{"id":793,"date":"2026-04-15T15:13:42","date_gmt":"2026-04-15T15:13:42","guid":{"rendered":"https:\/\/sitio1.unbcorp.cl\/Fest\/?p=793"},"modified":"2026-04-15T18:13:58","modified_gmt":"2026-04-15T18:13:58","slug":"37-edition2022-es","status":"publish","type":"post","link":"https:\/\/mardelplatafilmfest.com\/41\/es\/37-edition2022-es\/","title":{"rendered":"37\u00b0 EDICI\u00d3N (2022)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"800\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_ed_37.jpg\" alt=\"43 Festival de Cine de Mar del Plata\" class=\"wp-image-2806\" srcset=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_ed_37.jpg 600w, https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/ediciones-anteriores_ed_37-225x300.jpg 225w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-right\"><strong>Archivos Multimedia<\/strong><\/h4>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-f1f2ed93 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-17124a9a wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/37MDQGUIAPROGRAMACION.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cat\u00e1logo<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-17124a9a wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"64\" height=\"64\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2025\/09\/libro-abierto.png\" alt=\"\" class=\"wp-image-584\" style=\"width:24px;height:auto\"\/><\/figure>\n\n\n\n<p><a href=\"https:\/\/mardelplatafilmfest.com\/40\/wp-content\/uploads\/2025\/11\/Guia-de-Programacion-del-40-MDPFF.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Gu\u00eda de Programaci\u00f3n<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-f1f2ed93 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Ganadores del 10\u00b0 Concurso internacional de Estudios Cr\u00edticos sobre Cine Argentino Domingo Di N\u00fabila<a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-17124a9a wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Segunda menci\u00f3n: El archivo interrogado, de Pablo Boido<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-17124a9a wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/Munecos-en-la-pantalla-grande-de-Bettina-Girotti.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Primer premio: Mu\u00f1ecos en la pantalla grande, de Bettina Girotti<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-17124a9a wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/Musica-en-el-cine-argentino-clasico-de-Martin-Farias-Zuniga.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Primera menci\u00f3n: M\u00fasica en el cine argentino cl\u00e1sico, de Mart\u00edn Far\u00edas Z\u00fa\u00f1iga<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-773d6d34 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/alberto-olmedo-la-apoteosis-del-chanta-de-lucia-rodriguez-riva.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Otros ensayos seleccionados: Alberto Olmedo, la apoteosis del chanta, de Luc\u00eda Rodr\u00edguez Riva<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group rev-item is-horizontal is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-773d6d34 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right\"><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/bajo-mi-piel-morena-el-universo-trans-travesti-de-jose-campusano-de-jose-alirio-pena-zerpa.