{"id":3871,"date":"2026-04-08T11:52:02","date_gmt":"2026-04-08T11:52:02","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3871"},"modified":"2026-11-03T16:31:39","modified_gmt":"2026-11-03T16:31:39","slug":"28-edition-2013","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/28-edition-2013\/","title":{"rendered":"28\u00b0 Edition (2013)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignfull size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"620\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_28-tapa_.jpg\" alt=\"Tapa Catalogo Edici\u00f3n 28\" class=\"wp-image-3869\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_28-tapa_.jpg 475w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_28-tapa_-230x300.jpg 230w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\"><strong>Multimedia<\/strong> Files<\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/28-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Catalogue<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cine Argentino Siempre I<a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/29-Festival-Cine-Argentino-Siempre-II.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/28-Festival-Cine-Argentino-Siempre-I.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">El tiempo detenido<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/28-Festival-EL-TIEMPO-DETENIDO.pdf\" target=\"_blank\" rel=\"noopener\">Author: Scott Foundas<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">La mirada cinefila. La modernizaci\u00f3n de la cr\u00edtica en la revista Tiempo de Cine<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-layout-flex wp-container-core-group-is-layout-e1caf3a8 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\" role=\"none\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/28-Festival-La-mirada-cinefila.pdf\" target=\"_blank\" rel=\"noopener\">Autora: Daniela Kozak<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">OFFICIAL SPOT<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>November 16th\u00a0to 24th, 2013<br \/>\u00a0<br \/>AUTHORITIES<\/strong><br \/><br \/><strong>INCAA PRESIDENT<\/strong><br \/>Liliana Mazure<br \/><br \/><strong>FESTIVAL PRESIDENT<\/strong><br \/>Jos\u00e9 Mart\u00ednez Su\u00e1rez<br \/><br \/><strong>ARTISTIC DIRECTOR<\/strong><br \/>Fernando Spiner<br \/><br \/><strong>ARTISTIC PRODUCTION AND PROGRAM<\/strong><br \/>Fernando Arca<\/p>\n<p><br \/><br \/><strong>PROGRAM<\/strong><\/p>\n<p><br \/><strong>International Competition<\/strong><br \/><br \/>The Strange Little Cat,\u00a0by Ramon Z\u00fcrcher &#8211; Germany &#8211; 2013<br \/>Fantasmas de la ruta, by Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2013<br \/>La laguna,\u00a0by Gast\u00f3n Bottaro &#8211; Argentina &#8211; 2013<br \/>Yvy maraey\u00a0\u2013 Land Without Evil,\u00a0by Juan Carlos Valdivia &#8211; Bolivia \/ Mexico &#8211; 2012<br \/>Illiterate, by Mois\u00e9s Sep\u00falveda &#8211; Chile &#8211; 2013<br \/>Wounded, by Fernando Franco &#8211; Spain &#8211; 2013<br \/>Drinking Buddies,\u00a0by Joe Swanberg &#8211; United States &#8211; 2013<br \/>Little Feet, by Alexandre Rockwell &#8211; United States &#8211; 2012<br \/>Age of Panic, by Justine Triet &#8211; France &#8211; 2013<br \/>The Eternal Return of Antonis Paraskevas, by Elina Psykou &#8211; Greece &#8211; 2013<br \/>Bright Day, by Hossein Shahabi &#8211; Iran &#8211; 2013<br \/>Club Sandwich, by Fernando Eimbcke &#8211; Mexico &#8211; 2013<br \/>The Golden Cage, by Diego Quemada-Diez &#8211; Mexico \/ Spain &#8211; 2013<br \/>Bad Hair, by Mariana Rond\u00f3n &#8211; Venezuela &#8211; 2013<br \/><br \/>\u00a0<br \/><strong>Latin American Competition<\/strong><br \/><br \/>El amor a veces,\u00a0by Eduardo Milewicz &#8211; Argentina &#8211; 2013<br \/>Choele, by Juan Sasia\u00edn &#8211; Argentina &#8211; 2013<br \/>El grillo, by Mat\u00edas Herrera C\u00f3rdoba &#8211; Argentina &#8211; 2013<br \/>Tiro de gracia, by Nicol\u00e1s Lidijover &#8211; Argentina &#8211; 2013<br \/>El vals de los in\u00fatiles, by Edison C\u00e1jas &#8211; Argentina \/ Chile &#8211; 2013<br \/>O sol nos meus olhos, by Flora Dias, Juruna Mallon &#8211; Brazil &#8211; 2013<br \/>Las ni\u00f1as Quispe, by Sebasti\u00e1n Sep\u00falveda &#8211; Chile \/ France \/ Argentina &#8211; 2013<br \/>El verano de los peces voladores, by Marcela Said &#8211; Chile &#8211; 2013<br \/>Costa Dulce, by Enrique Collar &#8211; Paraguay \/ Holland &#8211; 2013<br \/>Mambo Cool, by Mambo Cool &#8211; Colombia \/ United States &#8211; 2013<br \/>A estas alturas de la vida, by \u00c1lex Cisneros &#8211; Ecuador &#8211; 2013<br \/>Los ins\u00f3litos peces gato,\u00a0by Claudia Sainte-Luce &#8211; Mexico &#8211; 2013<br \/>Penumbra, by Eduardo Villanueva &#8211; Mexico &#8211; 2013<br \/>Esclavo de Dios, by Joel Novoa &#8211; Venezuela &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Latin American Short Film Competition<\/strong><br \/><br \/>Aja for instinto, by Paulo de Tarso Disca &#8211; Brazil &#8211; 2013<br \/>Gotas de fuma\u00e7a, by Ane Siderman &#8211; Brazil &#8211; 2013<br \/>Nascemos