{"id":435,"date":"2026-04-14T20:44:05","date_gmt":"2026-04-14T20:44:05","guid":{"rendered":"https:\/\/sitio1.unbcorp.cl\/Fest\/?p=435"},"modified":"2026-04-15T18:15:28","modified_gmt":"2026-04-15T18:15:28","slug":"38-edicion-2023","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/es\/38-edicion-2023\/","title":{"rendered":"38\u00b0 Edici\u00f3n (2023)"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"800\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_45.jpg\" alt=\"\" class=\"wp-image-436\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_45.jpg 600w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_45-225x300.jpg 225w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-right has-medium-font-size\"><strong>Archivos Multimedia<br><\/strong><\/p>\n\n\n\n<div class=\"wp-block-group has-palette-color-5-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-right has-small-font-size\">Ganadores Del 11\u00b0 Concurso Internacional De Estudios Cr\u00edticos Sobre Cine Argentino Domingo Di N\u00fabila<\/p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta39\/pdf\/violencia-y-marginalidad-en-la-cultura-neoliberal.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Primera Menci\u00f3n: Violencia y marginalidad en la cultura neoliberal. Una mirada a la filmograf\u00eda temprana de Ra\u00fal Perrone, de Ariel Jes\u00fas Ilzarbe<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta39\/pdf\/la-ruptura-de-estereotipos-de-genero-en-el-cine-experimental-de-narcisa-hirsch.pdf\" data-type=\"link\" data-id=\"https:\/\/www.mardelplatafilmfest.com\/beta39\/pdf\/la-ruptura-de-estereotipos-de-genero-en-el-cine-experimental-de-narcisa-hirsch.pdf\">Segunda Menci\u00f3n: La ruptura de estereotipos de g\u00e9nero en el cine experimental de Narcisa Hirsch, de Paz Bustamante<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-palette-color-5-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-right has-small-font-size\">Ganadores Del 11\u00b0 Concurso Internacional De Estudios Cr\u00edticos Sobre Cine Argentino Domingo Di N\u00fabila<\/p>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta39\/pdf\/violencia-y-marginalidad-en-la-cultura-neoliberal.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Primera Menci\u00f3n: Violencia y marginalidad en la cultura neoliberal. Una mirada a la filmograf\u00eda temprana de Ra\u00fal Perrone, de Ariel Jes\u00fas Ilzarbe<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta39\/pdf\/la-ruptura-de-estereotipos-de-genero-en-el-cine-experimental-de-narcisa-hirsch.pdf\" data-type=\"link\" data-id=\"https:\/\/www.mardelplatafilmfest.com\/beta39\/pdf\/la-ruptura-de-estereotipos-de-genero-en-el-cine-experimental-de-narcisa-hirsch.pdf\">Segunda Menci\u00f3n: La ruptura de estereotipos de g\u00e9nero en el cine experimental de Narcisa Hirsch, de Paz Bustamante<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"edition-right-column-text\"><strong>Del 2 al 12 de Noviembre<\/strong><br>\n<br>\n<br>\n<strong>AUTORIDADES<\/strong><br>\n<br>\n<strong>PRESIDENTE INCAA<\/strong><br>\nNicol\u00e1s Batlle<br>\n<br>\n<strong>PRESIDENTE DEL FESTIVAL<\/strong><br>\nFernando E. Juan Lima<br>\n&nbsp;<br>\n<strong>DIRECTOR ART\u00cdSTICO<\/strong><br>\nPablo Conde<br>\n<br>\n<strong>PRODUCTORA GENERAL<\/strong><br>\nCecilia Diez<br>\n<br>\n<br>\n<br>\n<strong>FUNCI\u00d3N DE APERTURA<\/strong><br>\n<strong><em>Hombre de la esquina rosada \/ Man on Pink Corner<\/em><\/strong> de Ren\u00e9 Mugica &#8211; Argentina &#8211; 1962 &#8211;&nbsp;70\u2019<br>\n<br>\n<br>\n<strong>COMPETENCIAS<\/strong><br>\n<br>\n<strong>Competencia Internacional<\/strong><br>\n<strong><em>Animal | Humano \/ Human | Animal <\/em><\/strong>de Alessandro Pugno &#8211; Espa\u00f1a, Italia, M\u00e9xico &#8211; 2023 &#8211; 92\u2019&nbsp;<br>\n<strong><em>Arthur &amp; Diana<\/em><\/strong> de Sara Summa &#8211; Alemania &#8211; 2023 &#8211; 108\u2019<br>\n<strong><em>Elena Sabe \/ Elena Knows<\/em><\/strong> de Anah\u00ed Berneri &#8211; Argentina &#8211; 2023 &#8211; 104\u2019<br>\n<strong><em>Kinra \/ Motherland <\/em><\/strong>de Marco Panatonic &#8211; Per\u00fa &#8211; 2023 &#8211; 157\u2019<br>\n<strong><em>LaRoy<\/em><\/strong> de Shane Atkinson &#8211; Estados Unidos &#8211; 2023 &#8211; 110\u2019<br>\n<strong><em>Mimang <\/em><\/strong>de Kim Taeyang &#8211; Corea del Sur &#8211; 2023 &#8211; 92\u2019<br>\n<strong><em>Las almas \/ Souls<\/em><\/strong> de Laura Basombr\u00edo &#8211; Argentina &#8211; 2023 &#8211; 78\u2019<br>\n<strong><em>No voy a pedirle a nadie que me crea \/ I Don\u2019t Expect Anyone to Believe Me<\/em><\/strong> de Fernando Fr\u00edas de la Parra &#8211; M\u00e9xico &#8211; 2023 &#8211; 116\u2019<br>\n<strong><em>Parti\u00f3 de m\u00ed un barco llev\u00e1ndome \/ A Boat Departed from Me Taking Me