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Otros ensayos seleccionados: Bajo mi piel morena &#8211; El universo trans travesti de Jos\u00e9 Campusano, de Jos\u00e9 Alirio Pe\u00f1a Zerpa<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-f1f2ed93 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Por las naciones de Am\u00e9rica<a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Por-las-Naciones-de-America.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/www.mardelplatafilmfest.com\/beta37\/publicaciones\/El-archivo-interrogado-de-Pablo-Boido.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-c0d519fa wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Por-las-Naciones-de-America.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Autores: Lucio Mafud, Georgina Tosi, Mariana Avramo, Daniela Cuatrin, Jazm\u00edn Adrover y July Massacessi<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-f1f2ed93 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<h6 class=\"wp-block-heading has-text-align-right\">Cuerpos invadidos<\/h6>\n\n\n\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-c0d519fa wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-right\"><a href=\"https:\/\/mardelplatafilmfest.com\/beta37\/libros\/Cuerpos-Invadidos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Varios autores y autoras<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-background is-content-justification-right is-layout-constrained wp-container-core-group-is-layout-f1f2ed93 wp-block-group-is-layout-constrained\" style=\"background-color:#edeae4\">\n<div class=\"wp-block-group rev-item is-vertical is-content-justification-right is-nowrap is-layout-flex wp-container-core-group-is-layout-9e67318b wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/youtu.be\/piGvv8re6sE\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/mardelplatafilmfest.com\/41\/wp-content\/uploads\/2026\/04\/playervimeo.svg\" alt=\"\" class=\"wp-image-2776\" style=\"aspect-ratio:1.4160516605166051;width:137px;height:auto\"\/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-group is-vertical is-content-justification-right is-layout-flex wp-container-core-group-is-layout-c0d519fa wp-block-group-is-layout-flex\">\n<h6 class=\"wp-block-heading has-text-align-right\" style=\"padding-right:0;padding-left:0\">SPOT OFICIAL<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Del 3 al 13 de Noviembre<br \/><br \/><br \/>AUTORIDADES<\/strong><br \/><br \/><strong>VICEPRESIDENTE EN EJERCICIO DE LA PRESIDENCIA INCAA<\/strong><br \/>Nicol\u00e1s Batlle<br \/><br \/><strong>PRESIDENTE DEL FESTIVAL<\/strong><br \/>Fernando E. Juan Lima<br \/>\u00a0<br \/><strong>DIRECTOR ART\u00cdSTICO<\/strong><br \/>Pablo Conde<br \/><br \/><strong>PRODUCTORA GENERAL<\/strong><br \/>Cecilia Diez<br \/><br \/><br \/><strong>COMPETENCIAS<\/strong><br \/>\u00a0<br \/><strong>Competencia Internacional<\/strong><br \/><strong><em>Cambio cambio \/ Money Exchange<\/em><\/strong>\u00a0de Lautaro Garc\u00eda Candela &#8211; Argentina &#8211; 2022 &#8211; 90\u2019\u00a0<br \/><strong><em>El rostro de la medusa \/ The Face of the Jellyfish<\/em><\/strong>\u00a0de Melisa Liebenthal &#8211; Argentina &#8211; 2022 &#8211; 75\u2019<br \/><strong><em>How to Blow Up a Pipeline<\/em><\/strong>\u00a0de Daniel Goldhaber &#8211; Estados Unidos &#8211; 2022 &#8211; 103\u2019<br \/><strong><em>La uruguaya<\/em><\/strong>\u00a0de Ana Garc\u00eda Blaya &#8211; Argentina, Uruguay &#8211; 2022 &#8211; 78\u2019<br \/><strong><em>Lobo e Cao \/ Wolf and Dog<\/em><\/strong>\u00a0de Cl\u00e1udia Varej\u00e3o &#8211; Portugal, Francia &#8211; 2022 &#8211; 111\u2019<br \/><strong><em>Los de abajo \/ The Ones from Below<\/em><\/strong>\u00a0de Alejandro Quiroga &#8211; Bolivia &#8211; 2022 &#8211; 83\u2019<br \/><strong><em>O trio em mi bemol &#8211; The Kegelstatt Trio<\/em><\/strong>\u00a0de Rita Azevedo Gomes &#8211; Portugal &#8211; 2022 &#8211; 127\u2019<br \/><strong><em>R\u00e9duit \/ Retreat<\/em><\/strong>\u00a0de Leon Schwitter &#8211; Suiza &#8211; 2022 &#8211; 82\u2019<br \/><strong><em>Saudade fez morada aqui dentro \/ Bittersweet Rain<\/em><\/strong>\u00a0de Haroldo Borges &#8211; Brasil &#8211; 2022 &#8211; 107\u2019<br \/><strong><em>So Much Tenderness<\/em><\/strong>\u00a0de Lina Rodriguez &#8211; Canad\u00e1 &#8211; 2022 &#8211; 118\u2019<br \/><strong><em>There There<\/em><\/strong>\u00a0de Andrew Bujalski &#8211; Estados Unidos &#8211; 2022 &#8211; 94\u2019<br \/><strong><em>Tres hermanos \/ Three Brothers\u00a0<\/em><\/strong>de Francisco J. Paparella &#8211; Argentina, Chile &#8211; 2022 &#8211; 86\u2019<br \/><br \/><br \/><strong>Competencia Latinoamericana<\/strong><br \/><strong><em>Amigas en un camino de campo \/ Friends on a Country Road<\/em><\/strong>\u00a0de Santiago Loza &#8211; Argentina &#8211; 2022 &#8211; 74\u2019<br \/><strong><em>Anhell69<\/em><\/strong>\u00a0de Theo Montoya &#8211; Alemania, Colombia, Francia, Rumania &#8211; 2022 &#8211; 72\u2019<br \/><strong><em>El visitante \/ The Visitor<\/em><\/strong>\u00a0de Mart\u00edn Boulocq &#8211; Bolivia, Uruguay &#8211; 2022 &#8211; 86\u2019<br \/><strong><em>ERRANTE. La conquista del hogar \/ WANDERER. The Conquest of Home<\/em><\/strong>\u00a0de Adriana Lestido &#8211; Argentina &#8211; 2022 &#8211; 77\u2019<br \/><strong><em>Huesera<\/em><\/strong>\u00a0de Michelle Garza Cervera &#8211; M\u00e9xico, Per\u00fa &#8211; 2022 &#8211; 97\u2019<br \/><strong><em>Mato seco en chamas \/ Dry Ground Burning<\/em><\/strong>\u00a0de Joana Pimenta, Adirley Queir\u00f3s &#8211; Brasil, Portugal- 2022 &#8211; 153\u2019<br \/><strong><em>Notas para una pel\u00edcula \/ Notes for a Film<\/em><\/strong>\u00a0de Ignacio Ag\u00fcero &#8211; Chile &#8211; 2022 &#8211; 103\u2019<br \/><strong><em>Tengo sue\u00f1os el\u00e9ctricos \/ I Have Electric Dreams<\/em><\/strong>\u00a0de Valentina Maurel &#8211; B\u00e9lgica, Francia, Costa Rica &#8211; 2022 &#8211; 100\u2019<br \/><strong><em>Tinnitus<\/em><\/strong>\u00a0de Gregorio Graziosi &#8211; Brasil &#8211; 2022 &#8211; 110\u2019<br \/><em><strong>Trenque Lauquen\u00a0<\/strong><\/em>de Laura Citarella &#8211; Argentina &#8211; 2022 &#8211; 260\u2019<br \/><br \/><br \/><strong>Competencia Latinoamericana de Cortos<\/strong><br \/><strong><em>\u00c1nima<\/em><\/strong>\u00a0de Manuel Mateo G\u00f3mez &#8211; Cuba &#8211; 2022 &#8211; 20\u2019<br \/><strong><em>El polvo ya no nubla nuestros ojos \/ After the Dust\u00a0<\/em><\/strong>de Colectivo Silencio &#8211; Per\u00fa &#8211; 2022 &#8211; 27\u2019<br \/><strong><em>El silencio de los ni\u00f1os \/ Silences of Childhood<\/em><\/strong>\u00a0de Sof\u00eda Quir\u00f3s Ubeda &#8211; Costa Rica, Chile &#8211; 2022 &#8211; 11\u2019<br \/><strong><em>Entre dos islas \/ Between Two Islands<\/em><\/strong>\u00a0de Hideki Nakazaki &#8211; Cuba &#8211; 2022 &#8211; 12\u2019<br \/><strong><em>Los mayores r\u00edos se deslizan bajo tierra \/ Underground Rivers<\/em><\/strong>\u00a0de Sim\u00f3n V\u00e9lez &#8211; Colombia &#8211; 2022 &#8211; 19\u2019<br \/><strong><em>Todxs queremos un