{"id":3867,"date":"2026-11-03T16:09:39","date_gmt":"2026-11-03T16:09:39","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3867"},"modified":"2026-11-03T16:28:42","modified_gmt":"2026-11-03T16:28:42","slug":"28-edicion-2013","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/es\/28-edicion-2013\/","title":{"rendered":"28\u00b0 Edici\u00f3n (2013)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignfull size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"620\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_28-tapa_.jpg\" alt=\"Tapa Catalogo Edici\u00f3n 28\" class=\"wp-image-3869\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_28-tapa_.jpg 475w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_28-tapa_-230x300.jpg 230w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Archivos <strong>Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/28-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cat\u00e1logo<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cine Argentino Siempre I<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Cine-Argentino-Siempre-II.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/28-Festival-Cine-Argentino-Siempre-I.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">El tiempo detenido<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/28-Festival-EL-TIEMPO-DETENIDO.pdf\" target=\"_blank\" rel=\"noopener\">Autor: Scott Foundas<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">La mirada cinefila. La modernizaci\u00f3n de la cr\u00edtica en la revista Tiempo de Cine<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-layout-flex wp-container-core-group-is-layout-e1caf3a8 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\" role=\"none\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/28-Festival-La-mirada-cinefila.pdf\" target=\"_blank\" rel=\"noopener\">Autora: Daniela Kozak<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>16 al 24 de Noviembre de 2013<\/strong><br \/>\u00a0<br \/><strong>AUTORIDADES<\/strong><br \/><br \/><strong>PRESIDENTA INCAA<\/strong><br \/>Liliana Mazure<br \/><br \/><strong>PRESIDENTE DEL FESTIVAL<\/strong><br \/>Jos\u00e9 Mart\u00ednez Su\u00e1rez<br \/><br \/><strong>DIRECTOR ART\u00cdSTICO<\/strong><br \/>Fernando Spiner<br \/><br \/><strong>PRODUCCI\u00d3N ART\u00cdSTICA Y PROGRAMACI\u00d3N<\/strong><br \/>Fernando Arca<br \/><br \/><br \/><br \/><strong>PROGRAMACI\u00d3N<\/strong><br \/><br \/><strong>Competencia Internacional<\/strong><br \/><br \/>The Strange Little Cat,\u00a0de Ramon Z\u00fcrcher &#8211; Alemania &#8211; 2013<br \/>Fantasmas de la ruta, de Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2013<br \/>La laguna,\u00a0de Gast\u00f3n Bottaro &#8211; Argentina &#8211; 2013<br \/>Yvy maraey\u00a0&#8211; Tierra sin mal, de Juan Carlos Valdivia &#8211; Bolivia \/ M\u00e9xico &#8211; 2012<br \/>Las analfabetas, de Mois\u00e9s Sep\u00falveda &#8211; Chile &#8211; 2013<br \/>La herida, de Fernando Franco &#8211; Espa\u00f1a &#8211; 2013<br \/>Drinking Buddies,\u00a0de Joe Swanberg &#8211; Estados Unidos &#8211; 2013<br \/>Little Feet, de Alexandre Rockwell &#8211; Estados Unidos &#8211; 2012<br \/>La Bataille de Solf\u00e9rino, de Justine Triet &#8211; Francia &#8211; 2013<br \/>The Eternal Return of Antonis Paraskevas, de Elina Psykou &#8211; Grecia &#8211; 2013<br \/>Bright Day, de Hossein Shahabi &#8211; Ir\u00e1n &#8211; 2013<br \/>Club s\u00e1ndwich, de Fernando Eimbcke &#8211; M\u00e9xico &#8211; 2013<br \/>La jaula de oro, de Diego Quemada-Diez &#8211; M\u00e9xico \/ Espa\u00f1a &#8211; 2013<br \/>Pelo malo, de Mariana Rond\u00f3n &#8211; Venezuela &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/><strong>Competencia Latinoamericana<\/strong><br \/><br \/>El amor a veces,\u00a0de Eduardo Milewicz &#8211; Argentina &#8211; 2013<br \/>Choele, de Juan Sasia\u00edn &#8211; Argentina &#8211; 2013<br \/>El grillo, de Mat\u00edas Herrera C\u00f3rdoba &#8211; Argentina &#8211; 2013<br \/>Tiro de gracia, de Nicol\u00e1s Lidijover &#8211; Argentina &#8211; 2013<br \/>El vals de los in\u00fatiles, de Edison C\u00e1jas &#8211; Argentina \/ Chile &#8211; 2013<br \/>O sol nos meus olhos, de Flora Dias, Juruna Mallon &#8211; Brasil &#8211; 2013<br \/>Las ni\u00f1as Quispe, de Sebasti\u00e1n Sep\u00falveda &#8211; Chile \/ Francia \/ Argentina &#8211; 2013<br \/>El verano de los peces voladores, de Marcela Said &#8211; Chile &#8211; 2013<br \/>Costa Dulce,\u00a0de Enrique Collar &#8211; Paraguay \/ Holanda &#8211; 2013<br \/>Mambo Cool, de Mambo Cool &#8211; Colombia \/ Estados Unidos &#8211; 2013<br \/>A estas alturas de la vida, de \u00c1lex Cisneros, &#8211; Ecuador &#8211; 2013<br \/>Los ins\u00f3litos peces gato,\u00a0de Claudia Sainte-Luce &#8211; M\u00e9xico &#8211; 2013<br \/>Penumbra, de Eduardo Villanueva &#8211; M\u00e9xico &#8211; 2013<br \/>Esclavo de Dios, de Joel Novoa &#8211; Venezuela &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Competencia Latinoamericana de Cortometrajes<\/strong><br \/><br \/>Aja por instinto, de Paulo de Tarso Disca &#8211; Brasil &#8211; 2013<br \/>Gotas de fuma\u00e7a, de Ane Siderman &#8211; Brasil &#8211; 2013<br \/>Nascemos hoje,\u00a0quando o c\u00e9u estava carregado de ferro e veneno, de Juliana