Away<\/em><\/strong>&nbsp;de Cecilia Kang &#8211;&nbsp;Argentina, Singapur &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>Seagrass&nbsp;<\/em><\/strong>de Meredith Hama-Brown &#8211; Canad\u00e1 &#8211; 2023 &#8211; 115\u2019<br>\n<strong><em>UBU <\/em><\/strong>de Paulo Abreu &#8211; Portugal &#8211; 2023 &#8211; 77\u2019<br>\n<br>\n<br>\n<strong>Competencia Latinoamericana<\/strong><br>\n<strong><em>Crowr\u00e3 <\/em><\/strong>de Ren\u00e9e Nader Messora, Jo\u00e3o Salaviza &#8211; Brasil, Portugal &#8211; 2023 &#8211; 124\u2019<br>\n<strong><em>El castillo<\/em><\/strong> de Mart\u00edn Benchimol &#8211; Argentina, Francia &#8211; 2023 &#8211; 78\u2019<br>\n<strong><em>El otro hijo \/ The Other Son<\/em><\/strong> de Juan Sebasti\u00e1n Quebrada &#8211; Colombia &#8211; 2023 &#8211; 89\u2019<br>\n<strong><em>El viento que arrasa \/ A Ravaging Wind<\/em><\/strong> de Paula Hern\u00e1ndez &#8211; Argentina, Uruguay &#8211; 2023 &#8211; 94\u2019<br>\n<strong><em>Las cosas indefinidas \/ Undefined Things<\/em><\/strong> de Mar\u00eda Aparicio &#8211; Argentina &#8211; 2023 &#8211; 81\u2019<br>\n<strong><em>Llaki \/ Llaki (Sorrow) <\/em><\/strong>de Diego Revollo &#8211; Bolivia &#8211; 2023 &#8211; 72\u2019<br>\n<strong><em>Los colonos \/ The Settlers<\/em><\/strong> de Felipe G\u00e1lvez &#8211; Chile, Argentina, Reino Unido, Taiw\u00e1n, Francia &#8211; 2023 &#8211; 100\u2019<br>\n<strong><em>Otro sol<\/em><\/strong> de Francisco Rodr\u00edguez Teare &#8211; Chile, Francia, B\u00e9lgica &#8211; 2023 &#8211; 85\u2019<br>\n<strong><em>O dia que te conheci <\/em><\/strong>de Andr\u00e9 Novais Oliveira &#8211; Brasil &#8211; 2023 &#8211; 71\u2019<br>\n<br>\n<br>\n<strong>Competencia Latinoamericana de Cortos<\/strong><br>\n<strong><em>Extinci\u00f3n de la especie \/ Extinction of the Species<\/em><\/strong> de Nicolasa Ruiz Mendoza, Matthew Porterfield &#8211; M\u00e9xico &#8211; 2023 &#8211; 25\u2019<br>\n<strong><em>La noche del minotauro \/ The Night of Minotaur <\/em><\/strong>de Juliana Zuluaga Montoya &#8211; Colombia &#8211; 2023 &#8211; 10\u2019<br>\n<strong><em>Lyb <\/em><\/strong>de Felipe Poroger &#8211; Brasil &#8211; 2023 &#8211; 19\u2019<br>\n<strong><em>Nueva esperanza<\/em><\/strong> de Carlos Renter\u00eda &#8211; Argentina, Per\u00fa &#8211; 2022 &#8211; 27\u2019<br>\n<strong><em>S\u00f3lo la luna comprender\u00e1 \/ The Moon Will Contain Us<\/em><\/strong> de Kim Torres &#8211; Costa Rica, Estados Unidos &#8211; 2023 &#8211; 18\u2019<br>\n<strong><em>Un punk ejemplar \/ Honorary Punk<\/em><\/strong> de Diandra Arriaga &#8211; M\u00e9xico &#8211; 2023 &#8211; 10\u2019<br>\n<br>\n<br>\n<strong>Competencia Argentina<\/strong><br>\n<strong><em>Adentro m\u00edo estoy bailando \/ The Klezmer Project <\/em><\/strong>de Leandro Koch, Paloma Schachmann &#8211; Argentina, Austria &#8211; 2023 &#8211; 117\u2019<br>\n<strong><em>Alemania <\/em><\/strong>de Mar\u00eda Zanetti &#8211; Argentina, Espa\u00f1a &#8211; 2023 &#8211; 87\u2019<br>\n<strong><em>Clara se pierde en el bosque \/ Clara Gets Lost in the Woods<\/em><\/strong> de Camila Fabbri &#8211; Argentina &#8211; 2023 &#8211; 86\u2019<br>\n<strong><em>El empresario \/ The Businessman<\/em><\/strong> de Germ\u00e1n Scelso &#8211; Argentina &#8211; 2023 &#8211; 75\u2019<br>\n<strong><em>Elda y los monstruos \/ Elda and the Monsters <\/em><\/strong>de Nicol\u00e1s Herzog &#8211; Argentina &#8211; 2022 &#8211; 73\u2019<br>\n<strong><em>La gruta continua \/ Ongoing Cave<\/em><\/strong> de Juli\u00e1n D\u2019Angiolillo &#8211; Argentina, Cuba &#8211; 2023 &#8211; 85\u2019<br>\n<strong><em>La mujer hormiga \/ The Ant Woman<\/em><\/strong> de Betania Cappato, Adri\u00e1n Su\u00e1rez &#8211; Argentina &#8211; 2023 &#8211; 100\u2019<br>\n<strong><em>Lagunas<\/em><\/strong> de Federico Cardone &#8211; Argentina &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>Lava 2 (el nuevo Show del Narciso) \/ Lava 2 (The New Narciso Show)<\/em><\/strong> de Ayar Blasco &#8211; Argentina &#8211; 2023 &#8211; 95\u2019<br>\n<strong><em>Los tonos mayores <\/em><\/strong>de Ingrid Pokropek &#8211; Argentina, Espa\u00f1a &#8211; 2023 \u2013 101\u2019<br>\n<strong><em>Vera y el placer de los otros \/ Vera and the Pleasure of Others <\/em><\/strong>de Romina Tamburello, Federico Actis &#8211; Argentina &#8211; 2023 &#8211; 103\u2019<br>\n<br>\n<br>\n<strong>Competencia Argentina de Cortos<\/strong><br>\n<strong><em>Desde el principio hasta el final \/ From Beginning to End<\/em><\/strong> de Loana Pagani &#8211; Argentina &#8211; 2023 &#8211; 17\u2019<br>\n<strong><em>Especies de compa\u00f1\u00eda \/ Animal Hospital<\/em><\/strong> de Juan Renau &#8211; Argentina, Francia &#8211; 2022 &#8211; 20\u2019<br>\n<strong><em>Corrientes mercuriales \/ Mercurial Currents<\/em><\/strong> de Carolina