hoje,\u00a0quando\u00a0o c\u00e9u estava carregado\u00a0de ferro e veneno, by Juliana Rojas, Marco Dutra &#8211; Brazil &#8211; 2013<br \/>La lluvia, by Mario Ni\u00f1o Villamizar &#8211; Colombia &#8211; 2013<br \/>Milagros,\u00a0by Jonathan Jury &#8211; Colombia &#8211; 2013<br \/>Toma dos, by Pilar \u00c1lvarez &#8211; Cuba &#8211; 2013<br \/>Milagros, by Jonathan Jury &#8211; Colombia &#8211; 2013<br \/>Ant\u00eddoto, by Tania Karenni Flores Alem\u00e1n &#8211; Mexico &#8211; 2013<br \/>La mirada de un extra\u00f1o,\u00a0by Bruno Benavides Allain &#8211; Peru &#8211; 2013<br \/>Nadie especial,\u00a0by Juan Alejandro Ram\u00edrez &#8211; Peru &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Argentine Competition<\/strong><br \/><br \/>7 Salamancas,\u00a0by Marcos Pastor &#8211; Argentina &#8211; 2013<br \/>El aire,\u00a0by Santiago Guidi &#8211; Argentina &#8211; 2013<br \/>Algunos d\u00edas sin m\u00fasica,\u00a0by Mat\u00edas Rojo &#8211; Argentina \/ Brazil &#8211; 2013<br \/>Diamante, by Emiliano Grieco &#8211; Argentina &#8211; 2013<br \/>Escuela de sordos, by Ada Frontini &#8211; Argentina &#8211; 2013<br \/>I Am Mad, by Baltazar Tokman &#8211; Argentina &#8211; 2013<br \/>Imprescriptible,\u00a0by Alejandro Ester &#8211; Argentina &#8211; 2013<br \/>Liberen a Garc\u00eda, by E: Mar\u00eda Boughen &#8211; Argentina &#8211; 2013<br \/>Maravilla, un luchador afuera y adentro del cuadril\u00e1tero, by Juan Pablo Cadaveira &#8211; Argentina &#8211; 2013<br \/>Mujer conejo, by Ver\u00f3nica Chen &#8211; Argentina &#8211; 2013<br \/>Polvareda, by Juan Schmidt &#8211; Argentina &#8211; 2013<br \/>Tres muertos,\u00a0by Jer\u00f3nimo Atehort\u00faa Arteaga, I\u00f1aki Dubourg &#8211; Argentina &#8211; 2013<br \/>La utilidad de un revistero,\u00a0by Adriano Salgado &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Argentine Short Film Competition<\/strong><br \/><br \/>\u05e9\u05d5\u05dc\u05d7\u05df\u00a017\u00a0(Mesa 17),\u00a0by Manuel Abramovich &#8211; Argentina &#8211; 2013<br \/>Baklava,\u00a0by Karina Flomenbaum &#8211; Argentina &#8211; 2013<br \/>Colecciones &#8211; Chiara Ghio, de Benjamin Naishtat &#8211; Argentina &#8211; 2013<br \/>Desv\u00edo, by Diego Andr\u00e9s Ercolano &#8211; Argentina &#8211; 2013<br \/>La donna,\u00a0by Nicol\u00e1s Dolensky &#8211; Argentina &#8211; 2013<br \/>\u00c9l piensa, ella piensa, by Ivan Stoessel, Fede Pozzi &#8211; Argentina &#8211; 2013<br \/>Espacio personal, by Natural Arpajou &#8211; Argentina &#8211; 2013<br \/>Matar a un perro,\u00a0by Alejo Santos &#8211; Argentina &#8211; 2013<br \/>Mi marido,\u00a0by Hugo Emilio Blajean &#8211; Argentina &#8211; 2013<br \/>Los p\u00e1lidos, by Mart\u00edn Kalina &#8211; Argentina &#8211; 2013<br \/>Pekin,\u00a0by Nicol\u00e1s Le\u00f3n &#8211; Argentina &#8211; 2013<br \/>Sociales,\u00a0by Mariano Luque &#8211; Argentina \u2013 2013<br \/>\u00a0<br \/>\u00a0<br \/><strong>WIP<\/strong><br \/><br \/>Amor, etc., by Gladys Lizarazu<br \/>Apropiados, by Misael Bustos<br \/>Cancha 3, by Jorge Leandro Col\u00e1s<br \/>El d\u00eda fuera del tiempo, by Cristina Fasulino<br \/>Estaci\u00f3n Taiw\u00e1n, by Marcos Rodr\u00edguez<br \/>Forastero, by Luc\u00eda Ferreyra<br \/>Las furias, by Tamae Garateguy<br \/>Gran Mexico, by Luisina Herzog, Mercedes Bassano<br \/>Juana a los 12, by Mart\u00edn Shanly<br \/>Miramar, by Fernando Sarqu\u00eds<br \/>Munkacs (diario de abuelita), by Alejandro Hartmann<br \/>Naturaleza muerta,\u00a0by Gabriel Grieco<br \/>Necrofobia, by Daniel de la Vega<br \/>Nosotras\/Ellas, by Julia Pesce<br \/>Pantanal,\u00a0by Andrew Sala<br \/>Pasos y kil\u00f3metros, by Soledad Castro, Esteban Parola<br \/>El patr\u00f3n, by Sebasti\u00e1n Schindel<br \/>Pisadas en terreno blando, by Iv\u00e1n Fund<br \/>Silo, by Leandro Bartoletti<br \/>Thelma &amp; Luis, by Alejandro Jovic<br \/>La tierra en el medio, by Natalia Trzcina<br \/>Yo s\u00e9 lo que envenena, by Federico Sosa<br \/>\u00a0<br \/><br \/><strong>Panorama<\/strong><br \/>\u00a0<br \/><strong>Authors<\/strong><br \/><br \/>A Fuller Life, by Samantha Fuller &#8211; United States &#8211; 2013<br \/>A Touch of Sin, by Jia Zhangke &#8211; China \/ Japan &#8211; 2013<br \/>At Berkeley, by Frederick Wiseman &#8211; United States &#8211; 2013<br \/>How Strange to be Named Federico: Scola narrates Fellini, by Ettore Scola &#8211; Italy &#8211; 2013<br \/>The Last of the Unjust,\u00a0by Claude Lanzmann &#8211; France \/ Austria &#8211; 2013<br \/>Reaching for the Moon, by Bruno Barreto &#8211; Brazil &#8211; 2013<br \/>Stranger by the Lake,\u00a0by Alain Guiraudie &#8211; France &#8211; 2013<br \/>Jealousy,\u00a0by Philippe Garrel &#8211; France &#8211; 2013<br \/>Michael H. Profession: Director, by Yves Montmayeur &#8211; Austria \/ France &#8211; 2013<br \/>Moebius, by Kim Ki-duk &#8211; South Korea &#8211; 2013<br \/>Our Sunhi,\u00a0by Hong Sang-soo &#8211; South Korea &#8211; 2013<br \/>Bacuri\u2019s Eyes,\u00a0by Maria by Medeiros &#8211; Brazil \/ Spain \/ Italy &#8211; 2012<br \/>Bastards, by Claire Denis &#8211; France \/ Germany &#8211; 2012<br \/>Tom at the Farm, by