lugar al que llamar nuestro \/ We All Want a Place to Call our Own<\/em><\/strong>\u00a0de Daniela Delgado Viteri &#8211; Ecuador, Espa\u00f1a &#8211; 2022 &#8211; 13\u2019\u00a0\u00a0<br \/><br \/><br \/><strong>Competencia Argentina<\/strong><br \/><strong><em>Barrio modelo \/ Model Neighborhood<\/em><\/strong>\u00a0de Mara Pescio &#8211; Argentina &#8211; 2022 &#8211; 64\u2019<br \/><strong><em>B\u00fafalo<\/em><\/strong>\u00a0de Nicanor Loreti &#8211; Argentina &#8211; 2022 &#8211; 90\u2019<br \/><strong><em>El amor vendr\u00e1 como un incendio forestal \/ Love Will Come as a Forestal Fire<\/em><\/strong>\u00a0de Laura Spiner &#8211; Argentina &#8211; 2022 &#8211; 91\u2019<br \/><strong><em>Hace mucho que no duermo \/ Long Time No Sleep<\/em><\/strong>\u00a0de Agust\u00edn Godoy &#8211; Argentina, Colombia &#8211; 2022 &#8211; 90\u2019<br \/><strong><em>Herbaria<\/em><\/strong>\u00a0de Leandro Listorti &#8211; Argentina, Alemania &#8211; 2022 &#8211; 83\u2019<br \/><strong><em>Juana Banana<\/em><\/strong>\u00a0de Mat\u00edas Szulanski &#8211; Argentina &#8211; 2022 &#8211; 80\u2019<br \/><strong><em>Luminum<\/em><\/strong>\u00a0de Maximiliano Schonfeld &#8211; Argentina &#8211; 2022 &#8211; 64\u2019<br \/><strong><em>N\u00e1ufrago<\/em><\/strong>\u00a0de Mart\u00edn Farina, Willy Villalobos &#8211; Argentina, Uruguay &#8211; 2022 &#8211; 78\u2019<br \/><strong><em>Sobre las nubes \/ About the Clouds<\/em><\/strong>\u00a0de Mar\u00eda Aparicio &#8211; Argentina &#8211; 2022 &#8211; 144\u2019<br \/><strong><em>Te prometo una larga amistad \/ I Promise You a Long Friendship<\/em><\/strong>\u00a0de Jimena Repetto &#8211; Argentina &#8211; 2022 &#8211; 69\u2019<br \/><br \/>\u00a0<br \/><strong>Competencia Argentina de Cortos<\/strong><br \/><em><strong>Carne de Dios \/ Flesh of God<\/strong><\/em>\u00a0de Patricio Plaza &#8211; Argentina, M\u00e9xico &#8211; 2022 &#8211; 20\u2019<br \/><strong><em>De verdad quiero verte pero llevar\u00e1 mucho tiempo \/ I Really Want to See You But It Will Take Too Long\u00a0<\/em><\/strong>de Julieta Amalric &#8211; Argentina &#8211; 2022 &#8211; 13\u2019<br \/><strong><em>Las ara\u00f1as \/ The Spiders<\/em><\/strong>\u00a0de Sol Giancaspro &#8211; Argentina &#8211; 2022 &#8211; 14\u2019<br \/><strong><em>Las habitaciones vac\u00edas \/ The Empty Rooms<\/em><\/strong>\u00a0de Julia Pesce &#8211; Argentina &#8211; 2022 &#8211; 15\u2019<br \/><strong><em>Los misterios del mundo \/ Mysteries of the World<\/em><\/strong>\u00a0de Mariano Luque &#8211; Argentina &#8211; 2022 &#8211; 17\u2019<br \/><strong><em>Luna que se quiebra sobre la tiniebla de mi soledad \/ Moon That Cracks over the Darkness of My Loneliness<\/em><\/strong>\u00a0de Lucila Mariani &#8211; Argentina &#8211; 2022 &#8211; 12\u2019<br \/><strong><em>The Spiral<\/em><\/strong>\u00a0de Mar\u00eda Silvia Esteve &#8211; Argentina &#8211; 2022 &#8211; 20\u2019<br \/><strong><em>Tres cinematecas \/ Three Cinematheques<\/em><\/strong>\u00a0de Nicol\u00e1s Su\u00e1rez &#8211; Argentina, Brasil &#8211; 2022 &#8211; 20\u2019<br \/>\u00a0<br \/><br \/><strong>Competencia Estados Alterados<\/strong><br \/><strong><em>A Woman Escapes<\/em><\/strong>\u00a0de Burak \u00c7evik, Blake Williams, Sofia Bohdanowicz &#8211; Canad\u00e1, Turqu\u00eda- 2022 &#8211; 81\u2019<br \/><strong><em>Afterwater<\/em><\/strong>\u00a0de Dane Komljen &#8211; Alemania, Serbia, Espa\u00f1a, Corea del Sur &#8211; 2022 &#8211; 93\u2019<br \/><strong><em>Filme Particular \/ Private Footage<\/em><\/strong>\u00a0de Jana\u00edna Nagata &#8211; Brasil &#8211; 2022 &#8211; 90\u2019<br \/><strong><em>Fogo-F\u00e1tuo \/\u00a0Will-O\u2019-the-Wisp<\/em><\/strong>\u00a0de Jo\u00e3o Pedro Rodrigues\u00a0&#8211; Francia, Portugal &#8211; 2022 &#8211; 67\u2019<br \/><strong><em>Human Flowers of Flesh<\/em><\/strong>\u00a0de Helena Wittmann &#8211; Alemania, Francia &#8211; 2022 &#8211; 106\u2019<br \/><strong><em>Geographies of Solitude<\/em><\/strong>\u00a0de Jacquelyn Mills &#8211; Canad\u00e1 &#8211; 2022 &#8211; 103\u2019<br \/><strong><em>Lockdown Diaries<\/em><\/strong>\u00a0de Jeff Zorrilla &#8211; Argentina, Estados Unidos &#8211; 2022 &#8211; 80\u2019<br \/><strong><em>Manuale di cinematografia per dilettanti \u2013 Vol. I \/ A Companion for Amateur Cinematographers: Vol. I\u00a0<\/em><\/strong>de Federico Di Corato &#8211; Italia &#8211; 2022 &#8211; 20\u2019<br \/><strong><em>Maria Schneider, 1983<\/em><\/strong>\u00a0de Elisabeth Subrin &#8211; Francia &#8211; 2022 &#8211; 24\u2019<br \/><strong><em>The Newest Olds<\/em><\/strong>\u00a0de Pablo Mazzolo &#8211; Argentina, Canad\u00e1 &#8211; 2022 &#8211; 15\u2019<br \/><strong><em>The Plains<\/em><\/strong>\u00a0de David Easteal &#8211; Australia &#8211; 2022 &#8211; 180\u2019<br \/><strong><em>V\u00eda negativa \/ Negative Path<\/em><\/strong>\u00a0de Alan Mart\u00edn Segal &#8211; Argentina, Corea del Sur &#8211; 2022 &#8211; 63\u2019\u00a0<br \/>\u00a0<br \/><br \/><strong>Competencia En Tr\u00e1nsito\u00a0\/ Work in Progress<\/strong><br \/><strong><em>Bichos de luz \/ Light Bugs<\/em><\/strong>\u00a0de Azucena Losana &#8211; Argentina, M\u00e9xico<br \/><strong><em>Ecos de XingJiang \/ Echoes from Xingjiang<\/em><\/strong>\u00a0de Pablo Mart\u00edn Weber &#8211; Argentina, Chile<br \/><strong><em>El verano m\u00e1s largo del mundo \/ The Longest Summer\u00a0<\/em><\/strong>de Alejandra Lipoma, Romina Vlachoff &#8211; Argentina<br \/><strong><em>La hora de los brujos \/ The Hour of the Sorcerer<\/em><\/strong>\u00a0de Cristian Ponce &#8211; Argentina<br \/><strong><em>La sudestada \/ Southern Storm<\/em><\/strong>\u00a0de Edgardo Dieleke, Daniel Casab\u00e9 &#8211; Argentina<br \/><strong><em>Los tonos mayores \/ The Major Tones<\/em><\/strong>\u00a0de Ingrid Pokropek &#8211; Argentina<br \/><strong><em>M\u00e1s grande que un tiranosaurio \/ Bigger Than a T-Rex\u00a0<\/em><\/strong>de Javier Zevallos &#8211; Argentina<br \/><strong><em>Nunca ser\u00e9 polic\u00eda \/ I\u2019ll Never Be a Cop<\/em><\/strong>\u00a0de Carolina Moscoso &#8211; Chile<br \/><strong><em>Plata o mierda \/ Do or Die\u00a0<\/em><\/strong>de Toia Bonino, Marcos Joubert &#8211; Argentina<br \/><strong><em>Punku<\/em><\/strong>\u00a0de Juan Daniel Fern\u00e1ndez Molero &#8211; Per\u00fa<br \/><strong><em>Sombra grande \/ Big Shadow<\/em><\/strong>\u00a0de Maximiliano Schonfeld &#8211; Argentina<br \/><strong><em>Vlasta, el recuerdo no es eterno \/ Vlasta, the Memory Is Not Everlasting\u00a0<\/em><\/strong>de Candela Vey &#8211; Argentina<br \/><br \/><br \/><br \/><strong>PANORAMA<\/strong><br \/><br \/><strong>Autoras y Autores<\/strong><br \/><strong><em>As bestas \/ The Beasts<\/em><\/strong>\u00a0de Rodrigo Sorogoyen &#8211; Espa\u00f1a, Francia &#8211; 2022 &#8211; 137\u2019\u00a0<br \/><strong><em>Boy from Heaven<\/em><\/strong>\u00a0de Tarik Saleh &#8211; Suecia, Francia, Finlandia &#8211; 2022 &#8211; 125\u00b4<br \/><strong><em>Camarera de piso \/ Maid<\/em><\/strong>\u00a0de