Fusilier &#8211; Argentina, M\u00e9xico &#8211; 2023 &#8211; 20\u2019<br>\n<strong><em>La necesidad de un testigo \/ The Need of a Witness<\/em><\/strong> de Mariana Sanguinetti, Renzo Cozza &#8211; Argentina &#8211; 2023 &#8211; 21\u2019<br>\n<strong><em>Sexto continente \/ Sixth Continent<\/em><\/strong> de Estrella Herrera &#8211; Argentina &#8211; 2023 &#8211; 11\u2019<br>\n<strong><em>Quedate quieto o te amo \/ Stay Still or I Love You<\/em><\/strong> de Luis Federico &#8211; Argentina, Francia &#8211; 2023 &#8211; 14\u2019<br>\n<strong><em>Un grano de arroz de una casa donde no haya muerto nadie \/ A Grain of Rice from a House Where No One Has Died <\/em><\/strong>de Agustina Mu\u00f1oz &#8211; Argentina &#8211; 2023 &#8211; 15\u2019<br>\n<strong><em>Una habitaci\u00f3n llena de polvo \/ A Dust Filled Room<\/em><\/strong> de Nicol\u00e1s Zukerfeld &#8211; Argentina &#8211; 2023 &#8211; 23\u2019<br>\n<br>\n<br>\n<strong>Competencia Estados Alterados<\/strong><br>\n<strong><em>Bloom <\/em><\/strong>de Helena Gir\u00f3n, Samuel M. Delgado &#8211; Espa\u00f1a &#8211; 2023 &#8211; 18\u2019<br>\n<strong><em>El auge del humano 3 \/ The Human Surge 3<\/em><\/strong> de Eduardo Williams &#8211; Argentina, Portugal, Pa\u00edses Bajos, Taiw\u00e1n, Brasil, China, Sri Lanka, Per\u00fa &#8211; 2023 &#8211; 121\u2019<br>\n<strong><em>El polvo \/ Dust<\/em><\/strong> de Nicol\u00e1s Torchinsky &#8211; Argentina &#8211; 2022 &#8211; 73\u2019<br>\n<strong><em>Lo que los humanos ven como sangre los jaguares ven como chicha \/ What Humans See As Blood Jaguars See As Chicha<\/em><\/strong> de Luciana Decker Orozco &#8211; Bolivia &#8211; 2023 &#8211; 30\u2019<br>\n<strong><em>Losing Faith \/ Die \u00e4ngstliche Verkehrsteilnehmerin<\/em><\/strong> de Martha Mechow &#8211; Alemania, Austria &#8211; 2023 &#8211; 100\u2019<br>\n<strong><em>Malqueridas <\/em><\/strong>de Tana Gilbert &#8211; Chile, Alemania &#8211; 2023 &#8211; 75\u2019<br>\n<strong><em>Mast-del<\/em><\/strong> de Maryam Tafakory &#8211; Ir\u00e1n, Reino Unido &#8211; 2023 &#8211; 17\u2019<br>\n<strong><em>Night Walk \/ Bam Sanchaek<\/em><\/strong> de Sohn Koo-yong &#8211; Corea del Sur &#8211; 2023 &#8211; 65\u2019<br>\n<strong><em>Orlando, ma biographie politique \/ Orlando, My Political Biography<\/em><\/strong> de Paul B. Preciado &#8211; Francia &#8211; 2023 &#8211; 98\u2019<br>\n<strong><em>Sobre todo de noche \/ Foremost By Night <\/em><\/strong>de V\u00edctor Iriarte &#8211; Espa\u00f1a &#8211; 2023 &#8211; 109\u2019<br>\n<strong><em>Youth (Spring) \/ Shanghai Qingnian <\/em><\/strong>de Wang Bing &#8211; Francia, Luxemburgo, Pa\u00edses Bajos &#8211; 2023 &#8211; 212\u2019<br>\n<br>\n<br>\n<strong>Competencia En Tr\u00e1nsito&nbsp;\/ Work in Progress<\/strong><br>\n<em><strong>El mirador <\/strong><\/em>de Diego Hern\u00e1ndez &#8211; M\u00e9xico<br>\n<strong><em>El pr\u00edncipe de Nanawa \/ The Prince of Nanawa<\/em><\/strong> de Clarisa Navas &#8211; Argentina, Paraguay<br>\n<strong><em>La direcci\u00f3n opuesta \/ The Opposite Direction<\/em><\/strong> de Julia Castro &#8211; Argentina<br>\n<strong><em>L<strong>as <\/strong>latas \/ The Film Cans<\/em><\/strong><em> <\/em>de Santiago Sein &#8211; Argentina<br>\n<strong><em>Senda india<\/em><\/strong> de Daniela Seggiaro &#8211; Argentina<br>\n<strong><em>Todo documento de civilizaci\u00f3n \/ Every Document of Civilization<\/em><\/strong> de Tatiana Maz\u00fa Gonz\u00e1lez &#8211; Argentina<br>\n<strong><em>Una noche en Paladium \/ The Night is Still Young <\/em><\/strong>de Francisco Novick &#8211; Argentina<br>\n<br>\n<br>\n<strong>PANORAMA<\/strong><br>\n<br>\n<strong>Autoras y Autores<\/strong><br>\n<strong><em>Cerrar los ojos \/ Close Your Eyes <\/em><\/strong>de V\u00edctor Erice &#8211; Espa\u00f1a, Argentina &#8211; 2023 &#8211; 169\u2019<br>\n<strong><em>Dispararon al pianista \/ They Shot the Piano Player<\/em><\/strong> de Fernando Trueba, Javier Mariscal &#8211; Espa\u00f1a, Francia, Pa\u00edses Bajos &#8211; 2023 &#8211; 103\u00b4<br>\n<strong><em>Dueto \/ Duet <\/em><\/strong>de Edgardo Cozarinsky, Rafael Ferro &#8211; Argentina &#8211; 2023 &#8211; 61\u2019<br>\n<strong><em>El libro de las soluciones \/ Le livre des solutions<\/em><\/strong> de Michel Gondry &#8211; Francia &#8211; 2023 &#8211; 102\u00b4<br>\n<strong><em>Eureka <\/em><\/strong>de Lisandro Alonso &#8211; Francia, Argentina, Alemania, Portugal, M\u00e9xico \u2013 2023 &#8211; 156\u00b4<br>\n<strong><em>Gol gana \/ Next Goal Wins<\/em><\/strong> de Taika Waititi &#8211; Estados Unidos &#8211; 2023 &#8211; 104\u00b4<br>\n<strong><em>In Our Day <\/em><\/strong>de Hong Sangsoo &#8211; Corea del Sur &#8211; 2023 &#8211; 84\u00b4<br>\n<strong><em>La bestia \/ La B\u00eate<\/em><\/strong> de Bertrand Bonello &#8211; Canad\u00e1, Francia &#8211; 