{"id":3889,"date":"2026-11-04T15:23:36","date_gmt":"2026-11-04T15:23:36","guid":{"rendered":"https:\/\/mardelplatafilmfest.com\/41\/?p=3889"},"modified":"2026-11-04T17:16:13","modified_gmt":"2026-11-04T17:16:13","slug":"27-edicion-2012","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/es\/27-edicion-2012\/","title":{"rendered":"27\u00b0 Edici\u00f3n (2012)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignfull size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"787\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_27-tapa_.jpg\" alt=\"Tapa Catalogo Edici\u00f3n 27\" class=\"wp-image-3891\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_27-tapa_.jpg 603w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/11\/ediciones-anteriores_27-tapa_-230x300.jpg 230w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\">Archivos <strong>Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/27-Festival-Catalogo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cat\u00e1logo<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Carretera al infierno: La historia detr\u00e1s de Near Dark<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/27-Festival-Carretera-al-infierno.pdf\" target=\"_blank\" rel=\"noopener\">Autor: Nicanor Loreti<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">El proyecto Terciopelo azul<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/30-Festival-Sangre-negra.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/27-Festival-El-proyecto-Terciopelo-azul.pdf\" target=\"_blank\" rel=\"noopener\">Autor: Nicholas Rombes. Traducci\u00f3n: Nicol\u00e1s Britos<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">La mirada cinefila. La modernizaci\u00f3n de la cr\u00edtica en la revista Tiempo de Cine<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-a9e81b92 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-layout-flex wp-container-core-group-is-layout-e1caf3a8 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\" role=\"none\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/libros\/28-Festival-La-mirada-cinefila.pdf\" target=\"_blank\" rel=\"noopener\">Autora: Daniela Kozak<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-6622d5a6 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-010777ba wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-ba7c22bd wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Del 17 al 25 de noviembre<br \/>\u00a0<br \/>AUTORIDADES<br \/>\u00a0<\/strong><br \/><strong>PRESIDENTA INCAA<\/strong><br \/>Liliana Mazure<br \/><br \/><strong>PRESIDENTE DEL FESTIVAL<\/strong><br \/>Jos\u00e9 Mart\u00ednez Su\u00e1rez<br \/><br \/><strong>COORDINADOR DE ART\u00cdSTICA Y PROGRAMACI\u00d3N<\/strong><br \/>Fernando Arca<br \/><br \/><strong>PRODUCCI\u00d3N GENERAL<\/strong><br \/>Carla Calafiore<br \/>Lucio Checcacci<br \/><br \/><br \/><br \/><strong>PROGRAMACI\u00d3N<\/strong><br \/><br \/><strong>Competencia Internacional<\/strong><br \/><br \/>De martes a martes, de Gustavo Trivi\u00f1o &#8211; Argentina &#8211; 2012<br \/>El Impenetrable, de Daniele Incalcaterra, Fausta Quattrini &#8211; Argentina \/ Francia &#8211; 2012<br \/>O som ao redor, de Kleber Mendon\u00e7a Filho &#8211; Brasil &#8211; 2012<br \/>Memories Look at Me, de Song Fang &#8211; China &#8211; 2012<br \/>Starlet, de Sean Baker &#8211; Estados Unidos &#8211; 2012<br \/>El muerto y ser feliz, de Javier Rebollo &#8211; Espa\u00f1a \/ Argentina \/ Francia &#8211; 2012<br \/>Augustine, de Alice Winocour &#8211; Francia &#8211; 2012<br \/>La Mer \u00e0 l\u2019aube, de Volker Schl\u00f6ndorff &#8211; Francia \/ Alemania &#8211; 2012<br \/>The Deep, de Baltasar Korm\u00e1kur &#8211; Islandia \/ Noruega &#8211; 2012<br \/>Student, de Darezhan Omirbayev &#8211; Kazajist\u00e1n &#8211; 2012<br \/>Sightseers, de Ben Wheatley &#8211; Reino Unido &#8211; 2012<br \/>Beyond the Hills, de Cristian Mungiu &#8211; Rumania \/ Francia \/ B\u00e9lgica &#8211; 2012<br \/>Domestic, de Adrian Sitaru &#8211; Rumania &#8211; 2012<br \/>Night of Silence, de Reis \u00c7elik &#8211; Turqu\u00eda &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Competencia Latinoamericana<\/strong><br \/><br \/>La forma exacta de las islas, de Daniel Casab\u00e9, Edgardo Dieleke &#8211; Argentina &#8211; 2012<br \/>La m\u00fasica callada, de Fernando Boto &#8211; Argentina &#8211; 2012<br \/>El ojo del tibur\u00f3n, de Alejo Hoijman &#8211; Argentina \/ Espa\u00f1a &#8211; 2012<br \/>Puerta de Hierro, el exilio de Per\u00f3n, de V\u00edctor Laplace, Dieguillo Fern\u00e1ndez &#8211; Argentina &#8211; 2012<br \/>Era uma vez eu, Ver\u00f4nica, de Marcelo Gomes &#8211; Brasil &#8211; 2012<br \/>Las cosas como son, de Fernando Lavanderos &#8211; Chile &#8211; 2011<br \/>La sirga, de William Vega &#8211; Colombia \/ M\u00e9xico \/ Francia &#8211; 2012<br \/>Aqu\u00ed y all\u00e1, de Antonio M\u00e9ndez Esparza &#8211; M\u00e9xico \/ Espa\u00f1a \/ Estados Unidos &#8211; 2012<br \/>Despu\u00e9s de Luc\u00eda, de Michel Franco &#8211; M\u00e9xico &#8211; 2012<br \/>Post Tenebras Lux, de Carlos Reygadas &#8211; M\u00e9xico \/ Francia \/ Alemania \/ Holanda &#8211; 2012<br \/>7 cajas, de Juan Carlos Maneglia, Tana Sch\u00e9mbori &#8211; Paraguay, 2012<br \/>El limpiador, de Adri\u00e1n Saba &#8211; Per\u00fa &#8211; 2012<br \/>El Bella Vista, de Alicia Cano &#8211; Uruguay \/ Chile &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Competencia Latinoamericana de Cortometrajes<\/strong><br \/><br \/>Abelardo, de Ane Siderman &#8211; Brasil &#8211; 2012<br \/>Linear, de Amir Admoni &#8211; Brasil &#8211; 2012<br \/>Maldito Gergelim, de Flavio Barone &#8211; Brasil &#8211; 2012<br \/>Lo indecible, de Carolina Astudillo Mu\u00f1oz &#8211; Chile \/ Espa\u00f1a &#8211; 2012<br \/>Bajo el sol, de Arcadi Palerm Art\u00eds &#8211; M\u00e9xico &#8211; 2012<br \/>Don Sab\u00e1s, de Juan Manuel Z\u00fa\u00f1iga &#8211; M\u00e9xico &#8211; 2012<br \/>Reality 2.0, de V\u00edctor Orozco Ram\u00edrez &#8211; M\u00e9xico \/ Alemania &#8211; 2012<br \/>Fisura, de Federico Torres Fern\u00e1ndez &#8211; Puerto Rico &#8211; 2012<br \/>La mula muerta, de Rafael Vel\u00e1squez Stanbury &#8211; Venezuela &#8211; 2011<br \/>\u00a0<br \/>\u00a0<br \/><strong>Competencia Argentina<\/strong><br \/><br \/>Abril en Nueva York, de Mart\u00edn Piroyansky &#8211; Argentina &#8211; 2012<br \/>Boxing Club, de V\u00edctor Cruz &#8211; Argentina &#8211; 2012<br \/>Buscando al huemul, de Juan Diego Kantor &#8211; Argentina &#8211; 2012<br \/>Calles de la memoria, de Carmen Guarini &#8211; Argentina &#8211; 2012<br \/>La corporaci\u00f3n, de Fabian Forte &#8211; Argentina &#8211; 2012<br \/>La educaci\u00f3n gastron\u00f3mica, de Marcos Rodr\u00edguez &#8211; Argentina &#8211; 2012<br \/>Errata, de Iv\u00e1n Vescovo &#8211; Argentina &#8211; 2012<br \/>Fango, de Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2012<br \/>Hermanos de sangre, de Daniel de la Vega &#8211; Argentina &#8211; 2012<br \/>Huellas, de Miguel Colombo &#8211; Argentina \/ Espa\u00f1a &#8211; 2012<br \/>Los quiero a todos, de Luciano Quilici &#8211; Argentina &#8211; 2012<br \/>Me perd\u00ed hace una semana, de Iv\u00e1n Fund &#8211; Argentina &#8211; 2012<br \/>Samurai, de Gaspar Scheuer &#8211; Argentina \/ Francia &#8211; 2012<br \/>Tan cerca como pueda, de Eduardo Crespo &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Competencia Argentina de Cortometrajes<\/strong><br \/><br \/>Desierto, de Baltazar Tokman &#8211; Argentina &#8211; 2012<br \/>Exposici\u00f3n, de Mariano Nante &#8211; Argentina &#8211; 2012<br \/>Guanajuato, de Fernando Dominguez &#8211; Argentina &#8211; 2012<br \/>Hotel Y, de Geraldine Bar\u00f3n &#8211; Argentina &#8211; 2012<br \/>El mar, de Cecilia At\u00e1n &#8211; Argentina &#8211; 2012<br \/>Mar\u00eda, de M\u00f3nica Lairana &#8211; Argentina &#8211; 2012<br \/>Ojos, de Pablo Gonzalo P\u00e9rez &#8211; Argentina &#8211; 2012<br \/>Puertas adentro, de Nicol\u00e1s Le\u00f3n Tannchen &#8211; Argentina &#8211; 2012<br \/>La quietud, de In\u00e9s Mar\u00eda Barrionuevo &#8211; Argentina &#8211; 2012<br \/>Shave It, de Jorge Tereso, Fernando Maldonado &#8211; Argentina &#8211; 2012<br \/>V.H.S. (V\u00edctor hasta siempre), de Amparo Gonz\u00e1lez Aguilar &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>WIP<\/strong><br \/><br \/>El asombro, de Iv\u00e1n Fund, Santiago Loza, Lorena Moriconi &#8211; Argentina &#8211; 2012<br \/>Aurora, la pel\u00edcula, de Fernando Krapp, Agustina Massa &#8211; Argentina &#8211; 2012<br \/>Blues de los plomos, de Gabriel Patrono, Paulo Soria &#8211; Argentina &#8211; 2012<br \/>Buscando la esfera del poder, de Tetsuo Lumiere &#8211; Argentina &#8211; 2012<br \/>Butoh, de Constanza Sanz Palacios &#8211; Argentina &#8211; 2012<br \/>Ciudadano, de Gustavo Leonel Mendoza &#8211; Argentina &#8211; 2012<br \/>Damiana, de Alejandro Fern\u00e1ndez Mouj\u00e1n &#8211; Argentina &#8211; 2012<br \/>El d\u00eda trajo la oscuridad, de Mart\u00edn Desalvo &#8211; Argentina &#8211; 2012<br \/>Humano, de Alan Stivelman &#8211; Argentina &#8211; 2012<br \/>El grillo, de Mat\u00edas Herrera C\u00f3rdoba &#8211; Argentina &#8211; 2012<br \/>I Am Mad, de Baltazar Tokman &#8211; Argentina &#8211; 2012<br \/>Lucho\u2019s Big Adventure, de Esteban Rojas &#8211; Argentina &#8211; 2012<br \/>Lumpen, de Luis Ziembrowski &#8211; Argentina &#8211; 2012<br \/>Mar\u00eda y el Ara\u00f1a, de Mar\u00eda Victoria Menis &#8211; Argentina &#8211; 2012<br \/>La patria, de Cristian Pauls &#8211; Argentina &#8211; 2012<br \/>Los profanos, de Lucas Turturro &#8211; Argentina &#8211; 2012<br \/>El retorno de Don Luis, de Sebastian Deus &#8211; Argentina &#8211; 2012<br \/>Ruta 2, de Mariano Minestrelli &#8211; Argentina &#8211; 2012<br \/>Un grito que estremece\u00a0&#8211;\u00a0Felipe Vallese, de Silvia Cepeda, Claudio Posse &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Panorama: Autores<\/strong><br \/><br \/>Blancanieves, de Pablo Berger &#8211; Espa\u00f1a \/ Francia &#8211; 2011<br \/>Dark Horse, de Todd Solondz &#8211; Estados Unidos &#8211; 2011<br \/>For Love\u2019s Sake, de Takashi Miike &#8211; Jap\u00f3n &#8211; 2012<br \/>Gebo et l\u2019ombre, de Manoel de Oliveira &#8211; Portugal \/ Francia &#8211; 2011<br \/>In the Fog, de Alemania \/ Rusia \/ Letonia \/ Holanda \/ Bielorrusia &#8211; 2012<br \/>Insurgentes, de Jorge Sanjin\u00e9s &#8211; Bolivia &#8211; 2012<br \/>Journal de France, de Claudine Nougaret, Raymond Depardon &#8211; Francia &#8211; 2012<br \/>The Land of Hope, de Sion Sono &#8211; Jap\u00f3n \/ Reino Unido \/ Taiw\u00e1n &#8211; 2012<br \/>Laurence Anyways, de Xavier Dolan &#8211; Canad\u00e1 \/ Francia &#8211; 2011<br \/>La Nuit d\u2019en face, de Ra\u00fal Ruiz &#8211; Francia \/ Chile &#8211; 2012<br \/>Piet\u00e0, de Kim Ki-duk &#8211; Corea del Sur &#8211; 2012<br \/>Ralph el demoledor, de Rich Moore &#8211; Estados Unidos &#8211; 2012<br \/>The We and the I, de Michel Gondry &#8211; Reino Unido \/ Estados Unidos \/ Francia &#8211; 2012<br \/>\u00a1Volveremos a las monta\u00f1as!, de Andr\u00e9s Di Tella &#8211; Argentina &#8211; 2012<br \/>Vous n\u2019avez encore rien vu, de Alain Resnais &#8211; Francia \/ Alemania &#8211; 2012<br \/>List, de Hong Sang-soo &#8211; Corea del Sur &#8211; 2012<br \/>Walker (Beautiful 