\u00e9 Mart\u00ednez Su\u00e1rez<br \/><br \/><strong>ARTISTIC DIRECTOR<\/strong><br \/>Fernando Spiner<br \/><br \/><strong>GENERAL PRODUCER<\/strong><br \/>Laura Bruno<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>PROGRAME<\/strong><br \/><br \/><strong>International Competition<\/strong><br \/><br \/>Alive, by Park Jungbum &#8211; South Korea &#8211; 2014<br \/>Horse Money, by Pedro Costa &#8211; Portugal &#8211; 2014<br \/>Come to My Voice, by H\u00fcseyin Karabey &#8211; Turkey \/ France \/ Germany &#8211; 2014<br \/>Dog Molina, by Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2014<br \/>Jauja, by Lisandro Alonso &#8211; Argentina \/ Denmark \/ France \/ Mexico &#8211; 2014<br \/>The Blue Room, by Mathieu Amalric &#8211; France &#8211; 2014<br \/>Somebody\u2019s Life, by Ezequiel Acu\u00f1a &#8211; Argentina &#8211; 2014<br \/>The Wonders, by Alice Rohrwacher &#8211; Italy &#8211; 2014<br \/>Melbourne, by Nima Javidi &#8211; Iran &#8211; 2014<br \/>Not All Is Vigil, by Hermes Paralluelo &#8211; Spain \/ Colombia &#8211; 2014<br \/>The Duke of Burgundy, by Peter Strickland &#8211; England &#8211; 2014<br \/>August Winds, by Gabriel Mascaro &#8211; Brazil &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Latin American Competition<\/strong><br \/><br \/>White Out Black In, by Adirley Queir\u00f3s &#8211; Brazil \u2013 2014<br \/>The Rest of the World, by Pablo Chavarr\u00eda Guti\u00e9rrez &#8211; Mexico \/ Spain &#8211; 2014<br \/>Favula, by Ra\u00fal Perrone &#8211; Argentina &#8211; 2014<br \/>Gente de bien, by Franco Lolli &#8211; Colombia \/ France &#8211; 2014<br \/>La huella en la niebla, by Emiliano Grieco &#8211; Argentina &#8211; 2014<br \/>Los hongos, by Oscar Ruiz Navia &#8211; Colombia \/ Argentina \/ France \/ Germany &#8211; 2014<br \/>The Dead, by Santiago Mohar Volkow &#8211; Mexico &#8211; 2014<br \/>To Kill a Man, by Alejandro Fern\u00e1ndez Almendras &#8211; Chile &#8211; 2014<br \/>Mr. Kaplan, by \u00c1lvaro Brechner &#8211; Uruguay \/ Spain \/ Germany &#8211; 2014<br \/>Necropolis Symphony, by Juliana Rojas &#8211; Brazil &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Latin American Short Films Competition<\/strong><br \/><br \/>Tennis Girl, by Daniel Barosa &#8211; Brazil &#8211; 2014<br \/>Boatman, by Jos\u00e9 Menezes and Lucas Justiniano &#8211; Brazil &#8211; 2014<br \/>Bestial, by Diego de Haro &#8211; Mexico &#8211; 2014<br \/>Brazil, by Aly Curitiba &#8211; Brazil &#8211; 2014<br \/>Elephant, by C\u00e9sar Andr\u00e9s Heredia Cruz &#8211; Colombia &#8211; 2014<br \/>Pickman\u2019s Model, by Pablo \u00c1ngeles &#8211; Mexico &#8211; 2014<br \/>The Contreras Family, by Alejandro Becerril El\u00edas &#8211; Mexico &#8211; 2014<br \/>Oranges, by Iv\u00e1n D. Gaona &#8211; Colombia &#8211; 2014<br \/>Pact, by Pedro Miguel Rozo &#8211; Colombia &#8211; 2013<br \/>Thirst, by Luc\u00eda Romero P. &#8211; Ecuador &#8211; 2014<br \/>\u00a0<br \/>\u00a0<br \/><strong>Argentine Competition<\/strong><br \/><br \/>The Adventuress, by Leonardo D\u2019Antoni &#8211; Argentina &#8211; 2014<br \/>Campaign Trace, by Nicol\u00e1s Grosso &#8211; Argentina \u2013 2014<br \/>El Cinco, by Adri\u00e1n Biniez &#8211; Argentina \/ Uruguay &#8211; 2014<br \/>A Wanted Child, by Daniel Gaglian\u00f3 &#8211; Argentina &#8211; 2014<br \/>The Boss, Anatomy of a Crime, by Sebasti\u00e1n Schindel &#8211; Argentina \/ Venezuela &#8211; 2014<br \/>Between Sky and Earth, by Mariano Gerbino &#8211; Argentina &#8211; 2013<br \/>Narcisa, by Daniela Mutis &#8211; Argentina &#8211; 2014<br \/>Pantanal, by Andrew Sala &#8211; Argentina &#8211; 2014<br \/>Clues to Go Back Home, by Jazm\u00edn Stuart &#8211; Argentina &#8211; 2014<br \/>Rural Health, by Dar\u00edo Doria &#8211; Argentina &#8211; 2014<br \/>Surreality, by Mariano Galperin &#8211; Argentina &#8211; 2014<br \/>I Know What Poison Means, by Federico Sosa &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Argentine Short Films Competition<\/strong><br \/><br \/>Selfrescue, by Juli\u00e1n d\u00b4Angiolillo &#8211; Argentina &#8211; 2014<br \/>21 Easy Steps to Get Over Your Ex, by Julieta Steinberg &#8211; Argentina &#8211; 2014<br \/>Darcy\u2019s Birthday, by Diego Frangi &#8211; Argentina &#8211; 2014<br \/>The Seagull, by Esteban Perroud &#8211; Argentina \/ France &#8211; 2014<br \/>Inmentis, by Francisco de la Fuente &#8211; Argentina &#8211; 2014<br \/>Nine Seconds, by Gast\u00f3n Siriczman &#8211; Argentina &#8211; 2014<br \/>Small Town, by Mariano Tobar &#8211; Argentina &#8211; 2014<br \/>Recalculating, by Ingrid Pokropek &#8211; Argentina &#8211; 2014<br \/>Rail Tracks, by Gual Mostajo &#8211; Argentina &#8211; 2014<br \/>The Open Window, by Lucila Las Heras &#8211; Argentina &#8211; 2014<br \/>Zombies, by Sebasti\u00e1n Dietsch &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Work In Progress<\/strong><br \/><br \/>Al centro de la Tierra, by Daniel Rosenfeld &#8211; Argentina &#8211; 2014<br \/>Alptraum, by Ana Piterbarg &#8211; Argentina &#8211; 2014<br \/>Buscando a Myu, by Baltazar Tokman &#8211; Argentina &#8211; 2014<br \/>Cambio de aire, by Rosendo Ruiz &#8211; Argentina &#8211; 2014<br \/>Campa\u00f1a antiargentina, by Alejandro Parysow &#8211; Argentina &#8211; 2014<br \/>Casa del teatro, by Hern\u00e1n Rosselli &#8211; Argentina &#8211; 2014<br \/>El eslab\u00f3n podrido, Valent\u00edn Javier Diment &#8211; Argentina &#8211; 2014<br \/>El exilio de las Malvinas, by Federico J. Palma &#8211; Argentina &#8211; 2014<br \/>El invierno llega despu\u00e9s del oto\u00f1o, by Malena Solarz, Nicol\u00e1s Zukerfeld &#8211; Argentina &#8211; 2014<br \/>El monumento, by Ignacio Masllorens &#8211; Argentina &#8211; 2014<br \/>Ensayo de despedida, by Macarena Albalustri &#8211; Argentina &#8211; 2014<br \/>Implantaci\u00f3n, by Ferm\u00edn Eloy Acosta, Luc\u00eda Salas, Sol Bolloqui &#8211; Argentina &#8211; 2014<br \/>La herencia, by Federico Robles &#8211; Argentina &#8211; 2014<br \/>La sangre del gallo, by Mariano Dawidson &#8211; Argentina &#8211; 2014<br \/>Madres de los dioses, by Pablo Ag\u00fcero &#8211; Argentina &#8211; 2014<br \/>Paula, by Eugenio Canevari &#8211; Argentina &#8211; 2014<br \/>Primero, enero, by Dar\u00edo Mascambroni &#8211; Argentina &#8211; 2014<br \/>Reflejo Narcisa, by Silvina Szperling &#8211; Argentina &#8211; 2014<br \/>Sol\u00e8y, by Manuel Abramovich &#8211; Argentina &#8211; 2014<br \/>Upa!2, el regreso, by Camila Toker, Santiago Giralt, Tamae Garateguy &#8211; Argentina &#8211; 2014<br \/>Veredas, by Fernando Cricenti &#8211; Argentina &#8211; 2014<br \/>Zebras, by Javier Zevallos &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Authors<\/strong><br \/><br \/>Wild, by Jean-Marc Vall\u00e9e \u2013 United States &#8211; 2014<br \/>Amour fou, by Jessica Hausner &#8211; Austria \/ Luxembourg \/ Germany &#8211; 2014<br \/>Birdman, by Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu \u2013 United Sates &#8211; 2014<br \/>The Dance of Reality, by Alejandro Jodorowsky &#8211; France \/ Chile &#8211; 2013<br \/>Don\u2019t Go Breaking My Heart 2, by Johnnie To &#8211; Hong Kong \/ China &#8211; 2014<br \/>The Drop, by Micha\u00ebl R. Roskam &#8211; United States &#8211; 2013<br \/>From What Is Before, by Lav Diaz &#8211; Philippines &#8211; 2014<br \/>Gyeongju, by Zhang Lu \u2013 South Korea &#8211; 2014<br \/>Haemoo, by Shim Sung-bo &#8211; South Korea &#8211; 2014<br \/>Hill of Freedom, by Hong Sangsoo &#8211; South Korea &#8211; 2014<br \/>Magical Girl, by Carlos Vermut &#8211; Spain \/ France \u2013 2014<br \/>Ma\u00efdan, by Sergei Loznitsa &#8211; Ukraine \/ Netherlands \u2013 2014<br \/>Mommy, by Xavier Dolan &#8211; Canada &#8211; 2014<br \/>National Gallery, by Frederick Wiseman &#8211; United States \/ France &#8211; 2014<br \/>Ned Rifle, by Hal Hartley &#8211; United States &#8211; 2014<br \/>Li\u2019l Quinquin, by Bruno Dumont &#8211; France &#8211; 2014<br \/>Pasolini, by Abel Ferrara &#8211; France \/ Belgium \/ Italy &#8211; 2014<br \/>Revivre, by Im Kwon-taek &#8211; South Korea &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Argentine Panorama<\/strong><br \/><br \/>Avant, by Juan \u00c1lvarez Neme<br \/>Brasc\u00f3, by Ernesto Livon-Grosman &#8211; Argentina &#8211; 2013<br \/>Here, Kitty Kitty, by Santiago Giralt &#8211; Argentina \/ Canada &#8211; 2014<br \/>La Salada, by Juan Mart\u00edn Hsu &#8211; Argentina &#8211; 2014<br \/>Lemmings Strike Back, by Edmundo Bejarano &#8211; Argentina \/ Germany &#8211; 2014<br \/>The Argentine Mission, by Adri\u00e1n Jaime &#8211; Argentina &#8211; 2014<br \/>The Eyes of America, by Daiana Rosenfeld, An\u00edbal Garisto &#8211; Argentina &#8211; 2014<br \/>You\u2019re Not Alone in This, by Milagros Amondaray &#8211; Argentina &#8211; 2014<br \/>By Modesto\u2019s Journey, by Sebasti\u00e1n Deus &#8211; Argentina &#8211; 2014<br \/>R\u00e9imon, by Rodrigo Moreno &#8211; Argentina \/ Germany &#8211; 2014<br \/>It\u2019s Alright If I\u2019m Lost, by Santiago Loza &#8211; Argentina &#8211; 2014<br \/>Silences and Hands, by Hern\u00e1n Khourian &#8211; Argentina &#8211; 2014<br \/>Recovered Time, by Eva Poncet y Marcelo Burd &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Super 8 \/ 16mm<\/strong><br \/><br \/>Jinetes, by Azucena Losana &#8211; Argentina &#8211; 2013<br \/>PAB, by Azucena Losana &#8211; Argentina &#8211; 2014<br \/>Colibr\u00ed, by Azucena Losana &#8211; Argentina &#8211; 2013<br \/>Intermission (diptych), by Azucena Losana &#8211; Argentina &#8211; 2013<br \/>Resumen, by Pablo Ziccarello &#8211; Argentina &#8211; 2012<br \/>Breathe, by Leonardo Zito &#8211; Argentina &#8211; 2014<br \/>Hallazgos, by Leonardo Zito &#8211; Argentina &#8211; 2014<br \/>Reflexiones, by Julio Fermepin &#8211; Argentina &#8211; 2014<br \/>Hornaditas, by Julio Fermepin &#8211; Argentina &#8211; 2014<br \/>Fuerzas (trilog\u00eda), by Luj\u00e1n Montes &#8211; Argentina &#8211; 2014<br \/>Intemperie, by Luj\u00e1n Montes &#8211; Argentina &#8211; 2014<br \/>Haiku # 2, by Alvaro Cifuentes &#8211; Argentina &#8211; 2009<br \/>Hay amor tan necesario como el sol I, by Alvaro Cifuentes &#8211; Argentina &#8211; 2011<br \/>Sin t\u00edtulo, by Alvaro Cifuentes &#8211; Argentina &#8211; 2013<br \/>Fantasmas crom\u00e1ticos, by Claudio Caldini &#8211; Argentin &#8211; 2012<br \/>Aula magna, by Andr\u00e9s Denegri &#8211; Argentina &#8211; 2014<br \/>Fresno, by Leandro Listorti &#8211; Argentina &#8211; 2014<br \/>Resistfilm, by Pablo Mar\u00edn &#8211; Argentina\/Canada &#8211; 2014<br \/>S\/T, by Sergio Subero &#8211; Argentina &#8211; 2014<br \/>Fotooxidaci\u00f3n, by Pablo Mazzolo &#8211; Argentina &#8211; 2013<br \/>The Wandering Gaze &#8211; Dreams Printed in Acetate,\u00a0by Jorge Honik &#8211; Argentina &#8211; 1969\/1981<br \/>Gaud\u00ed Killed by a Tram,\u00a0by Jorge Honik &#8211; Argentina &#8211; 1968<br \/>Clouds, by Jorge Honik &#8211; Argentina &#8211; 1969<br \/>Komik, by Jorge Honik- Argentina, 1969<br \/>A Walk, by Jorge Honik &#8211; Argentina &#8211; 1969<br \/>The immortal, by Jorge Honik &#8211; Argentina &#8211; 1970<br \/>Passacaglia and fugue, by Jorge Honik &#8211; Argentina &#8211; 1974<br \/>\u00a0<br \/><br \/><strong>Panorama of Latin American Cinema<\/strong><br \/><br \/>The Searches, by Jos\u00e9 Luis Valle Mexico &#8211; Mexico &#8211; 2013<br \/>Clenched Fists, by Luiz Pretti, Ricardo Pretti, Pedro Diogenes &#8211; Brazil &#8211; 2014<br \/>The Lamb, by Juan Francisco Olea &#8211; Chile &#8211; 2014<br \/>She, by Libia Stella G\u00f3mez D\u00edaz &#8211; Colombia &#8211; 2014<br \/>Extirpator of Idolatries, by Manuel Siles &#8211; Peru &#8211; 2014<br \/>Gonz\u00e1lez, by Christian D\u00edaz Pardo &#8211; Mexico &#8211; 2014<br \/>\u00cdcaros, by Georgina Barreiro &#8211; Argentina &#8211; 2014<br \/>Fireflies\u2019 Lake, by Florencia Iwabut, Samir Marun Helo &#8211; Argentina \/ Colombia &#8211; 2014<br \/>The Checkpoint, by Enrique R. Bencomo, Fernando R. Bencomo &#8211; Venezuela &#8211; 2014<br \/>Pink Noise, by Roberto Flores Prieto &#8211; Colombia &#8211; 2014<br \/>Alone, by Jos\u00e9 R. N\u00f3voa &#8211; Venezuela \/ Argentina &#8211; 2014<br \/>Perpetual Sadness, by Jorge P\u00e9rez Solano &#8211; Mexico &#8211; 2014<br \/>Cows wearing glasses, by Alex Santiago P\u00e9rez &#8211; Puerto Rico &#8211; 2014<br \/>Good Old Boys, by Fernando Villar\u00e1n &#8211; Peru &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Mar de Chicos<\/strong><br \/><br \/>Belle and Sebastian, by Nicolas Vanier &#8211; France &#8211; 2013<br \/>Dixie and the Zombie Rebellion, by Ricardo Ram\u00f3n, Be\u00f1at Beitia &#8211; Spain &#8211; 2013<br \/>The Extraordinary Journey of Lucius Dumb,\u00a0by Maite Ruiz de Austri &#8211; Spain &#8211; 2013<br \/>Pancho, Millionaire Dog, by Tom Fern\u00e1ndez &#8211; Spain &#8211; 2014<br \/>Pinocho, by Anna Justice &#8211; Germany \u2013 2013<br \/>\u00a0<br \/><br \/><strong>Mar de Chicos Short Films Program<\/strong><br \/><br \/>Cloudy Goats, by Hamid Karimian &#8211; Iran &#8211; 2013<br \/>The Prince\u2019s Heart, by Caio Ryuichi &#8211; Brazil &#8211; 2014<br \/>The Gift, by Julio Pot &#8211; Chile &#8211; 2013<br \/>The Teacher and The Flower, by Daniel Irabien &#8211; Mexico &#8211; 2014<br \/>Me + Her, by Joseph Oxford &#8211; United States &#8211; 2014<br \/>Mops &amp; Ollie, by Christian Kuntz &#8211; Denmarck &#8211; 2013<br \/>Reflections, by Federico Larrosa &#8211; Argentina &#8211; 2014<br \/>The Trumpeter, by Ra\u00fal &#8220;Robin\u201d Morales &#8211; Mexico &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Ojo al Piojo Program<\/strong><br \/><br \/>The Meteorito, by Taller del Coco (Coordinado por Javier Cabrera &amp; Roc\u00edo Dalmau) &#8211; Argentina &#8211; 2013<br \/>The mistery of the Worm, by Sof\u00eda Bast\u00e9 &#8211; Romania &#8211; 2013<br \/>Bottle, by Kirsten Lepore &#8211; United States &#8211; 2013<br \/>The Elephant is Sick!, by Verena Fels &#8211; Germany &#8211; 2013<br \/>The Dragonfly and the Little Frog, by Carlos Avalone &#8211; Brazil &#8211; 2013<br \/>The Life of Birds, by Federico Rathge &#8211; Argentina &#8211; 2014<br \/>Lights Out &#8211; I\u2019m a Snail!,\u00a0by Verena Fels &#8211; Germany &#8211; 2012<br \/>Moskina, by Beatriz Herrera Carrillo &#8211; Mexico &#8211; 2013<br \/>Nashorn Twist, by Verena Fels &#8211; Germany &#8211; 2013<br \/>Paleolito, by Ismael Lito &#8211; Brazil &#8211; 2013<br \/>Twins in Bakery, by Mari Miyazawa &#8211; Japan &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Documentary Window: Political Cinema<\/strong><br \/><br \/>Almost Friends, by Nitzan