2023 &#8211; 145\u00b4<br>\n<strong><em>La chimera <\/em><\/strong>de Alice Rohrwacher &#8211; Italia, Francia, Suiza &#8211; 2023 &#8211; 130\u00b4<br>\n<strong><em>La pr\u00e1ctica \/ The Practice<\/em><\/strong> de Mart\u00edn Rejtman &#8211; Argentina, Chile, Portugal &#8211; 2023 &#8211; 90\u00b4<br>\n<strong><em>La pr\u00f3xima pel\u00edcula de Carmen Trevilla \/ Carmen Trevilla\u2019s Next Film<\/em><\/strong> de Gonzalo Garc\u00eda Pelayo &#8211; Argentina &#8211; 2023 &#8211; 148\u00b4<br>\n<strong><em>La sociedad de la nieve \/ Society of the Snow<\/em><\/strong> de Juan Antonio Bayona &#8211; Espa\u00f1a &#8211; 2023 &#8211; 144\u00b4<br>\n<strong><em>Mixtape La Pampa<\/em><\/strong> de Andr\u00e9s Di Tella &#8211; Argentina, Chile &#8211; 2023 &#8211; 104\u00b4<br>\n<strong><em>Music <\/em><\/strong>de Angela Schanelec &#8211; Alemania, Francia, Serbia &#8211; 2023 &#8211; 108\u00b4<br>\n<strong><em>Pobres criaturas \/ Poor Things<\/em><\/strong> de Yorgos Lanthimos &#8211; Irlanda &#8211; 2023 &#8211; 140\u00b4<br>\n<strong><em>Retratos fantasmas \/ Pictures of Ghosts<\/em><\/strong> de Kleber Mendon\u00e7a Filho &#8211; Brasil &#8211; 2023 &#8211; 93\u00b4<br>\n<br>\n<br>\n<strong>Nuevas Autoras<\/strong><br>\n<strong><em>La imatge permanent \/ The Permanent Picture<\/em><\/strong> de Laura Ferr\u00e9s &#8211; Espa\u00f1a, Francia &#8211; 2023 &#8211; 93\u2019<br>\n<strong><em>Shayda <\/em><\/strong>de Noora Niasari &#8211; Australia &#8211; 2023 &#8211; 117\u00b4<br>\n<strong><em>Tierra de nuestras madres <\/em><\/strong>de Liz Lobato &#8211; Espa\u00f1a &#8211; 2023 &#8211; 88\u2019<br>\n<br>\n<br>\n<strong>Galas<\/strong><br>\n<strong><em>Un p\u00e1jaro azul <\/em><\/strong>de Ariel Rotter &#8211; Argentina &#8211; 2023 &#8211; 97\u2019<br>\n<br>\n<br>\n<strong>Panorama Argentino<\/strong><br>\n<strong><em>El pensamiento anal\u00f3gico \/ Analog Thinking <\/em><\/strong>de Paulo P\u00e9cora &#8211; Argentina &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>La estrella azul \/ The Blue Star<\/em><\/strong> de Javier Macipe &#8211; Espa\u00f1a, Argentina &#8211; 2023 &#8211; 129\u2019<br>\n<strong><em>Las ausencias \/ The Absences<\/em><\/strong> de Juan Jos\u00e9 Gorasurreta &#8211; Argentina &#8211; 2023 &#8211; 98\u2019<br>\n<strong><em>Las dos Mariette \/ The Two Mariettes<\/em><\/strong> de Poli Mart\u00ednez Kaplun &#8211; Argentina &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>Procopiuk <\/em><\/strong>de Diego Lumerman &#8211; Argentina &#8211; 2023 &#8211; 65\u2019<br>\n<br>\n<br>\n<strong>Banda Sonora Original (BSO)<\/strong><br>\n<strong><em>Mutiny in Heaven: The Birthday Party<\/em><\/strong> de Ian White &#8211; Australia &#8211; 2023 &#8211; 98\u2019<br>\n<br>\n<br>\n<strong>Hora Cero<\/strong><br>\n<strong><em>Cuando acecha la maldad \/ When Evil Lurks<\/em><\/strong> de Demi\u00e1n Rugna &#8211; Argentina &#8211; 2023 &#8211; 99\u2019<br>\n<strong><em>Daaaaaal\u00ed! <\/em><\/strong>de Quentin Dupieux &#8211; Francia &#8211; 2023 &#8211; 77\u00b4<br>\n<strong><em>Devils <\/em><\/strong>de Kim Jae-hoon &#8211; Corea del Sur &#8211; 2023 &#8211; 106\u2019<br>\n<strong><em>Where the Devil Roams <\/em><\/strong>de John Adams, Zelda Adams, Toby Poser &#8211; Estados Unidos &#8211; 2023 &#8211; 93\u2019<br>\n<strong><em>Yannick <\/em><\/strong>de Quentin Dupieux &#8211; Francia &#8211; 2023 \u2013 69\u2019<br>\n<br>\n<br>\n<strong>Las venas abiertas<\/strong><br>\n<strong><em>Deus Irae <\/em><\/strong>de Pedro Cristiani &#8211; Argentina &#8211; 2023 &#8211; 85\u2019<br>\n<br>\n<br>\n<em><strong>Mar de Chicas y Chicos<\/strong><\/em><br>\n<strong><em>Robot Dreams<\/em><\/strong> de Pablo Berger &#8211; Espa\u00f1a &#8211; 2023 &#8211; 102\u2019<br>\n<br>\n<br>\n<strong>Super 8\/16mm<\/strong><br>\n<strong><em>A Study of the Relationships Between Inner and Outer Space<\/em><\/strong> de David Lamelas &#8211; Reino Unido &#8211; 1969 &#8211; 20\u2019<br>\n<strong><em>Algunos segmentos<\/em><\/strong> de Elda Cerrato &#8211; Argentina &#8211; 1970 &#8211; 7\u2019<br>\n<strong><em>Autogeograf\u00eda<\/em><\/strong> de Marta Minuj\u00edn &#8211; Argentina &#8211; 1976 &#8211; 12\u2019<br>\n<strong><em>Retrato de Marta Minuj\u00edn<\/em><\/strong> de Narcisa Hirsch &#8211; Argentina &#8211; 1975 &#8211; 16\u2019<br>\n<strong><em>Rollo seis: El Grand Tarot de Charles Ludlam \/ Reel Six: Charles Ludlam\u2019s Grand Tarot <\/em><\/strong>de Leandro Katz &#8211; Argentina &#8211; 1987 &#8211; 8\u2019<br>\n<br>\n<br>\n<strong>\u00bfCu\u00e1nto tiempo es un siglo?