Rojas, Marco Dutra &#8211; Brasil &#8211; 2013<br \/>La lluvia, de Mario Ni\u00f1o Villamizar &#8211; Colombia &#8211; 2013<br \/>Milagros,\u00a0de Jonathan Jurado &#8211; Colombia &#8211; 2013<br \/>Toma dos, de Pilar \u00c1lvarez &#8211; Cuba &#8211; 2013<br \/>Milagros, de Jonathan Jurado &#8211; Colombia &#8211; 2013<br \/>Ant\u00eddoto, de Tania Karenni Flores Alem\u00e1n &#8211; M\u00e9xico &#8211; 2013<br \/>La mirada de un extra\u00f1o,\u00a0de Bruno Benavides Allain &#8211; Per\u00fa &#8211; 2013<br \/>Nadie especial,\u00a0de Juan Alejandro Ram\u00edrez &#8211; Per\u00fa &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Competencia Argentina<\/strong><br \/><br \/>7 Salamancas,\u00a0de Marcos Pastor &#8211; Argentina &#8211; 2013<br \/>El aire,\u00a0de Santiago Guidi &#8211; Argentina &#8211; 2013<br \/>Algunos d\u00edas sin m\u00fasica,\u00a0de Mat\u00edas Rojo &#8211; Argentina \/ Brasil &#8211; 2013<br \/>Diamante, de Emiliano Grieco &#8211; Argentina &#8211; 2013<br \/>Escuela de sordos, de Ada Frontini &#8211; Argentina &#8211; 2013<br \/>I Am Mad, de Baltazar Tokman &#8211; Argentina &#8211; 2013<br \/>Imprescriptible,\u00a0de Alejandro Ester &#8211; Argentina &#8211; 2013<br \/>Liberen a Garc\u00eda, de E: Mar\u00eda Boughen &#8211; Argentina &#8211; 2013<br \/>Maravilla, un luchador afuera y adentro del cuadril\u00e1tero, de Juan Pablo Cadaveira &#8211; Argentina &#8211; 2013<br \/>Mujer conejo, de Ver\u00f3nica Chen &#8211; Argentina &#8211; 2013<br \/>Polvareda, de Juan Schmidt &#8211; Argentina &#8211; 2013<br \/>Tres muertos,\u00a0de Jer\u00f3nimo Atehort\u00faa Arteaga, I\u00f1aki Dubourg &#8211; Argentina &#8211; 2013<br \/>La utilidad de un revistero,\u00a0de Adriano Salgado &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Competencia Argentina de Cortometrajes<\/strong><br \/><br \/>\u05e9\u05d5\u05dc\u05d7\u05df\u00a017\u00a0(Mesa 17),\u00a0de Manuel Abramovich &#8211; Argentina &#8211; 2013<br \/>Baklava,\u00a0de Karina Flomenbaum &#8211; Argentina &#8211; 2013<br \/>Colecciones &#8211;\u00a0Chiara Ghio, de Benjamin Naishtat &#8211; Argentina &#8211; 2013<br \/>Desv\u00edo, de Diego Andr\u00e9s Ercolano &#8211; Argentina &#8211; 2013<br \/>La donna,\u00a0de Nicol\u00e1s Dolensky &#8211; Argentina &#8211; 2013<br \/>\u00c9l piensa, ella piensa, de Ivan Stoessel, Fede Pozzi &#8211; Argentina &#8211; 2013<br \/>Espacio personal, de Natural Arpajou &#8211; Argentina &#8211; 2013<br \/>Matar a un perro,\u00a0de Alejo Santos &#8211; Argentina &#8211; 2013<br \/>Mi marido,\u00a0de Hugo Emilio Blajean &#8211; Argentina &#8211; 2013<br \/>Los p\u00e1lidos, de Mart\u00edn Kalina &#8211; Argentina &#8211; 2013<br \/>Pekin,\u00a0de Nicol\u00e1s Le\u00f3n &#8211; Argentina &#8211; 2013<br \/>Sociales, de Mariano Luque\u00a0&#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>WIP<\/strong><br \/><br \/>Amor, etc., de Gladys Lizarazu<br \/>Apropiados, de Misael Bustos<br \/>Cancha 3, de Jorge Leandro Col\u00e1s<br \/>El d\u00eda fuera del tiempo, de Cristina Fasulino<br \/>Estaci\u00f3n Taiw\u00e1n, de Marcos Rodr\u00edguez<br \/>Forastero, de Luc\u00eda Ferreyra<br \/>Las furias, de Tamae Garateguy<br \/>Gran M\u00e9xico, de Luisina Herzog, Mercedes Bassano<br \/>Juana a los 12, de Mart\u00edn Shanly<br \/>Miramar, de Fernando Sarqu\u00eds<br \/>Munkacs (diario de abuelita), de Alejandro Hartmann<br \/>Naturaleza muerta, de Gabriel Grieco<br \/>Necrofobia, de Daniel de la Vega<br \/>Nosotras\/Ellas, de Julia Pesce<br \/>Pantanal,\u00a0de Andrew Sala<br \/>Pasos y kil\u00f3metros, de Soledad Castro, Esteban Parola<br \/>El patr\u00f3n, de Sebasti\u00e1n Schindel<br \/>Pisadas en terreno blando, de Iv\u00e1n Fund<br \/>Silo, de Leandro Bartoletti<br \/>Thelma &amp; Luis, de Alejandro Jovic<br \/>La tierra en el medio, de Natalia Trzcina<br \/>Yo s\u00e9 lo que envenena, de Federico Sosa<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Panorama<\/strong><br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Autores<\/strong><br \/><br \/>A Fuller Life, de Samantha Fuller &#8211; Estados Unidos &#8211; 2013<br \/>A Touch of Sin, de Jia Zhangke &#8211; China \/ Jap\u00f3n &#8211; 2013<br \/>At Berkeley, de Frederick Wiseman &#8211; Estados Unidos &#8211; 2013<br \/>Che strano chiamarsi Federico! &#8211; Scola racconta Fellini, de Ettore Scola &#8211; Italia &#8211; 2013<br \/>Le Dernier des injustes,\u00a0de Francia \/ Austria &#8211; 2013<br \/>Flores raras, de Bruno Barreto &#8211; Brasil &#8211; 2013<br \/>L\u2019Inconnu du lac,\u00a0de Alain Guiraudie &#8211; Francia &#8211; 2013<br \/>La Jalousie,\u00a0de Philippe Garrel &#8211; Francia &#8211; 2013<br \/>Michael H. Profession: Director, de Yves Montmayeur &#8211; Austria \/ Francia &#8211; 2013<br \/>Moebius, de Kim Ki-duk &#8211; Corea del Sur &#8211; 2013<br \/>Our Sunhi,\u00a0de Hong Sang-soo &#8211; Corea del Sur &#8211; 2013<br \/>Repare bem,\u00a0de Maria de Medeiros &#8211; Brasil \/ Espa\u00f1a \/ Italia &#8211; 2012<br \/>Les Salauds, de Claire Denis &#8211; Francia \/ Alemania &#8211; 2012<br \/>Tom \u00e0 la ferme, de Xavier Dolan &#8211; Canad\u00e1 \/ Francia &#8211; 2013<br \/>Una segunda oportunidad, de Nicole Holofcener &#8211; Estados Unidos &#8211; 2013<br \/>Walesa. Man