Xavier Dolan &#8211; Canada \/ France &#8211; 2013<br \/>Enough Said, by Nicole Holofcener &#8211; United States &#8211; 2013<br \/>Walesa. Man of Hope,\u00a0by Andrzej Wajda &#8211; Poland &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Argentine Panorama<\/strong><br \/><br \/>Amancio Williams, by Gerardo Panero &#8211; Argentina &#8211; 2013<br \/>Atolondrado, by Edmundo Bejarano &#8211; Argentina \/ Holland \/ Germany &#8211; 2013<br \/>La c\u00e1rcel del fin del mundo,\u00a0by Luc\u00eda Vassallo &#8211; Argentina &#8211; 2013<br \/>Condenados,\u00a0by Carlos Mart\u00ednez &#8211; Argentina &#8211; 2013<br \/>El cr\u00edtico, by Hern\u00e1n Guerschuny &#8211; Argentina &#8211; 2013<br \/>Los due\u00f1os,\u00a0by Agust\u00edn Toscano, Ezequiel Radusky &#8211; Argentina &#8211; 2013<br \/>Historias de cronopios y de famas, by Julio Ludue\u00f1a &#8211; Argentina &#8211; 2013<br \/>Lumpen, by Luis Ziembrowski &#8211; Argentina &#8211; 2013<br \/>Ma\u00f1ana\u2022Tarde\u2022Noche, by Federico Falasca, Tatiana P\u00e9rez Veiga, Laura Spiner &#8211; Argentina &#8211; 2013<br \/>Margarita no es una flor, by Cecilia Fiel &#8211; Argentina &#8211; 2013<br \/>Mika, mi guerra de Spain, by Fito Pochat, Javier Olivera &#8211; Argentina &#8211; 2013<br \/>Morri\u00f1a, nostalgia de la tierra natal, by Esther Goris &#8211; Argentina &#8211; 2012<br \/><br \/>\u00a0<br \/><strong>Super 8<\/strong><br \/><br \/>The Sun in the Head, by Melisa Brito Aller &#8211; United States &#8211; 2012<br \/>Desierto, by Melisa Brito Aller &#8211; Argentina &#8211; 2011<br \/>Constituci\u00f3n,\u00a0by Melisa Brito Aller &#8211; Argentina &#8211; 2013<br \/>Nosotros,\u00a0by Melisa Brito Aller &#8211; Argentina &#8211; 2013<br \/>Los estados salvajes, by Melisa Brito Aller &#8211; Argentina &#8211; 2013<br \/>Valor de uso \/ Valor de cambio, by Melisa Brito Aller &#8211; Argentina &#8211; 2013<br \/>Equivale a mentir, by Macarena Cordiviola &#8211; Argentina &#8211; 2001<br \/>\u00daltimos brillos. Vi\u00f1etas del Transiberiano y la peque\u00f1a Jehanne de France, by Macarena Cordiviola &#8211; Switzerland \/ Argentina &#8211; 2008<br \/>Recreaci\u00f3n, by Macarena Cordiviola &#8211; Argentina &#8211; 2012<br \/>Parpadeo, by Macarena Cordiviola &#8211; Argentina &#8211; 2013<br \/>Oficiales de reserva, by Gonzalo Egurza &#8211; Argentina &#8211; 2012<br \/>-sin t\u00edtulo-,\u00a0by Gonzalo Egurza &#8211; Argentina &#8211; 2009<br \/>Diario de Pamplona,\u00a0by Gonzalo Egurza &#8211; Argentina &#8211; 2011<br \/>Perforaci\u00f3n, by Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2011<br \/>Corte, by Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2013<br \/>Delta,\u00a0by Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2013<br \/>Fragmentos de domingo, by Benjam\u00edn Ellenberger &#8211; Argentina &#8211; 2013<br \/>Intemperie en Chapicuy,\u00a0by Andr\u00e9s Levinson &#8211; Argentina &#8211; 2013<br \/>Aproximaci\u00f3n a Emeterio Villamil de Rada, by Mart\u00edn Sciaroni &#8211; Argentina &#8211; 2013<br \/>Diario de los Patricios,\u00a0by Mart\u00edn Sciaroni &#8211; Argentina &#8211; 2013<br \/>Rollo 6,\u00a0by Mart\u00edn Sciaroni &#8211; Argentina &#8211; 2013<br \/><br \/>\u00a0<br \/><strong>Special Night: Horacio Vallereggio<\/strong><br \/><br \/>T\u00fa sabes que te quiero, by Horacio Vallereggio &#8211; Argentina &#8211; 1970<br \/>T\u00fa sabes que te quiero II,\u00a0by Horacio Vallereggio &#8211; Argentina &#8211; 1976<br \/>Corto muy corto, by Horacio Vallereggio &#8211; Argentina &#8211; 1973<br \/>A Olga,\u00a0by Horacio Vallereggio &#8211; Argentina &#8211; 1975<br \/>Sonrisa del m\u00e1s ac\u00e1, by Horacio Vallereggio &#8211; Argentina &#8211; 1975<br \/>Dos pa\u00f1uelos un paraguas y el amor, by Horacio Vallereggio &#8211; Argentina &#8211; 1976<br \/>La diosa de la banana,\u00a0by Horacio Vallereggio &#8211; Argentina &#8211; 1976<br \/>Triste, triste, by Horacio Vallereggio &#8211; Argentina &#8211; 1976<br \/>Los placeres de la carne,\u00a0by Horacio Vallereggio &#8211; Argentina &#8211; 1977<br \/>La cabellera de Berenice, by Horacio Vallereggio &#8211; Argentina &#8211; 1992<br \/>\u00a0<br \/><br \/><strong>Special Night: Narcisa Hirsch<\/strong><br \/><br \/>Testamento y vida interior, by Narcisa Hirsch &#8211; Argentina &#8211; 1977<br \/>Diarios patag\u00f3nicos, by Narcisa Hirsch &#8211; Argentina &#8211; 1992<br \/>Rumi,\u00a0by Narcisa Hirsch &#8211; Argentina &#8211; 1999<br \/><br \/>\u00a0<br \/><strong>In Search of Destiny<\/strong><br \/><br \/>Dinosaurs Don\u2019t Live Here Anymore, by Miguel \u00c1ngel P\u00e9rez Blanco &#8211; Spain &#8211; 2013<br \/>Chapman, by Justin Owensby &#8211; United States &#8211; 2013<br \/>Congreso, by Luis Fontal &#8211; Argentina &#8211; 2013<br \/>The Dirties, by Matthew Johnson &#8211; United States \/ Canada &#8211; 2013<br \/>Everyone\u2019s Going to Die, by Jones &#8211; United Kingdom &#8211; 2013<br \/>Gerontophilia, by Bruce LaBruce &#8211; Canada &#8211; 2013<br \/>Igl\u00fa,\u00a0by Diego Ruiz &#8211; Chile &#8211; 2013<br \/>Joy by V., by Joy by V. &#8211; United