<\/strong><br>\n<strong><em>Return to Reason \/ Le Retour \u00e0 la Raison<\/em><\/strong> de Man Ray &#8211; Francia &#8211; 1923 &#8211; 70\u2019<br>\n<br>\n<br>\n<strong>FOCOS Y RETROSPECTIVAS<\/strong><br>\n<br>\n<strong>Foco Ana Mariscal<\/strong><br>\n<strong><em>Segundo L\u00f3pez, aventurero urbano<\/em><\/strong> de Ana Mariscal &#8211; Espa\u00f1a &#8211; 1953 &#8211; 80\u2019<br>\n<strong><em>El camino \/ The Path <\/em><\/strong>de Ana Mariscal &#8211; Espa\u00f1a &#8211; 1963 &#8211; 92\u00b4<br>\n<br>\n<br>\n<strong>Foco Esteban Sapir<\/strong><br>\n<strong><em>La antena \/ The Aerial<\/em><\/strong> de Esteban Sapir &#8211; Argentina &#8211; 2007 &#8211; 99\u2019<br>\n<strong><em>Picado fino \/ Fine Powder<\/em><\/strong> de Esteban Sapir &#8211; Argentina &#8211; 1996 &#8211; 80\u2019<br>\n<br>\n<br>\n<strong>Cine y C\u00f3mics &#8211; Primera parte<\/strong><br>\n<strong><em>Danger: Diabolik<\/em><\/strong> de Mario Bava &#8211; Italia, Francia &#8211; 1968 &#8211; 99\u2019<br>\n<strong><em>Shortcomings <\/em><\/strong>de Randall Park &#8211; Estados Unidos &#8211; 2022 &#8211; 92\u2019<br>\n<strong><em>Un homme est mort <\/em><\/strong>de Olivier Cossu &#8211; Francia &#8211; 2018 &#8211; 66\u2019<br>\n<br>\n<br>\n<strong>\u00c9rase una vez en Georgia<\/strong><br>\n<strong><em>Great Green Valley \/ Didi mtsvane Veli<\/em><\/strong> de Merab Kokochashvili &#8211; Uni\u00f3n Sovi\u00e9tica &#8211; 1967 &#8211; 85\u2019<br>\n<strong><em>Love at First Sight \/ Erti Nakhvit Shekvareba<\/em><\/strong> de Rezo Esadze &#8211; Uni\u00f3n Sovi\u00e9tica &#8211; 1975 &#8211; 86\u2019<br>\n<strong><em>The Georgian Chronicle of the 19th Century \/XIX Saukunis Qartuli Qronika<\/em><\/strong> de Aleksandre Rekhviashvili &#8211; Uni\u00f3n Sovi\u00e9tica &#8211; 1979 &#8211; 64\u2019<br>\n<br>\n<br>\n<strong>Fant\u00e1sticas: Nuevas voces del cine brit\u00e1nico de g\u00e9nero<\/strong><br>\n<strong><em>Censor <\/em><\/strong>de Prano Bailey-Bond &#8211; Reino Unido &#8211; 2021 &#8211; 84\u2019<br>\n<strong><em>Hermosa venganza&nbsp;\/ Promising Young Woman<\/em><\/strong> de Emerald Fennell &#8211; Reino Unido &#8211; 2020 &#8211; 113\u2019<br>\n<strong><em>Saint Maud<\/em><\/strong> de Rose Glass &#8211; Reino Unido &#8211; 2019 &#8211; 84\u2019<br>\n<br>\n<br>\n<strong>Historia(s) del cine franc\u00e9s<\/strong><br>\n<strong><em>La pasi\u00f3n de Juana de Arco \/ La Passion de Jeanne d\u2019Arc<\/em><\/strong> de Carl Theodor Dreyer &#8211; Francia &#8211; 1928 &#8211; 110\u2019<br>\n<strong><em>Le Roi des Aulnes<\/em><\/strong> de Marie-Louise Iribe &#8211; Francia &#8211; 1930 &#8211; 52\u2019<br>\n<strong><em>L\u2019Atalante <\/em><\/strong>de Jean Vigo &#8211; Francia &#8211; 1933 &#8211; 89\u2019<br>\n<strong><em>La gran ilusi\u00f3n \/ La grande illusion<\/em><\/strong> de Jean Renoir &#8211; Francia &#8211; 1937 &#8211; 117\u2019<br>\n<strong><em>Luz de verano \/ Lumi\u00e8re d\u2019\u00e9t\u00e9<\/em><\/strong> de Jean Gr\u00e9millon &#8211; Francia &#8211; 1942 &#8211; 112\u2019<br>\n<strong><em>Hiroshima mon amour<\/em><\/strong> de Alain Resnais &#8211; Francia &#8211; 1959 &#8211; 90\u2019<br>\n<strong><em>Yo, un negro \/ Moi, un noir<\/em><\/strong> de Jean Rouch &#8211; Francia &#8211; 1958 &#8211; 80\u2019<br>\n<strong><em>Cleo de 5 a 7 \/ Cl\u00e9o de 5 \u00e0 7 <\/em><\/strong>de Agn\u00e8s Varda &#8211; Francia &#8211; 1962 \u2013 90\u2019<br>\n<strong><em>El giro \/ Mandabi<\/em><\/strong> de Ousmane Sembene &#8211; Francia, Senegal &#8211; 1968 &#8211; 105\u2019<br>\n<em><strong>India Song<\/strong><\/em> de Marguerite Duras &#8211; Francia &#8211; 1974 &#8211; 120\u2019<br>\n<br>\n<br>\n<strong>TRAYECTORIAS Y HOMENAJES<\/strong><br>\n<br>\n<strong>Trayectoria: Adolfo Aristarain<\/strong><br>\n<strong><em>Un lugar en el mundo \/ A Place in the World<\/em><\/strong> de Adolfo Aristarain &#8211; Argentina, Espa\u00f1a, Uruguay &#8211; 1992 &#8211; 126\u2019<br>\n<strong><em>Mart\u00edn (Hache)<\/em><\/strong> de Adolfo Aristarain &#8211; Argentina, Espa\u00f1a &#8211; 1997 \u2013 134\u2019<br>\n<br>\n<strong>Trayectoria: Ana Katz<\/strong><br>\n<br>\n<strong>Trayectoria: J.A. Bayona<\/strong><br>\n<br>\n<strong>Trayectoria: Cinemateca Uruguaya<\/strong><br>\n<br>\n<br>\n<strong>FUNCIONES INSTITUCIONALES<\/strong><br>\n<br>\n<strong>Historias Breves 21<\/strong><br>\n<strong><em>Asterion <\/em><\/strong>de Eduardo Marcelo \u00c1lvarez &#8211; 14\u2019<br>\n<strong><em>Cachir\u00fa <\/em><\/strong>de Eugenia Molina, Juliana Mazia &#8211; 7\u2019<br>\n<strong><em>El perfil de Lisa<\/em><\/strong> de Sandra Flomembaum &#8211; 16\u2019<br>\n<strong><em>Mam\u00e1\u2026<\/em><\/strong> de Roxana Ruzzante &#8211; 17\u2019<br>\n<strong><em>Sachasandia <\/em><\/strong>de Daniela Marinaro Montalbetti &#8211; 13\u2019<br>\n<strong><em>Todas las cosas que llevo conmigo<\/em><\/strong> de Gerardo Manuel Pranteda \u2013 15\u2019<br>\n<strong><em>Un zorro<\/em><\/strong> de Gast\u00f3n Horacio del Porto &#8211; 14\u2019<br>\n<strong><em>Una edad dif\u00edcil <\/em><\/strong>de Hugo Evaristo Crexell &#8211; 14\u2019<br>\n<strong><em>Xini <\/em><\/strong>de Santiago Reale &#8211; 13\u2019<br>\n<br>\n<strong>17\u00b0 Pantalla UBA&nbsp;<\/strong><br>\n<strong><em>5\u2019 de lucidez<\/em><\/strong> de Maitena Fontanazza &#8211; 8\u2019<br>\n<strong><em>Adi\u00f3s <\/em><\/strong>de Mar\u00eda Jos\u00e9 Olivares, Catalina Far\u00edas, Gast\u00f3n Orozco &#8211; 3\u2019<br>\n<strong><em>Cazadores de monstruos: algo con garras<\/em><\/strong><em> <\/em>de Roc\u00edo Elisii &#8211; 11\u2019<br>\n<em><strong>Detr\u00e1s de los objetos <\/strong><\/em>de Ricardo Fern\u00e1ndez Llosa &#8211; 7\u2019<br>\n<strong><em>Ensayo para la memoria<\/em><\/strong> de Denise Chirich &#8211; 13\u2019<br>\n<strong><em>Expediente: Marta<\/em><\/strong> de Luc\u00eda Trotta &#8211; 10\u2019<br>\n<strong><em>Lo que nunca dije<\/em><\/strong> de Sol Monsalvo, Carolina Segarra, Camila Fardella, Micaela Elia, Florencia Boetsch,&nbsp;Iv\u00e1n Cardozo, Camila Ataide &#8211; 5\u2019<br>\n<strong><em>sans corpus<\/em><\/strong> de Fernando Scarpini Reyes &#8211; 3\u2019<br>\n<strong><em>Solo queda esperar<\/em><\/strong> de Sara Lamberti, B\u00e1rbara Rodr\u00edguez &#8211; 7\u2019<br>\n<strong><em>Volv\u00ed vivo<\/em><\/strong> de Roc\u00edo Rodr\u00edguez Rojas &#8211; 10\u2019<br>\n<br>\n<br>\n<strong>7\u00b0 Muestra ENERC<\/strong><br>\n<strong><em>Lavander\u00eda Las Rosas<\/em><\/strong> de Luna Mato Chague &#8211; Sede AMBA &#8211; 16\u2019<br>\n<strong><em>Mara\u00f1as <\/em><\/strong>de Priscila Restelli &#8211; Sede Mar del Plata &#8211; 1\u2019<br>\n<strong><em>El hombre que duerme despierto <\/em><\/strong>de Jes\u00fas Torres Toledo &#8211; Sede NEA &#8211; 12\u2019<br>\n<strong><em>\u00c1mbar <\/em><\/strong>de Sof\u00eda Oczowinski &#8211; Sede Mar del Plata &#8211; 1\u2019<br>\n<strong><em>Plumas <\/em><\/strong>de Estefan\u00eda Iriarte &#8211; Sede NOA &#8211; 12\u2019<br>\n<strong><em>Gatchapon <\/em><\/strong>de Andr\u00e9 Molin\u00e9 &#8211; Sede Mar del Plata \u2013 1\u2019<br>\n<strong><em>La esperanza <\/em><\/strong>de Valent\u00edn Soler &#8211; Sede Cuyo &#8211; 11\u2019<br>\n<strong><em>\u00bfEst\u00e1 jodido el compa\u00f1ero?<\/em><\/strong> de Santiago Gaudio &#8211; Sede Patagonia &#8211; 14\u2019<br>\n<strong><em>Juego cruzado<\/em><\/strong> de Cristian Mendoza &#8211; Sede Mar del Plata &#8211; 1\u2019<br>\n<strong><em>Siga, siga <\/em><\/strong>de Federico Pahlen &#8211; Sede AMBA &#8211; 13\u2019<br>\n<br>\n<br>\n<strong>La Mujer y el Cine<\/strong><br>\n<strong><em>Ofrenda <\/em><\/strong>de Agustina P\u00e9rez Rial, Albertina Carri, Alejandra Marino, Alejandra Martin, Amparo Aguilar, Ana Fraile, Ana Garc\u00eda Blaya, Ana Piter#barg, Anah\u00ed Berneri, Aymar\u00e1 Rovera, Carina Sama, Carmen Guarini, Cecilia At\u00e1n, Constanza Novick, Franca Gonz\u00e1lez, In\u00e9s de Oliveira C\u00e9zar, Jimena Monteoliva, Julia Solomonoff, Julia Z\u00e1rate, Laura Castro, Liliana Romero, Lorena Jozami, Lorena Mu\u00f1oz, Luc\u00eda Vassallo, Mara Pescio, Mar\u00eda \u00c1lvarez, Mar\u00eda Laura Cali, Mar\u00eda Victoria Menis, M\u00f3nica Lairana, Paloma Coscia de Luque, Paola Rizzi, Pau#la De Luque, Sabrina Farji, Sandra Gugliotta, Susana Nieri, Tamae Garateguy, Teresa Constantini, Va#lentina Llorens, Vanina Spataro, Victoria Carreras, Victoria Chaya Miranda, Vivi\u00e1n Imar &#8211; Argentina &#8211; 2023 &#8211; 55\u2019<br>\n<br>\n<br>\n<strong>Cortos del Programa de cine UTDT<\/strong><br>\n<strong><em>Tegucigalpa no tiene Street View<\/em><\/strong> de Manuel Mu\u00f1oz &#8211; 10\u2019<br>\n<strong><em>Rastros de un ec<\/em><\/strong>o de Renata Juncadella &#8211; 17\u2019<br>\n<strong><em>14 Poems<\/em><\/strong> de Maxine Swann &#8211; 14\u2019<br>\n<strong><em>Lo que queda de la noche<\/em><\/strong> de Florencia Zunana &#8211; 17\u2019<br>\n<strong><em>Partir\u00edamos en agosto<\/em><\/strong> de Celina Wolffelt &#8211; 9\u2019<br>\n<strong><em>Huesos de az\u00facar<\/em><\/strong> de Florentina Gonz\u00e1lez &#8211; 5\u2019<br>\n<br>\n<br>\n<strong>Las escuelas van al cine: \u201cPinta cine en democracia\u201d<\/strong><br>\n<strong><em>Cordero de Dios <\/em><\/strong>de Luc\u00eda Cedr\u00f3n &#8211; 2008 &#8211; 90\u2019<br>\n<strong><em>Rojo <\/em><\/strong>de Benjam\u00edn Naishtat &#8211; 2018 &#8211; 109\u2019<br>\n<br>\n<br>\n<strong>Fundaci\u00f3n DAC<\/strong><br>\n<strong><em>Siembra de cine<\/em><\/strong> de Mart\u00edn Kraut &#8211; 77\u2019<br>\n<br>\n<strong>16\u00b0 edici\u00f3n de 24 horas de Cine Nacional<\/strong><br>\n<em><strong>Cortometrajes de la Escuela 37<\/strong><\/em><br>\n<strong><em>Los \u00faltimos<\/em><\/strong> de Omar Magrini<br>\n<strong><em>El silencio de los hombres <\/em><\/strong>de Luc\u00eda Lubarsky<br>\n<em><strong>Cat\u00e1logo