of Hope,\u00a0de Andrzej Wajda &#8211; Polonia &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Panorama Argentino<\/strong><br \/><br \/>Amancio Williams, de Gerardo Panero &#8211; Argentina &#8211; 2013<br \/>Atolondrado, de Edmundo Bejarano &#8211; Argentina \/ Holanda \/ Alemania &#8211; 2013<br \/>La c\u00e1rcel del fin del mundo,\u00a0de Luc\u00eda Vassallo &#8211; Argentina &#8211; 2013<br \/>Condenados,\u00a0de Carlos Mart\u00ednez &#8211; Argentina &#8211; 2013<br \/>El cr\u00edtico, de Hern\u00e1n Guerschuny &#8211; Argentina &#8211; 2013<br \/>Los due\u00f1os,\u00a0de Agust\u00edn Toscano, Ezequiel Radusky &#8211; Argentina &#8211; 2013<br \/>Historias de cronopios y de famas, de Julio Ludue\u00f1a &#8211; Argentina &#8211; 2013<br \/>Lumpen, de Luis Ziembrowski &#8211; Argentina &#8211; 2013<br \/>Ma\u00f1ana\u2022Tarde\u2022Noche, de Federico Falasca, Tatiana P\u00e9rez Veiga, Laura Spiner &#8211; Argentina &#8211; 2013<br \/>Margarita no es una flor, de Cecilia Fiel &#8211; Argentina &#8211; 2013<br \/>Mika, mi guerra de Espa\u00f1a, de Fito Pochat, Javier Olivera &#8211; Argentina &#8211; 2013<br \/>Morri\u00f1a, nostalgia de la tierra natal, de Esther Goris &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>S\u00faper 8<\/strong><br \/><br \/>The Sun in the Head, de Melisa Brito Aller &#8211; Estados Unidos &#8211; 2012<br \/>Desierto, de Melisa Brito Aller &#8211; Argentina &#8211; 2011<br \/>Constituci\u00f3n,\u00a0de Melisa Brito Aller &#8211; Argentina &#8211; 2013<br \/>Nosotros,\u00a0de Melisa Brito Aller &#8211; Argentina &#8211; 2013<br \/>Los estados salvajes, de Melisa Brito Aller &#8211; Argentina &#8211; 2013<br \/>Valor de uso \/ Valor de cambio, de Melisa Brito Aller &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>Equivale a mentir, de Macarena Cordiviola &#8211; Argentina &#8211; 2001<br \/>\u00daltimos brillos. Vi\u00f1etas del Transiberiano y la peque\u00f1a Jehanne de Francia, de Macarena Cordiviola &#8211; Suiza \/ Argentina &#8211; 2008<br \/>Recreaci\u00f3n, de Macarena Cordiviola &#8211; Argentina &#8211; 2012<br \/>Parpadeo, de Macarena Cordiviola &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>Oficiales de reserva, de Gonzalo Egurza &#8211; Argentina &#8211; 2012<br \/>-sin t\u00edtulo-,\u00a0de Gonzalo Egurza &#8211; Argentina &#8211; 2009<br \/>Diario de Pamplona,\u00a0de Gonzalo Egurza &#8211; Argentina &#8211; 2011<br \/>\u00a0<br \/>Perforaci\u00f3n, de Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2011<br \/>Corte, de Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2013<br \/>Delta,\u00a0de Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2013<br \/>Fragmentos de domingo, de Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>Intemperie en Chapicuy,\u00a0de Andr\u00e9s Levinson &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>Aproximaci\u00f3n a Emeterio Villamil de Rada, de Mart\u00edn Sciaroni &#8211; Argentina &#8211; 2013<br \/>Diario de los Patricios,\u00a0de Mart\u00edn Sciaroni &#8211; Argentina &#8211; 2013<br \/>Rollo 6,\u00a0de Mart\u00edn Sciaroni &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Noche especial: Horacio Vallereggio<\/strong><br \/><br \/>T\u00fa sabes que te quiero, de Horacio Vallereggio &#8211; Argentina &#8211; 1970<br \/>T\u00fa sabes que te quiero II,\u00a0de Horacio Vallereggio &#8211; Argentina &#8211; 1976<br \/>Corto muy corto, de Horacio Vallereggio &#8211; Argentina &#8211; 1973<br \/>A Olga,\u00a0de Horacio Vallereggio &#8211; Argentina &#8211; 1975<br \/>Sonrisa del m\u00e1s ac\u00e1, de Horacio Vallereggio &#8211; Argentina &#8211; 1975<br \/>Dos pa\u00f1uelos un paraguas y el amor, de Horacio Vallereggio &#8211; Argentina &#8211; 1976<br \/>La diosa de la banana,\u00a0de Horacio Vallereggio &#8211; Argentina &#8211; 1976<br \/>Triste, triste, de Horacio Vallereggio &#8211; Argentina &#8211; 1976<br \/>Los placeres de la carne,\u00a0de Horacio Vallereggio &#8211; Argentina &#8211; 1977<br \/>La cabellera de Berenice, de Horacio Vallereggio &#8211; Argentina &#8211; 1992<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Noche especial: Narcisa Hirsch<\/strong><br \/><br \/>Testamento y vida interior, de Narcisa Hirsch &#8211; Argentina &#8211; 1977<br \/>Diarios patag\u00f3nicos, de Narcisa Hirsch &#8211; Argentina &#8211; 1992<br \/>Rumi,\u00a0de Narcisa Hirsch &#8211; Argentina &#8211; 1999<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Busco Mi Destino<\/strong><br \/><br \/>Los dinosaurios ya no viven aqu\u00ed, de Miguel \u00c1ngel P\u00e9rez Blanco &#8211; Espa\u00f1a &#8211; 2013<br \/>Chapman, de Justin Owensby &#8211; Estados Unidos &#8211; 2013<br \/>Congreso, de Luis Fontal &#8211; Argentina &#8211; 2013<br \/>The Dirties, de Matthew Johnson &#8211; Estados Unidos \/ Canad\u00e1 &#8211; 2013<br \/>Everyone\u2019s Going to Die, de Jones &#8211; Reino Unido &#8211; 2013<br \/>Gerontophilia, de Bruce LaBruce &#8211; Canad\u00e1 &#8211; 2013<br \/>Igl\u00fa,\u00a0de Diego Ruiz &#8211; Chile &#8211; 2013<br \/>Joy de V., de Joy de V. &#8211; Estados Unidos &#8211; 2013<br \/>Teenage, de Matt Wolf &#8211; Estados Unidos &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Hora Cero<\/strong><br \/><br \/>Blind Detective,\u00a0de