States &#8211; 2013<br \/>Teenage, by Matt Wolf &#8211; United States &#8211; 2013<br \/><br \/>\u00a0<br \/><strong>Midnight Screamings<\/strong><br \/><br \/>Blind Detective,\u00a0by Johnnie To &#8211; Hong Kong &#8211; 2013<br \/>Drug War, by Johnnie To &#8211; Hong Kong &#8211; 2013<br \/>The Strange Colors of Your Body\u2019s Tears, by H\u00e9l\u00e8ne Cattet, Bruno Forzani &#8211; France \/ Belgium \/ Luxemburg &#8211; 2013<br \/>R100, by Hitoshi Matsumoto &#8211; Japan &#8211; 2013<br \/>Real,\u00a0by Kiyoshi Kurosawa &#8211; Japan &#8211; 2013<br \/>Why Don\u2019t You Play in Hell?,\u00a0by Sion Sono &#8211; Japan &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Open Veins<\/strong><br \/><br \/>Cichonga,\u00a0by Esteban Rojas &#8211; Argentina &#8211; 2013<br \/>El d\u00eda trajo la oscuridad, by Mart\u00edn Desalvo &#8211; Argentina &#8211; 2013<br \/>Entre las sombras, by Samot Marquez &#8211; Argentina &#8211; 2013<br \/>El hombre detr\u00e1s de la m\u00e1scara, by Gabriela Obreg\u00f3n &#8211; Mexico &#8211; 2013<br \/>Justicia propia,\u00a0by Sergio Mastroberti &#8211; Argentina &#8211; 2013<br \/>Mar negro,\u00a0by Rodrigo Arag\u00e3o &#8211; Brazil &#8211; 2013<br \/>Sonno profondo, by Luciano Onetti &#8211; Argentina &#8211; 2013<br \/>Videoclub,\u00a0by Pablo Illanes &#8211; Chile &#8211; 2013<br \/>Wow, by Pedro Maccarone, Max Franco &#8211; Argentina &#8211; 2013<br \/>Alexia,\u00a0by Andr\u00e9s Borghi &#8211; Argentina &#8211; 2013<br \/>La chica m\u00e1s rara del mundo, by Mariano Cattaneo &#8211; Argentina &#8211; 2013<br \/>Sci Fi en Argentina, by Gonzalo Guti\u00e9rrez &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/><br \/><strong>OST<\/strong><br \/><br \/>A Band Called Death, by Mark Covino &#8211; United States &#8211; 2012<br \/>Big Star: Nothing Can Hurt Me, by Drew DeNicola, Olivia Mori &#8211; United States &#8211; 2012<br \/>El blues de los plomos,\u00a0by Gabriel Patrono &#8211; Argentina &#8211; 2013<br \/>Escuchar a Dios, by Mariano Baez &#8211; Argentina &#8211; 2013<br \/>Mat\u00e9ria de composi\u00e7\u00e3o,\u00a0by Pedro Aspahan &#8211; Brazil &#8211; 2013<br \/>No More Tour, by Daniel G\u00f3mez, Fermin Muguruza &#8211; Spain &#8211; 2013<br \/>El peor dios,\u00a0by Alejandro Montes, Daniel Arasanz, Nicol\u00e1s Tarela &#8211; Spain &#8211; 2013<br \/>Roc\u00edo Recorder, by Marcos Migliavacca, Nahuel Lahora &#8211; Argentina &#8211; 2013<br \/>Sacrificial Youth, by Joe Losurdo &#8211; United States &#8211; 2013<br \/>Serrat y Sabina:\u00a0El s\u00edmbolo y el cuate, by Francesc Relea &#8211; Spain &#8211; 2013<br \/>El Zurdo,\u00a0by Claudia Regina Martinez &#8211; Argentina &#8211; 2013<br \/>Gillespiana, by Enrique Dawi &#8211; Argentina &#8211; 1961<br \/>Existir sin vos,\u00a0una noche con Charly Garc\u00eda, by Alejandro Chomski &#8211; Argentina &#8211; 2013<br \/>Pescado Rabioso, una utop\u00eda incurable, by Lidia Milani &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Senses of Humor<\/strong><br \/><br \/>Computer Chess, by Andrew Bujalski &#8211; United States &#8211; 2013<br \/>Doomsdays,\u00a0by Eddie Mullins &#8211; United States &#8211; 2013<br \/>It\u2019s Me, It\u2019s Me, by Satoshi Miki &#8211; Japan &#8211; 2013<br \/>Mis peores amigos: El regreso de Promedio rojo, by Nicol\u00e1s L\u00f3pez &#8211; Chile &#8211; 2013<br \/>La tumba de Bruce Lee, by Juli\u00e1n G\u00e9nisson, Lorena Iglesias, Aaron Rux &#8211; Spain &#8211; 2013<br \/><br \/>\u00a0<br \/><strong>Altered States<\/strong><br \/><br \/>15 d\u00edas en la playa, by Flavia de la Fuente &#8211; Argentina &#8211; 2013<br \/>A Masque of Madness (Notes on Film 06-B, Monologue 02),\u00a0by Norbert Pfaffenbichler &#8211; Austria &#8211; 2013<br \/>A Spell to Ward Off the Darkness, by Ben Rivers, Ben Russell &#8211; France \/ Estonia &#8211; 2013<br \/>All\u2019ombra della croce, by Alessandro Pugno &#8211; Italy \/ Spain &#8211; 2012<br \/>\u00c1rboles, by Los Hijos &#8211; Spain &#8211; 2013<br \/>Bloody Beans, by Narimane Mari &#8211; Algeria \/ France &#8211; 2013<br \/>Hist\u00f2ria de la meva mort, by Albert Serra &#8211; Spain \/ France &#8211; 2013<br \/>Outtakes from the Life of a Happy Man,\u00a0by Jonas Mekas &#8211; United States &#8211; 2013<br \/>Pays barbare, by Yervant Gianikian &#8211; France &#8211; 2013<br \/>O quinto evanxeo\u00a0by Gaspar Hauser, by Alberto Gracia &#8211; Spain &#8211; 2013<br \/>Ricardo B\u00e4r, by Nele Wohlatz, &#8211; Argentina &#8211; 2013<br \/>Shirley &#8211; Visions of Reality, by Gustav Deutsch &#8211; Austria &#8211; 2013<br \/>Une histoire seule, by Xurxo Chirro, Aguinaldo Fructuoso &#8211; Spain \/ Switzerland &#8211; 2013<br \/>America, by Val\u00e9rie Massadian &#8211; France \/ United States &#8211; 2013<br \/>Dad\u2019s Stick, by John Smith &#8211; United Kingdom &#8211; 2012<br \/>Let Us Persevere in What We Have Resolved Before We Forget, by Ben Russell &#8211; United States \/ France &#8211; 2013<br \/>Un conte de Michel de Montaigne, by Jean-Marie Straub &#8211; France \/ Switzerland &#8211; 2012<br \/>\u00a0<br \/><br \/><strong>Special