Lucrecia Martel &#8211; Argentina &#8211; 2022 &#8211; 12\u2019\u00a0<br \/><strong><em>Coma<\/em><\/strong>\u00a0de Bertrand Bonello &#8211; Francia &#8211; 2022 &#8211; 80\u00b4<br \/><strong><em>Don Juan<\/em><\/strong>\u00a0de Serge Bozon &#8211; Francia &#8211; 2022 &#8211; 110\u00b4<br \/><strong><em>El men\u00fa \/The Menu<\/em><\/strong>\u00a0de Mark Mylod &#8211; Estados Unidos &#8211; 2022 &#8211; 106\u00b4<br \/><strong><em>El prodigio \/ The Wonder<\/em><\/strong>\u00a0de Sebasti\u00e1n Lelio &#8211; Estados Unidos, Reino Unido &#8211; 2022 &#8211; 108\u00b4<br \/><strong><em>El sembrador de estrellas \/ The Sower of Stars<\/em><\/strong>\u00a0de Lois Pati\u00f1o &#8211; Espa\u00f1a &#8211; 2022 &#8211; 25\u00b4<br \/><strong><em>Imperio de luz \/ Empire of Light<\/em><\/strong>\u00a0de Sam Mendes &#8211; Reino Unido, Estados Unidos &#8211; 2022 &#8211; 119\u00b4<br \/><strong><em>La reina desnuda \/ The Naked Queen<\/em><\/strong>\u00a0de Jos\u00e9 Celestino Campusano &#8211; Argentina &#8211; 2022 &#8211; 89\u00b4<br \/><strong><em>Le pupille \/ The Pupils\u00a0<\/em><\/strong>de Alice Rohrwacher &#8211; Italia &#8211; 2022 &#8211; 37\u00b4<br \/><strong><em>Lynch\/Oz<\/em><\/strong>\u00a0de Alexandre O. Philippe &#8211; Estados Unidos &#8211; 2022 &#8211; 108\u00b4<br \/><strong><em>No Bears<\/em><\/strong>\u00a0de Jafar Panahi &#8211; Ir\u00e1n &#8211; 2022 &#8211; 107\u00b4<br \/><strong><em>Pacifiction<\/em><\/strong>\u00a0de Albert Serra &#8211; Espa\u00f1a, Francia, Alemania, Portugal &#8211; 2022 &#8211; 162\u00b4<br \/><strong><em>SINFON14<\/em><\/strong>\u00a0de Ra\u00fal Perrone &#8211; Argentina &#8211; 2022 &#8211; 75\u00b4<br \/><strong><em>Tales of the Purple House \/\u00a0Hikayat Elbeit Elorjowani<\/em><\/strong>\u00a0de Abbas Fahdel &#8211; Francia, Irak, L\u00edbano &#8211; 2022 &#8211; 184\u00b4<br \/><strong><em>Ten\u00e9is que venir a verla \/ You Have to Come and See It\u00a0<\/em><\/strong>de Jon\u00e1s Trueba &#8211; Espa\u00f1a &#8211; 2022 &#8211; 64\u00b4<br \/><strong><em>Un a\u00f1o, una noche \/ One Year<\/em><\/strong>\u00a0<strong><em>One Night\u00a0<\/em><\/strong>de Isaki Lacuesta &#8211; Espa\u00f1a, Francia &#8211; 2022 &#8211; 130\u00b4<br \/><strong><em>Un beau matin \/ One Fine Morning<\/em><\/strong>\u00a0de Mia Hansen-L\u00f8ve &#8211; Francia, Reino Unido, Alemania &#8211; 2022 &#8211; 112\u00b4<br \/><strong><em>Vera<\/em><\/strong>\u00a0de Rainner Frimmel, Tizza Covi &#8211; Austria &#8211; 2022 &#8211; 122\u00b4<br \/><strong><em>Walk Up\u00a0<\/em><\/strong>de Hong Sang Soo &#8211; Corea del Sur &#8211; 2022 &#8211; 97\u00b4<br \/><br \/><br \/><strong>Nuevas Autoras &#8211; Nuevos Autores<\/strong><br \/><strong><em>Alcarr\u00e1s<\/em><\/strong>\u00a0de Carla Sim\u00f3n &#8211; Espa\u00f1a, Italia &#8211; 2022 &#8211; 120\u2019\u00a0<br \/><strong><em>El veterano<\/em><\/strong>\u00a0de Jer\u00f3nimo Rodr\u00edguez &#8211; Chile &#8211; 2022 &#8211; 102\u00b4<br \/><strong><em>I Love My Dad<\/em><\/strong>\u00a0de James Morosini &#8211; Estados Unidos &#8211; 2022 &#8211; 90\u2019\u00a0<br \/><strong><em>La nuit du 12 \/ The Night of the 12th<\/em><\/strong>\u00a0de Dominik Moll &#8211; Francia &#8211; 2022 &#8211; 115\u00b4<br \/><strong><em>Living<\/em><\/strong>\u00a0de Oliver Hermanus &#8211; Reino Unido &#8211; 2022 &#8211; 102\u00b4<br \/><strong><em>Matadero<\/em><\/strong>\u00a0de Santiago Fillol &#8211; Argentina, Francia, Espa\u00f1a &#8211; 2022 &#8211; 