Johnnie To &#8211; Hong Kong &#8211; 2013<br \/>Drug War, de Johnnie To &#8211; Hong Kong &#8211; 2013<br \/>L\u2019\u00c9trange Couleur des larmes de ton corps, de H\u00e9l\u00e8ne Cattet, Bruno Forzani &#8211; Francia \/ B\u00e9lgica \/ Luxemburgo &#8211; 2013<br \/>R100, de Hitoshi Matsumoto &#8211; Jap\u00f3n &#8211; 2013<br \/>Real,\u00a0de Kiyoshi Kurosawa &#8211; Jap\u00f3n &#8211; 2013<br \/>Why Don\u2019t You Play in Hell?,\u00a0de Sion Sono &#8211; Jap\u00f3n &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Las Venas Abiertas&#8230;<\/strong><br \/><br \/>Cichonga,\u00a0de Esteban Rojas &#8211; Argentina &#8211; 2013<br \/>El d\u00eda trajo la oscuridad, de Mart\u00edn Desalvo &#8211; Argentina &#8211; 2013<br \/>Entre las sombras, de Samot Marquez &#8211; Argentina &#8211; 2013<br \/>El hombre detr\u00e1s de la m\u00e1scara, de Gabriela Obreg\u00f3n &#8211; M\u00e9xico &#8211; 2013<br \/>Justicia propia,\u00a0de Sergio Mastroberti &#8211; Argentina &#8211; 2013<br \/>Mar negro,\u00a0de Rodrigo Arag\u00e3o &#8211; Brasil &#8211; 2013<br \/>Sonno profondo, de Luciano Onetti &#8211; Argentina &#8211; 2013<br \/>Videoclub,\u00a0de Pablo Illanes &#8211; Chile &#8211; 2013<br \/>Wow, de Pedro Maccarone, Max Franco &#8211; Argentina &#8211; 2013<br \/>Alexia,\u00a0de Andr\u00e9s Borghi &#8211; Argentina &#8211; 2013<br \/>La chica m\u00e1s rara del mundo, de Mariano Cattaneo &#8211; Argentina &#8211; 2013<br \/>Sci Fi en Argentina, de Gonzalo Gutierrez &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>BSO<\/strong><br \/><br \/>A Band Called Death, de Mark Covino &#8211; Estados Unidos &#8211; 2012<br \/>Big Star: Nothing Can Hurt Me, de Drew DeNicola, Olivia Mori &#8211; Estados Unidos &#8211; 2012<br \/>El blues de los plomos,\u00a0de Gabriel Patrono &#8211; Argentina &#8211; 2013<br \/>Escuchar a Dios, de Mariano Baez &#8211; Argentina &#8211; 2013<br \/>Mat\u00e9ria de composi\u00e7\u00e3o,\u00a0de Pedro Aspahan &#8211; Brasil &#8211; 2013<br \/>No More Tour, de Daniel G\u00f3mez, Fermin Muguruza &#8211; Espa\u00f1a &#8211; 2013<br \/>El peor dios,\u00a0de Alejandro Montes, Daniel Arasanz, Nicol\u00e1s Tarela &#8211; Espa\u00f1a &#8211; 2013<br \/>Roc\u00edo Recorder, de Marcos Migliavacca, Nahuel Lahora &#8211; Argentina &#8211; 2013<br \/>Sacrificial Youth, de Joe Losurdo &#8211; Estados Unidos &#8211; 2013<br \/>Serrat y Sabina:\u00a0El s\u00edmbolo y el cuate, de Francesc Relea &#8211; Espa\u00f1a &#8211; 2013<br \/>El Zurdo,\u00a0de Claudia Regina Martinez &#8211; Argentina &#8211; 2013<br \/>Gillespiana, de Enrique Dawi &#8211; Argentina &#8211; 1961<br \/>Existir sin vos,\u00a0una noche con Charly Garc\u00eda, de Alejandro Chomski &#8211; Argentina &#8211; 2013<br \/>Pescado Rabioso, una utop\u00eda incurable, de Lidia Milani &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Sentidos del Humor<\/strong><br \/><br \/>Computer Chess, de Andrew Bujalski &#8211; Estados Unidos &#8211; 2013<br \/>Doomsdays,\u00a0de Eddie Mullins &#8211; Estados Unidos &#8211; 2013<br \/>It\u2019s Me, It\u2019s Me, de Satoshi Miki &#8211; Jap\u00f3n &#8211; 2013<br \/>Mis peores amigos: El regreso de Promedio rojo, de Nicol\u00e1s L\u00f3pez &#8211; Chile &#8211; 2013<br \/>La tumba de Bruce Lee, de Juli\u00e1n G\u00e9nisson, Lorena Iglesias, Aaron Rux &#8211; Espa\u00f1a &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Estados Alterados<\/strong><br \/><br \/>15 d\u00edas en la playa, de Flavia de la Fuente &#8211; Argentina &#8211; 2013<br \/>A Masque of Madness (Notes on Film 06-B, Monologue 02),\u00a0de Norbert Pfaffenbichler &#8211; Austria &#8211; 2013<br \/>A Spell to Ward Off the Darkness, de Ben Rivers, Ben Russell &#8211; Francia \/ Estonia &#8211; 2013<br \/>All\u2019ombra della croce, de Alessandro Pugno &#8211; Italia \/ Espa\u00f1a &#8211; 2012<br \/>\u00c1rboles, de Los Hijos &#8211; Espa\u00f1a &#8211; 2013<br \/>Bloody Beans, de Narimane Mari &#8211; Argelia \/ Francia &#8211; 2013<br \/>Hist\u00f2ria de la meva mort, de Albert Serra &#8211; Espa\u00f1a \/ Francia &#8211; 2013<br \/>Outtakes from the Life of a Happy Man,\u00a0de Jonas Mekas &#8211; Estados Unidos &#8211; 2013<br \/>Pays barbare, de Yervant Gianikian &#8211; Francia &#8211; 2013<br \/>O quinto evanxeo\u00a0de Gaspar Hauser, de Alberto Gracia &#8211; Espa\u00f1a &#8211; 2013<br \/>Ricardo B\u00e4r, de Nele Wohlatz, &#8211; Argentina &#8211; 2013<br \/>Shirley &#8211; Visions of Reality, de Gustav Deutsch &#8211; Austria &#8211; 2013<br \/>Une histoire seule, de Xurxo Chirro, Aguinaldo Fructuoso &#8211; Espa\u00f1a \/ Suiza &#8211; 2013<br \/>America, de Val\u00e9rie Massadian &#8211; Francia \/ Estados Unidos &#8211; 2013<br \/>Dad\u2019s Stick, de John Smith &#8211; Reino Unido &#8211; 2012<br \/>Let Us Persevere in What We Have Resolved Before We Forget, de Ben Russell &#8211; Estados Unidos \/ Francia &#8211; 2013<br \/>Un conte de Michel de Montaigne, de Jean-Marie Straub &#8211; Francia \/ Suiza &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Proyecciones Especiales<\/strong><br \/><br \/>Alfonsina, de Kurt Land &#8211; Argentina &#8211; 1957<br \/>Alfonsina, de Christoph K\u00fchn &#8211; Argentina \/ Suiza &#8211; 2013<br \/>Chau, de Mariano Laguyas &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>Exilios, de Diego Meza &#8211; Espa\u00f1a &#8211; 2012<br \/>Gabor, de Sebasti\u00e1n Alfie &#8211; Espa\u00f1a &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Historias breves 8<\/strong><br \/><br \/>El conductor, de Maximiliano Torres &#8211; Argentina 2013<br \/>Cuesti\u00f3n de t\u00e9,\u00a0de Mar\u00eda Monserrat Echevarr\u00eda &#8211; Argentina 2013<br \/>De c\u00f3mo Hip\u00f3lito V\u00e1zquez encontr\u00f3 magia donde no buscaba, Mat\u00edas Rubio &#8211; Argentina 2013<br \/>El desaf\u00edo,\u00a0Andr\u00e9s Ernesto Arduin &#8211; Argentina 2013<br \/>Liebre 105, de Sebasti\u00e1n Rotstein, Federico Rotstein &#8211; Argentina 2013<br \/>El olvido, de Ferm\u00edn Rivera &#8211; Argentina 2013<br \/>El ramal, Mena Duarte &#8211; Argentina 2013<br \/>Superficies, Mart\u00edn Aliaga &#8211; Argentina 2013<br \/>Vida nueva, Lucas Santa Ana &#8211; Argentina 2013<br \/>\u00a0<br \/>Jig\u00e9en, de Jorge Meyer &#8211; Espa\u00f1a &#8211; 2012<br \/>El padre de Gardel, de Ricardo Casas &#8211; Uruguay \/ Brasil \/ Espa\u00f1a &#8211; 2013<br \/>Traffic Department, de Wojtek Smarzowski &#8211; Polonia &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Panorama del Cine Latinoamericano<\/strong><br \/><br \/>El camino de Santiago -periodismo, cine y revoluci\u00f3n-,\u00a0de Fernando Gabriel Krichmar &#8211; Argentina \/ Cuba &#8211; 2013<br \/>Carne de perro, de Fernando Guzzoni &#8211; Chile \/ Francia &#8211; 2012<br \/>T\u00e1BOGO, de Dairo Cervantes &#8211; Colombia &#8211; 2013<br \/>Ciudadano Buelna, de Felipe Cazals &#8211; M\u00e9xico &#8211; 2012<br \/>Despertar el polvo, de Hari Sama &#8211; M\u00e9xico &#8211; 2013<br \/>Fiesta falsa, de Daniel Peralta &#8211; Chile &#8211; 2013<br \/>Halley, de Sebasti\u00e1n Hofmann &#8211; M\u00e9xico \/ Holanda &#8211; 2013<br \/>El laberinto de lo posible,\u00a0de Wanadi Siso &#8211; Venezuela \/ Estados Unidos \/ Chile &#8211; 2013<br \/>Flamingo, de Carl Zitelmann &#8211; Venezuela &#8211; 2013<br \/>A mem\u00f3ria que me contam, de L\u00facia Murat &#8211; Brasil \/ Chile \/ Argentina &#8211; 2012<br \/>Palabras m\u00e1gicas para romper un encantamiento, de Mercedes Moncada &#8211; M\u00e9xico &#8211; 2012<br \/>Pena de muerte,\u00a0de Tevo D\u00edaz &#8211; Chile &#8211; 2012<br \/>Princesas rojas,\u00a0de Laura Astorga Carrera &#8211; Venezuela \/ Costa Rica &#8211; 2013<br \/>El regreso,\u00a0de Patricia Ortega &#8211; Venezuela &#8211; 2013<br \/>Rosita, la favorita del Tercer Reich,\u00a0de Pablo Berthelon &#8211; Chile &#8211; 2012<br \/>Simone,\u00a0de Juan Zapata &#8211; Brasil \/ Colombia \/ Espa\u00f1a &#8211; 2013<br \/>Sin oto\u00f1o, sin primavera, de Iv\u00e1n Mora Manzano &#8211; Ecuador \/ Colombia \/ Francia &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Mar de Chicos<\/strong><br \/><br \/>Cabeza de Rat\u00f3n: En la cresta del rock, de Diego M. Rolle,Jos\u00e9 Mar\u00eda Beccar\u00eda, Pablo Rodr\u00edguez J\u00e1uregui &#8211; Argentina &#8211; 2012<br \/>La historia sin fin,\u00a0de Wolfgang Petersen &#8211; Alemania Occidental \/ Estados Unidos &#8211; 1984<br \/>Lisa Limone and Maroc Orange: A Rapid Love Story, de Mait Laas &#8211; Estonia &#8211; 2013<br \/>Uma hist\u00f3ria de amor e f\u00faria, de Luiz Bolognesi &#8211; Brasil &#8211; 2013<br \/>\u00a0<br \/><strong>Programa de Cortos Mar de Chicos<\/strong><br \/><br \/>L\u2019Anime, de Diego Urrutia &#8211; Brasil &#8211; 2012<br \/>El coraz\u00f3n de los hombres, de Milton Roly Quispe, Gustavo Paye &#8211; Bolivia &#8211; 2012<br \/>El gatito, de Pablo Siciliano &#8211; Argentina &#8211; 2013<br \/>Maria Clara,\u00a0de Leonardo Peixoto &#8211; Brasil &#8211; 2013<br \/>Nuestra arma es nuestra lengua, de Cristi\u00e1n Cartier Ballv\u00e9 &#8211; Argentina &#8211; 2013<br \/>Origami, de David Pav\u00f3n &#8211; Espa\u00f1a &#8211; 2013<br \/>Le Petit Blond avec un mouton blanc, de Eloi Henriod &#8211; Francia &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Programa Ojo al Piojo<\/strong><br \/><br \/>From Dad to Son, de Nils Knoblich &#8211; Alemania &#8211; 2013<br \/>Dientes terror\u00edficamente divertidos, de 6\u00b0 grado &#8211; Escuela 1142 de Villa Ca\u00f1as &#8211; Argentina, 2013<br \/>Modesta historia de un suntuoso derroch\u00f3n, de Gonzalo Rimoldi &#8211; Argentina &#8211; 2013<br \/>Ciclos,\u00a0de Dami\u00e1n Dionisio, Maxi Bearzi, Marina Ferrandez &#8211; Argentina &#8211; 2013<br \/>Vov\u00f3 ta na cozinha, de Paulo Santiago &#8211; Brasil &#8211; 2013<br \/>Palito, de N\u00e9stor Fern\u00e1ndez &#8211; Espa\u00f1a &#8211; 2013<br \/>La semilla,\u00a0de Germ\u00e1n Gijon &#8211; Espa\u00f1a &#8211; 2013<br \/>\u00bfY ahora qu\u00e9 hacemos?,\u00a0de J.C. Gurrutxaga, Aitor Aranguren &#8211; Espa\u00f1a &#8211; 2013<br \/>Cycloid,\u00a0de Tomogi Kurogi &#8211; Jap\u00f3n &#8211; 2013<br \/>Bololo,\u00a0de Beatriz Herrera Carrillo &#8211; M\u00e9xico &#8211; 2013<br \/>El agua de la tierra, de Emma Lopez &#8211; M\u00e9xico &#8211; 2013<br \/>Ayer so\u00f1\u00e9 con dinosaurios, de Andr\u00e9s \u00d1una Ruiz &#8211; M\u00e9xico &#8211; 2013<br \/>Conejos de terror, de Ezequiel Gonz\u00e1lez (Aquilez) &#8211; Argentina &#8211; 2013<br \/>Sahara, de Taller de Cine y Video del CIART N\u00ba 5 &#8211; Argentina &#8211; 2013<br \/>Juegos de guerra,\u00a0de Bruno Scopazzo &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Portugal Alterado<\/strong><br \/><br \/>A m\u00e3e e o mar, de Gon\u00e7alo Tocha &#8211; Portugal &#8211; 2013<br \/>Cativeiro,\u00a0de Andr\u00e9 Gil Mata &#8211; Portugal &#8211; 2012<br \/>E agora?