Screenings<\/strong><br \/><br \/>Alfonsina, by Kurt Land &#8211; Argentina &#8211; 1957<br \/>Alfonsina, by Christoph K\u00fchn &#8211; Argentina \/ Switzerland &#8211; 2013<br \/>Chau, by Mariano Laguyas &#8211; Argentina &#8211; 2013<br \/>Exilios, by Diego Meza &#8211; Spain &#8211; 2012<br \/>Gabor, by Sebasti\u00e1n Alfie &#8211; Spain &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Brief Stories 8<\/strong><br \/><br \/>El conductor, by Maximiliano Torres &#8211; Argentina 2013<br \/>Cuesti\u00f3n de t\u00e9,\u00a0by Mar\u00eda Monserrat Echevarr\u00eda &#8211; Argentina 2013<br \/>De c\u00f3mo Hip\u00f3lito V\u00e1zquez encontr\u00f3 magia donde no buscaba, Mat\u00edas Rubio &#8211; Argentina 2013<br \/>El desaf\u00edo,\u00a0Andr\u00e9s Ernesto Arduin &#8211; Argentina 2013<br \/>Liebre 105, by Sebasti\u00e1n Rotstein, Federico Rotstein &#8211; Argentina 2013<br \/>El olvido, by Ferm\u00edn Rivera &#8211; Argentina 2013<br \/>El ramal, Mena Duarte &#8211; Argentina 2013<br \/>Superficies, Mart\u00edn Aliaga &#8211; Argentina 2013<br \/>Vida nueva, Lucas Santa Ana &#8211; Argentina 2013<br \/>Jig\u00e9en, by Jorge Meyer &#8211; Spain &#8211; 2012<br \/>El padre de Gardel, by Ricardo Casas &#8211; Uruguay \/ Brazil \/ Spain &#8211; 2013<br \/>Traffic Department, by Wojtek Smarzowski &#8211; Poland &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Panorama of Latin American Cinema<\/strong><br \/><br \/>El camino de Santiago &#8211; periodismo, cine y revoluci\u00f3n -,\u00a0by Fernando Gabriel Krichmar &#8211; Argentina \/ Cuba &#8211; 2013<br \/>Carne de perro, by Fernando Guzzoni &#8211; Chile \/ France &#8211; 2012<br \/>T\u00e1BOGO, by Dairo Cervantes &#8211; Colombia &#8211; 2013<br \/>Ciudadano Buelna, by Felipe Cazals &#8211; Mexico &#8211; 2012<br \/>Despertar el polvo, by Hari Sama &#8211; Mexico &#8211; 2013<br \/>Fiesta falsa, by Daniel Peralta &#8211; Chile &#8211; 2013<br \/>Halley, by Sebasti\u00e1n Hofmann &#8211; Mexico \/ Holland &#8211; 2013<br \/>El laberinto de lo posible,\u00a0by Wanadi Siso &#8211; Venezuela \/ United States \/ Chile &#8211; 2013<br \/>Flamingo, by Carl Zitelmann &#8211; Venezuela &#8211; 2013<br \/>A mem\u00f3ria que me contam, by L\u00facia Murat &#8211; Brazil \/ Chile \/ Argentina &#8211; 2012<br \/>Palabras m\u00e1gicas para romper un encantamiento, by Mercedes Moncada &#8211; Mexico &#8211; 2012<br \/>Pena de muerte,\u00a0by Tevo D\u00edaz &#8211; Chile &#8211; 2012<br \/>Princesas rojas,\u00a0by Laura Astorga Carrera &#8211; Venezuela \/ Costa Rica &#8211; 2013<br \/>El regreso,\u00a0by Patricia Ortega &#8211; Venezuela &#8211; 2013<br \/>Rosita, la favorita del Tercer Reich,\u00a0by Pablo Berthelon &#8211; Chile &#8211; 2012<br \/>Simone,\u00a0by Juan Zapata &#8211; Brazil \/ Colombia \/ Spain &#8211; 2013<br \/>Sin oto\u00f1o, sin primavera, by Iv\u00e1n Mora Manzano &#8211; Ecuador \/ Colombia \/ France &#8211; 2012<br \/>\u00a0<br \/><br \/><strong>Mar de Chicos<\/strong><br \/><br \/>Cabeza de Rat\u00f3n: En la cresta del rock, by Diego M. Rolle, Jos\u00e9 Mar\u00eda Beccar\u00eda, Pablo Rodr\u00edguez J\u00e1uregui &#8211; Argentina &#8211; 2012<br \/>The Neverending Story,\u00a0by Wolfgang Petersen \u2013 West Germany \/ United States &#8211; 1984<br \/>Lisa Limone and Maroc Orange: A Rapid Love Story, by Mait Laas &#8211; Estonia \u2013 2013<br \/>Rio 2096: A Story of love and Fury, by Luiz Bolognesi &#8211; Brazil &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Mar de Chicos Short Film Program<\/strong><br \/><br \/>L\u2019Anime, by Diego Urrutia &#8211; Brazil &#8211; 2012<br \/>El coraz\u00f3n de los hombres, by Milton Roly Quispe, Gustavo Paye &#8211; Bolivia &#8211; 2012<br \/>El gatito, by Pablo Siciliano &#8211; Argentina &#8211; 2013<br \/>Maria Clara,\u00a0by Leonardo Peixoto &#8211; Brazil &#8211; 2013<br \/>Nuestra arma es nuestra lengua, by Cristi\u00e1n Cartier Ballv\u00e9 &#8211; Argentina &#8211; 2013<br \/>Origami, by David Pav\u00f3n &#8211; Spain &#8211; 2013<br \/>Le Petit Blond avec un mouton blanc, by Eloi Henriod &#8211; France &#8211; 2013<br \/><br \/>\u00a0<br \/><strong>Ojo al Piojo Program<\/strong><br \/><br \/>From Dad to Son, by Nils Knoblich &#8211; Germany &#8211; 2013<br \/>Dientes terror\u00edficamente divertidos, by 6\u00b0 grado &#8211; Escuela 1142 de Villa Ca\u00f1as &#8211; Argentina, 2013<br \/>Modesta historia de un suntuoso derroch\u00f3n, by Gonzalo Rimoldi &#8211; Argentina &#8211; 2013<br \/>Ciclos,\u00a0by Dami\u00e1n Dionisio, Maxi Bearzi, Marina Ferrandez &#8211; Argentina &#8211; 2013<br \/>Vov\u00f3 ta na cozinha, by Paulo Santiago &#8211; Brazil &#8211; 2013<br \/>Palito, by N\u00e9stor Fern\u00e1ndez &#8211; Spain &#8211; 2013<br \/>La semilla,\u00a0by Germ\u00e1n Gijon &#8211; Spain &#8211; 2013<br \/>\u00bfY ahora qu\u00e9 hacemos?,\u00a0by J.C. Gurrutxaga, Aitor Aranguren &#8211; Spain &#8211; 2013<br \/>Cycloid,\u00a0by Tomogi Kurogi &#8211; Japan &#8211; 2013<br \/>Bololo,\u00a0by Beatriz Herrera Carrillo &#8211; Mexico &#8211; 2013<br \/>El agua de la tierra, by Emma Lopez &#8211; Mexico &#8211; 2013<br \/>Ayer so\u00f1\u00e9 con dinosaurios, by Andr\u00e9s \u00d1una Ruiz &#8211; Mexico &#8211; 2013<br \/>Conejos de terror, by Ezequiel Gonz\u00e1lez (Aquilez) &#8211; Argentina &#8211; 2013<br \/>Sahara, by Taller de Cine y Video del CIART N\u00ba 5 &#8211; Argentina &#8211; 2013<br \/>Juegos de guerra,\u00a0by Bruno Scopazzo &#8211; Argentina &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Altered Portugal<\/strong><br \/><br \/>A m\u00e3e e o mar, by Gon\u00e7alo Tocha &#8211; Portugal &#8211; 2013<br \/>Cativeiro,\u00a0by Andr\u00e9 Gil Mata &#8211; Portugal &#8211; 2012<br \/>E agora? Lembra-me, by Joaquim Pinto &#8211; Portugal &#8211; 2013<br \/>\u00c9 o amor,\u00a0by Jo\u00e3o Canijo &#8211; Portugal &#8211; 2013<br \/>Lacrau, by Jo\u00e3o Vladimiro &#8211; Portugal &#8211; 2012<br \/>Sobre viver, by Cl\u00e1udia Alves &#8211; Portugal &#8211; 2012<br \/>A comunidade, by Salom\u00e9 Lamas &#8211; Portugal &#8211; 2012<br \/>VHS-Video Home System,\u00a0by Salom\u00e9 Lamas &#8211; Portugal &#8211; 2012<br \/>A herdade dos defuntos, by Patrick Mendes &#8211; Portugal &#8211; 2013<br \/>Homenagem a quem n\u00e3o tem onde cair morto, by Patrick Mendes &#8211; Portugal &#8211; 2011<br \/>Sangue frio, by Patrick Mendes &#8211; Portugal &#8211; 2009<br \/>Synchrotron, by Patrick Mendes &#8211; Portugal &#8211; 2009<br \/>Gambozinos, by Jo\u00e3o Nicolau &#8211; Portugal \/ France &#8211; 2013<br \/>Ornithes, by Gabriel Abrantes &#8211; Portugal &#8211; 2012<br \/>Rei in\u00fatil,\u00a0by Telmo Churro &#8211; Portugal &#8211; 2013<br \/>Siz\u00edgia, by Luis Urbano &#8211; Portugal &#8211; 2012<br \/>Tabat\u00f4, by Jo\u00e3o Viana &#8211; Portugal &#8211; 2013<br \/>Versailles,\u00a0by Carlos Concei\u00e7\u00e3o &#8211; Portugal &#8211; 2013<br \/><br \/>\u00a0<br \/><strong>Documentary Window: Native Focus<\/strong><br \/><br \/>A la orilla de este mundo, by Ariel Di Marco &#8211; Argentina &#8211; 2012<br \/>Ajawaska, fragmentos de un viaje a las alturas, by Violeta Soto Vald\u00e9s &#8211; Argentina \/ Chile \/ Bolivia &#8211; 2013<br \/>En la Puna, by Lucas Riselli &#8211; Argentina &#8211; 2013<br \/>Humano, by Alan Stivelman &#8211; Argentina &#8211; 2013<br \/>Pueblos ind\u00edgenas en riesgo, by Guillermo Monteforte &#8211; Mexico &#8211; 2013<br \/>El r\u00edo que nos atraviesa, by Manuela Blanco &#8211; Venezuela &#8211; 2013<br \/>Tunteyh o el rumor de las piedras, by Marina Rubino &#8211; Argentina &#8211; 2013<br \/>Uahat, by Juli\u00e1n Borrell, Franco Gonz\u00e1lez, Demian Santander &#8211; Argentina \/ Bolivia \/ Paraguay &#8211; 2013<br \/>Carnavalero,\u00a0by Ariel Carlino, Graciela Scorzo &#8211; Argentina &#8211; 2013<br \/>Corrales de piedra, de Alberto Gauna &#8211; Argentina &#8211; 2013<br \/>El d\u00eda de las comadres, by Wanda L\u00f3pez Trelles &#8211; Argentina &#8211; 2013<br \/>Hierba originaria\u00a0&#8211; Cultura ancestral, by Edgar Humberto Gonz\u00e1lez &#8211; Venezuela \/ Bolivia &#8211; 2013<br \/>Looking for Adventure, by Kimi Takesue &#8211; United States \/ Peru &#8211; 2013<br \/>Luci\u00e9rnagas por linternas, by Stefano Martone, Mario Martone &#8211; Italy &#8211; 2013<br \/>Mitote, by Eugenio Polgovsky &#8211; Mexico &#8211; 2012<br \/>Spiriti, by Yukai Ebisuno, Raffaella Mantegazza &#8211; Italy \/ Honduras &#8211; 2012<br \/>Yasuni, by Nicol\u00e1s Entel &#8211; Ecuador &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Gramado Presents<\/strong><br \/><br \/>Simulacrum Praecipitii &#8211; A vis\u00e3o do abismo, by Humberto Bassanelli &#8211; Brazil &#8211; 2013<br \/>Revelando Sebasti\u00e3o Salgado, by Betse de Paula &#8211; Brazil &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>The World in Question: Crossed by Ideology<\/strong><br \/><br \/>Cores,\u00a0by Francisco Garcia &#8211; Brazil &#8211; 2012<br \/>Panorama,\u00a0by Juan Patricio Riveroll &#8211; Mexico &#8211; 2013<br \/>The Pervert\u2019s Guide to Ideology, by Sophie Fiennes &#8211; United Kingdom \/ Ireland &#8211; 2012<br \/>Lo stato della follia, by Francesco Cordio &#8211; Italy &#8211; 2013<br \/>Workers, by Jos\u00e9 Luis Valle &#8211; Mexico \/ Germany &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Art and Cinema: Tribute to Gabriel Figueroa<\/strong><br \/><br \/>Multiple Visions, The Crazy Machine,\u00a0by Emilio Maill\u00e9 &#8211; Mexico \/ France \/ Spain &#8211; 2012<br \/>A Woman in Love, by Emilio Fern\u00e1ndez &#8211; Mexico &#8211; 1946<br \/>The Pearl, by Emilio Fern\u00e1ndez &#8211; Mexico \/ United States &#8211; 1947<br \/>Salon Mexico, by Emilio Fern\u00e1ndez &#8211; Mexico &#8211; 1949<br \/>The Young and the Damned, by Luis Bu\u00f1uel &#8211; Mexico &#8211; 1950<br \/>Nazarin, by Luis Bu\u00f1uel &#8211; Mexico &#8211; 1959<br \/>Macario, by Roberto Gavald\u00f3n &#8211; Mexico &#8211; 1960<br \/>\u00a0<br \/>\u00a0<br \/><strong>Bong Joon-ho<\/strong><br \/><br \/>Barking Dogs Never Bite, by Bong Joon-ho &#8211; South Korea &#8211; 2000<br \/>Memories of Murder, by Bong Joon-ho &#8211; South Korea &#8211; 2003<br \/>The Host, by Bong Joon-ho &#8211; South Korea &#8211; 