{"id":438,"date":"2025-09-14T20:47:28","date_gmt":"2025-09-14T20:47:28","guid":{"rendered":"https:\/\/sitio1.unbcorp.cl\/Fest\/?p=438"},"modified":"2026-04-09T18:09:24","modified_gmt":"2026-04-09T18:09:24","slug":"38-edition-2023","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/en\/38-edition-2023\/","title":{"rendered":"38 Edition (2023)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"800\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_45-1.jpg\" alt=\"\" class=\"wp-image-439\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_45-1.jpg 600w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_45-1-225x300.jpg 225w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-right has-medium-font-size\"><strong>Multimedia Files<br><\/strong><\/p>\n\n\n\n<div class=\"wp-block-group has-palette-color-5-background-color has-background is-layout-constrained wp-block-group-is-layout-constrained\">\n<h6 class=\"wp-block-heading\">11\u00b0 Domingo Di N\u00fabila Contest Winners<\/h6>\n\n\n\n<p><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta39\/pdf\/terror-verde-veganismo-y-ecologia-en-el-cine-de-terror-argentino-contemporaneo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">First Prize: Terror verde. Veganismo y ecolog\u00eda en el cine de terror argentino contempor\u00e1neo, by Valeria Ar\u00e9valos<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta39\/pdf\/violencia-y-marginalidad-en-la-cultura-neoliberal.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">First Honorable Mention: Violencia y marginalidad en la cultura neoliberal. Una mirada a la filmograf\u00eda temprana de Ra\u00fal Perrone, by Ariel Jes\u00fas Ilzarbe<\/a><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta39\/pdf\/terror-verde-veganismo-y-ecologia-en-el-cine-de-terror-argentino-contemporaneo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"edition-right-column-text\"><strong>From 2nd to 12nd November<\/strong><br>\n<br>\n<br>\n<strong>AUTHORITIES<\/strong><br>\n<br>\n<strong>INCAA PRESIDENT<\/strong><br>\nNicol\u00e1s Batlle<br>\n<br>\n<strong>FESTIVAL PRESIDENT<\/strong><br>\nFernando E. Juan Lima<br>\n&nbsp;<br>\n<strong>ARTISTIC DIRECTOR<\/strong><br>\nPablo Conde<br>\n<br>\n<strong>GENERAL PRODUCER<\/strong><br>\nCecilia Diez<br>\n<br>\n<br>\n<br>\n<strong>OPENING SCREENING<\/strong><br>\n<strong><em>Hombre de la esquina rosada \/ Man on Pink Corner<\/em><\/strong>&nbsp;by Ren\u00e9 Mugica &#8211; Argentina &#8211; 1962 &#8211;&nbsp;70\u2019<br>\n<br>\n<br>\n<b>COMPETITIONS<\/b><br>\n<br>\n<strong>International Competition<\/strong><br>\n<strong><em>Animal | Humano \/ Human | Animal <\/em><\/strong>by Alessandro Pugno &#8211; Spain, Italy, Mexico &#8211; 2023 &#8211; 92\u2019&nbsp;<br>\n<strong><em>Arthur &amp; Diana<\/em><\/strong>&nbsp;by Sara Summa &#8211; Germany- 2023 &#8211; 108\u2019<br>\n<strong><em>Elena Sabe \/ Elena Knows<\/em><\/strong>&nbsp;by Anah\u00ed Berneri &#8211; Argentina &#8211; 2023 &#8211; 104\u2019<br>\n<strong><em>Kinra \/ Motherland <\/em><\/strong>by Marco Panatonic &#8211; Peru &#8211; 2023 &#8211; 157\u2019<br>\n<strong><em>LaRoy<\/em><\/strong>&nbsp;by Shane Atkinson &#8211; USA &#8211; 2023 &#8211; 110\u2019<br>\n<strong><em>Mimang <\/em><\/strong>by Kim Taeyang &#8211; South Korea &#8211; 2023 &#8211; 92\u2019<br>\n<strong><em>Las almas \/ Souls<\/em><\/strong>&nbsp;by Laura Basombr\u00edo &#8211; Argentina &#8211; 2023 &#8211; 78\u2019<br>\n<strong><em>No voy a pedirle a nadie que me crea \/ I Don\u2019t Expect Anyone to Believe Me<\/em><\/strong>&nbsp;by Fernando Fr\u00edas de la Parra &#8211; Mexico &#8211; 2023 &#8211; 116\u2019<br>\n<strong><em>Parti\u00f3 de m\u00ed un barco llev\u00e1ndome \/ A Boat Departed from Me Taking Me Away<\/em><\/strong>&nbsp;by Cecilia Kang &#8211;&nbsp;Argentina, Singapour &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>Seagrass&nbsp;<\/em><\/strong>by Meredith Hama-Brown &#8211; Canada &#8211; 2023 &#8211; 115\u2019<br>\n<strong><em>UBU <\/em><\/strong>by Paulo Abreu &#8211; Portugal &#8211; 2023 &#8211; 77\u2019<br>\n<br>\n<br>\n<strong>Latin American Competition<\/strong><br>\n<strong><em>Crowr\u00e3 <\/em><\/strong>by Ren\u00e9e Nader Messora, Jo\u00e3o Salaviza &#8211; Brazil, Portugal &#8211; 2023 &#8211; 124\u2019<br>\n<strong><em>El castillo<\/em><\/strong>&nbsp;by Mart\u00edn Benchimol &#8211; Argentina, France &#8211; 2023 &#8211; 78\u2019<br>\n<strong><em>El otro hijo \/ The Other Son<\/em><\/strong>&nbsp;by Juan Sebasti\u00e1n Quebrada &#8211; Colombia &#8211; 2023 &#8211; 89\u2019<br>\n<strong><em>El viento que arrasa \/ A Ravaging Wind<\/em><\/strong>&nbsp;by Paula Hern\u00e1ndez &#8211; Argentina, Uruguay &#8211; 2023 &#8211; 94\u2019<br>\n<strong><em>Las cosas indefinidas \/ Undefined Things<\/em><\/strong>&nbsp;by Mar\u00eda Aparicio &#8211; Argentina &#8211; 2023 &#8211; 81\u2019<br>\n<strong><em>Llaki \/ Llaki (Sorrow) <\/em><\/strong>by Diego Revollo &#8211; Bolivia &#8211; 2023 &#8211; 72\u2019<br>\n<strong><em>Los colonos \/ The Settlers<\/em><\/strong>&nbsp;by Felipe G\u00e1lvez &#8211; Chile, Argentina, UK, Taiwan, France &#8211; 2023 &#8211; 100\u2019<br>\n<strong><em>Otro sol<\/em><\/strong>&nbsp;by Francisco Rodr\u00edguez Teare &#8211; Chile, France, Belgium &#8211; 2023 &#8211; 85\u2019<br>\n<strong><em>O dia que te conheci <\/em><\/strong>by Andr\u00e9 Novais Oliveira &#8211; Brazil &#8211; 2023 &#8211; 71\u2019<br>\n<br>\n<br>\n<strong>Latin American Short Films Competition&nbsp;<\/strong><br>\n<strong><em>Extinci\u00f3n de la especie \/ Extinction of the Species<\/em><\/strong>&nbsp;by Nicolasa Ruiz Mendoza, Matthew Porterfield &#8211; Mexico &#8211; 2023 &#8211; 25\u2019<br>\n<strong><em>La noche del minotauro \/ The Night of Minotaur <\/em><\/strong>by Juliana Zuluaga Montoya &#8211; Colombia &#8211; 2023 &#8211; 10\u2019<br>\n<strong><em>Lyb <\/em><\/strong>by Felipe Poroger &#8211; Brazil &#8211; 2023 &#8211; 19\u2019<br>\n<strong><em>Nueva esperanza<\/em><\/strong>&nbsp;by Carlos Renter\u00eda &#8211; Argentina, Peru &#8211; 2022 &#8211; 27\u2019<br>\n<strong><em>S\u00f3lo la luna comprender\u00e1 \/ The Moon Will Contain Us<\/em><\/strong>&nbsp;by Kim Torres &#8211; Costa Rica, USA &#8211; 2023 &#8211; 18\u2019<br>\n<strong><em>Un punk ejemplar \/ Honorary Punk<\/em><\/strong>&nbsp;by Diandra Arriaga &#8211; Mexico &#8211; 2023 &#8211; 10\u2019<br>\n<br>\n<br>\n<strong>Argentine Competition<\/strong><br>\n<strong><em>Adentro m\u00edo estoy bailando \/ The Klezmer Project <\/em><\/strong>by Leandro Koch, Paloma Schachmann &#8211; Argentina, Austria &#8211; 2023 &#8211; 117\u2019<br>\n<strong><em>Alemania <\/em><\/strong>by Mar\u00eda Zanetti &#8211; Argentina, Spain- 2023 &#8211; 87\u2019<br>\n<strong><em>Clara se pierde en el bosque \/ Clara Gets Lost in the Woods<\/em><\/strong>&nbsp;by Camila Fabbri &#8211; Argentina &#8211; 2023 &#8211; 86\u2019<br>\n<strong><em>El empresario \/ The Businessman<\/em><\/strong>&nbsp;by Germ\u00e1n Scelso &#8211; Argentina &#8211; 2023 &#8211; 75\u2019<br>\n<strong><em>Elda y los monstruos \/ Elda and the Monsters <\/em><\/strong>by Nicol\u00e1s Herzog &#8211; Argentina &#8211; 2022 &#8211; 73\u2019<br>\n<strong><em>La gruta continua \/ Ongoing Cave<\/em><\/strong>&nbsp;by Juli\u00e1n D\u2019Angiolillo &#8211; Argentina, Cuba &#8211; 2023 &#8211; 85\u2019<br>\n<strong><em>La mujer hormiga \/ The Ant Woman<\/em><\/strong>&nbsp;by Betania Cappato, Adri\u00e1n Su\u00e1rez &#8211; Argentina &#8211; 2023 &#8211; 100\u2019<br>\n<strong><em>Lagunas<\/em><\/strong>&nbsp;by Federico Cardone &#8211; Argentina &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>Lava 2 (el nuevo Show del Narciso) \/ Lava 2 (The New Narciso Show)<\/em><\/strong>&nbsp;by Ayar Blasco &#8211; Argentina &#8211; 2023 &#8211; 95\u2019<br>\n<strong><em>Los tonos mayores <\/em><\/strong>by Ingrid Pokropek &#8211; Argentina, Spain &#8211; 2023 \u2013 101\u2019<br>\n<strong><em>Vera y el placer de los otros \/ Vera and the Pleasure of Others <\/em><\/strong>by Romina Tamburello, Federico Actis &#8211; Argentina &#8211; 2023 &#8211; 103\u2019<br>\n<br>\n<br>\n<strong>Argentina Short Films Competition<\/strong><br>\n<strong><em>Desde el principio hasta el final \/ From Beginning to End<\/em><\/strong>&nbsp;by Loana Pagani &#8211; Argentina &#8211; 2023 &#8211; 17\u2019<br>\n<strong><em>Especies de compa\u00f1\u00eda \/ Animal Hospital<\/em><\/strong>&nbsp;by Juan Renau &#8211; Argentina, France &#8211; 2022 &#8211; 20\u2019<br>\n<strong><em>Corrientes mercuriales \/ Mercurial Currents<\/em><\/strong>&nbsp;by Carolina Fusilier &#8211; Argentina, Mexico &#8211; 2023 &#8211; 20\u2019<br>\n<strong><em>La necesidad de un testigo \/ The Need of a Witness<\/em><\/strong>&nbsp;by Mariana Sanguinetti, Renzo Cozza &#8211; Argentina &#8211; 2023 &#8211; 21\u2019<br>\n<strong><em>Sexto continente \/ Sixth Continent<\/em><\/strong>&nbsp;by Estrella Herrera &#8211; Argentina &#8211; 2023 &#8211; 11\u2019<br>\n<strong><em>Quedate quieto o te amo \/ Stay Still or I Love You<\/em><\/strong>&nbsp;by Luis Federico &#8211; Argentina, France &#8211; 2023 &#8211; 14\u2019<br>\n<strong><em>Un grano de arroz de una casa donde no haya muerto nadie \/ A Grain of Rice from a House Where No One Has Died <\/em><\/strong>by Agustina Mu\u00f1oz &#8211; Argentina &#8211; 2023 &#8211; 15\u2019<br>\n<strong><em>Una habitaci\u00f3n llena de polvo \/ A Dust Filled Room<\/em><\/strong>&nbsp;by Nicol\u00e1s Zukerfeld &#8211; Argentina &#8211; 2023 &#8211; 23\u2019<br>\n<br>\n<br>\n<strong>Altered States Competition<\/strong><br>\n<strong><em>Bloom <\/em><\/strong>by Helena Gir\u00f3n, Samuel M. Delgado &#8211; Spain &#8211; 2023 &#8211; 18\u2019<br>\n<strong><em>El auge del humano 3 \/ The Human Surge 3<\/em><\/strong>&nbsp;by Eduardo Williams &#8211; Argentina, Portugal, Netherlands, Taiwan, Brazil, China, Sri Lanka, Peru &#8211; 2023 &#8211; 121\u2019<br>\n<strong><em>El polvo \/ Dust<\/em><\/strong>&nbsp;by Nicol\u00e1s Torchinsky &#8211; Argentina &#8211; 2022 &#8211; 73\u2019<br>\n<strong><em>Lo que los humanos ven como sangre los jaguares ven como chicha \/ What Humans See As Blood Jaguars See As Chicha<\/em><\/strong>&nbsp;by Luciana Decker Orozco &#8211; Bolivia &#8211; 2023 &#8211; 30\u2019<br>\n<strong><em>Losing Faith \/ Die \u00e4ngstliche Verkehrsteilnehmerin<\/em><\/strong>&nbsp;by Martha Mechow &#8211; Alemania, Austria &#8211; 2023 &#8211; 100\u2019<br>\n<strong><em>Malqueridas <\/em><\/strong>by Tana Gilbert &#8211; Chile, Germany &#8211; 2023 &#8211; 75\u2019<br>\n<strong><em>Mast-del<\/em><\/strong>&nbsp;by Maryam Tafakory &#8211; Iran, UK &#8211; 2023 &#8211; 17\u2019<br>\n<strong><em>Night Walk \/ Bam Sanchaek<\/em><\/strong>&nbsp;by Sohn Koo-yong &#8211; South Korea &#8211; 2023 &#8211; 65\u2019<br>\n<strong><em>Orlando, ma biographie politique \/ Orlando, My Political Biography<\/em><\/strong>&nbsp;by Paul B. Preciado &#8211; France &#8211; 2023 &#8211; 98\u2019<br>\n<strong><em>Sobre todo de noche \/ Foremost By Night <\/em><\/strong>by V\u00edctor Iriarte &#8211; Spain &#8211; 2023 &#8211; 109\u2019<br>\n<strong><em>Youth (Spring) \/ Shanghai Qingnian <\/em><\/strong>by Wang Bing &#8211; France, Luxembourg, Netherlands &#8211; 2023 &#8211; 212\u2019<br>\n<br>\n<strong>En Tr\u00e1nsito Competition \/ Work in Progress<\/strong><br>\n<em><strong>El mirador <\/strong><\/em>by Diego Hern\u00e1ndez &#8211; Mexico<br>\n<strong><em>El pr\u00edncipe de Nanawa \/ The Prince of Nanawa<\/em><\/strong>&nbsp;by Clarisa Navas &#8211; Argentina, Paraguay<br>\n<strong><em>La direcci\u00f3n opuesta \/ The Opposite Direction<\/em><\/strong>&nbsp;by Julia Castro &#8211; Argentina<br>\n<strong><em>L<strong>as <\/strong>latas \/ The Film Cans<\/em><\/strong><em> <\/em>by Santiago Sein &#8211; Argentina<br>\n<strong><em>Senda india<\/em><\/strong>&nbsp;by Daniela Seggiaro &#8211; Argentina<br>\n<strong><em>Todo documento de civilizaci\u00f3n \/ Every Document of Civilization<\/em><\/strong>&nbsp;by Tatiana Maz\u00fa Gonz\u00e1lez &#8211; Argentina<br>\n<strong><em>Una noche en Paladium \/ The Night is Still Young <\/em><\/strong>by Francisco Novick &#8211; Argentina<br>\n<br>\n<br>\n<strong>PANORAMA<\/strong><br>\n<br>\n<strong>Auteurs<\/strong><br>\n<strong><em>Cerrar los ojos \/ Close Your Eyes <\/em><\/strong>by V\u00edctor Erice &#8211; Spain, Argentina &#8211; 2023 &#8211; 169\u2019<br>\n<strong><em>Dispararon al pianista \/ They Shot the Piano Player<\/em><\/strong>&nbsp;by Fernando Trueba, Javier Mariscal &#8211; Espa\u00f1a, France, Netherlands &#8211; 2023 &#8211; 103\u00b4<br>\n<strong><em>Dueto \/ Duet <\/em><\/strong>by Edgardo Cozarinsky, Rafael Ferro &#8211; Argentina &#8211; 2023 &#8211; 61\u2019<br>\n<strong><em>El libro de las soluciones \/ Le livre des solutions<\/em><\/strong> by Michel Gondry &#8211; France &#8211; 2023 &#8211; 102\u00b4<br>\n<strong><em>Eureka <\/em><\/strong>by Lisandro Alonso &#8211; France, Argentina, Alemania, Portugal, Mexico \u2013 2023 &#8211; 156\u00b4<br>\n<strong><em>Gol gana \/ Next Goal Wins<\/em><\/strong>&nbsp;by Taika Waititi &#8211; USA &#8211; 2023 &#8211; 104\u00b4<br>\n<strong><em>In Our Day <\/em><\/strong>by Hong Sangsoo &#8211; South Korea &#8211; 2023 &#8211; 84\u00b4<br>\n<strong><em>La bestia \/ La B\u00eate<\/em><\/strong>&nbsp;by Bertrand Bonello &#8211; Canada, France &#8211; 2023 &#8211; 145\u00b4<br>\n<strong><em>La chimera <\/em><\/strong>by Alice Rohrwacher &#8211; Italy, France, Switzerland &#8211; 2023 &#8211; 130\u00b4<br>\n<strong><em>La pr\u00e1ctica \/ The Practice<\/em><\/strong>&nbsp;by Mart\u00edn Rejtman &#8211; Argentina, Chile, Portugal &#8211; 2023 &#8211; 90\u00b4<br>\n<strong><em>La pr\u00f3xima pel\u00edcula de Carmen Trevilla \/ Carmen Trevilla\u2019s Next Film<\/em><\/strong>&nbsp;by Gonzalo Garc\u00eda Pelayo &#8211; Argentina &#8211; 2023 &#8211; 148\u00b4<br>\n<strong><em>La sociedad de la nieve \/ Society of the Snow<\/em><\/strong>&nbsp;by Juan Antonio Bayona &#8211; Spain &#8211; 2023 &#8211; 144\u00b4<br>\n<strong><em>Mixtape La Pampa<\/em><\/strong>&nbsp;by Andr\u00e9s Di Tella &#8211; Argentina, Chile &#8211; 2023 &#8211; 104\u00b4<br>\n<strong><em>Music <\/em><\/strong>by Angela Schanelec &#8211; Germany, France, Serbia &#8211; 2023 &#8211; 108\u00b4<br>\n<strong><em>Pobres criaturas \/ Poor Things<\/em><\/strong>&nbsp;by Yorgos Lanthimos &#8211; Ireland &#8211; 2023 &#8211; 140\u00b4<br>\n<strong><em>Retratos fantasmas \/ Pictures of Ghosts<\/em><\/strong>&nbsp;by Kleber Mendon\u00e7a Filho &#8211; Brazil &#8211; 2023 &#8211; 93\u00b4<br>\n<br>\n<br>\n<strong>New Auteurs<\/strong><br>\n<strong><em>La imatge permanent \/ The Permanent Picture<\/em><\/strong>&nbsp;by Laura Ferr\u00e9s &#8211; Spain, France &#8211; 2023 &#8211; 93\u2019<br>\n<strong><em>Shayda <\/em><\/strong>by Noora Niasari &#8211; Australia &#8211; 2023 &#8211; 117\u00b4<br>\n<strong><em>Tierra de nuestras madres <\/em><\/strong>by Liz Lobato &#8211; Spain- 2023 &#8211; 88\u2019<br>\n<br>\n<br>\n<strong>Galas<\/strong><br>\n<strong><em>Un p\u00e1jaro azul <\/em><\/strong>by Ariel Rotter &#8211; Argentina &#8211; 2023 &#8211; 97\u2019<br>\n<br>\n<br>\n<strong>Argentine Panorama<\/strong><br>\n<strong><em>El pensamiento anal\u00f3gico \/ Analog Thinking <\/em><\/strong>by Paulo P\u00e9cora &#8211; Argentina &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>La estrella azul \/ The Blue Star<\/em><\/strong>&nbsp;by Javier Macipe &#8211; Spain, Argentina &#8211; 2023 &#8211; 129\u2019<br>\n<strong><em>Las ausencias \/ The Absences<\/em><\/strong>&nbsp;by Juan Jos\u00e9 Gorasurreta &#8211; Argentina &#8211; 2023 &#8211; 98\u2019<br>\n<strong><em>Las dos Mariette \/ The Two Mariettes<\/em><\/strong>&nbsp;by Poli Mart\u00ednez Kaplun &#8211; Argentina &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>Procopiuk <\/em><\/strong>by Diego Lumerman &#8211; Argentina &#8211; 2023 &#8211; 65\u2019<br>\n<br>\n<br>\n<strong>Original Sound Track<\/strong><br>\n<strong><em>Mutiny in Heaven: The Birthday Party<\/em><\/strong>&nbsp;by Ian White &#8211; Australia &#8211; 2023 &#8211; 98\u2019<br>\n<br>\n<br>\n<strong>Midnight Screamings<\/strong><br>\n<strong><em>Cuando acecha la maldad \/ When Evil Lurks<\/em><\/strong>&nbsp;by Demi\u00e1n Rugna &#8211; Argentina &#8211; 2023 &#8211; 99\u2019<br>\n<strong><em>Daaaaaal\u00ed! <\/em><\/strong>by Quentin Dupieux &#8211; France &#8211; 2023 &#8211; 77\u00b4<br>\n<strong><em>Devils <\/em><\/strong>by Kim Jae-hoon &#8211; South Korea &#8211; 2023 &#8211; 106\u2019<br>\n<strong><em>Where the Devil Roams <\/em><\/strong>by John Adams, Zelda Adams, Toby Poser &#8211; USA &#8211; 2023 &#8211; 93\u2019<br>\n<strong><em>Yannick <\/em><\/strong>by Quentin Dupieux &#8211; France &#8211; 2023 \u2013 69\u2019<br>\n<br>\n<br>\n<strong>Open Veins<\/strong><br>\n<strong><em>Deus Irae <\/em><\/strong>by Pedro Cristiani &#8211; Argentina &#8211; 2023 &#8211; 85\u2019<br>\n<br>\n<br>\n<em><strong>Children by the Sea<\/strong><\/em><br>\n<strong><em>Robot Dreams<\/em><\/strong>&nbsp;by Pablo Berger &#8211; Spain &#8211; 2023 &#8211; 102\u2019<br>\n<br>\n<br>\n<strong>Super 8\/16mm<\/strong><br>\n<strong><em>A Study of the Relationships Between Inner and Outer Space<\/em><\/strong>&nbsp;by David Lamelas &#8211; UK &#8211; 1969 &#8211; 20\u2019<br>\n<strong><em>Algunos segmentos<\/em><\/strong>&nbsp;by Elda Cerrato &#8211; Argentina &#8211; 1970 &#8211; 7\u2019<br>\n<strong><em>Autogeograf\u00eda<\/em><\/strong>&nbsp;by Marta Minuj\u00edn &#8211; Argentina &#8211; 1976 &#8211; 12\u2019<br>\n<strong><em>Retrato de Marta Minuj\u00edn<\/em><\/strong>&nbsp;by Narcisa Hirsch &#8211; Argentina &#8211; 1975 &#8211; 16\u2019<br>\n<strong><em>Rollo seis: El Grand Tarot de Charles Ludlam \/ Reel Six: Charles Ludlam\u2019s Grand Tarot <\/em><\/strong>by Leandro Katz &#8211; Argentina &#8211; 1987 &#8211; 8\u2019<br>\n<br>\n<br>\n<strong>\u00bfHow Much Time is a Century?<\/strong><br>\n<strong><em>Return to Reason \/ Le Retour \u00e0 la Raison<\/em><\/strong>&nbsp;by Man Ray &#8211; France &#8211; 1923 &#8211; 70\u2019<br>\n<br>\n<br>\n<strong>FOCUS AND RETROSPECTIVES<\/strong><br>\n<br>\n<strong>Ana Mariscal Focus<\/strong><br>\n<strong><em>Segundo L\u00f3pez, aventurero urbano<\/em><\/strong>&nbsp;by Ana Mariscal &#8211; Spain- 1953 &#8211; 80\u2019<br>\n<strong><em>El camino \/ The Path <\/em><\/strong>by Ana Mariscal &#8211; Spain &#8211; 1963 &#8211; 92\u00b4<br>\n<br>\n<br>\n<strong>Esteban Sapir Focus<\/strong><br>\n<strong><em>La antena \/ The Aerial<\/em><\/strong>&nbsp;by Esteban Sapir &#8211; Argentina &#8211; 2007 &#8211; 99\u2019<br>\n<strong><em>Picado fino \/ Fine Powder<\/em><\/strong>&nbsp;by Esteban Sapir &#8211; Argentina &#8211; 1996 &#8211; 80\u2019<br>\n<br>\n<br>\n<strong>Cinema and Comics &#8211; Part I<\/strong><br>\n<strong><em>Danger: Diabolik<\/em><\/strong>&nbsp;by Mario Bava &#8211; Italy, France &#8211; 1968 &#8211; 99\u2019<br>\n<strong><em>Shortcomings <\/em><\/strong>by Randall Park &#8211; USA &#8211; 2022 &#8211; 92\u2019<br>\n<strong><em>Un homme est mort <\/em><\/strong>by Olivier Cossu &#8211; France &#8211; 2018 &#8211; 66\u2019<br>\n<br>\n<br>\n<strong>Once Upon a Time in Georgia<\/strong><br>\n<strong><em>Great Green Valley \/ Didi mtsvane Veli<\/em><\/strong>&nbsp;by Merab Kokochashvili &#8211; USSR &#8211; 1967 &#8211; 85\u2019<br>\n<strong><em>Love at First Sight \/ Erti Nakhvit Shekvareba<\/em><\/strong>&nbsp;by Rezo Esadze &#8211; USSR &#8211; 1975 &#8211; 86\u2019<br>\n<strong><em>The Georgian Chronicle of the 19th Century \/XIX Saukunis Qartuli Qronika<\/em><\/strong>&nbsp;by Aleksandre Rekhviashvili &#8211; USSR &#8211; 1979 &#8211; 64\u2019<br>\n<br>\n<br>\n<strong>Fant\u00e1sticas: Nuevas voces del cine brit\u00e1nico de g\u00e9nero<\/strong><br>\n<strong><em>Censor <\/em><\/strong>by Prano Bailey-Bond &#8211; UK &#8211; 2021 &#8211; 84\u2019<br>\n<strong><em>Hermosa venganza&nbsp;\/ Promising Young Woman<\/em><\/strong>&nbsp;by Emerald Fennell &#8211; UK &#8211; 2020 &#8211; 113\u2019<br>\n<strong><em>Saint Maud<\/em><\/strong>&nbsp;by Rose Glass &#8211; UK &#8211; 2019 &#8211; 84\u2019<br>\n<br>\n<br>\n<strong>Historia(s) del cine franc\u00e9s<\/strong><br>\n<strong><em>La pasi\u00f3n de Juana de Arco \/ La Passion de Jeanne d\u2019Arc<\/em><\/strong>&nbsp;by Carl Theodor Dreyer &#8211; France &#8211; 1928 &#8211; 110\u2019<br>\n<strong><em>Le Roi des Aulnes<\/em><\/strong>&nbsp;by Marie-Louise Iribe &#8211; France &#8211; 1930 &#8211; 52\u2019<br>\n<strong><em>L\u2019Atalante <\/em><\/strong>by Jean Vigo &#8211; France &#8211; 1933 &#8211; 89\u2019<br>\n<strong><em>La gran ilusi\u00f3n \/ La grande illusion<\/em><\/strong> de Jean Renoir &#8211; France &#8211; 1937 &#8211; 117\u2019<br>\n<strong><em>Luz de verano \/ Lumi\u00e8re d\u2019\u00e9t\u00e9<\/em><\/strong> de Jean Gr\u00e9millon &#8211; France &#8211; 1942 &#8211; 112\u2019<br>\n<strong><em>Hiroshima mon amour<\/em><\/strong>&nbsp;by Alain Resnais &#8211; France &#8211; 1959 &#8211; 90\u2019<br>\n<strong><em>Yo, un negro \/ Moi, un noir<\/em><\/strong>&nbsp;by Jean Rouch &#8211; France &#8211; 1958 &#8211; 80\u2019<br>\n<strong><em>Cleo de 5 a 7 \/ Cl\u00e9o de 5 \u00e0 7 <\/em><\/strong>by Agn\u00e8s Varda &#8211; France &#8211; 1962 \u2013 90\u2019<br>\n<strong><em>El giro \/ Mandabi<\/em><\/strong>&nbsp;by Ousmane Sembene &#8211; France, Senegal &#8211; 1968 &#8211; 105\u2019<br>\n<em><strong>India Song<\/strong><\/em>&nbsp;by Marguerite Duras &#8211; France &#8211; 1974 &#8211; 120\u2019<br>\n<br>\n<br>\n<strong>CAREERS AND HOMAGES<\/strong><br>\n<br>\n<strong>Career: Adolfo Aristarain<\/strong><br>\n<strong><em>Un lugar en el mundo \/ A Place in the World<\/em><\/strong>&nbsp;by Adolfo Aristarain &#8211; Argentina, Spain, Uruguay &#8211; 1992 &#8211; 126\u2019<br>\n<strong><em>Mart\u00edn (Hache)<\/em><\/strong>&nbsp;by Adolfo Aristarain &#8211; Argentina, Spain &#8211; 1997 \u2013 134\u2019<br>\n<br>\n<strong>Career: Ana Katz<\/strong><br>\n<br>\n<strong>Career: J.A. Bayona<\/strong><br>\n<br>\n<strong>Career: Cinemateca Uruguaya<\/strong><br>\n<br>\n<br>\n<strong>INSTITUTIONAL SCREENINGS<\/strong><br>\n<br>\n<strong>Historias Breves 21<\/strong><br>\n<strong><em>Asterion <\/em><\/strong>by Eduardo Marcelo \u00c1lvarez &#8211; 14\u2019<br>\n<strong><em>Cachir\u00fa <\/em><\/strong>by Eugenia Molina, Juliana Mazia &#8211; 7\u2019<br>\n<strong><em>El perfil de Lisa<\/em><\/strong> by Sandra Flomembaum &#8211; 16\u2019<br>\n<strong><em>Mam\u00e1\u2026<\/em><\/strong> by Roxana Ruzzante &#8211; 17\u2019<br>\n<strong><em>Sachasandia <\/em><\/strong>by Daniela Marinaro Montalbetti &#8211; 13\u2019<br>\n<strong><em>Todas las cosas que llevo conmigo<\/em><\/strong> by Gerardo Manuel Pranteda \u2013 15\u2019<br>\n<strong><em>Un zorro<\/em><\/strong> by Gast\u00f3n Horacio del Porto &#8211; 14\u2019<br>\n<strong><em>Una edad dif\u00edcil <\/em><\/strong>by Hugo Evaristo Crexell &#8211; 14\u2019<br>\n<strong><em>Xini <\/em><\/strong>by Santiago Reale &#8211; 13\u2019<br>\n<br>\n<strong>17\u00b0 Pantalla UBA&nbsp;<\/strong><br>\n<strong><em>5\u2019 de lucidez<\/em><\/strong> by Maitena Fontanazza &#8211; 8\u2019<br>\n<strong><em>Adi\u00f3s <\/em><\/strong>by Mar\u00eda Jos\u00e9 Olivares, Catalina Far\u00edas, Gast\u00f3n Orozco &#8211; 