\u00a0Lembra-me, de Joaquim Pinto &#8211; Portugal &#8211; 2013<br \/>\u00c9 o amor,\u00a0de Jo\u00e3o Canijo &#8211; Portugal &#8211; 2013<br \/>Lacrau, de Jo\u00e3o Vladimiro &#8211; Portugal &#8211; 2012<br \/>Sobre viver, de Cl\u00e1udia Alves &#8211; Portugal &#8211; 2012<br \/>A comunidade, de Salom\u00e9 Lamas &#8211; Portugal &#8211; 2012<br \/>VHS-Video Home System,\u00a0de Salom\u00e9 Lamas &#8211; Portugal &#8211; 2012<br \/>A herdade dos defuntos, de Patrick Mendes &#8211; Portugal &#8211; 2013<br \/>Homenagem a quem n\u00e3o tem onde cair morto, de Patrick Mendes &#8211; Portugal &#8211; 2011<br \/>Sangue frio, de Patrick Mendes &#8211; Portugal &#8211; 2009<br \/>Synchrotron, de Patrick Mendes &#8211; Portugal &#8211; 2009<br \/>Gambozinos, de Jo\u00e3o Nicolau &#8211; Portugal \/ Francia &#8211; 2013<br \/>Ornithes, de Gabriel Abrantes &#8211; Portugal &#8211; 2012<br \/>Rei in\u00fatil,\u00a0de Telmo Churro &#8211; Portugal &#8211; 2013<br \/>Siz\u00edgia, de Luis Urbano &#8211; Portugal &#8211; 2012<br \/>Tabat\u00f4, de Jo\u00e3o Viana &#8211; Portugal &#8211; 2013<br \/>Versailles,\u00a0de Carlos Concei\u00e7\u00e3o &#8211; Portugal &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Ventana Documental: Foco Nativo<\/strong><br \/><br \/>A la orilla de este mundo, de Ariel Di Marco &#8211; Argentina &#8211; 2012<br \/>Ajawaska, fragmentos de un viaje a las alturas, de Violeta Soto Vald\u00e9s &#8211; Argentina \/ Chile \/ Bolivia &#8211; 2013<br \/>En la Puna, de Lucas Riselli &#8211; Argentina &#8211; 2013<br \/>Humano, de Alan Stivelman &#8211; Argentina &#8211; 2013<br \/>Pueblos ind\u00edgenas en riesgo, de Guillermo Monteforte &#8211; M\u00e9xico &#8211; 2013<br \/>El r\u00edo que nos atraviesa, de Manuela Blanco &#8211; Venezuela &#8211; 2013<br \/>Tunteyh o el rumor de las piedras, de Marina Rubino &#8211; Argentina &#8211; 2013<br \/>Uahat, de Juli\u00e1n Borrell, Franco Gonz\u00e1lez, Demian Santander &#8211; Argentina \/ Bolivia \/ Paraguay &#8211; 2013<br \/>Carnavalero,\u00a0de Ariel Carlino, Graciela Scorzo &#8211; Argentina &#8211; 2013<br \/>Corrales de piedra, de Alberto Gauna &#8211; Argentina &#8211; 2013<br \/>El d\u00eda de las comadres, de Wanda L\u00f3pez Trelles &#8211; Argentina &#8211; 2013<br \/>Hierba originaria\u00a0&#8211; Cultura ancestral, de Edgar Humberto Gonz\u00e1lez &#8211; Venezuela \/ Bolivia &#8211; 2013<br \/>Looking for Adventure, de Kimi Takesue &#8211; Estados Unidos \/ Per\u00fa &#8211; 2013<br \/>Luci\u00e9rnagas por linternas, de Stefano Martone, Mario Martone &#8211; Italia &#8211; 2013<br \/>Mitote, de Eugenio Polgovsky &#8211; M\u00e9xico &#8211; 2012<br \/>Spiriti, de Yukai Ebisuno, Raffaella Mantegazza &#8211; Italia \/ Honduras &#8211; 2012<br \/>Yasuni, de Nicol\u00e1s Entel &#8211; Ecuador &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Gramado Presenta<br \/>\u200b<\/strong>\u200b\u200b\u200b\u200b\u200b\u200b<br \/>Simulacrum Praecipitii &#8211; A vis\u00e3o do abismo, de Humberto Bassanelli &#8211; Brasil &#8211; 2013<br \/>Revelando Sebasti\u00e3o Salgado, de Betse de Paula &#8211; Brasil &#8211; 2013<br \/>\u00a0<br \/>El Mundo en Cuesti\u00f3n: Atravesados por la Ideolog\u00eda<br \/>Cores,\u00a0de Francisco Garcia &#8211; Brasil &#8211; 2012<br \/>Panorama,\u00a0de Juan Patricio Riveroll &#8211; M\u00e9xico &#8211; 2013<br \/>The Pervert\u2019s Guide to Ideology, de Sophie Fiennes &#8211; Reino Unido \/ Irlanda &#8211; 2012<br \/>Lo stato della follia, de Francesco Cordio &#8211; Italia &#8211; 2013<br \/>Workers, de Jos\u00e9 Luis Valle &#8211; M\u00e9xico \/ Alemania &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Arte y Cine: Tributo a Gabriel Figueroa<\/strong><br \/><br \/>Miradas m\u00faltiples, la m\u00e1quina loca,\u00a0de Emilio Maill\u00e9 &#8211; M\u00e9xico \/ Francia \/ Espa\u00f1a &#8211; 2012<br \/>Enamorada, de Emilio Fern\u00e1ndez &#8211; M\u00e9xico &#8211; 1946<br \/>La perla, de Emilio Fern\u00e1ndez &#8211; M\u00e9xico \/ Estados Unidos &#8211; 1947<br \/>Sal\u00f3n M\u00e9xico, de Emilio Fern\u00e1ndez &#8211; M\u00e9xico &#8211; 1949<br \/>Los olvidados, de Luis Bu\u00f1uel &#8211; M\u00e9xico &#8211; 1950<br \/>Nazar\u00edn, de Luis Bu\u00f1uel &#8211; M\u00e9xico &#8211; 1959<br \/>Macario, de Roberto Gavald\u00f3n &#8211; M\u00e9xico &#8211; 1960<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Bong Joon-ho<\/strong><br \/><br \/>Barking Dogs Never Bite, de Bong Joon-ho &#8211; Corea del Sur &#8211; 2000<br \/>Memorias de un asesino, de Bong Joon-ho &#8211; Corea del Sur &#8211; 2003<br \/>The Host, de Bong Joon-ho &#8211; Corea del Sur &#8211; 2006<br \/>Mother, de Bong Joon-ho &#8211; Corea del Sur &#8211; 2009<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>John Landis<\/strong><br \/><br \/>Locura yanqui, de John Landis &#8211; Estados Unidos &#8211; 1977<br \/>Colegio de animales, de