Ofir &#8211; Israel &#8211; 2014<br \/>The Aryans, by Mo Asumang &#8211; Germany &#8211; 2014<br \/>Beyond the Walls, by Gayle Embrey &#8211; Argentina \/ United States &#8211; 2014<br \/>Looking for Life, the Crimes of the Argentine Army in Campo de Mayo Garrison, by Aldo Getino &#8211; Argentina &#8211; 2013<br \/>Silvered Water, Syria Self-portrait,\u00a0de Ossama Mohammed &#8211; France \/ Syria &#8211; 2014<br \/>The Forest, by Sinisa Dragin &#8211; Romania \/ Serbia &#8211; 2014<br \/>Francis of Buenos Aires, by Miguel Rodr\u00edguez Arias &#8211; Argentina \/ Italy &#8211; 2014<br \/>Gran Chaco, by Lucas van Esso &#8211; Argentina &#8211; 2014<br \/>No Land\u2019s Song, by Ayat Najafi &#8211; Germany \/ France &#8211; 2014<br \/>Osvaldo Bayer &#8220;La livert\u00e1\u201d, by Gustavo Gzain &#8211; Argentina &#8211; 2014<br \/>The Overnighters, by Jesse Moss &#8211; United States &#8211; 2014<br \/>I, kamikaze, by Masa Sawada &#8211; France &#8211; 2014<br \/>Propaganda, by Christopher Murray &#8211; Chile &#8211; 2014<br \/>Uncensored, by Oriana Castro, Nicol\u00e1s Mart\u00ednez Zemborain &#8211; Argentina &#8211; 2014<br \/>The Square, by L\u00edvia Gyarmathy &#8211; Hungary &#8211; 2013<br \/>Scorched Land,\u00a0by Gustavo Siri &#8211; Argentina &#8211; 2014<br \/>UNASUR in Hait\u00ed: Reflections of a Caring Argentina, by Jorge Diego Gil &#8211; Argentina &#8211; 2014<br \/>Watchers of the Sky, by Edet Belzberg &#8211; United States &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>In Search of Destiny<\/strong><br \/><br \/>Before I Disappear, by Shawn Christensen &#8211; United States &#8211; 2014<br \/>B.F.E., by Shawn Telford &#8211; United States &#8211; 2014<br \/>Mendoza\u2019s Diaries, by Luc\u00eda L. Mendoza &#8211; Argentina &#8211; 2014<br \/>Ed\u00e9n, by Elise DuRant &#8211; Mexico \/ United States &#8211; 2014<br \/>About Twelve, by Mart\u00edn Shanly &#8211; Argentina \/ Austria &#8211; 2014<br \/>Recommended by Enrique, by Rania Attieh, Daniel Garcia &#8211; United States \/ Argentina &#8211; 2014<br \/>Portrait of an Animal Behavior, by Florencia Colucci, Gonzalo Lugo &#8211; Uruguay &#8211; 2014<br \/>You\u2019re Sleeping Nicole, by St\u00e9phane Lafleur &#8211; Canada &#8211; 2014<br \/>Voley, by Mart\u00edn Piroyansky &#8211; Argentina &#8211; 2014<br \/>Sunday, by Alejandro Jovic &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Midnight Screamings<\/strong><br \/><br \/>A Hard Day, by Kim Seong-hun &#8211; South Korea &#8211; 2014<br \/>It Follows, by David Robert Mitchell &#8211; United States &#8211; 2014<br \/>Over Your Dead Body, by Takashi Miike &#8211; Japan &#8211; 2014<br \/>Spring, by Justin Benson, Aaron Moorhead &#8211; United States &#8211; 2014<br \/>Tokyo Tribe, by Sion Sono &#8211; Japan &#8211; 2014<br \/>What We Do in the Shadows, by Taika Waititi, Jemaine Clement \u2013 New Zealand \/ United States &#8211; 2014<br \/>Wyrmwood, by Kiah Roache-Turner &#8211; Australia &#8211; 2014<br \/>Confetti of the Mind, by Nacho Vigalondo &#8211; Spain &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Open Veins<\/strong><br \/><br \/>Dead Heart, by Mariano Cattaneo &#8211; Argentina &#8211; 2014<br \/>Whispers of the Forest, by Jorge Olgu\u00edn &#8211; Chile &#8211; 2014<br \/>Jorge and Alberto vs The Neoliberal Demons, by Hern\u00e1n y Gonzalo Quintana &#8211; Argentina \u2013 2014<br \/>The Monsters,\u00a0by Juan Schmidt &#8211; Argentina &#8211; 2014<br \/>Born to Die, by Andr\u00e9s Borghi &#8211; Argentina &#8211; 2014<br \/>Still Life, by Gabriel Grieco &#8211; Argentina &#8211; 2014<br \/>The Missing Part, by Galel Maidana &#8211; Argentina &#8211; 2014<br \/>Redeemer, by Ernesto D\u00edaz Espinoza &#8211; Chile &#8211; 2014<br \/>Tejen, by Pablo Rabe &#8211; Argentina &#8211; 2014<br \/>Albino, by Federico Telerman &#8211; Argentina &#8211; 2014<br \/>Hasta las entra\u00f1as, by Leandro Cozzi &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>OST<\/strong><br \/><br \/>Brasses on Isla Verde, by Adriana Yurcovich &#8211; Argentina &#8211; 2014<br \/>Contempt for Authority, Stories of Local Punks in Argentina 1983-1988 (Chapter 1), by Tom\u00e1s Makaji, Patricia Pietrafesa &#8211; Argentina &#8211; 2014<br \/>Ed\u00e9n, by Mia Hansen-L\u00f8ve &#8211; France &#8211; 2014<br \/>God Help the Girl, by Stuart Murdoch &#8211; UK &#8211; 2013<br \/>Heaven Adores You, by Nickolas Rossi &#8211; United States &#8211; 2014<br \/>Little Babylon, by Hern\u00e1n Moyano &#8211; Argentina &#8211; 2014<br \/>Lightning in the Dark, by Germ\u00e1n Fern\u00e1ndez, Pablo Montllau &#8211; Argentina &#8211; 2014<br \/>Salg\u00e1n &amp; Salg\u00e1n: A Father-Son Tango, by Caroline Neal &#8211; Argentina &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Senses of Humor<\/strong><br \/><br \/>Big in Japan, by John Jeffcoat &#8211; United States \/ Japan &#8211; 2014<br \/>Bugarach, by Salvador Sunyer, Ventura Durall, Sergi Cameron &#8211; Spain \/ Germany &#8211; 2014<br \/>Henri Henri, by Martin Talbot &#8211; Canada &#8211; 2014<br \/>Listen Up Philip, by Alex Ross Perry &#8211; United States &#8211; 2014<br \/>The Mend, by John Magary &#8211; United States &#8211; 2014<br \/>Santiago violenta, by Ernesto D\u00edaz Espinoza &#8211; Chile &#8211; 2014<br \/>Summer of Blood, by Onur Tukel &#8211; United States &#8211; 2014<br \/>\u00a0<br \/>\u00a0<br \/><strong>Altered States<\/strong><br \/><br \/>The Citadel, by Rub\u00e9n Guzm\u00e1n &#8211; Argentina &#8211; 2014<br \/>The Guests, by Ken Jacobs &#8211; United States &#8211; 2013<br \/>I, of Whom I Know Nothing, by Pablo Sigg &#8211; Mexico &#8211; 2014<br \/>Eat your Bones,\u00a0by Jean-Charles Hue &#8211; France &#8211; 2014<br \/>Mercuriales, by Virgil Vernier &#8211; France &#8211; 2014<br \/>The Walk, by Flavia de la Fuente &#8211; Argentina &#8211; 2014<br \/>Home, by Elisa Cepedal, Ram\u00f3n Llu\u00eds Bande &#8211; Spain &#8211; 2014<br \/>Night is necessary, by Marcos M. Merino &#8211; Spain &#8211; 2014<br \/>To Be and to Come back, by Xacio Ba\u00f1o &#8211; Spain &#8211; 2014<br \/>The Creator of the Jungle, by Jordi Morat\u00f3 &#8211; Spain &#8211; 2014<br \/>Salers, by Fernando Dom\u00ednguez &#8211; Argentina &#8211; 2014<br \/>Broken Tongue, by M\u00f3nica Savir\u00f3n &#8211; United States &#8211; 2013<br \/>I Can Only Show You the Color, by Fernando V\u00edlchez Rodr\u00edguez &#8211; Peru &#8211; 2014<br \/>El asombro, by Iv\u00e1n Fund, Santiago Loza, Lorena Moriconi &#8211; Argentina &#8211; 2014<br \/>Episode of the Sea, by Lonnie van Brummelen, Siebren de Haan &#8211; Netherlands &#8211; 2014<br \/>All Vows, by Bill Morrison &#8211; United States &#8211; 2013<br \/>The Figures Carved into the Knife by the Sap of the Banana Trees,\u00a0de Joana Pimenta &#8211; Portugal \/ United States &#8211; 2014<br \/>The Sunflowers, by Mart\u00edn Boulocq &#8211; Bolivia &#8211; 2014<br \/>The Old Man of Bel\u00e9m, by Manoel de Oliveira &#8211; Portugal \/ France &#8211; 2014<br \/>The Tony Longo Trilogy, by Thom Andersen &#8211; United States &#8211; 2014<br \/>Dialogue of Shadows, by Jean-Marie Straub &#8211; Switzerland \/ France &#8211; 1954-2013<br \/>\u00c0bout Venice, by Jean-Marie Straub &#8211; Switzerland \/ France &#8211; 2013<br \/>General Assembly, by Luc Moullet &#8211; France &#8211; 2014<br \/>Things, by Ben Rivers &#8211; UK &#8211; 2014<br \/>Sleepwalkers, by Patrick Mendes &#8211; Portugal &#8211; 2014<br \/>It\u2019s Not a Prison If You Never Try the Door, by Joshua Gen Solondz &#8211; United States &#8211; 2013<br \/>Atlantis, by Ben Russell &#8211; United States &#8211; 2014<br \/>O, Persecuted, by Basma Alsharif &#8211; Palestine \/ UK &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Special Screenings<\/strong><br \/><br \/>The Act in Question, by Alejandro Agresti &#8211; Argentina \/ Netherlands &#8211; 1993<br \/>Citizen Piria, by Gustavo Leonel Mendoza &#8211; Argentina &#8211; 2014<br \/>Dancing with Maria, by Ivan Gergolet &#8211; Italy \/ Argentina \/ Slovenia &#8211; 2014<br \/>Evita, Those Who Want to Listen Then Listen, by Eduardo Mignogna &#8211; Argentina &#8211; 1984<br \/>The Road to Urab\u00e1, by Sandra Higuita Mar\u00edn &#8211; Colombia \/ Spain &#8211; 2014<br \/>The Telescope of Time,\u00a0by Alceu Valen\u00e7a &#8211; Brazil &#8211; 2014<br \/>Forgotten, by Carlos Bolado &#8211; Bolivia &#8211; 2014<br \/>\u00a0<br \/>\u00a0<br \/><strong>A Sea of Shorts for You<\/strong><br \/><br \/>El gigante, by Luis da Matta Almeida, Julio Vanzeler &#8211; Spain \/ Portugal &#8211; 2012<br \/>Juliet de bicicleta, by Marcos Fl\u00e1vio Hinke &#8211; Brazil &#8211; 2013<br \/>El coraz\u00f3n del sastre, by Sofia Carrillo &#8211; Mexico &#8211; 2014<br \/>Lluvia en los ojos, by Rita Basulto &#8211; Mexico &#8211; 2013<br \/>Historia de un oso, by Gabriel Osorio &#8211; Chile &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Malvinas, 30 miradas<\/strong><br \/><br \/>Un juego del silencio, by Rolando Almirante &#8211; Argentina &#8211; 2014<br \/>Tratado sobre la crueldad, by Paula de Luque &#8211; Argentina &#8211; 2014<br \/>En la colonia, by Mausi Mart\u00ednez &#8211; Argentina- 2014<br \/>La tumba sin nombre, by Arnaldo Andr\u00e9 &#8211; Paraguay &#8211; 2014<br \/>Certeza, by Sabrina Farji &#8211; Argentina &#8211; 2014<br \/>C.P. 9409, by Miguel Mato &#8211; Argentina &#8211; 2014<br \/>Por derecho, by V\u00edctor Arregui &#8211; Ecuador &#8211; 2014<br \/>Los intrusos, by Pablo Fendrik &#8211; Argentina &#8211; 2014<br \/>De muestra basta un bot\u00f3n, by N\u00e9stor Montalbano &#8211; Argentina &#8211; 2014<br \/>Entrevista, by Sergio Bellotti &#8211; Argentina &#8211; 2014<br \/>La grieta, by Carlos Galettini &#8211; Argentina &#8211; 