2012), de Tsai Ming-Liang &#8211; China \/ Hong Kong &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Panorama Argentino<\/strong><br \/><br \/>A La Cant\u00e1brica, de Ezequiel Erriquez &#8211; Argentina &#8211; 2012<br \/>A la deriva, de Fernando Pacheco &#8211; Argentina &#8211; 2012<br \/>Diario de Ana y M\u00eda, de Alejandra Mart\u00edn &#8211; Argentina &#8211; 2012<br \/>El estado de las cosas, de Joaqu\u00edn Maito, Tatiana Maz\u00fa &#8211; Argentina &#8211; 2012<br \/>El jard\u00edn secreto, de Cristi\u00e1n Costantini, Diego Panich, Claudia Prado &#8211; Argentina &#8211; 2012<br \/>Kajianteya, de Daniel Samyn &#8211; Argentina &#8211; 2012<br \/>Kartun (el a\u00f1o de Salom\u00e9), de M\u00f3nica Salerno, Hugo Crexell &#8211; Argentina &#8211; 2012<br \/>Nosilatiaj. La belleza, de Daniela Seggiaro &#8211; Argentina &#8211; 2012<br \/>Pies en la tierra, de Mario Pedernera &#8211; Argentina &#8211; 2012<br \/>El problema con los muertos es que son impuntuales, de Oscar Maz\u00fa &#8211; Argentina &#8211; 2010<br \/>Reflejos, de Ignacio Verguilla, Mariela Pietragalla &#8211; Argentina &#8211; 2012<br \/>Santa Luc\u00eda, de Andrea Schellemberg &#8211; Argentina &#8211; 2012<br \/>Un d\u00eda gris, un d\u00eda azul, igual al mar, de Luciana y Melina Terribili &#8211; Argentina \/ Espa\u00f1a &#8211; 2012<br \/>Universitarios, de H\u00e9ctor E. Jaquet &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Super 8<\/strong><br \/><br \/>Apuntes de un director, de Ernesto Baca &#8211; Argentina &#8211; 2010<br \/>Ratna Mala (collar de flores), de Ernesto Baca &#8211; Argentina &#8211; 2001<br \/>Tao, de Ernesto Baca &#8211; Argentina &#8211; 2009<br \/>Bodhi, de Emiliano Cativa &#8211; Argentina &#8211; 2010<br \/>Cenizas, de Emiliano Cativa &#8211; Argentina &#8211; 2012<br \/>D\u00eda y noche, de Emiliano Cativa &#8211; Argentina &#8211; 2012<br \/>Satori, de Emiliano Cativa &#8211; Argentina &#8211; 2012<br \/>Sk8 Park, de Emiliano Cativa &#8211; Argentina &#8211; 2010<br \/>Alicia, Lewis Carroll y el tiempo, de Daniela Cugliandolo &#8211; Argentina &#8211; 1999<br \/>En otro lugar, de Daniela Cugliandolo &#8211; Argentina &#8211; 2011<br \/>In Fellini, de Daniela Cugliandolo &#8211; Argentina &#8211; 2012<br \/>Pneurosis (en el ba\u00f1o), de Daniela Cugliandolo &#8211; Argentina &#8211; 2001<br \/>Aula magna, de Andr\u00e9s Denegri &#8211; Argentina &#8211; 2012<br \/>Sobre Belgrado, de Andr\u00e9s Denegri &#8211; Argentina &#8211; 2011<br \/>Amsterdam, de Leandro Listorti &#8211; Argentina &#8211; 2008<br \/>Montevideo, de Leandro Listorti &#8211; Argentina &#8211; 2007<br \/>Pasajes, de Leandro Listorti &#8211; Argentina &#8211; 2006<br \/>Diario colorado, de Pablo Mar\u00edn &#8211; Argentina &#8211; 2010<br \/>Carta austral, de Pablo Mar\u00edn &#8211; Argentina &#8211; 2011<br \/>4&#215;4,\u00a0de Pablo Mar\u00edn &#8211; Argentina &#8211; 2012<br \/>F\u00e1brica de pizza, de Pablo Mazzolo &#8211; Argentina &#8211; 2010<br \/>El Quilpo sue\u00f1a cataratas, de Pablo Mazzolo &#8211; Argentina &#8211; 2012<br \/>\u00c1spero, de Paulo P\u00e9cora &#8211; Argentina &#8211; 1999<br \/>Champaqu\u00ed, de Paulo P\u00e9cora &#8211; Argentina &#8211; 2010<br \/>Espectro, de Sergio Subero &#8211; Argentina &#8211; 2010<br \/>El ver de los \u00e1rboles, de Sergio Subero &#8211; Argentina &#8211; 2012<br \/>El ver de los \u00e1rboles II, de Sergio Subero &#8211; Argentina &#8211; 2012<br \/>Cuarteto, de Claudio Caldini &#8211; Argentina &#8211; 1978<br \/>Vadi-Samvadi, de Claudio Caldini &#8211; Argentina &#8211; 1981<br \/>Ventana, de Claudio Caldini &#8211; Argentina &#8211; 1975<br \/>Baltazar, de Claudio Caldini &#8211; Argentina &#8211; 1975<br \/>Film-Gaud\u00ed, de Claudio Caldini &#8211; Argentina &#8211; 1975<br \/>A trav\u00e9s de las ruinas, de Claudio Caldini &#8211; Argentina &#8211; 1982<br \/>S\/T, de Claudio Caldini &#8211; Argentina &#8211; 2007<br \/>LUX TAAL, de Claudio Caldini &#8211; Argentina &#8211; 2009<br \/>\u00a0<br \/>\u00a0<br \/><strong>Busco mi destino<\/strong><br \/><br \/>The End of Love, de Mark Webber &#8211; Estados Unidos &#8211; 2012<br \/>Gimme the Loot, de Adam Leon &#8211; Estados Unidos &#8211; 2012<br \/>My Life on Planet B, de Iv\u00e1n L\u00f3pez N\u00fa\u00f1ez &#8211; Holanda &#8211; 2012<br \/>Pavilion, de Tim Sutton &#8211; Estados Unidos &#8211; 2012<br \/>Todo el mundo tiene a alguien menos yo, de Ra\u00fal Fuentes &#8211; M\u00e9xico &#8211; 2011<br \/>El verano del camoat\u00ed, de Federico Laffitte &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Hora Cero<\/strong><br \/><br \/>The ABCs of Death, de Kaare Andrews, Angela Bettis, Ernesto D\u00edaz Espinoza, Jason Eisener, Bruno Forzani &amp; H\u00e9l\u00e9ne Cattet, Adri\u00e1n Garc\u00eda Bogliano, Xavier Gens,\u00a0Lee Hardcastle, Jorge Michel Grau, Noburu Iguchi, Thomas Malling, Anders Morgenthaler, Yoshihiro Nishimura, Banjong Pisathanakun, Simon Rumley, Marcel Sarmiento, Jon Schnepp, Srdjan Spasojevic, Timo Tjahjanto, Andrew Traucki, Nacho Vigalondo, Jake West, Ti West, Ben Wheatley, Adam Wingard, Yudai Yamaguchi &#8211; Estados Unidos &#8211; 2012<br \/>Aftershock, de Nicol\u00e1s L\u00f3pez &#8211; Chile &#8211; 2012<br \/>Diamond Flash, de Carlos Vermut &#8211; Espa\u00f1a &#8211; 2011<br \/>Doomsday Book, de Kim Jee-woon, Yim Pil-sung &#8211; Corea del Sur &#8211; 2012<br \/>John Dies at the End, de Don Coscarelli &#8211; Estados Unidos &#8211; 2012<br \/>King Kelly, de Andrew Neel &#8211; Estados Unidos &#8211; 2012<br \/>Decapoda Shock, de Javier Chillon &#8211; Espa\u00f1a &#8211; 2011<br \/>\u00a0<br \/>\u00a0<br \/><strong>Las