John Landis &#8211; Estados Unidos &#8211; 1978<br \/>Los hermanos caradura, de John Landis &#8211; Estados Unidos &#8211; 1980<br \/>Un hombre lobo americano en Londres, de John Landis &#8211; Reino Unido \/ Estados Unidos &#8211; 1981<br \/>Tres amigos, de John Landis &#8211; Estados Unidos &#8211; 1986<br \/>Burke &amp; Hare, de John Landis Reino Unido &#8211; 2010<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Mar\u00eda Ca\u00f1as<\/strong><br \/><br \/>Meet My Meat, N.Y.,\u00a0de Mar\u00eda Ca\u00f1as &#8211; 2007<br \/>Por un pu\u00f1ado de yuanes, de Mar\u00eda Ca\u00f1as &#8211; 2008<br \/>Dios se r\u00ede en las alturas, de Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>Voy a decirle a Dios que te apu\u00f1ale, de Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>Mi lucha,\u00a0de Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>El hombre del saco. Dejad que los ni\u00f1os se acerquen a m\u00ed\u2026, de Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>Holy Thriller, de Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>Kiss the Fire, de Mar\u00eda Ca\u00f1as &#8211; 2007<br \/>Kiss the Murder, de Mar\u00eda Ca\u00f1as &#8211; 2008<br \/>Aceite en llamas no deja cenizas, de Mar\u00eda Ca\u00f1as &#8211; 2010<br \/>Los carteles, de Mar\u00eda Ca\u00f1as &#8211; 2003<br \/>Land of 1.000 Tvs, de Mar\u00eda Ca\u00f1as &#8211; 2005<br \/>Down with Reality, de Mar\u00eda Ca\u00f1as &#8211; 2006<br \/>Fuera de serie, de Mar\u00eda Ca\u00f1as &#8211; 2012<br \/>El\u00a0perfecto cerdo, de Mar\u00eda Ca\u00f1as &#8211; 2005<br \/>La cosa nuestra, de Mar\u00eda Ca\u00f1as &#8211; 2006<br \/>S\u00e9 villana, de Mar\u00eda Ca\u00f1as &#8211; 2013<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Homenaje a Pierre \u00c9taix<\/strong><br \/><br \/>Rupture, de Pierre \u00c9taix &#8211; Francia &#8211; 1961<br \/>Heureux anniversaire, de Pierre \u00c9taix &#8211; Francia &#8211; 1962<br \/>En pleine forme, de Pierre \u00c9taix &#8211; Francia &#8211; 2010<br \/>El suspirante, de Pierre \u00c9taix &#8211; Francia &#8211; 1963<br \/>Yoyo, de Pierre \u00c9taix &#8211; Francia &#8211; 1965<br \/>Basta la salud, de Pierre \u00c9taix &#8211; Francia &#8211; 1966<br \/>Ese loco, loco deseo de amar, de Pierre \u00c9taix &#8211; Francia &#8211; 1969<br \/>Pays de Cocagne, de Pierre \u00c9taix &#8211; Francia &#8211; 1971<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Revisiones<\/strong><br \/>\u00a0<br \/><strong>Tributo a No habr\u00e1 m\u00e1s penas ni olvido<\/strong><br \/>No habr\u00e1 m\u00e1s penas ni olvido, de H\u00e9ctor Olivera &#8211; Argentina &#8211; 1983<br \/>\u00a0\u00a0<br \/><strong>Tributo a Un muro de silencio<\/strong><br \/>Un muro de silencio, de Lita Stantic &#8211; Argentina \/ M\u00e9xico \/ Reino Unido &#8211; 1993<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Juan Antonio Bardem<\/strong><br \/><br \/>Esa pareja feliz, de Juan Antonio Bardem, Luis Garc\u00eda Berlanga &#8211; Espa\u00f1a &#8211; 1951<br \/>C\u00f3micos, de Juan Antonio Bardem &#8211; Espa\u00f1a &#8211; 1954<br \/>Muerte de un ciclista, de Juan Antonio Bardem &#8211; Espa\u00f1a \/ Italia &#8211; 1955<br \/>Los inocentes, de Juan Antonio Bardem &#8211; Argentina \/ Espa\u00f1a &#8211; 1962<br \/>Nunca pasa nada, de Juan Antonio Bardem &#8211; Espa\u00f1a \/ Francia &#8211; 1963<br \/>La corrupci\u00f3n de Chris Miller, de Juan Antonio Bardem &#8211; Espa\u00f1a &#8211; 1973<br \/>Siete d\u00edas de enero, de Juan Antonio Bardem &#8211; Espa\u00f1a \/ Francia &#8211; 1979<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Jorge Cedr\u00f3n<\/strong><br \/><br \/>La vereda de enfrente, de Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1962<br \/>El otro oficio,\u00a0de Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1967<br \/>El habilitado, de Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1970<br \/>Por los senderos del Libertador, de Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1971<br \/>Operaci\u00f3n Masacre, de Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1972<br \/>Resistir,\u00a0de Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1978<br \/>Got\u00e1n,\u00a0de Jorge Cedr\u00f3n &#8211; Francia &#8211; 1979<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Britannia Lado A: El Primer Hitchcock<\/strong><br \/><br \/>The Lodger, de Alfred Hitchcock &#8211; Reino Unido &#8211; 1926<br \/>The Ring, de Alfred Hitchcock &#8211; Reino Unido &#8211; 1927<br \/>Blackmail, de Alfred Hitchcock &#8211; Reino Unido &#8211; 1929<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Mikl\u00f3s Jancs\u00f3<br \/>\u200b<\/strong>\u200b\u200b\u200b\u200b\u200b\u200b<br \/>Cantata,\u00a0de Mikl\u00f3s Jancs\u00f3 &#8211; Hungr\u00eda &#8211; 1963<br \/>Los desesperados, de Mikl\u00f3s Jancs\u00f3 &#8211; Hungr\u00eda &#8211; 1966<br \/>Los rojos y los blancos, de Mikl\u00f3s Jancs\u00f3 &#8211; Hungr\u00eda \/ URSS &#8211; 1967<br \/>Salmo rojo, de Mikl\u00f3s Jancs\u00f3 &#8211; Hungr\u00eda &#8211; 1972<br \/>Electra, de Mikl\u00f3s Jancs\u00f3 &#8211; Hungr\u00eda &#8211; 1974<br \/>Negative History of Hungarian Cinema, de Gyula Nemes &#8211; Hungr\u00eda &#8211; 2010<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Roberto