2014<br \/>Comodoro, by Luc\u00eda Puenzo &#8211; Argentina &#8211; 2014<br \/>Con amigos as\u00ed, by David Blaustein &#8211; Argentina &#8211; 2014<br \/>El retorno, by Luis Alejandro y Andr\u00e9s Rodr\u00edguez &#8211; Venezuela &#8211; 2014<br \/>\u00bfQu\u00e9 hacemos?, by\u00a0Alex Bowen &#8211; Chile &#8211; 2014<br \/>Fragmentos, by Nicol\u00e1s Gil Lavedra &#8211; Argentina &#8211; 2014<br \/>El abrazo de Poseid\u00f3n, by Norman Ruiz &#8211; Argentina &#8211; 2014<br \/>Teor\u00eda sobre las colonias, by Adri\u00e1n Caetano &#8211; Uruguay &#8211; 2014<br \/>Apto, by Rodrigo Grande &#8211; Argentina &#8211; 2014<br \/>Regimiento 7 regresa a casa, by Fernando Spiner &#8211; Argentina &#8211; 2014<br \/>El viaje de Abril, by Julio Cardoso &#8211; Argentina &#8211; 2014<br \/>\u00c9pica, by Julio Cardoso &#8211; Argentina &#8211; 2014<br \/>El agujero, by Juan Bautista Stagnaro &#8211; Argentina &#8211; 2014<br \/>Tao, el camino, by Luc\u00eda Cedr\u00f3n &#8211; Argentina &#8211; 2014<br \/>Una tarde en la vida de dos ni\u00f1os kelpers, by Flavio R. Tambellini &#8211; Brazil &#8211; 2014<br \/>Prohibido el olvido, by Roberto De Biase &#8211; Argentina &#8211; 2014<br \/>Abril, by Juan Pablo Laplace &#8211; Argentina &#8211; 2014<br \/>La mano de Dios, by Rodrigo Triana &#8211; Colombia &#8211; 2014<br \/>Mi mar adentro, by Juan Carlos Valdivia &#8211; Bolivia &#8211; 2014<br \/>El retorno de las naves, by Judith V\u00e9lez &#8211; Peru &#8211; 2014<br \/>\u00a0<br \/><br \/><strong>Focus<\/strong><br \/><br \/><strong>Altered Italy: 7\u00bd<\/strong><br \/><br \/>Abacuc, by Luca Ferri &#8211; Italy &#8211; 2014<br \/>Belluscone. A Sicilian Story, by Franco Maresco &#8211; Italy &#8211; 2014<br \/>The Creation of Meaning, by Simone Rapisarda Casanova &#8211; Italy \/ Canada &#8211; 2014<br \/>Small Homeland, by Alessandro Rossetto &#8211; Italy &#8211; 2013<br \/>Rosarno, by Gretta De Lazzaris &#8211; Italy &#8211; 2013<br \/>The Secret, by cyop&amp;kaf &#8211; Italy &#8211; 2013<br \/>Striplife, by Nicola Grignani, Alberto Mussolini, Luca Scaffidi, Valeria Testagrossa, Andrea Zambelli &#8211; Italy \/ Palestine &#8211; 2013<br \/>The Animals Blessing, by Cosimo Terlizzi &#8211; Italy \/ Switzerland &#8211; 2013<br \/>\u00a0<br \/><strong>Altered Italy Presents: Roberto Minervini \/ Texas Trilogy<\/strong><br \/><br \/>The Passage, by Roberto Minervini &#8211; United States \/ Belgium &#8211; 2011<br \/>Low Tide, by Roberto Minervini &#8211; United States \/ Belgium \/ Italy &#8211; 2012<br \/>Stop the Pounding Heart, by Roberto Minervini &#8211; United States \/ Belgium \/ Italy &#8211; 2013<br \/>\u00a0<br \/><strong>Claire Denis<\/strong><br \/><br \/>No Fear, No Die, by Claire Denis &#8211; France \/ Germany &#8211; 1990<br \/>I Can\u2019t Sleep, by Claire Denis &#8211; France \/ Germany \/ Switzerland &#8211; 1994<br \/>Beau travail, by Claire Denis &#8211; France &#8211; France, 1999<br \/>Trouble Every Day, by Claire Denis &#8211; France \/ Germany \/ Japan &#8211; 2001<br \/>The Intruder, by Claire Denis &#8211; France &#8211; 2004<br \/>35 shots of Rum, by Claire Denis &#8211; France \/ Germany &#8211; 2008<br \/>White Material, by Claire Denis &#8211; France &#8211; 2009<br \/>Here is the Concatenation, by Claire Denis &#8211; France &#8211; 2013<br \/>\u00a0<br \/><strong>Jaime Humberto Hermosillo<\/strong><br \/><br \/>The Passion of Berenice, by Jaime Humberto Hermosillo &#8211; Mexico &#8211; 1976<br \/>Matinee, by Jaime Humberto Hermosillo &#8211; Mexico &#8211; 1976<br \/>Shipwrek, by Jaime Humberto Hermosillo &#8211; Mexico &#8211; 1977<br \/>Appearances are deceiving, by Jaime Humberto Hermosillo &#8211; Mexico &#8211; 1977<br \/>Homework, by Jaime Humberto Hermosillo &#8211; Mexico &#8211; 1990<br \/>Esmeralda Comes by Night, by Jaime Humberto Hermosillo &#8211; Mexico &#8211; 1997<br \/>eXXXorcisms, by Jaime Humberto Hermosillo &#8211; Mexico &#8211; 2002<br \/>Youth, by Jaime Humberto Hermosillo &#8211; Mexico &#8211; 2010<br \/><strong>\u00a0<br \/>Francisco J. Lombardi<\/strong><br \/><br \/>Maruja in Hell, by Francisco J. Lombardi &#8211; Peru &#8211; 1983<br \/>The City and the Dogs, by Francisco J. Lombardi &#8211; Peru &#8211; 1985<br \/>In the Mouth of the Wolf, by Francisco J. Lombardi &#8211; Peru \/ Spain &#8211; 1988<br \/>Fallen from Heaven, by Francisco J. Lombardi &#8211; Peru &#8211; 1990<br \/>Without Compassion, by Francisco J. Lombardi &#8211; Peru \/ Mexico \/ France &#8211; 1994<br \/>Under the Skin, by Francisco J. Lombardi &#8211; Peru \/ Spain \/ Germany &#8211; 1996<br \/>Captain Pantoja abd the Special Services, by Francisco J. Lombardi &#8211; Peru \/ Spain &#8211; 1999<br \/>Red Ink, by Francisco J. Lombardi &#8211; Peru \/ Spain &#8211; 2000<br \/>What the Eye Doesn\u00b4t See, by Francisco J. Lombardi &#8211; Peru &#8211; 2003<br \/>Black