3\u2019<br>\n<strong><em>Cazadores de monstruos: algo con garras<\/em><\/strong><em> <\/em>by Roc\u00edo Elisii &#8211; 11\u2019<br>\n<em><strong>Detr\u00e1s de los objetos <\/strong><\/em>by Ricardo Fern\u00e1ndez Llosa &#8211; 7\u2019<br>\n<strong><em>Ensayo para la memoria<\/em><\/strong> by Denise Chirich &#8211; 13\u2019<br>\n<strong><em>Expediente: Marta<\/em><\/strong> by Luc\u00eda Trotta &#8211; 10\u2019<br>\n<strong><em>Lo que nunca dije<\/em><\/strong> by Sol Monsalvo, Carolina Segarra, Camila Fardella, Micaela Elia, Florencia Boetsch,&nbsp;Iv\u00e1n Cardozo, Camila Ataide &#8211; 5\u2019<br>\n<strong><em>sans corpus<\/em><\/strong> by Fernando Scarpini Reyes &#8211; 3\u2019<br>\n<strong><em>Solo queda esperar<\/em><\/strong> by Sara Lamberti, B\u00e1rbara Rodr\u00edguez &#8211; 7\u2019<br>\n<strong><em>Volv\u00ed vivo<\/em><\/strong> by Roc\u00edo Rodr\u00edguez Rojas &#8211; 10\u2019<br>\n<br>\n<br>\n<strong>7\u00b0 Muestra ENERC<\/strong><br>\n<strong><em>Lavander\u00eda Las Rosas<\/em><\/strong> by Luna Mato Chague &#8211; Sede AMBA &#8211; 16\u2019<br>\n<strong><em>Mara\u00f1as <\/em><\/strong>by Priscila Restelli &#8211; Sede Mar del Plata &#8211; 1\u2019<br>\n<strong><em>El hombre que duerme despierto <\/em><\/strong>by Jes\u00fas Torres Toledo &#8211; Sede NEA &#8211; 12\u2019<br>\n<strong><em>\u00c1mbar <\/em><\/strong>by Sof\u00eda Oczowinski &#8211; Sede Mar del Plata &#8211; 1\u2019<br>\n<strong><em>Plumas <\/em><\/strong>by Estefan\u00eda Iriarte &#8211; Sede NOA &#8211; 12\u2019<br>\n<strong><em>Gatchapon <\/em><\/strong>by Andr\u00e9 Molin\u00e9 &#8211; Sede Mar del Plata \u2013 1\u2019<br>\n<strong><em>La esperanza <\/em><\/strong>by Valent\u00edn Soler &#8211; Sede Cuyo &#8211; 11\u2019<br>\n<strong><em>\u00bfEst\u00e1 jodido el compa\u00f1ero?<\/em><\/strong> by Santiago Gaudio &#8211; Sede Patagonia &#8211; 14\u2019<br>\n<strong><em>Juego cruzado<\/em><\/strong> by Cristian Mendoza &#8211; Sede Mar del Plata &#8211; 1\u2019<br>\n<strong><em>Siga, siga <\/em><\/strong>by Federico Pahlen &#8211; Sede AMBA &#8211; 13\u2019<br>\n<br>\n<br>\n<strong>La Mujer y el Cine<\/strong><br>\n<strong><em>Ofrenda <\/em><\/strong>by Agustina P\u00e9rez Rial, Albertina Carri, Alejandra Marino, Alejandra Martin, Amparo Aguilar, Ana Fraile, Ana Garc\u00eda Blaya, Ana Piter#barg, Anah\u00ed Berneri, Aymar\u00e1 Rovera, Carina Sama, Carmen Guarini, Cecilia At\u00e1n, Constanza Novick, Franca Gonz\u00e1lez, In\u00e9s de Oliveira C\u00e9zar, Jimena Monteoliva, Julia Solomonoff, Julia Z\u00e1rate, Laura Castro, Liliana Romero, Lorena Jozami, Lorena Mu\u00f1oz, Luc\u00eda Vassallo, Mara Pescio, Mar\u00eda \u00c1lvarez, Mar\u00eda Laura Cali, Mar\u00eda Victoria Menis, M\u00f3nica Lairana, Paloma Coscia de Luque, Paola Rizzi, Pau#la De Luque, Sabrina Farji, Sandra Gugliotta, Susana Nieri, Tamae Garateguy, Teresa Constantini, Va#lentina Llorens, Vanina Spataro, Victoria Carreras, Victoria Chaya Miranda, Vivi\u00e1n Imar &#8211; Argentina &#8211; 2023 &#8211; 55\u2019<br>\n<br>\n<br>\n<strong>UTDT Short Films Program<\/strong><br>\n<strong><em>Tegucigalpa no tiene Street View<\/em><\/strong> by Manuel Mu\u00f1oz &#8211; 10\u2019<br>\n<strong><em>Rastros de un ec<\/em><\/strong>o by Renata Juncadella &#8211; 17\u2019<br>\n<strong><em>14 Poems<\/em><\/strong> by Maxine Swann &#8211; 14\u2019<br>\n<strong><em>Lo que queda de la noche<\/em><\/strong> by Florencia Zunana &#8211; 17\u2019<br>\n<strong><em>Partir\u00edamos en agosto<\/em><\/strong> by Celina Wolffelt &#8211; 9\u2019<br>\n<strong><em>Huesos de az\u00facar<\/em><\/strong> by Florentina Gonz\u00e1lez &#8211; 5\u2019<br>\n<br>\n<br>\n<strong>Schools Goes to Cinema: \u201cPinta cine en democracia\u201d<\/strong><br>\n<strong><em>Cordero de Dios <\/em><\/strong>by Luc\u00eda Cedr\u00f3n &#8211; 2008 &#8211; 90\u2019<br>\n<strong><em>Rojo <\/em><\/strong>by Benjam\u00edn Naishtat &#8211; 2018 &#8211; 109\u2019<br>\n<br>\n<br>\n<strong>Fundaci\u00f3n DAC<\/strong><br>\n<strong><em>Siembra de cine<\/em><\/strong> by Mart\u00edn Kraut &#8211; 77\u2019<br>\n<br>\n<strong>16\u00b0 edici\u00f3n de 24 horas de Cine Nacional<\/strong><br>\n<em><strong>Cortometrajes de la Escuela 37<\/strong><\/em><br>\n<strong><em>Los \u00faltimos<\/em><\/strong> by Omar Magrini<br>\n<strong><em>El silencio de los hombres <\/em><\/strong>by Luc\u00eda Lubarsky<br>\n<em><strong>Cat\u00e1logo para una familia<\/strong><\/em> by Iair Michel Att\u00edas<br>\n<strong><em>La afinadora de \u00e1rboles<\/em><\/strong> by Natalia Smirnoff<br>\n<strong><em>Cambio, cambio <\/em><\/strong>by Lautaro Garc\u00eda Candela<br>\n<strong><em>La uruguaya<\/em><\/strong> by Ana Garc\u00eda