venas abiertas<\/strong><br \/><br \/>2\/11, d\u00eda de los muertos, de Ezio Massa &#8211; Argentina &#8211; 2012<br \/>Making off sangriento &#8211; Masacre en el set de filmaci\u00f3n, de Hern\u00e1n Quintana, Gonzalo Quintana &#8211; Argentina &#8211; 2012<br \/>Sin se\u00f1al, de David Sof\u00eda &#8211; Argentina &#8211; 2012<br \/>Todos mis muertos, de Mad Crampi &#8211; Argentina &#8211; 2012<br \/>La \u00faltima muerte, de David &#8220;Letxe\u201d Ruiz &#8211; M\u00e9xico &#8211; 2011<br \/>\u00a0<br \/>\u00a0<br \/><strong>BSO<\/strong><br \/><br \/>Apocalypse: A Bill Callahan Tour Film, de Hanly Banks &#8211; Estados Unidos &#8211; 2012<br \/>Asspera: el ritual del pueblo, de Mart\u00edn Fox Douglas, Marcos Zapata &#8211; Argentina &#8211; 2012<br \/>Berlin Telegram, de Leila Albayaty &#8211; B\u00e9lgica \/ Alemania \/ Francia &#8211; 2012<br \/>Los Boys, de Javier Zevallos &#8211; Argentina &#8211; 2012<br \/>La experiencia Barriga, de Esteban Rojas &#8211; Chile \/ Argentina \/ Per\u00fa \/ Estados Unidos &#8211; 2012<br \/>Folklore en el Coliseo Podest\u00e1, de Gabriel Herce &#8211; Argentina &#8211; 2012<br \/>Gimme the Power, de Olallo Rubio &#8211; M\u00e9xico &#8211; 2012<br \/>Girl Walk \/\/ All Day, de Jacob Krupnick &#8211; Estados Unidos &#8211; 2011<br \/>Gricel. Un amor en tiempo de tango, de Jorge Leandro Col\u00e1s &#8211; Argentina &#8211; 2012<br \/>Je suis venu vous dire&#8230; Gainsbourg par Ginzburg, de Pierre-Henry Salfati &#8211; Francia &#8211; 2011<br \/>Jessico, de Alejandro Mart\u00edn Arias &#8211; Argentina &#8211; 2012<br \/>Searching for Sugar Man, de Malik Bendjelloul &#8211; Suecia \/ Reino Unido &#8211; 2012<br \/>Zuloak, de Ferm\u00edn Muguruza &#8211; Espa\u00f1a &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Sentidos del humor<\/strong><br \/><br \/>Clown, de Mikkel N\u00f8rgaard &#8211; Dinamarca &#8211; 2010<br \/>Le Grand Soir, de Beno\u00eet Del\u00e9pine, Gustave Kervern &#8211; Francia \/ B\u00e9lgica &#8211; 2012<br \/>El invitado de piedra, de Mauro Altschuler &#8211; M\u00e9xico \/ Argentina &#8211; 2012<br \/>L, de Babis Makridis &#8211; Grecia &#8211; 2012<br \/>Mar del Plata, de Ionathan Klajman, Sebastian Dietsch &#8211; Argentina &#8211; 2012<br \/>My Awkward Sexual Adventure, de Sean Garrity &#8211; Canad\u00e1 &#8211; 2012<br \/>New Kids Nitro, de Steffen Haars &#8211; Holanda &#8211; 2011<br \/>Rowdy Rathore, de Prabhu Deva &#8211; India &#8211; 2012<br \/>Voyage, voyage, de Edouard Deluc &#8211; Argentina \/ Francia &#8211; 2012<br \/>La Bifle, de Jean-Baptiste Saurel &#8211; Francia &#8211; 2012<br \/>Lovbot Love, de Gabriela C. Chirife, Tetsuo Lumiere &#8211; Argentina &#8211; 2012<br \/>Ponele Thelma &amp; Luis, de Alejandro Jovic &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Estados Alterados<\/strong><br \/><br \/>Age Is\u2026, de Stephen Dwoskin &#8211; Francia \/ Reino Unido &#8211; 2012<br \/>Dioramas, de Gonzalo Castro &#8211; Argentina &#8211; 2012<br \/>People\u2019s Park, de Libbie D. Cohn, J.P. Sniadecki &#8211; Estados Unidos \/ China &#8211; 2012<br \/>Sleepless Nights Stories, de Jonas Mekas &#8211; Estados Unidos &#8211; 2011<br \/>Jonas Mekas: I Am Not a Filmmaker, de Pierre-Paul Puljiz, J\u00e9r\u00f4me Sans &#8211; Francia &#8211; 2011<br \/>101, de Luis Mi\u00f1arro &#8211; Espa\u00f1a &#8211; 2012<br \/>Psychohydrography, de Peter Bo Rappmund &#8211; Estados Unidos &#8211; 2010<br \/>Tectonics, de Peter Bo Rappmund &#8211; M\u00e9xico \/ Estados Unidos &#8211; 2012<br \/>Rua Aperana 52, de J\u00falio Bressane &#8211; Brasil &#8211; 2010<br \/>\u00a0<br \/>\u00a0<br \/><strong>Programa 1<\/strong><br \/><br \/>The Devil, de Jean-Gabriel P\u00e9riot &#8211; Francia &#8211; 2012<br \/>Escenas en el mar, de Flavia de la Fuente &#8211; Argentina &#8211; 2012<br \/>Meteor, de Christoph Girardet &#8211; Alemania &#8211; 2011<br \/>Virgen, de Bel\u00e9n Blanco &#8211; Argentina &#8211; 2012<br \/>The Name Is Not the Thing Named, de Deborah Stratman &#8211; Estados Unidos &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Programa 2<\/strong><br \/><br \/>Gaelle Obiegly, de Friedl vom Gr\u00f6ller &#8211; Austria &#8211; 2011<br \/>Gaelle Obiegly II, de Friedl vom Gr\u00f6ller &#8211; Austria, 2012<br \/>Me Too, Me Too, de Friedl vom Gr\u00f6ller &#8211; Austria, 2012<br \/>My Psychoanalytic Notes, de Friedl vom Gr\u00f6ller &#8211; Austria, 2012<br \/>For\u00eat d\u2019exp\u00e9rimentation, de Michaela Grill &#8211; Austria \/ Canad\u00e1 &#8211; 2012<br \/>Heavy Eyes, de Siegfried A. Fruhauf &#8211; Austria &#8211; 2011<br \/>Intermezzo (Notes on Film 04), de Norbert Pfaffenbichler &#8211; Austria &#8211; 2012<br \/>Postcard from Somova, Romania, de Andreas Horvarth &#8211; Austria \/ Rumania &#8211; 2011<br \/>Reconnaissance, de Johann Lurf &#8211; Austria \/ Estados Unidos &#8211; 2012<br \/>Siesta, de David Krems, Hugo Furtado &#8211; Austria \/ Portugal &#8211; 2012<br \/>Workers Leaving the Factory (Again), de Katharina Gruzei &#8211; Austria &#8211; 2012<br \/>O que arde cura, de Jo\u00e3o Rui Guerra da Mata &#8211; Portugal &#8211; 2012<br \/>Menuet, de Milagros Mumenthaler &#8211; Suiza &#8211; 2012<br \/>O duplo, de Juliana Rojas &#8211; Brasil &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Proyecciones especiales<\/strong><br \/><br \/>Arrugas, de Ignacio Ferreras &#8211; Espa\u00f1a &#8211; 2012<br \/>Cornelia frente al espejo, de Daniel Rosenfeld &#8211; Argentina &#8211; 2012<br \/>El Fausto criollo, de Fernando Birri &#8211; Argentina &#8211; 2011<br \/>Fernando Birri, el ut\u00f3pico andante, de Humberto R\u00edos &#8211; Argentina &#8211; 2012<br \/>Paisajes devorados, de Eliseo Subiela &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Historias Breves VII<\/strong><br \/><br \/>Bajo el cielo azul, de Mart\u00edn Salinas &#8211; Argentina &#8211; 2012<br \/>Cenizas, de Gwenn Joyaux &#8211; Argentina &#8211; 2012<br \/>Cr\u00f3nica de la muerte de Paco Uribe, de Santiago Canel &#8211; Argentina &#8211; 2012<br \/>Cuchi, de Emmanuel Moscoso &#8211; Argentina &#8211; 2012<br \/>En carne viva, de Federico Esquerro &#8211; Argentina &#8211; 2012<br \/>F\u00e1bula, de Agust\u00edn Falco &#8211; Argentina &#8211; 2012<br \/>El hombre rebelde, de Mart\u00edn Mainoli &#8211; Argentina &#8211; 2012<br \/>Tres historias cuatro, de Anah\u00ed Farf\u00e1n &#8211; Argentina &#8211; 2012<br \/>La \u00faltima parada, de Nadia Benedicto &#8211; Argentina &#8211; 2012<br \/>La huella del Dr. Ernesto Guevara, de Jorge Denti &#8211; M\u00e9xico &#8211; 2012<br \/>Venimos de muy lejos, la pel\u00edcula, de Ricardo Piterbarg &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Videominutos por Mariano Ferreyra<\/strong><br \/><br \/>Est\u00e1s, de Mariana Vidal, Mariano Roitenburd, Irina Ponzi, Laura Dos Santos &#8211; Argentina &#8211; 2012<br \/>Hubo una vez, de Cintia Eraso, Nicol\u00e1s Ortiz &#8211; Argentina &#8211; 2012<br \/>Me encontr\u00e9 a Mariano en el tren&#8230; y viaj\u00e9 con \u00e9l, de Flavia Mazzoletti &#8211; Argentina &#8211; 2012<br \/>Primera burla de Mariano Ferreyra a la muerte, de Tom\u00e1s Epstein, Valeria Lachman, Marina Panelo &#8211; Argentina &#8211; 2012<br \/>Dibujos, de Ale Cohen &#8211; Argentina &#8211; 2012<br \/>Escena del crimen, de Contraimagen TVPTS &#8211; Argentina &#8211; 2012<br \/>El tornero, de La Rastrojera TV &#8211; Misiones &#8211; Argentina &#8211; 2012<br \/>Insectos, de Ale Cohen, Jos\u00e9 Binetti &#8211; Argentina &#8211; 2012<br \/>Mariano, uno m\u00e1s,\u00a0de Hern\u00e1n Mart\u00edn &#8211; Argentina &#8211; 2012<br \/>Mariano no, de En Movimiento TV &#8211; Argentina &#8211; 2012<br \/>En cada v\u00eda, de Grupo de Boedo Films &#8211; Argentina &#8211; 2012<br \/>Duelo, de Gisela Pel\u00e1ez, Diego Barid\u00f3, Tulio Billone, Mart\u00edn Turnes, Facundo Moreno, Fernando Citara &#8211; Argentina &#8211; 2012<br \/>Nos tocan a todos, de Silbando Bembas &#8211; Argentina &#8211; 2012<br \/>Sin t\u00edtulo, de Ale Rath &#8211; Argentina &#8211; 2012<br \/>Sin t\u00edtulo, de Mariano Llin\u00e1s, Santiago Mitre &#8211; Argentina &#8211; 2012<br \/>Justicia por Mariano, de Selene Merino &#8211; Argentina &#8211; 2012<br \/>Mariano, de Enrique Pi\u00f1eyro &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Focos<\/strong><br \/>\u00a0<br \/><strong>Panorama de cortos argentinos<\/strong><br \/><br \/>Feliz, de Achille Milone &#8211; Argentina &#8211; 2012<br \/>Lo que har\u00eda, de Natural Arpajou &#8211; Argentina &#8211; 2011<br \/>Noelia, de Mar\u00eda Alch\u00e9 &#8211; Argentina &#8211; 2011<br \/>Pude ver un puma, de Eduardo Williams &#8211; Argentina &#8211; 2012<br \/>Yeguas y cotorras, de Natalia Garagiola &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Panorama de cine latinoamericano<\/strong><br \/><br \/>Brecha en el silencio, de Luis Rodr\u00edguez, Andr\u00e9s Rodr\u00edguez &#8211; Venezuela &#8211; 2012<br \/>Chal\u00e1n, de Jorge Michel Grau &#8211; M\u00e9xico &#8211; 2012<br \/>Choc\u00f3, de Jhonny Hendrix &#8211; Colombia &#8211; 2011<br \/>Evolution of Violence, de Fritz Ofner &#8211; Austria &#8211; 2011<br \/>El fant\u00e1stico mundo de Juan Orol, de Sebasti\u00e1n del Amo &#8211; M\u00e9xico &#8211; 2011<br \/>Fecha de caducidad, de Kenya M\u00e1rquez &#8211; M\u00e9xico &#8211; 2011<br \/>El lenguaje de los machetes, de Kyzza Terrazas &#8211; M\u00e9xico &#8211; 2011<br \/>La lucha de Ana, de Bladimir Abud &#8211; Rep\u00fablica Dominicana \/ M\u00e9xico &#8211; 2011<br \/>A m\u00fasica segundo Tom Jobim, de Nelson Pereira dos Santos, Dora Jobim Brasil &#8211; 2011<br \/>El p\u00e1ramo, de Jaime Osorio M\u00e1rquez &#8211; Colombia \/ Argentina \/ Espa\u00f1a &#8211; 2011<br \/>Sudoeste, de Eduardo Nunes &#8211; Brasil &#8211; 2011<br \/>El sue\u00f1o de L\u00fa, de Hari Sama &#8211; M\u00e9xico &#8211; 2011<br \/>Super Nada, de Rubens Rewald &#8211; Brasil \/ M\u00e9xico &#8211; 2012<br \/>TRIP La pel\u00edcula, de Fran Lepe &#8211; Guatemala &#8211; 2011<br \/>Os \u00faltimos cangaceiros, de Wolney Oliveira &#8211; Brasil &#8211; 2011<br \/>Uma longa viagem, de Lucia Murat &#8211; Brasil &#8211; 2011<br \/>J\u00fabilo inmortal, de Luis Felipe Moncada Ruiz &#8211; Colombia &#8211; 2011<br \/>Cin\u00e9ma, de notre temps: Une journ\u00e9e d\u2019Andrei Arsenevitch, de Chris Marker &#8211; Francia &#8211; 2000<br \/>Marker 72, de Miguel \u00c1ngel Vidaurre &#8211; Chile &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Mar del Plata para Chicos<\/strong><br \/><br \/>Viaje a la tierra del quebracho, de Manuel Qui\u00f1ones, Lisandro Schurjin &#8211; Argentina &#8211; 2011<br \/>V\u00eda Tango, de Adriana Navarro &#8211; Espa\u00f1a &#8211; 2012<br \/>Manekenk, de Juan Schr\u00f6der &#8211; Argentina &#8211; 2004<br \/>El secreto del medall\u00f3n de jade, de Rodolfo Guzm\u00e1n, Leopoldo Aguilar &#8211; M\u00e9xico &#8211; 2011<br \/>Y, sin embargo, de Rudy Mora &#8211; Cuba &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Retrospectiva Manuel Garc\u00eda Ferr\u00e9<\/strong><br \/><br \/>Anteojito y Antifaz en \u2018Mil intentos y un invento\u2019, de Manuel Garc\u00eda Ferr\u00e9 &#8211; Argentina &#8211; 1972<br \/>Petete y Trapito, de Manuel Garc\u00eda Ferr\u00e9 &#8211; Argentina &#8211; 1975<br \/>Ico, el caballito