2006<br \/>Mother, by Bong Joon-ho &#8211; South Korea &#8211; 2009<br \/>\u00a0<br \/><br \/><strong>John Landis<\/strong><br \/><br \/>The Kentucky Fried Movie, by John Landis &#8211; United States &#8211; 1977<br \/>Animal House, by John Landis &#8211; United States &#8211; 1978<br \/>The Blues Brothers, by John Landis &#8211; United States &#8211; 1980<br \/>An American Werewolf in London, by John Landis &#8211; United Kingdom \/ United States &#8211; 1981<br \/>\u00a1Three amigos!, by John Landis &#8211; United States &#8211; 1986<br \/>Burke &amp; Hare, by John Landis United Kingdom &#8211; 2010<br \/>\u00a0<br \/><br \/><strong>Mar\u00eda Ca\u00f1as<\/strong><br \/><br \/>Meet My Meat, N.Y.,\u00a0by Mar\u00eda Ca\u00f1as &#8211; 2007<br \/>Por un pu\u00f1ado de yuanes, by Mar\u00eda Ca\u00f1as &#8211; 2008<br \/>Dios se r\u00ede en las alturas, by Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>Voy a decirle a Dios que te apu\u00f1ale, by Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>Mi lucha,\u00a0by Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>El hombre del saco. Dejad que los ni\u00f1os se acerquen a m\u00ed\u2026, by Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>Holy Thriller, by Mar\u00eda Ca\u00f1as &#8211; 2011<br \/>Kiss the Fire, by Mar\u00eda Ca\u00f1as &#8211; 2007<br \/>Kiss the Murder, by Mar\u00eda Ca\u00f1as &#8211; 2008<br \/>Aceite en llamas no deja cenizas, by Mar\u00eda Ca\u00f1as &#8211; 2010<br \/>Los carteles, by Mar\u00eda Ca\u00f1as &#8211; 2003<br \/>Land of 1.000 Tvs, by Mar\u00eda Ca\u00f1as &#8211; 2005<br \/>Down with Reality, by Mar\u00eda Ca\u00f1as &#8211; 2006<br \/>Fuera de serie, by Mar\u00eda Ca\u00f1as &#8211; 2012<br \/>El\u00a0perfecto cerdo, by Mar\u00eda Ca\u00f1as &#8211; 2005<br \/>La cosa nuestra, by Mar\u00eda Ca\u00f1as &#8211; 2006<br \/>S\u00e9 villana, by Mar\u00eda Ca\u00f1as &#8211; 2013<br \/>\u00a0<br \/><br \/><strong>Tribute to Pierre \u00c9taix<\/strong><br \/><br \/>Rupture, by Pierre \u00c9taix &#8211; France &#8211; 1961<br \/>Happy Anniversary, by Pierre \u00c9taix &#8211; France &#8211; 1962<br \/>Feeling Good, by Pierre \u00c9taix &#8211; France &#8211; 2010<br \/>The Suitor, by Pierre \u00c9taix &#8211; France &#8211; 1963<br \/>Yoyo, by Pierre \u00c9taix &#8211; France &#8211; 1965<br \/>As Long as You\u2019re Healthy, by Pierre \u00c9taix &#8211; France &#8211; 1966<br \/>The Great Love, by Pierre \u00c9taix &#8211; France &#8211; 1969<br \/>Land of Milk and Honey, by Pierre \u00c9taix &#8211; France &#8211; 1971<br \/>\u00a0<br \/><br \/><strong>Revisions<\/strong><br \/>\u00a0<br \/><strong>Tribute to Funny Dirty Little War<\/strong><br \/>Funny Dirty Little War, by H\u00e9ctor Olivera &#8211; Argentina &#8211; 1983<br \/>\u00a0<br \/><strong>Tribute to A Wall of Silence<\/strong><br \/>A Wall of Silence, by Lita Stantic &#8211; Argentina \/ Mexico \/ United Kingdom &#8211; 1993<br \/><br \/>\u00a0<br \/><strong>Juan Antonio Bardem<\/strong><br \/><br \/>That Happy Couple, by Juan Antonio Bardem, Luis Garc\u00eda Berlanga &#8211; Spain &#8211; 1951<br \/>Comedians, by Juan Antonio Bardem &#8211; Spain &#8211; 1954<br \/>Death of a Cyclist, by Juan Antonio Bardem &#8211; Spain \/ Italy &#8211; 1955<br \/>The Innocents, by Juan Antonio Bardem &#8211; Argentina \/ Spain &#8211; 1962<br \/>Nothing Ever Happens, by Juan Antonio Bardem &#8211; Spain \/ France &#8211; 1963<br \/>Sisters of Corruption, by Juan Antonio Bardem &#8211; Spain &#8211; 1973<br \/>Seven Days in January, by Juan Antonio Bardem &#8211; Spain \/ France &#8211; 1979<br \/>\u00a0<br \/><br \/><strong>Jorge Cedr\u00f3n<\/strong><br \/><br \/>La vereda de enfrente, by Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1962<br \/>El otro oficio,\u00a0by Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1967<br \/>El habilitado, by Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1970<br \/>Por los senderos del Libertador, by Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1971<br \/>Operaci\u00f3n Masacre, by Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1972<br \/>Resistir,\u00a0by Jorge Cedr\u00f3n &#8211; Argentina &#8211; 1978<br \/>Got\u00e1n,\u00a0by Jorge Cedr\u00f3n &#8211; France &#8211; 1979<br \/>\u00a0<br \/><br \/><strong>Britannia Side A: The First Hitchcock<br \/>\u200b<\/strong>\u200b\u200b\u200b\u200b\u200b\u200b<br \/>The Lodger, by Alfred Hitchcock &#8211; United Kingdom &#8211; 1926<br \/>The Ring, by Alfred Hitchcock &#8211; United Kingdom &#8211; 1927<br \/>Blackmail, by Alfred Hitchcock &#8211; United Kingdom &#8211; 1929<br \/>\u00a0<br \/><br \/><strong>Mikl\u00f3s Jancs\u00f3<\/strong><br \/><br \/>Cantata,\u00a0by Mikl\u00f3s Jancs\u00f3 &#8211; Hungary &#8211; 1963<br \/>The Round-Up, by Mikl\u00f3s Jancs\u00f3 &#8211; Hungary &#8211; 1966<br \/>The Red and the White, by Mikl\u00f3s Jancs\u00f3 &#8211; Hungary \/ Soviet Union &#8211; 1967<br \/>Red Psalm, by Mikl\u00f3s Jancs\u00f3 &#8211; Hungary &#8211; 1972<br \/>Elektra, My Love, by Mikl\u00f3s Jancs\u00f3 &#8211; Hungary &#8211; 1974<br \/>Negative History of Hungarian Cinema, by