Blaya<br>\n<strong><em>De ac\u00e1 a la China <\/em><\/strong>by Federico Marcello<br>\n<strong><em>If You Don\u2019t Wanna Know, Go Away<\/em><\/strong> by Valeria Massimino, Fer Casals<br>\n<strong><em>El coso<\/em><\/strong> by N\u00e9stor Frenkel<br>\n<strong><em>Julia no te cases <\/em><\/strong>by Pablo Levy<br>\n<strong><em>La educaci\u00f3n de los cerdos<\/em><\/strong> by Eduardo Pinto<br>\n<strong><em>Alimentando resistencias: Mujeres protagonistas hacia el buen vivir <\/em><\/strong>by Lucas G\u00f3mez<br>\n<strong><em>Mujer perseverante<\/em><\/strong> by Soledad San Juli\u00e1n<br>\n<strong><em>Varsavsky, el cient\u00edfico rebelde<\/em><\/strong> by Rodolfo Petriz<br>\n<strong><em>Cr\u00f3nicas de un exilio<\/em><\/strong> by Micaela Montes Rojas, Pablo Guallar<br>\n<br>\n<br>\n<strong>Special Screenings<\/strong><br>\n<strong><em>Amor y cine<\/em><\/strong> by Victoria Carreras &#8211; 2023 &#8211; 64\u2019<br>\n<strong><em>Los sue\u00f1os de Elma. Historia de una madre de Malvinas<\/em><\/strong> by Miguel Monforte &#8211; 2023 &#8211; 80\u2019<br>\n<strong><em>Las mil y una Lemos<\/em><\/strong> by Sabrina Parel &#8211; 2023 &#8211; 64\u2019<br>\n<strong><em>Mar de fondo <\/em><\/strong>by Oriana Castro &#8211; 2023 \u2013 79\u2019<br>\n<strong><em>GPNK &#8211; El camino del gas<\/em><\/strong> by Gianfranco Quattrini &#8211; 2023 &#8211; 40\u2019<br>\n<strong><em>Selecci\u00f3n de cortos del Festival Pichincha Cine<\/em><\/strong> by Victoria Navas, Joce Deux, Rickxer Soto, Carlina Derks Bustamante \u2013 46\u2019<br>\n<strong><em>Danubio<\/em><\/strong> by Agustina P\u00e9rez Rial &#8211; 2021 &#8211; 62\u2019<br>\n<br>\n<br>\n<strong>Movies Under The Stars<\/strong><br>\n<strong><em>Blondi <\/em><\/strong>by Dolores Fonzi &#8211; 2023 &#8211; 87\u2019<br>\n<strong><em>Casi muerta<\/em><\/strong> by Fern\u00e1n Mir\u00e1s &#8211; 2023 &#8211; 106\u2019<br>\n<strong><em>El rapto<\/em><\/strong> by Daniela Goggi &#8211; 2023 -95\u2019<br>\n<strong><em>Los delincuentes<\/em><\/strong> by Rodrigo Moreno &#8211; 2023 &#8211; 189\u2019<br>\n<strong><em>No me rompan<\/em><\/strong> by Azul Lombard\u00eda &#8211; 2023 &#8211; 94\u2019<br>\n<strong><em>Puan <\/em><\/strong>by Mar\u00eda Alch\u00e9, Benjam\u00edn Naishtat &#8211; 2023 &#8211; 107\u2019<br>\n<br>\n<br>\n<strong>Muestra Tesis&nbsp;Universidad Nacional de Mar del Plata<\/strong><br>\n<strong><em>Querandi <\/em><\/strong>by Tob\u00edas Gomes Moreira &#8211;&nbsp;2021 &#8211; 13\u2019<br>\n<strong><em>Reminiscencia <\/em><\/strong>by Juan Mart\u00edn Montiel &#8211; 2023 &#8211; 10\u2019<br>\n<strong><em>Nadie se enamora en un cine porno<\/em><\/strong> by Varinia Perus\u00edn Failla &#8211; 2023 &#8211;&nbsp;8\u2019<br>\n<strong><em>Para Mati, si quiere <\/em><\/strong>by Gabriel Esposito &#8211; 2021 &#8211;&nbsp;16\u2019<br>\n<strong><em>Cine Alex <\/em><\/strong>by Marissa Saint Blady &#8211; 2019 &#8211;&nbsp;6\u2019<br>\n<strong><em>Memoria <\/em><\/strong>by Juan Manuel Martiarena, Camila Rivero &#8211; 2023 &#8211;&nbsp;10\u2019<br>\n<strong><em>Cuidado en riesgo<\/em><\/strong> by Ariel Alejandro Adera &#8211; 2022 &#8211; 11\u2019<br>\n<br>\n<br>\n<strong>Selecci\u00f3n de cortos del Festival Pichincha Cine<\/strong><br>\n<strong><em>Migrantes <\/em><\/strong>by Victoria Navas &#8211; 7\u2019<br>\n<strong><em>Pasado <\/em><\/strong>by Joce Deux &#8211; 20\u2019<br>\n<strong><em>Escopaestesia <\/em><\/strong>by Rickxer Soto &#8211; 10\u2019<br>\n<strong><em>Madre en proceso <\/em><\/strong>by Carlina Derks Bustamante &#8211; 9\u2019<br>\n<br>\n<br>\n<strong>CLOSURE SCREENING<\/strong><br>\n<strong><em>Fallen Leaves \/ Kuolleet Lehdet <\/em><\/strong>by Aki Kaurismaki &#8211;&nbsp;Finland, Germany &#8211;&nbsp;2023 &#8211;&nbsp;81\u2019<br>\n<br>\n<br>\n<br>\n<strong>AWARDS<\/strong><br>\n<br>\n<strong>INTERNATIONAL COMPETITION<\/strong><br>\n<br>\n<strong>Astor Piazzolla Award for Best Feature Film<\/strong><br>\n<strong><em>Kinra&nbsp;<\/em><\/strong>by Marco Panatonic<br>\n<br>\n<strong>Astor Piazzolla Award &#8211; Special Jury Award<\/strong><br>\n<strong><em>Parti\u00f3 de m\u00ed un barco llev\u00e1ndome<\/em><\/strong>&nbsp;by Cecilia Kang<br>\n<br>\n<strong>Astor Piazzolla Award for Best Direction<\/strong><br>\nLaura Basombr\u00edo for&nbsp;<strong><em>Las almas<\/em><\/strong><br>\n<br>\n<strong>Astor Piazzolla Award for Best Acting<\/strong><br>\nSara Summa in&nbsp;<strong><em>Arthur &amp; Diana<\/em><\/strong><br>\n<br>\n<strong>Astor Piazzolla Award for Best Script<\/strong><br>\nShane Atkinson for&nbsp;<strong><em>LaRoy<\/em><\/strong><br>\n<br>\n<strong>Audience Award<\/strong><br>\n<strong><em>Parti\u00f3 