Rossellini<br \/>\u200b<\/strong>\u200b\u200b\u200b\u200b\u200b\u200b<br \/>Roma, ciudad abierta, de Roberto Rossellini &#8211; Italia &#8211; 1945<br \/>Pais\u00e0, de Roberto Rossellini &#8211; Italia &#8211; 1946<br \/>Alemania, a\u00f1o cero, de Roberto Rossellini &#8211; Italia \/ Francia \/ Alemania &#8211; 1948<br \/>Amore, de Roberto Rossellini &#8211; Italia &#8211; 1948<br \/>Stromboli, de Roberto Rossellini &#8211; Italia \/ Estados Unidos &#8211; 1950<br \/>Viaje a Italia, de Roberto Rossellini &#8211; Italia \/ Francia &#8211; 1954<br \/>India, de Roberto Rossellini &#8211; Italia \/ Francia &#8211; 1959<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Cine Argentino Siempre<\/strong><br \/><br \/>Ambici\u00f3n, de Adelqui Millar &#8211; Argentina &#8211; 1939<br \/>Los \u00e1rboles mueren de pie, de Carlos Schlieper &#8211; Argentina &#8211; 1951<br \/>La cabalgata del circo, de Mario Soffici, Eduardo Boneo &#8211; Argentina &#8211; 1945<br \/>La casa de los millones, de Luis Jos\u00e9 Bay\u00f3n Herrera &#8211; Argentina &#8211; 1942<br \/>La cumparsita,\u00a0de Antonio Momplet &#8211; Argentina &#8211; 1947<br \/>La dama duende, de Luis Saslavsky &#8211; Argentina &#8211; 1945<br \/>Eclipse de sol, de Luis Saslavsky &#8211; Argentina &#8211; 1943<br \/>Gente bien, de Carlos Hugo Christensen &#8211; Argentina &#8211; 1943<br \/>Secci\u00f3n desaparecidos, de Pierre Chenal &#8211; Argentina \/ Francia &#8211; 1958<br \/>Tango bar, de John Reinhardt &#8211; Estados Unidos &#8211; 1935<br \/>El \u00faltimo payador, de Homero Manzi, Ralph Pappier &#8211; Argentina &#8211; 1950<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Filmoteca en Vivo<\/strong><br \/><br \/>La ira del espadach\u00edn manco, de Chang Cheh &#8211; Hong Kong 1971<br \/>El amor nunca muere, de Fred Burnley &#8211; Reino Unido &#8211; 1972<br \/>Esc\u00e1ndalo, de Salvatore Samperi &#8211; Italia &#8211; 1976<br \/>Adi\u00f3s, mu\u00f1eca, de Dick Richards &#8211; Reino Unido &#8211; 1975<br \/>Todo modo, de Elio Petri &#8211; Italia &#8211; 1976<br \/>Homoide, de Marek Piestrak &#8211; Polonia \/ URSS &#8211; 1978<br \/>Bumerang, de Jos\u00e9 Giovanni &#8211; Francia \/ Canad\u00e1 &#8211; 1983<br \/>Th\u00e9r\u00e8se, de Alain Cavalier &#8211; Francia &#8211; 1986<br \/>\u00a0<br \/>\u00a0<br \/>\u00a0<br \/><strong>Generaci\u00f3n VHS<\/strong><br \/><br \/>Amarga pesadilla, de John Boorman &#8211; Estados Unidos &#8211; 1972<br \/>Cazador de hombres, de Michael Mann &#8211; Estados Unidos &#8211; 1986<br \/>El club del terror, de Richard Wenk &#8211; Estados Unidos &#8211; 1986<br \/>El gran Lebowski, de Joel Coen &#8211; Estados Unidos &#8211; 1998<br \/>Hijos de la noche, de Clive Barker &#8211; Estados Unidos &#8211; 1990<br \/>Quiero decirte que te amo, de Rob Reiner &#8211; Estados Unidos &#8211; 1985<br \/><br \/><br \/><strong>PREMIOS<\/strong><br \/><br \/><strong>COMPETENCIA INTERNACIONAL<br \/><br \/>Astor de Oro a la mejor pel\u00edcula<\/strong><br \/>La jaula de oro, de Diego Quemada-Diez<br \/><strong>Astor de Plata al Mejor Director<\/strong><br \/>Mariana Rond\u00f3n por Pelo Malo<br \/><strong>Astor de Plata a la Mejor Actriz<\/strong><br \/>Marian \u00c1lvarez por La Herida de Fernando Franco<br \/><strong>Astor de Plata al Mejor Actor<\/strong><br \/>Vincent Macaigne por La Bataille de Solf\u00e9rino, de Justine Triet<br \/><strong>Premio Especial del Jurado<\/strong><br \/>Little Feet, de Alexandre Rockwell<br \/><strong>Astor de Plata al Mejor Gui\u00f3n<\/strong><br \/>Mariana Rond\u00f3n por Pelo Malo<br \/><br \/><strong>Premio del P\u00fablico de la Competencia Internacional<\/strong><br \/>La jaula de oro, de Diego Quemada-Diez.<br \/><br \/><strong>COMPETENCIA LATINOAMERICANA<\/strong><br \/><br \/><strong>Mejor Largometraje<\/strong><br \/>Los ins\u00f3litos peces gato, de Claudia Sainte Luce<br \/><strong>Mejor Cortometraje<\/strong><br \/>Nadie especial, de Juan Alejandro Ram\u00edrez.<br \/><br \/><strong>COMPETENCIA ARGENTINA<br \/><br \/>Mejor Largometraje<\/strong><br \/>La utilidad de un revistero, de Adriano Salgado.<br \/><strong>Mejor Director<\/strong><br \/>Ada Frontini por Escuela de sordos<br \/><strong>Mejor Cortometraje<\/strong><br \/>Espacio personal, de Natural Arpajou,<br \/><strong>Mejor Director de Cortometraje<\/strong><br \/>Mariano Luque por Sociales<br \/><br \/><strong>COMPETENCIA WORK IN PROGRESS<br \/><br \/>Mejor Proyecto<\/strong><br \/>El Patr\u00f3n de Sebasti\u00e1n Schindel<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logo Cine Argentino Siempre I Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV El tiempo detenido Autor: Scott Foundas La mirada cinefila. La modernizaci\u00f3n de la cr\u00edtica en la revista Tiempo de Cine Autora: Daniela Kozak SPOT OFICIAL 16 al 24 de Noviembre de 2013\u00a0AUTORIDADES PRESIDENTA INCAALiliana Mazure PRESIDENTE DEL FESTIVALJos\u00e9 Mart\u00ednez Su\u00e1rez DIRECTOR [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3869,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-3867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>28\u00b0 Edici\u00f3n (2013) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y 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