valiente, de Manuel Garc\u00eda Ferr\u00e9 &#8211; Argentina &#8211; 1987<br \/>Manuelita, de Manuel Garc\u00eda Ferr\u00e9 &#8211; Argentina &#8211; 1999<br \/>Coraz\u00f3n, las alegr\u00edas de Pantriste, de Manuel Garc\u00eda Ferr\u00e9 &#8211; Argentina &#8211; 2000<br \/>\u00a0<br \/>\u00a0<br \/><strong>Superagentes y Titanes<\/strong><br \/><br \/>Titanes en el ring, de Leo Fleider &#8211; Argentina &#8211; 1973<br \/>Los superagentes bi\u00f3nicos, de Adri\u00e1n Quiroga &#8211; Argentina &#8211; 1977<br \/>Los superagentes y el tesoro maldito, de Adri\u00e1n Quiroga &#8211; Argentina &#8211; 1978<br \/>Defectuosos, de Gabriela Mart\u00ednez Garza, Jon Fern\u00e1ndez L\u00f3pez\u00a0&#8211; M\u00e9xico &#8211; 2012<br \/>Lucy contra los l\u00edmites de la voz, de M\u00f3nica Herrera &#8211; M\u00e9xico &#8211; 2012<br \/>Un ojo, de Lorenza Manrique &#8211; M\u00e9xico &#8211; 2012<br \/>180\u00b0, de Marcelo Galv\u00e3o &#8211; Brasil &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Taller de Cine &#8220;El Mate\u201d<\/strong><br \/><br \/>La botella, de Thais Balducci, Galo Casermeiro, Yaco Doom, Arel Luciana Freigeiro Calabri, Luciano Gianetti, Bel\u00e9n Hernandez Puig, Ramiro Long, Lorena Mambrin,\u00a0Gast\u00f3n Martins Canestrari, Natalie Serra, Sofia Silva, Teo Alazraqui, Gabino Denis Barros, Mart\u00edn Casta\u00f1arez, Dante Casta\u00f1o, Ezequiel De Le\u00f3n Chimaico, Federico Del Valle Taboada, M\u00eda Drago Quinti, Fausto La L\u00eda Monteros, Francisco P\u00e9rez Tosto, Lucas Ram\u00edrez, Delf\u00edn Sosa Aprile, Camilo Tomadin, Gaspar Zuker, Mariano Avila, Tom\u00e1s Beliera, Agust\u00edn Bossarelli, Pedro Claro, Mart\u00edn Covin, Agust\u00edn Cruz, Camilo Pascal Lafaya, Florencia Martin, Abril Mietta, Melina Olmos, Ezequiel Seall, Martina Steidel, Salvador Taramona, Thomas Wolf &#8211; Argentina &#8211; 2011<br \/>\u00a0<br \/>Los chicos y la calle, de Ariadna \u00c1lvarez Tancovich, Axel Bratosevich, Ignacio Casta\u00f1arez, Joaqu\u00edn Echevarria, Lihuel Emiliozzi, Juan Manuel Fern\u00e1ndez Bravo, Joaqu\u00edn Pulpeiro, Sof\u00eda Siniscalco, Nicol\u00e1s Wappner, Guadalupe Vidal Ram\u00edrez, Valentina Tula, Lara Scilleta, Pedro Marachly Levy, Bruno Bonifacio, Bianca Delgado, Macarena Garc\u00eda Quirno, Joaqu\u00edn L\u00f3pez, Nahuel R\u00edos Bisbano, Carolina Peluso, Omar Varela, Mariano Vivas &#8211; Argentina &#8211; 2011<br \/>\u00a0<br \/>El misterio del valle, de Ignacio Gudi\u00f1o, Ian Boyanosky Baz\u00e1n, Facundo Rodr\u00edguez Valsagna, Carolina Rossi, Roc\u00edo Steidel, Francisco Diez Beltr\u00e1n, Juan Manuel Fernandez Bravo &#8211; Argentina, 2011 &#8211;<br \/>\u00a0<br \/>\u00a0<br \/><strong>Festival &#8220;Ojo al Piojo\u201d<\/strong><br \/><br \/>Argentina leyendas, de Pablo Oliverio &#8211; Argentina &#8211; 2011<br \/>Fantasma, de Carlos Montoya &#8211; Argentina &#8211; 2010<br \/>Bob, de Jacob Frey, Harry Fast &#8211; Alemania &#8211; 2009<br \/>Pir\u00f3lisis aguda, de V\u00edctor Daniel Duche &#8211; Argentina &#8211; 2011<br \/>\u00c9xodo, de Pablo Rago &#8211; Argentina &#8211; 2011<br \/>Tomate un tiempo, del otro lado hay un otro, de Demi\u00e1n Adler &#8211; Argentina &#8211; 2011<br \/>\u00a0<br \/>\u00a0<br \/><strong>Panorama Documental<\/strong><br \/><br \/>Argentinian Lesson, de Wojciech Staron &#8211; Polonia &#8211; 2011<br \/>A casa, de J\u00falio Alves &#8211; Portugal &#8211; 2012<br \/>Love Free or Die, de Macky Alston &#8211; Estados Unidos &#8211; 2011<br \/>La Main au-dessus du niveau du coeur, de Ga\u00eblle Kom\u00e0r &#8211; B\u00e9lgica &#8211; 2011<br \/>Faena, de Humberto R\u00edos &#8211; Argentina &#8211; 1961<br \/>The Queen of Versailles, de Lauren Greenfield &#8211; Estados Unidos &#8211; 2012<br \/>Si pr\u00e8s si loin, de Michel Favre &#8211; Suiza &#8211; 2012<br \/>The Tomi Ungerer Story, de Brad Bernstein &#8211; Estados Unidos &#8211; 2012<br \/>Una pel\u00edcula de gente que mira pel\u00edculas, de Fernando Arditi, Javier Pistani &#8211; Argentina &#8211; 2012<br \/>Abuelas, de Afarin Eghbal &#8211; Reino Unido &#8211; 2011<br \/>Fuego eterno, de Cynthia Sabat &#8211; Argentina &#8211; 2012<br \/>Que no se acabe la buena leche, de Mario Dami\u00e1n Funes &#8211; Argentina &#8211; 2012<br \/>Whisky and Milk, de Kacper Lisowski &#8211; Polonia &#8211; 2012<br \/>The Princess and the Wall, de Malgorzata Kozera &#8211; Polonia &#8211; 2012<br \/>The Whistle, de Grzegorz Zariczny &#8211; Polonia &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Postales del Sur &#8211; Nuevos Directores Coreanos<\/strong><br \/><br \/>Bleak Night, de Yoon Sung-hyun &#8211; Corea del Sur &#8211; 2011<br \/>Dangerously Excited, de Koo Ja-hong &#8211; Corea del Sur &#8211; 2012<br \/>Hanaan, de Ruslan Pak &#8211; Corea del Sur \/ Uzbekist\u00e1n &#8211; 2011<br \/>Let Me Out, de Jae Soh, Kim Chang-lae &#8211; Corea del Sur &#8211; 2012<br \/>Sleepless Night, de Jang Kun-jae &#8211; Corea del Sur &#8211; 2012<br \/>Romance Joe, de Lee Kwang-kuk &#8211; Corea del Sur &#8211; 2011<br \/>Super Virgin, de Back Seung-kee &#8211; Corea del Sur &#8211; 2012<br \/>Tony Rayns, the-Not-So-Distant-Observer, de Seo Won-tae &#8211; Corea del Sur &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Espa\u00f1a Alterada<\/strong><br \/><br \/>Ensayo final para utop\u00eda, de Andr\u00e9s Duque &#8211; Espa\u00f1a &#8211; 2012<br \/>El foso, de Ricardo \u00cdscar &#8211; Espa\u00f1a &#8211; 2012<br \/>Invisible, de V\u00edctor Iriarte &#8211; Espa\u00f1a &#8211; 2012<br \/>El jurado, de Virginia Garc\u00eda del Pino &#8211; Espa\u00f1a &#8211; 2012<br \/>Mapa, de Le\u00f3n Siminiani &#8211; Espa\u00f1a &#8211; 2012<br \/>Montemor, de Ignasi Duarte &#8211; Portugal \/ Espa\u00f1a &#8211; 2012<br \/>Pepe el andaluz, de Alejandro Alvarado, Concha Barquero &#8211; Espa\u00f1a &#8211; 2012<br \/>Perseveran\u00e7a, de Francesc Font &#8211; Espa\u00f1a &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Programa 1<\/strong><br \/><br \/>Enero, 2012 (o la apoteosis de Isabel, la Cat\u00f3lica), de Colectivo Los Hijos &#8211; Espa\u00f1a &#8211; 2012<br \/>Ja arriba el temps de remenar les cireres, de Jorge Tur Molt\u00f3 &#8211; Espa\u00f1a &#8211; 2012<br \/>La matan\u00e7a del porc, de Isaki Lacuesta\u00a0&#8211; Espa\u00f1a &#8211; 2012<br \/>The Silence Between the Shots, de Llu\u00eds Escart\u00edn Lara &#8211; Espa\u00f1a \/ Egipto &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Programa 2<\/strong><br \/><br \/>Anacos, de Xacio Ba\u00f1o &#8211; Espa\u00f1a &#8211; 2012<br \/>Goitik behera, behetik gora, de Vicente V\u00e1zquez, Usue Arrieta &#8211; Espa\u00f1a &#8211; 2011<br \/>Fantasmas#1, de \u00c1ngel Santos Touza &#8211; Espa\u00f1a &#8211; 2010<br \/>Fantasmas#2, de \u00c1ngel Santos Touza &#8211; Espa\u00f1a &#8211; 2012<br \/>\u00c1 luzada, de Xurxo Chirro &#8211; Espa\u00f1a &#8211; 2012<br \/>Lupita, de Xurxo Chirro &#8211; Espa\u00f1a &#8211; 2012<br \/>Noite, de Xurxo Chirro &#8211; Espa\u00f1a &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Programa 3<\/strong><br \/><br \/>Don Pepe Popi, de Carlos Vermut &#8211; Espa\u00f1a &#8211; 2012<br \/>Lo popular, de Jimmy Gimferrer &#8211; Espa\u00f1a &#8211; 2011<br \/>La historia m\u00e1s triste, de Daniel Cuberta &#8211; Espa\u00f1a &#8211; 2011<br \/>Tus palabras, de Daniel Cuberta &#8211; Espa\u00f1a &#8211; 2011<br \/>\u00a0<br \/>\u00a0<br \/><strong>Programa 4<\/strong><br \/><br \/>Coses rares que passaven abans, de Francina Verd\u00e9s &#8211; Espa\u00f1a &#8211; 2012<br \/>Kubrick, de Chus Dom\u00ednguez &#8211; Espa\u00f1a &#8211; 2012<br \/>El otro cine, de Kikol Grau &#8211; Espa\u00f1a &#8211; 2012<br \/>\u00a0<br \/><strong>\u00a0<br \/>DosPuntoCero<\/strong><br \/>\u00a0<br \/>Daemonium, de Pablo Par\u00e9s &#8211; Argentina &#8211; 2012<br \/>La educaci\u00f3n prohibida, de Germ\u00e1n Doinn &#8211; Argentina &#8211; 2012<br \/>La m\u00e1quina que escupe monstruos y la chica de mis sue\u00f1os, de Agust\u00edn Ross Beraldi, Diego Labat &#8211; Argentina &#8211; 2012<br \/>La noche del chihuahua, de Guillermo Grillo &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>La TV Ataca: Nuevos Desaf\u00edos Cat\u00f3dicos<\/strong><br \/><br \/>Dos por una mentira, de Nicanor Loreti &#8211; Argentina &#8211; 2012<br \/>M\u00e1s que amor es un sufrir: una mirada sobre la telenovela sudamericana, de Jorge Leandro Col\u00e1s &#8211; Argentina &#8211; 2012<br \/>Nosotros campesinos, de Juan Maristani, Jimena Gonz\u00e1lez Gomesa &#8211; Argentina &#8211; 2012<br \/>Vuelo de cabotaje, retrato de un retrato, de Pepe Tobal &#8211; Argentina &#8211; 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Qu\u00e9 Pena Tu Trilog\u00eda<\/strong><br \/><br \/>Qu\u00e9 pena tu vida, de Nicol\u00e1s L\u00f3pez &#8211; Chile, 2010<br \/>Qu\u00e9 pena tu boda, de Nicol\u00e1s L\u00f3pez &#8211; Chile, 2011<br \/>Qu\u00e9 pena tu familia, de Nicol\u00e1s L\u00f3pez &#8211; Chile, 2012<br \/>\u00a0<br \/>\u00a0<br \/><strong>Arte y cine: Homenaje a Jorge Amado (1912-2001)<\/strong><br \/><br \/>Capit\u00e3es da areia, de Cec\u00edlia Amado &#8211; Brasil &#8211; 2011<br \/>Fallen Angels Paradise, de Ossama Fawzi &#8211; Egipto &#8211; 1999<br \/>Jubiab\u00e1, de Nelson Pereira dos Santos &#8211; Brasil \/ Francia &#8211; 1987<br \/>Quincas Berro d\u2019\u00c1gua, de S\u00e9rgio Machado &#8211; Brasil &#8211; 2010<br \/>Tenda dos milagres, de Nelson Pereira dos Santos &#8211; Brasil &#8211; 1977<br \/>\u00a0<br \/>\u00a0<br \/><strong>Skate y Patinetas: Razones para No Dejar de Andar<\/strong><br \/><br \/>Bones Brigade: An Autobiography, de Stacy Peralta &#8211; Estados Unidos &#8211; 2012<br \/>El fant\u00e1stico mundo del skate, de George Gage &#8211; Estados Unidos &#8211; 1978<br \/>Only the Young, de Elizabeth Mims, Jason Tippet &#8211; Estados Unidos &#8211; 2011<br \/>Rising Son: The Legend of Skateboarder Christian Hosoi, de Cesario Monta\u00f1o &#8211; Estados Unidos &#8211; 2006<br \/>Who Cares?: The Duane Peters Story, de John Lucero &#8211; Estados Unidos &#8211; 2005<br \/>The Invisible String, de Jan B\u00e4ss &#8211; Alemania &#8211; 2012<br \/>\u00a0<br \/><strong>\u00a0<br \/>Revisiones<\/strong><br \/><br \/>\u00c1nima Buenos Aires, de Mar\u00eda Ver\u00f3nica Ram\u00edrez &#8211; Argentina &#8211; 2012<br \/>Alex, usina de talentos, de Roberto Bernardis &#8211; Argentina &#8211; 2012<br \/>M\u00e1s all\u00e1 del olvido, de Hugo del Carril &#8211; Argentina &#8211; 1956<br \/>Trashodrama: Una introducci\u00f3n a Benito Scorza, de Benito Scorza &#8211; Argentina &#8211; 1992-1999<br \/>Cuando cae la oscuridad, de Kathryn Bigelow &#8211; Estados Unidos &#8211; 1987<br \/>Demonios, de Lamberto Bava &#8211; Italia &#8211; 1985<br \/>Fara\u00f3n, de Jerzy Kawalerowicz &#8211; Polonia &#8211; 1966<br \/>El intermediario del diablo, de Peter Medak &#8211; Canad\u00e1 &#8211; 1980<br \/>El resplandor, de Stanley Kubrick &#8211; Reino Unido \/ Estados Unidos &#8211; 1980<br \/>Room 237, de Rodney Ascher &#8211; Estados Unidos &#8211; 2012<br \/>Terciopelo azul, de David Lynch &#8211; Estados Unidos &#8211; 1986<br \/>Vida en sombras, de Lloren\u00e7 Llobet-Gr\u00e0cia &#8211; Espa\u00f1a &#8211; 1948<br \/>\u00a0<br \/><strong>\u00a0<br \/>Filmoteca en Vivo<\/strong><br \/><br \/>El