para una familia<\/strong><\/em> de Iair Michel Att\u00edas<br>\n<strong><em>La afinadora de \u00e1rboles<\/em><\/strong> de Natalia Smirnoff<br>\n<strong><em>Cambio, cambio <\/em><\/strong>de Lautaro Garc\u00eda Candela<br>\n<strong><em>La uruguaya<\/em><\/strong> de Ana Garc\u00eda Blaya<br>\n<strong><em>De ac\u00e1 a la China <\/em><\/strong>de Federico Marcello<br>\n<strong><em>If You Don\u2019t Wanna Know, Go Away<\/em><\/strong> de Valeria Massimino, Fer Casals<br>\n<strong><em>El coso<\/em><\/strong> de N\u00e9stor Frenkel<br>\n<strong><em>Julia no te cases <\/em><\/strong>de Pablo Levy<br>\n<strong><em>La educaci\u00f3n de los cerdos<\/em><\/strong> de Eduardo Pinto<br>\n<strong><em>Alimentando resistencias: Mujeres protagonistas hacia el buen vivir <\/em><\/strong>de Lucas G\u00f3mez<br>\n<strong><em>Mujer perseverante<\/em><\/strong> de Soledad San Juli\u00e1n<br>\n<strong><em>Varsavsky, el cient\u00edfico rebelde<\/em><\/strong> de Rodolfo Petriz<br>\n<strong><em>Cr\u00f3nicas de un exilio<\/em><\/strong> de Micaela Montes Rojas, Pablo Guallar<br>\n<br>\n<br>\n<strong>Proyecciones especiales<\/strong><br>\n<strong><em>Amor y cine<\/em><\/strong> de Victoria Carreras &#8211; 2023 &#8211; 64\u2019<br>\n<strong><em>Los sue\u00f1os de Elma. Historia de una madre de Malvinas<\/em><\/strong> de Miguel Monforte &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>Las mil y una Lemos<\/em><\/strong> de Sabrina Parel &#8211; 2023 &#8211; 64\u2019<br>\n<strong><em>Mar de fondo <\/em><\/strong>de Oriana Castro &#8211; 2023 \u2013 79\u2019<br>\n<strong><em>GPNK &#8211; El camino del gas<\/em><\/strong> de Gianfranco Quattrini &#8211; 2023 &#8211; 40\u2019<br>\n<strong><em>Selecci\u00f3n de cortos del Festival Pichincha Cine<\/em><\/strong> de Victoria Navas, Joce Deux, Rickxer Soto, Carlina Derks Bustamante \u2013 46\u2019<br>\n<strong><em>Danubio<\/em><\/strong> de Agustina P\u00e9rez Rial &#8211; 2021 &#8211; 62\u2019<br>\n<br>\n<br>\n<strong>Pantalla al aire libre<\/strong><br>\n<strong><em>Blondi <\/em><\/strong>de Dolores Fonzi &#8211; 2023 &#8211; 87\u2019<br>\n<strong><em>Casi muerta<\/em><\/strong> de Fern\u00e1n Mir\u00e1s &#8211; 2023 &#8211; 106\u2019<br>\n<strong><em>El rapto<\/em><\/strong> de Daniela Goggi &#8211; 2023 -95\u2019<br>\n<strong><em>Los delincuentes<\/em><\/strong> de Rodrigo Moreno &#8211; 2023 &#8211; 189\u2019<br>\n<strong><em>No me rompan<\/em><\/strong> de Azul Lombard\u00eda &#8211; 2023 &#8211; 94\u2019<br>\n<strong><em>Puan <\/em><\/strong>de Mar\u00eda Alch\u00e9, Benjam\u00edn Naishtat &#8211; 2023 &#8211; 107\u2019<br>\n<br>\n<br>\n<strong>Muestra Tesis&nbsp;Universidad Nacional de Mar del Plata<\/strong><br>\n<strong><em>Querandi <\/em><\/strong>de Tob\u00edas Gomes Moreira &#8211;&nbsp;2021 &#8211; 13\u2019<br>\n<strong><em>Reminiscencia <\/em><\/strong>de Juan Mart\u00edn Montiel &#8211; 2023 &#8211; 10\u2019<br>\n<strong><em>Nadie se enamora en un cine porno<\/em><\/strong> de Varinia Perus\u00edn Failla &#8211; 2023 &#8211;&nbsp;8\u2019<br>\n<strong><em>Para Mati, si quiere <\/em><\/strong>de Gabriel Esposito &#8211; 2021 &#8211;&nbsp;16\u2019<br>\n<strong><em>Cine Alex <\/em><\/strong>de Marissa Saint Blady &#8211; 2019 &#8211;&nbsp;6\u2019<br>\n<strong><em>Memoria <\/em><\/strong>de Juan Manuel Martiarena, Camila Rivero &#8211; 2023 &#8211;&nbsp;10\u2019<br>\n<strong><em>Cuidado en riesgo<\/em><\/strong> de Ariel Alejandro Adera &#8211; 2022 &#8211; 11\u2019<br>\n<br>\n<br>\n<strong>Selecci\u00f3n de cortos del Festival Pichincha Cine<\/strong><br>\n<strong><em>Migrantes <\/em><\/strong>de Victoria Navas &#8211; 7\u2019<br>\n<strong><em>Pasado <\/em><\/strong>de Joce Deux &#8211; 20\u2019<br>\n<strong><em>Escopaestesia <\/em><\/strong>de Rickxer Soto &#8211; 10\u2019<br>\n<strong><em>Madre en proceso <\/em><\/strong>de Carlina Derks Bustamante &#8211; 9\u2019<br>\n<br>\n<br>\n<strong>FUNCI\u00d3N DE CLAUSURA<\/strong><br>\n<strong><em>Fallen Leaves \/ Kuolleet Lehdet <\/em><\/strong>de Aki Kaurismaki &#8211;&nbsp;Finlandia, Alemania &#8211;&nbsp;2023 &#8211;&nbsp;81\u2019<br>\n<br>\n<br>\n<br>\n<strong>PREMIOS<br>\n<br>\nCOMPETENCIA INTERNACIONAL<\/strong><br>\n<br>\n<strong>Premio Astor Piazzolla al Mejor Largometraje<\/strong><br>\n<strong><em>Kinra&nbsp;<\/em><\/strong>de Marco Panatonic<br>\n<br>\n<strong>Premio Astor Piazzolla Especial del Jurado<\/strong><br>\n<strong><em>Parti\u00f3 de m\u00ed un barco llev\u00e1ndome<\/em><\/strong>&nbsp;de Cecilia Kang<br>\n<br>\n<strong>Premio Astor Piazzolla a la Mejor Direcci\u00f3n<\/strong><br>\nLaura Basombr\u00edo por&nbsp;<strong><em>Las almas<\/em><\/strong><br>\n<br>\n<strong>Premio Astor Piazzolla a la Mejor Interpretaci\u00f3n<\/strong><br>\nSara Summa en&nbsp;<strong><em>Arthur &amp; Diana<\/em><\/strong><br>\n<br>\n<strong>Premio