Gyula Nemes &#8211; Hungary &#8211; 2010<br \/>\u00a0<br \/><br \/><strong>Roberto Rossellini<\/strong><br \/><br \/>Rome, Open City, by Roberto Rossellini &#8211; Italy &#8211; 1945<br \/>Paisan, by Roberto Rossellini &#8211; Italy &#8211; 1946<br \/>Germany Year Zero, by Roberto Rossellini &#8211; Italy \/ France \/ Germany &#8211; 1948<br \/>Amore, by Roberto Rossellini &#8211; Italy &#8211; 1948<br \/>Stromboli, by Roberto Rossellini &#8211; Italy \/ United States &#8211; 1950<br \/>Journey to Italy, by Roberto Rossellini &#8211; Italy \/ France &#8211; 1954<br \/>India, by Roberto Rossellini &#8211; Italy \/ France &#8211; 1959<br \/>\u00a0<br \/><br \/><strong>Argentine Cinema Forever<\/strong><br \/><br \/>Ambici\u00f3n, by Adelqui Millar &#8211; Argentina &#8211; 1939<br \/>Los \u00e1rboles mueren de pie, by Carlos Schlieper &#8211; Argentina &#8211; 1951<br \/>La cabalgata del circo, by Mario Soffici, Eduardo Boneo &#8211; Argentina &#8211; 1945<br \/>La casa de los millones, by Luis Jos\u00e9 Bay\u00f3n Herrera &#8211; Argentina &#8211; 1942<br \/>La cumparsita,\u00a0by Antonio Momplet &#8211; Argentina &#8211; 1947<br \/>La dama duende, by Luis Saslavsky &#8211; Argentina &#8211; 1945<br \/>Eclipse de sol, by Luis Saslavsky &#8211; Argentina &#8211; 1943<br \/>Gente bien, by Carlos Hugo Christensen &#8211; Argentina &#8211; 1943<br \/>Secci\u00f3n desaparecidos, by Pierre Chenal &#8211; Argentina \/ France &#8211; 1958<br \/>Tango bar, by John Reinhardt &#8211; United States &#8211; 1935<br \/>El \u00faltimo payador, by Homero Manzi, Ralph Pappier &#8211; Argentina &#8211; 1950<br \/>\u00a0<br \/><br \/><strong>Filmoteca Live<\/strong><br \/><br \/>One-Armed Swordsman, by Chang Cheh &#8211; Hong Kong 1971<br \/>Neither the Sea Nor the Sand, by Fred Burnley &#8211; United Kingdom &#8211; 1972<br \/>Submission, by Salvatore Samperi &#8211; Italy &#8211; 1976<br \/>Farewell, My Lovely, by Dick Richards &#8211; United Kingdom &#8211; 1975<br \/>Todo modo, by Elio Petri &#8211; Italy &#8211; 1976<br \/>Homoide, by Marek Piestrak &#8211; Poland \/ Soviet Union &#8211; 1978<br \/>The Ruffian, by Jos\u00e9 Giovanni &#8211; France \/ Canada &#8211; 1983<br \/>Th\u00e9r\u00e8se, by Alain Cavalier &#8211; France &#8211; 1986<br \/>\u00a0<br \/><br \/><strong>Generation VHS<\/strong><br \/><br \/>Deliverance, by John Boorman &#8211; United States &#8211; 1972<br \/>Manhunter, by Michael Mann &#8211; United States &#8211; 1986<br \/>Vamp, by Richard Wenk &#8211; United States &#8211; 1986<br \/>The Big Lebowski, by Joel Coen &#8211; United States &#8211; 1998<br \/>Nightbreed, by Clive Barker &#8211; United States &#8211; 1990<br \/>The Sure Thing, by Rob Reiner &#8211; United States &#8211; 1985<br \/><br \/><br \/><strong>AWARDS<\/strong><br \/><br \/><strong>INTERNATIONAL COMPETITION<br \/><br \/>Golden Astor for Best Feature Film<\/strong><br \/>La jaula de oro, by Diego Quemada-Diez<br \/><strong>Silver Astor for Best Director<\/strong><br \/>Mariana Rond\u00f3n for Pelo Malo<br \/><strong>Silver Astor for Best Actress<\/strong><br \/>Marian \u00c1lvarez for La Herida by Fernando Franco<br \/><strong>Silver Astor for Best Actor<\/strong><br \/>Vincent Macaigne for La Bataille de Solf\u00e9rino, by Justine Triet<br \/><strong>Honorable Mention<\/strong><br \/>Little Feet, by Alexandre Rockwell<br \/><strong>Silver Astor for Best Script<\/strong><br \/>Mariana Rond\u00f3n for Pelo Malo<br \/><br \/><strong>Audience Award<\/strong><br \/>La jaula de oro, by Diego Quemada-Diez.<br \/><br \/><strong>LATIN AMERICAN COMPETITION<\/strong><br \/><br \/><strong>Best Feature Film<\/strong><br \/>Los ins\u00f3litos peces gato, by Claudia Sainte Luce<br \/><strong>Best Short Film<\/strong><br \/>Nadie especial, by Juan Alejandro Ram\u00edrez.<br \/><br \/><strong>ARGENTINE COMPETITION<br \/><br \/>Best Feature Film<\/strong><br \/>La utilidad de un revistero, by Adriano Salgado.<br \/><strong>Best Director<\/strong><br \/>Ada Frontini for Escuela de sordos<br \/><strong>Best Short Film<\/strong><br \/>Espacio personal, by Natural Arpajou,<br \/><strong>Best Short Film Director<\/strong><br \/>Mariano Luque for Sociales<br \/><br \/><strong>WIP COMPETITION<br \/><br \/>Best Project<\/strong><br \/>El Patr\u00f3n by Sebasti\u00e1n Schindel<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Multimedia Files Catalogue Cine Argentino Siempre I Recuperaci\u00f3n del Patrimonio Audiovisual &#8211; INCAA TV El tiempo detenido Author: Scott Foundas La mirada cinefila. La modernizaci\u00f3n de la cr\u00edtica en la revista Tiempo de Cine Autora: Daniela Kozak OFFICIAL SPOT November 16th\u00a0to 24th, 2013\u00a0AUTHORITIES INCAA PRESIDENTLiliana Mazure FESTIVAL PRESIDENTJos\u00e9 Mart\u00ednez Su\u00e1rez ARTISTIC DIRECTORFernando Spiner ARTISTIC PRODUCTION [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3869,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-3871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>28\u00b0 Edition (2013) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la 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