c\u00edrculo diab\u00f3lico, de Arne Mattsson &#8211; Suecia &#8211; 1967<br \/>Dispuesta a todo, de Giorgio Stegani &#8211; Italia &#8211; 1977<br \/>En las garras del poder, de Giuseppe Ferrara &#8211; Italia &#8211; 1975<br \/>La entrega, de Giuliano Petrelli &#8211; Italia &#8211; 1977<br \/>La gran amenaza, de Gordon Parks Jr. &#8211; Estados Unidos &#8211; 1974<br \/>El hombre anfibio, de Vladimir Chebotaryov, Gennadi Kazansk &#8211; URSS &#8211; 1962<br \/>\u00a0<br \/>\u00a0<br \/><strong>Estudios Ealing: Puro Cine<\/strong><br \/><br \/>Dicha para todos, de Alexander Mackendrick &#8211; Reino Unido &#8211; 1949<br \/>El hombre del traje blanco, de Alexander Mackendrick &#8211; Reino Unido &#8211; 1951<br \/>Los ocho sentenciados, de Robert Hamer &#8211; Reino Unido &#8211; 1949<br \/>Pasaporte a Pimlico, de Henry Cornelius &#8211; Reino Unido &#8211; 1949<br \/>El quinteto de la muerte, de Alexander Mackendrick &#8211; Reino Unido &#8211; 1955<br \/>Su primer mill\u00f3n, de Charles Crichton &#8211; Reino Unido &#8211; 1951<br \/>\u00a0<br \/>\u00a0<br \/><strong>Rom\u00e1n Vi\u00f1oly Barreto<\/strong><br \/><br \/>Con el sudor de tu frente, de Rom\u00e1n Vi\u00f1oly Barreto &#8211; Argentina &#8211; 1950<br \/>Una viuda casi alegre, de Rom\u00e1n Vi\u00f1oly Barreto &#8211; Argentina &#8211; 1950<br \/>La bestia debe morir, de Rom\u00e1n Vi\u00f1oly Barreto &#8211; Argentina &#8211; 1952<br \/>El vampiro negro, de Rom\u00e1n Vi\u00f1oly Barreto &#8211; Argentina &#8211; 1953<br \/>Horizontes de piedra, de Rom\u00e1n Vi\u00f1oly Barreto &#8211; Argentina &#8211; 1956<br \/>El dinero de Dios, de Rom\u00e1n Vi\u00f1oly Barreto &#8211; Argentina &#8211; 1959<br \/>Orden de matar, de Rom\u00e1n Vi\u00f1oly Barreto &#8211; Argentina &#8211; 1965<br \/>\u00a0<br \/>\u00a0<br \/><strong>Bertrand Bonello<\/strong><br \/><br \/>Quelque chose d\u2019organique, de Bertrand Bonello &#8211; Francia \/ Canad\u00e1 &#8211; 1998<br \/>Le Pornographe, de Bertrand Bonello &#8211; Francia \/ Canad\u00e1 &#8211; 2001<br \/>Tiresia, de Bertrand Bonello &#8211; Francia \/ Canad\u00e1 &#8211; 2003<br \/>Cindy, the Doll Is Mine, de Bertrand Bonello &#8211; Francia &#8211; 2005<br \/>De la guerre, de Bertrand Bonello &#8211; Francia &#8211; 2008<br \/>Where the Boys Are, de Bertrand Bonello &#8211; Francia &#8211; 2010<br \/>L\u2019Apollonide &#8211; Souvenirs de la maison close, de Bertrand Bonello &#8211; Francia &#8211; 2011<br \/>\u00a0<br \/>\u00a0<br \/><strong>Sandrine Bonnaire<\/strong><br \/><br \/>\u00c0 nos amours, de Maurice Pialat &#8211; Francia &#8211; 1983<br \/>Sin techo ni ley, de Agn\u00e8s Varda &#8211; Francia &#8211; 1985<br \/>La ceremonia, de Claude Chabrol &#8211; Francia \/ Alemania &#8211; 1995<br \/>Elle s\u2019appelle Sabine, de Sandrine Bonnaire &#8211; Francia &#8211; 2007<br \/>Joueuse, de Caroline Bottaro &#8211; Francia \/ Alemania &#8211; 2009<br \/>J\u2019enrage de son absence, de Sandrine Bonnaire &#8211; Francia &#8211; 2012<br \/><br \/><br \/><br \/><strong>PREMIOS<\/strong><br \/><br \/><strong>COMPETENCIA INTERNACIONAL<br \/><br \/>Astor de Oro al Mejor Largometraje<\/strong><br \/>Beyond the hills, de Cristian Mungiu<br \/><strong>Astor de Plata al Mejor Director<\/strong><br \/>Reis \u00c7elik por Night of silences<br \/><strong>Astor de Plata al Mejor Gui\u00f3n<\/strong><br \/>Alice Lowe, Steve Oram, Amy Jump por Sightseers, de Ben Wheatley<br \/><strong>Premio Especial del Jurado<\/strong><br \/>Memories Look at Me, de Song Fang<br \/><strong>Astor de Plata a la Mejor Actriz<\/strong><br \/>Soko por Augustine<br \/><strong>Astor de Plata al Mejor Actor (Ex Aequo)<\/strong><br \/>Pablo Pinto por De martes a martes, de Gustavo Trivi\u00f1o \/ Ilyas Salma por Lal Gece, de Reis \u00c7elik<br \/><br \/><strong>Premio del P\u00fablico<\/strong><br \/>El impenetrable, de Fausta Quatrini y Daniele Incalcaterra<br \/><br \/><strong>COMPETENCIA LATINOAMERICANA<br \/><br \/>Mejor Largometraje<\/strong><br \/>Las cosas como son, de Fernando Lavanderos<br \/><strong>1\u00b0 Menci\u00f3n<\/strong><br \/>El Bella Vista, de Alicia Cano<br \/><strong>2\u00b0 Menci\u00f3n<\/strong><br \/>Post Tenebras Lux, de Carlos Reygadas<br \/><strong>Mejor Cortometraje<\/strong><br \/>Reality 2.0, de V\u00edctor Orozco Ramirez<br \/><strong>Menci\u00f3n Especial Cortometraje Latinoamericano<\/strong><br \/>Linear, de Admir Admoni<br \/><br \/><strong>COMPETENCIA ARGENTINA<br \/><br \/>Mejor Largometraje<\/strong><br \/>Hermanos de sangre, de Daniel de la Vega<br \/><strong>Mejor Director<\/strong><br \/>Jos\u00e9 Celestino Campusano por Fango<br \/><strong>Mejor Cortometraje Argentino<\/strong><br \/>Ojos, de Pablo P\u00e9rez<br \/><strong>Mejor Director de Cortometraje Argentino<\/strong><br \/>Geraldine Bar\u00f3n por Hotel Y, de Geraldine Bar\u00f3n &#8211; Argentina &#8211; 2012<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logo Carretera al infierno: La historia detr\u00e1s de Near Dark Autor: Nicanor Loreti El proyecto Terciopelo azul Autor: Nicholas Rombes. Traducci\u00f3n: Nicol\u00e1s Britos La mirada cinefila. La modernizaci\u00f3n de la cr\u00edtica en la revista Tiempo de Cine Autora: Daniela Kozak SPOT OFICIAL Del 17 al 25 de noviembre\u00a0AUTORIDADES\u00a0PRESIDENTA INCAALiliana Mazure PRESIDENTE DEL FESTIVALJos\u00e9 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3891,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-3889","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>27\u00b0 Edici\u00f3n (2012) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 41\u00b0 Festival 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