Butterfly, by Francisco J. Lombardi &#8211; Peru \/ Spain &#8211; 2006<br \/>She, by Francisco J. Lombardi &#8211; Peru \/ Mexico &#8211; 2010<br \/>Within Sight: The Cinema of Lombardi,\u00a0by Jos\u00e9 Ridoutt Polar &#8211; Peru \/ Canada &#8211; 2003<br \/>\u00a0<br \/><strong>Altered Spain Presents: Basilio Mart\u00edn Patino<\/strong><br \/><br \/>Nine Letters to Bertha, by Basilio Mart\u00edn Patino &#8211; Spain &#8211; 1965<br \/>Songs of After a War, by Basilio Mart\u00edn Patino &#8211; Spain &#8211; 1971<br \/>Dearest Executioners, by Basilio Mart\u00edn Patino &#8211; Spain &#8211; 1973<br \/>Caudillo, by Basilio Mart\u00edn Patino &#8211; Spain &#8211; 1974<br \/>Basilio Mart\u00edn Patino. The Tenth Letter, by Virginia Garc\u00eda del Pino &#8211; Spain &#8211; 2014<br \/>\u00a0<br \/>\u00a0<br \/><strong>Revisions<\/strong><br \/>\u00a0<br \/><strong>Christensen in Brazil<\/strong><br \/><br \/>Leonora of the Seven Seas, by Carlos Hugo Christensen &#8211; Brazil &#8211; 1956<br \/>Three Loves in R\u00edo, by Carlos Hugo Christensen &#8211; Brazil &#8211; 1959<br \/>El rey Pel\u00e9, by Carlos Hugo Christensen &#8211; Brazil &#8211; 1962<br \/>Journey to the Breasts of Du\u00edlia, by Carlos Hugo Christensen &#8211; Brazil &#8211; 1964<br \/>The Boy and the Wind, by Carlos Hugo Christensen &#8211; Brazil &#8211; 1966<br \/>Enigma for Demonds, by Carlos Hugo Christensen &#8211; Brazil &#8211; 1975<br \/>House of Shadows, by Carlos Hugo Christensen &#8211; Brazil &#8211; 1977<br \/>Transparent Death, by Carlos Hugo Christensen &#8211; Brazil &#8211; 1978<br \/>The Intruder, by Carlos Hugo Christensen &#8211; Brazil &#8211; 1979<br \/>\u00a0<br \/><strong>Tribute to Alberto Etchebehere<\/strong><br \/><br \/>The Kidnapper, by Leopoldo Torre Nilsson &#8211; Argentina &#8211; 1958<br \/>Beyond Oblivion, by Hugo del Carril &#8211; Argentina &#8211; 1956<br \/>\u00a0<br \/><strong>Aleksei German<\/strong><br \/><br \/>Trial on the Road, by Aleksei German &#8211; USSR &#8211; 1971<br \/>Twenty Days Whitout War, by Aleksei German &#8211; USSR &#8211; 1976<br \/>My Friend Ivan Lapshin, by Aleksei German &#8211; USSR &#8211; 1984<br \/>Khrustalyov, My Car!, by Aleksei German &#8211; Russia \/ France &#8211; 1998<br \/>Hard to Be a God, by Aleksei German &#8211; Russia &#8211; 2013<br \/>\u00a0<br \/><strong>Britannia Side A: The First Hitchcock<\/strong><br \/><br \/>Downhill, by Alfred Hitchcock &#8211; UK &#8211; 1927<br \/>The Farmer\u2019s Wife, by Alfred Hitchcock &#8211; UK &#8211; 1928<br \/>The Manxman, by Alfred Hitchcock &#8211; UK &#8211; 1929<br \/>\u00a0<br \/><strong>Augusto Roa Bastos, Screenwriter<\/strong><br \/><br \/>Thunder Among the Leaves, by Armando B\u00f3 &#8211; Argentina \/ Paraguay &#8211; 1958<br \/>The Blood and the Seed, by Alberto Du Bois &#8211; Argentina \/ Paraguay &#8211; 1959<br \/>Shunko, by Lautaro Mur\u00faa &#8211; Argentina &#8211; 1960<br \/>Alias Big Shot, by Lautaro Mur\u00faa &#8211; Argentina &#8211; 1961<br \/>Son of Man, by Lucas Demare &#8211; Argentina \/ Spain &#8211; 1961<br \/>The Wedding, by Lucas Demare &#8211; Argentina \/ Spain &#8211; 1964<br \/>Punishment to the Traitor, by Manuel Antin &#8211; Argentina &#8211; 1966<br \/>The Gate of Dreams, by Hugo Gamarra &#8211; Paraguay &#8211; 1998<br \/>\u00a0<br \/><strong>Sandro<\/strong><br \/><br \/>Boy, by Leo Fleider &#8211; Argentina &#8211; 1970<br \/>I Will Always Love You, by Leo Fleider &#8211; Argentina &#8211; 1971<br \/>Love Spell, by Leo Fleider &#8211; Argentina &#8211; 1971<br \/>Fate of a Whim, by Leo Fleider &#8211; Argentina &#8211; 1972<br \/>A Desire to Live, by Julio Saraceni &#8211; Argentina &#8211; 1973<br \/>Operation Rosa Rosa, by Leo Fleider &#8211; Argentina &#8211; 1974<br \/>Hope In, I\u2019ll Give you a Ride, by Rub\u00e9n W. Cavallotti &#8211; Argentina &#8211; 1980<br \/>\u00a0<br \/><strong>Daniel Tinayre<\/strong><br \/><br \/>Hansom Cab, by Daniel Tinayre &#8211; Argentina &#8211; 1937<br \/>Road to Hell, by Daniel Tinayre, Luis Saslavsky &#8211; Argentina &#8211; 1946<br \/>Passport to Rio, by Daniel Tinayre &#8211; Argentina &#8211; 1948<br \/>Dance of Fire, by Daniel Tinayre &#8211; Argentina &#8211; 1949<br \/>The Fantasies Seller, by Daniel Tinayre &#8211; Argentina &#8211; 1950<br \/>Dishonor, by Daniel Tinayre &#8211; Argentina &#8211; 1952<br \/>In Burning Darkness, by Daniel Tinayre &#8211; Argentina &#8211; 1959<br \/>The Gang, by Daniel Tinayre &#8211; Argentina &#8211; 1960<br \/>The Ruffian, by Daniel Tinayre &#8211; Argentina &#8211; 1961<br \/>Under the Same Skin, by Daniel Tinayre &#8211; Argentina &#8211; 1962<br \/>The Games Men Play, by Daniel Tinayre &#8211; Argentina &#8211; 1963<br \/>Strange Tenderness, by Daniel Tinayre &#8211; Argentina &#8211; 1964<br \/>La Mary, by Daniel Tinayre &#8211; Argentina &#8211; 1974<br \/>\u00a0<br \/><strong>Cosmos 70: Tribute to Artkino Pictures Distribution Company<\/strong><br \/><br \/>Three Songs About Lenin, by Dziga Vertov &#8211; USSR &#8211; 1934<br \/>The Forty First, by Grigori Chujrai &#8211; USSR &#8211; 1956<br \/>Don Quixote, by Grigori Kozintsev &#8211; USSR &#8211; 1957<br \/>The Cranes are Flying, by Mikhail Kalatozov &#8211; USSR &#8211; 1957<br \/>Through a Glass Darkly, by Ingmar Bergman &#8211; Sweden &#8211; 1961<br \/>Ivan\u00b4s Childhood, by Andrei Tarkovski &#8211; USSR &#8211; 1962<br \/>When the Cat Comes, by Vojtech Jasny &#8211; Czechoslovakia &#8211; 1963<br \/>Loves of a Blonde, by Milos Forman &#8211; Czechoslovakia &#8211; 1965<br \/>Ordinary Fascism,\u00a0by Mikhail Romm &#8211; USSR &#8211; 1965<br \/>Closely Watched Trains, by Jir\u00ed Menzel &#8211; Czechoslovakia &#8211; 1966<br \/>The Goat Horn, by Metodi Andonov &#8211; Bulgaria &#8211; 1972<br \/>\u00a0<br \/><strong>Forever Argentine Cinema II<\/strong><br \/><br \/>El linyera, by Enrique Larreta &#8211; Argentina &#8211; 1933<br \/>Besos brujos, by Jos\u00e9 Agust\u00edn Ferreyra &#8211; Argentina &#8211; 1937<br \/>Sol de primavera, by Jos\u00e9 Agust\u00edn Ferreyra &#8211; Argentina &#8211; 1937<br \/>Historia de una noche, by Luis Saslavsky &#8211; Argentina &#8211; 1941<br \/>De la sierra al valle, by Antonio Ber Ciani &#8211; Argentina &#8211; 1938<br \/>Los isleros, by Lucas Demare &#8211; Argentina &#8211; 1951<br \/>Si muero antes de despertar, by Carlos Hugo Christensen &#8211; Argentina &#8211; 1952<br \/>Facundo, el tigre de los llanos, by Miguel P. Tato &#8211; Argentina &#8211; 1952<br \/>La Tigra, by Leopoldo Torre Nilsson &#8211; Argentina &#8211; 1953<br \/>Rutas argentinas\u00a0&#8211; Argentina<br \/>\u00a0<br \/><strong>Generation VHS<\/strong><br \/><br \/>Electric Boogaloo: The Wild, Untold Story of Cannon Films, by Mark Hartley &#8211; Australia &#8211; 2014<br \/>Hot Chili, by William Sachs &#8211; United States &#8211; 1985<br \/>Invasion U.S.A., by Joseph Zito &#8211; United States &#8211; 1985<br \/>Over the Top, by Menahem Golam &#8211; United States &#8211; 1987<br \/>Hardware, by Richard Stanley &#8211; UK \/ United States &#8211; 1990<br \/>Lost Soul: The Doomed Journey of Richard Stanley\u2019s Island of Dr. Moreau, by David Gregory &#8211; United States &#8211; 2014<br \/><br \/><br \/><strong>AWARDS<\/strong><br \/><br \/><strong>INTERNATIONAL COMPETITION<br \/><br \/>Golden Astor for Best Feature Film<\/strong><br \/>Come to My Voice, by H\u00fcseyin Karabey<br \/><strong>Silver Astor for Best Director<\/strong><br \/>Mathieu Amalric for La Chambre bleue<br \/><strong>Silver Astor for best script<\/strong><br \/>Le meraviglie, by Alice Rohrwacher<br \/><strong>Silver Astor for Best Actor<\/strong><br \/>Park Jungbum for Alive, by Park Jungbum<br \/><strong>Silver Astor for Best Actress<\/strong><br \/>Negar Javaherian for Melbourne, by Nima Javidi<br \/><strong>Honorable Mention<\/strong><br \/>Cavalo Dinheiro, by Pedro Costa<br \/><br \/><strong>LATIN AMERICAN COMPETITION<\/strong><br \/><br \/><strong>Best Feature Film<\/strong><br \/>Branco Sai preto Fica, by Adirley Queir\u00f3s<br \/><strong>Best Short Film<\/strong><br \/>Naranjas, by Iv\u00e1n D. Gaona<br \/><br \/><strong>ARGENTINE COMPETITION<br \/><br \/>Best Feature Film<\/strong><br \/>Su realidad, by Mariano Galperin<br \/><strong>Honorable Mention<\/strong><br \/>Salud rural, by Dar\u00edo Doria<br \/><strong>Best Feature Film Director<\/strong><br \/>Adri\u00e1n Biniez for El 5 de Talleres<br \/><strong>Best Short Film<\/strong><br \/>Zombies, by Sebasti\u00e1n Dietsch<br \/><strong>Best Short Film Director<\/strong><br \/>Gast\u00f3n Siriczman for Nueve segundos<br \/><br \/><strong>WIP COMPETITION<\/strong><br \/><br \/><strong>Best Project<\/strong><br \/>Soley, by Manuel Abramovich<br \/><strong>1st Honorable Mention<\/strong><br \/>Veredas, by Fernando Cricenti<br \/><strong>2nd Honorable Mention<\/strong><br \/>Madre de los dioses, by Pablo Ag\u00fcero<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logo Tinayre Tinayre Cine Argentino Siempre II Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV 60 im\u00e1genes, 60 a\u00f1os Autor: Fernando Mart\u00edn Pe\u00f1a Film Comment, una antolog\u00eda Edici\u00f3n y coordinaci\u00f3n: Marcelo Alderete, Cecilia Barrionuevo, Pablo Conde, Manu Y\u00e1\u00f1ez Murillo Roa Bastos. Mis reflexiones sobre el guion cinematogr\u00e1fico Edici\u00f3n: Carolina Falcone SPOT OFICIAL From November [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3862,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-3864","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>29\u00b0 Edition (2014) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 41\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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