de m\u00ed un barco llev\u00e1ndome<\/em><\/strong>&nbsp;by Cecilia Kang<br>\n<br>\n<br>\n<strong>LATIN AMERICAN COMPETITION<\/strong><br>\n<br>\n<strong>Astor Piazzolla Award for Best Feature Film<\/strong><br>\n<strong><em>Otro sol&nbsp;<\/em><\/strong>by Francisco Rodr\u00edguez Teare<br>\n<br>\n<strong>Honorable Mention<\/strong><br>\n<strong><em>O dia que te conheci<\/em><\/strong>&nbsp;by Andr\u00e9 Novais Oliveira<br>\n<br>\n<strong>Astor Piazzolla Award for Best Short Film<\/strong><br>\n<strong><em>La noche del minotauro&nbsp;<\/em><\/strong>by Juliana Zuluaga Montoya<br>\n<br>\n<b>Honorable Mention<\/b><br>\n<strong><em>Nueva esperanza<\/em><\/strong>&nbsp;by Carlos Renter\u00eda<br>\n<br>\n<br>\n<strong>ARGENTINE COMPETITION<br>\n<br>\nAstor Piazzolla Award for Best Feature Film&nbsp;<\/strong><br>\n<strong><em>Adentro m\u00edo estoy bailando<\/em><\/strong>&nbsp;by Leandro Koch and Paloma Schachmann<br>\n<br>\n<strong>Jos\u00e9 Mart\u00ednez Su\u00e1rez Award for Best Direction<\/strong><br>\nRomina Tamburello and Federico Actis for&nbsp;<strong><em>Vera y el placer de los otros<\/em><\/strong><br>\n<br>\n<strong>Astor Piazzolla Award for Best Short Film<\/strong><br>\n<strong><em>Especies de compa\u00f1\u00eda<\/em><\/strong>&nbsp;by Juan Renau<br>\n<br>\n<strong>Honorable Mention<\/strong><br>\n<strong><em>Corrientes mercuriales<\/em><\/strong>&nbsp;by Carolina Fusilier<br>\n<br>\n<strong>Honorable Mention<\/strong><br>\n<strong><em>La necesidad de un testigo<\/em><\/strong>&nbsp;by Mariana Sanguinetti and Renzo Cozza<br>\n<br>\n<br>\n<strong>ALTERED STATES COMPETITION<\/strong><br>\n<br>\n<strong>Astor Piazzolla Award for Best Feature Film<\/strong><br>\n<strong><em>Malqueridas&nbsp;<\/em><\/strong>by Tana Gilbert<br>\n<br>\n<b>Honorable Mention<\/b><br>\n<strong><em>Orlando, ma biographie politique<\/em><\/strong>&nbsp;by Paul B. Preciado<br>\n<br>\n<b>Honorable Mention<\/b><br>\n<strong><em>Mast-del&nbsp;<\/em><\/strong>by Maryam Tafakory<br>\n<br>\n<br>\n<strong>EN TR\u00c1NSITO COMPETITION \/ WORK IN PROGRESS<\/strong><br>\n<br>\n<strong>Astor Piazzolla Award for Best Project al Mejor Proyecto<\/strong><br>\n<strong><em>Todo documento de civilizaci\u00f3n&nbsp;<\/em><\/strong>by Tatiana Maz\u00fa Gonz\u00e1lez<br>\n<br>\n<br>\n<strong>AWARDS GIVEN BY SPONSORS<\/strong><br>\n<br>\n<strong>INTERNATIONAL COMPETITION<\/strong><br>\n<strong>Sendfiles Award for Best Feature Film<\/strong><br>\n<strong><em>Kinra<\/em><\/strong>&nbsp;by Marco Panatonic<br>\n<br>\n<strong>LATIN AMERICAN COMPETITION<\/strong><br>\n<strong>Banco Naci\u00f3n, Alta Definici\u00f3n Argentina and Sendfiles Award for Best Feature Film<\/strong><br>\n<strong><em>Otro sol <\/em><\/strong>by&nbsp;Francisco Rodr\u00edguez Teare<br>\n<br>\n<strong>ARGENTINE FEATURE FILMS COMPETITION<\/strong><br>\n<strong>Banco Naci\u00f3n, Lahaye Media, Pomeranec M\u00fasica &amp; Sonido and Sendfiles Award for Best Argentine Feature Film<\/strong><br>\n<em><strong>Adentro m\u00edo estoy bailando<\/strong><\/em>&nbsp;by Leandro Koch and Paloma Schachmann<br>\n<br>\n<strong>ARGENTINE SHORT FILMS COMPETITION<\/strong><br>\n<strong>Banco Naci\u00f3n, Lahaye Media and Pomeranec M\u00fasica &amp; Sonido Award for Best Argentine Short Film Competition<\/strong><br>\n<strong><em>Especies de compa\u00f1\u00eda<\/em><\/strong>&nbsp;by Juan Renau<br>\n<br>\n<strong>ALTERED STATES COMPETITION<br>\nMUBI and Sendfiles Award for Best Feature Film<\/strong><br>\n<em><strong>Malqueridas&nbsp;<\/strong><\/em>by Tana Gilbert<br>\n<br>\n<strong>EN TR\u00c1NSITO COMPETITION \/ WORK IN PROGRESS<br>\nBanco Naci\u00f3n, Cinecolor and Cono del Silencio Award for Best EN TR\u00c1NSITO Project<\/strong><br>\n<strong><em>Todo documento de civilizaci\u00f3n<\/em><\/strong>&nbsp;by Tatiana Maz\u00fa Gonz\u00e1lez<br>\n<br><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Multimedia Files 11\u00b0 Domingo Di N\u00fabila Contest Winners First Prize: Terror verde. Veganismo y ecolog\u00eda en el cine de terror argentino contempor\u00e1neo, by Valeria Ar\u00e9valos First Honorable Mention: Violencia y marginalidad en la cultura neoliberal. Una mirada a la filmograf\u00eda temprana de Ra\u00fal Perrone, by Ariel Jes\u00fas Ilzarbe From 2nd to 12nd November AUTHORITIES INCAA [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":436,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous_editions"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>38 Edition (2023) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 40\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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