Astor Piazzolla al Mejor Guion<\/strong><br>\nShane Atkinson por&nbsp;<strong><em>LaRoy<\/em><\/strong><br>\n<br>\n<strong>Premio del p\u00fablico<\/strong><br>\n<strong><em>Parti\u00f3 de m\u00ed un barco llev\u00e1ndome<\/em><\/strong>&nbsp;de Cecilia Kang<br>\n<br>\n<br>\n<strong>COMPETENCIA LATINOAMERICANA<\/strong><br>\n<br>\n<strong>Premio Astor Piazzolla al Mejor Largometraje<\/strong><br>\n<strong><em>Otro sol&nbsp;<\/em><\/strong>de Francisco Rodr\u00edguez Teare<br>\n<br>\n<strong>Menci\u00f3n Especial<\/strong><br>\n<strong><em>O dia que te conheci<\/em><\/strong>&nbsp;de Andr\u00e9 Novais Oliveira<br>\n<br>\n<strong>Premio Astor Piazzolla al Mejor Cortometraje<\/strong><br>\n<strong><em>La noche del minotauro&nbsp;<\/em><\/strong>de Juliana Zuluaga Montoya<br>\n<br>\n<strong>Menci\u00f3n Especial<\/strong><br>\n<strong><em>Nueva esperanza<\/em><\/strong>&nbsp;de Carlos Renter\u00eda<br>\n<br>\n<br>\n<strong>COMPETENCIA ARGENTINA<br>\n<br>\nPremio Astor Piazzolla al Mejor Largometraje<\/strong><br>\n<strong><em>Adentro m\u00edo estoy bailando<\/em><\/strong>&nbsp;de Leandro Koch y Paloma Schachmann<br>\n<br>\n<strong>Premio Jos\u00e9 Mart\u00ednez Su\u00e1rez a la Mejor Direcci\u00f3n<\/strong><br>\nRomina Tamburello y Federico Actis por&nbsp;<strong><em>Vera y el placer de los otros<\/em><\/strong><br>\n<br>\n<strong>Premio Astor Piazzolla al Mejor Cortometraje<\/strong><br>\n<strong><em>Especies de compa\u00f1\u00eda<\/em><\/strong>&nbsp;de Juan Renau<br>\n<br>\n<strong>Menci\u00f3n Especial<\/strong><br>\n<strong><em>Corrientes mercuriales<\/em><\/strong>&nbsp;de Carolina Fusilier<br>\n<br>\n<strong>Menci\u00f3n Especial<\/strong><br>\n<strong><em>La necesidad de un testigo<\/em><\/strong>&nbsp;de Mariana Sanguinetti y Renzo Cozza<br>\n<br>\n<br>\n<strong>COMPETENCIA ESTADOS ALTERADOS<\/strong><br>\n<br>\n<strong>Premio Astor Piazzolla a Mejor Pel\u00edcula<\/strong><br>\n<strong><em>Malqueridas&nbsp;<\/em><\/strong>de Tana Gilbert<br>\n<br>\n<strong>Menci\u00f3n Especial<\/strong><br>\n<strong><em>Orlando, ma biographie politique<\/em><\/strong>&nbsp;de Paul B. Preciado<br>\n<br>\n<strong>Menci\u00f3n Especial<\/strong><br>\n<strong><em>Mast-del&nbsp;<\/em><\/strong>de Maryam Tafakory<br>\n<br>\n<br>\n<strong>COMPETENCIA EN TR\u00c1NSITO \/ WORK IN PROGRESS<\/strong><br>\n<br>\n<strong>Premio Astor Piazzolla al Mejor Proyecto<\/strong><br>\n<strong><em>Todo documento de civilizaci\u00f3n&nbsp;<\/em><\/strong>de Tatiana Maz\u00fa Gonz\u00e1lez<br>\n<br>\n<br>\n<strong>PREMIOS OTORGADOS POR PATROCINADORES<\/strong><br>\n<br>\n<br>\n<strong>COMPETENCIA INTERNACIONAL<\/strong><br>\n<strong>Premio Sendfiles a la Mejor Pel\u00edcula<\/strong><br>\n<strong><em>Kinra<\/em><\/strong>&nbsp;de Marco Panatonic<br>\n<br>\n<strong>COMPETENCIA LATINOAMERICANA<\/strong><br>\n<strong>Premio Banco Naci\u00f3n, Alta Definici\u00f3n Argentina y Sendfiles a la Mejor Pel\u00edcula<\/strong><br>\n<strong><em>Otro sol&nbsp;<\/em><\/strong>de Francisco Rodr\u00edguez Teare<br>\n<br>\n<strong>COMPETENCIA ARGENTINA DE LARGOMETRAJES<\/strong><br>\n<strong>Premio Banco Naci\u00f3n, Lahaye Media, Pomeranec M\u00fasica &amp; Sonido y Sendfiles al Mejor Largometraje Argentino<\/strong><br>\n<em><strong>Adentro m\u00edo estoy bailando<\/strong><\/em>&nbsp;de Leandro Koch y Paloma Schachmann<br>\n<br>\n<strong>COMPETENCIA ARGENTINA DE CORTOMETRAJES<\/strong><br>\n<strong>Premio Banco Naci\u00f3n, Lahaye Media y Pomeranec M\u00fasica &amp; Sonido al Mejor Cortometraje Argentino<\/strong><br>\n<strong><em>Especies de compa\u00f1\u00eda<\/em><\/strong>&nbsp;de Juan Renau<br>\n<br>\n<strong>COMPETENCIA ESTADOS ALTERADOS<br>\nPremio MUBI y Sendfiles a la Mejor Pel\u00edcula<\/strong><br>\n<em><strong>Malqueridas&nbsp;<\/strong><\/em>de Tana Gilbert<br>\n<br>\n<strong>COMPETENCIA EN TR\u00c1NSITO \/ WORK IN PROGRESS<br>\nPremio Banco Naci\u00f3n, Cinecolor y Cono del Silencio al Mejor proyecto EN TR\u00c1NSITO<\/strong><br>\n<strong><em>Todo documento de civilizaci\u00f3n<\/em><\/strong>&nbsp;de Tatiana Maz\u00fa Gonz\u00e1lez<br>\n<br><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Ganadores Del 11\u00b0 Concurso Internacional De Estudios Cr\u00edticos Sobre Cine Argentino Domingo Di N\u00fabila Primera Menci\u00f3n: Violencia y marginalidad en la cultura neoliberal. Una mirada a la filmograf\u00eda temprana de Ra\u00fal Perrone, de Ariel Jes\u00fas Ilzarbe Segunda Menci\u00f3n: La ruptura de estereotipos de g\u00e9nero en el cine experimental de Narcisa Hirsch, de Paz [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":436,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>38\u00b0 Edici\u00f3n (2023) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 40\u00b0 Festival Internacional 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