106\u00b4<br \/><strong><em>Queens of the Qing Dinasty<\/em><\/strong>\u00a0de Ashley McKenzie &#8211; Canad\u00e1 &#8211; 2022 &#8211; 122\u00b4<br \/><strong><em>The Five Devils\u00a0<\/em><\/strong>de L\u00e9a Mysius &#8211; Francia &#8211; 2022 &#8211; 95\u00b4<br \/><strong><em>Unrest \/ Unrueh<\/em><\/strong>\u00a0de Cyril Sch\u00e4ublin &#8211; Suiza &#8211; 2022 &#8211; 93\u00b4<br \/><br \/><br \/><strong>Galas<\/strong><br \/><strong><em>A Bit of Light\u00a0<\/em><\/strong>de Stephen Moyer &#8211; Reino Unido &#8211; 2022 &#8211; 98\u2019<br \/><strong><em>Ardiente paciencia<\/em><\/strong>\u00a0de Rodrigo Sep\u00falveda &#8211; Chile &#8211; 2022 &#8211; 96\u2019<br \/><strong><em>El m\u00e9todo Tangalanga<\/em><\/strong>\u00a0de Mateo Bendesky &#8211; Argentina &#8211; 2022 &#8211; 98\u2019<br \/><strong><em>Las fiestas \/ The Parties<\/em><\/strong>\u00a0de Ignacio Rogers &#8211; Argentina &#8211; 2022 &#8211; 89\u2019<br \/><strong><em>Sublime<\/em><\/strong>\u00a0de Mariano Biasin &#8211; Argentina &#8211; 2022 &#8211; 100\u2019<br \/><br \/><br \/><strong>Panorama Argentino<\/strong><br \/><strong><em>Cross Dreamers<\/em><\/strong>\u00a0de Soledad Velasco &#8211; Argentina &#8211; 2021 &#8211; 78\u2019<br \/><strong><em>Esplendor de los d\u00edas venideros \/ Splendor of the Days to Come<\/em><\/strong>\u00a0de Miguel Zeballos &#8211; Argentina &#8211; 2021 &#8211; 75\u2019<br \/><strong><em>Leg\u00edtima defensa\u00a0<\/em><\/strong>de Andrea Braga &#8211; Argentina &#8211; 2022 &#8211; 97\u2019<br \/><strong><em>Manuela<\/em><\/strong>\u00a0de Clara Cullen &#8211; Argentina &#8211; 2022 &#8211; 71\u2019<br \/><strong><em>Pol\u00edtico<\/em><\/strong>\u00a0de Francisco Novick &#8211; Argentina &#8211; 2022 &#8211; 68\u2019<br \/><strong><em>Reparo \/ Shelter<\/em><\/strong>\u00a0de Luc\u00eda van Gelderen &#8211; Argentina, Chile &#8211; 2021 &#8211; 85\u2019<br \/><br \/><br \/><strong>Super 8\/16mm presenta: Sergio Levin<\/strong><br \/><strong><em>Socorro \/ Help\u00a0<\/em><\/strong>de Sergio Levin &#8211; Argentina &#8211; 1969 &#8211; 4\u2019<br \/><strong><em>Mi querida Buenos Aires \/ My Dearest Buenos Aires<\/em><\/strong>\u00a0de Sergio Levin &#8211; Argentina &#8211; 1974 &#8211; 4\u2019<br \/><strong><em>Desde el comienzo \/ From the Beginning<\/em><\/strong>\u00a0de Sergio Levin &#8211; Argentina &#8211; 1975 &#8211; 25\u2019<br \/><strong><em>Escalera al cielo \/ Stairway to Heaven\u00a0<\/em><\/strong>de Sergio Levin &#8211; Argentina &#8211; 1975 &#8211; 9\u2019<br \/><strong><em>Cigota \/ Zygote<\/em><\/strong>\u00a0de Sergio Levin &#8211; Argentina &#8211; 1975 &#8211; 22\u2019<br \/><strong><em>El jard\u00edn de los presentes \/ The Garden of the Ones Who Are Present<\/em><\/strong>\u00a0de Sergio Levin &#8211; Argentina &#8211; 1977 &#8211; 5\u2019<br \/><br \/><br \/><strong>Mar de Chicas y Chicos<\/strong><br \/><strong><em>Dos pajaritos \/ Two Little Birds<\/em><\/strong>\u00a0de Alfredo Soderguit, Alejo Schettini &#8211; Argentina, Uruguay &#8211; 2022 &#8211; 12\u2019<br \/><strong><em>Fiebre \/ Fever<\/em><\/strong>\u00a0de Elisa Eliash &#8211; Chile, Brasil, Per\u00fa &#8211; 2022 &#8211; 84\u2019<br \/><strong><em>Le Petit Nicolas &#8211; Qu\u2019est-ce qu\u2019on attend pour \u00eatre heureux? \/ Little Nicholas &#8211; Happy as Can Be<\/em><\/strong>\u00a0de Amandine Fredon, Benjamin Massoubre &#8211; Francia &#8211; 2022 &#8211; 80\u2019<br \/><strong><em>Pinocho de Guillermo del Toro \/\u00a0Guillermo del Toro\u2019s Pinocchio<\/em><\/strong>\u00a0de Guillermo del Toro &#8211; Estados Unidos, Francia, M\u00e9xico &#8211; 2022 &#8211; 111\u2019<br \/><br \/><br \/><strong>Banda Sonora Original (BSO)\u00a0<\/strong><br \/><strong><em>Hallelujah: Leonard Cohen, a Journey, a Song<\/em><\/strong>\u00a0de Dayna Goldfine, Dan Geller &#8211; Estados Unidos &#8211; 2021 &#8211; 118\u2019<br \/><strong><em>La danza de Los Mirlos<\/em><\/strong>\u00a0de \u00c1lvaro Luque &#8211; Per\u00fa &#8211; 2022 &#8211; 84\u2019<br \/><strong><em>The Return of Tanya Tucker: Featuring Brandi Carlile<\/em><\/strong>\u00a0de Kathlyn Horan &#8211; Estados Unidos &#8211; 2022 &#8211; 108\u2019<br \/><br \/><br \/><strong>Las venas abiertas<\/strong><br \/><strong><em>Algo que pas\u00f3 en A\u00f1o Nuevo \/\u00a0What Happened on New Year&#8217;s Eve<\/em><\/strong>\u00a0de Jorge Pinarello &#8211; Argentina &#8211; 2022 &#8211; 90\u2019<br \/><strong><em>El \u00faltimo hereje \/ The Last Heretic<\/em><\/strong>\u00a0de Daniel de la Vega &#8211; Argentina &#8211; 2022 &#8211; 80\u00b4<br \/><strong><em>Legiones \/ Legions<\/em><\/strong>\u00a0de Fabi\u00e1n Forte &#8211; Argentina &#8211; 2022 &#8211; 88\u2019\u00a0<br \/><strong><em>Me encontrar\u00e1s en lo profundo del abismo \/ Into the Abyss<\/em><\/strong>\u00a0de Mat\u00edas Xavier Rispau &#8211; Argentina &#8211; 2022 &#8211; 104\u2019<br \/><strong><em>Plaga Zombie\u00a0<\/em><\/strong>de Hern\u00e1n S\u00e1ez, Pablo Par\u00e9s &#8211; Argentina &#8211; 1997 &#8211; 72\u2019\u00a0<br \/><strong><em>Un mill\u00f3n de zombies: La historia de Plaga zombie \/ 1 Million Zombies: The Story of Plaga Zombie<\/em><\/strong>\u00a0de Nicanor Loreti, Camilo De Cabo &#8211; Argentina &#8211; 2022 &#8211; 75\u2019<br \/><br \/><br \/><strong>Hora Cero<\/strong><br \/><strong><em>Mandibules \/ Mandibles\u00a0<\/em><\/strong>de Quentin Dupieux &#8211; Francia &#8211; 2020 &#8211; 77\u2019<br \/><strong><em>Fumer fait tousser \/ Smoking Causes Coughing<\/em><\/strong>\u00a0de Quentin Dupieux &#8211; Francia &#8211; 2022 &#8211; 80\u00b4<br \/><strong><em>Incroyable Mais Vrai \/ Incredible But True<\/em><\/strong>\u00a0de Quentin Dupieux &#8211; Francia &#8211; 2022 &#8211; 74\u2019\u00a0<br \/><strong><em>Los esp\u00edritus de la isla \/ The Banshees of Inisherin<\/em><\/strong>\u00a0de Martin McDonagh &#8211; Irlanda, Reino Unido, Estados Unidos &#8211; 2022 &#8211; 109\u2019<br \/><strong><em>Project Wolf Hunting\u00a0<\/em><\/strong>de Kim Hong Sun &#8211; Corea del Sur &#8211; 2022 &#8211; 121\u2019\u00a0<br \/><strong><em>Something in the Dirt\u00a0<\/em><\/strong>de Justin Benson, Aaron Moorhead &#8211; Estados Unidos &#8211; 2022 &#8211; 116\u2019<br \/><br \/><br \/><strong>\u00bfCu\u00e1nto tiempo es un siglo? Cine silente con m\u00fasica en vivo<\/strong><br \/><strong><em>Cenicienta \/ Aschenputtel\u00a0<\/em><\/strong>de Lotte Reiniger &#8211; Alemania &#8211; 1922 &#8211; 17\u2019<br \/><strong><em>El secreto de la marquesa \/\u00a0Das Geheimnis der Marquise<\/em><\/strong>\u00a0de Lotte Reiniger &#8211; Alemania &#8211; 1922 &#8211; 3\u00b4<br \/><strong><em>H\u00e4xan \/ H\u00e4xan: Ett kulturhistoriskt f\u00f6redrag i levande bilder<\/em><\/strong>\u00a0de Benjamin Christensen &#8211; Suecia &#8211; 1922 &#8211; 91\u2019\u00a0<br \/><strong><em>La sonriente Madame Beudet \/\u00a0La souriante madame Beudet\u00a0<\/em><\/strong>de Germaine Dulac &#8211; Francia &#8211; 1922 &#8211; 42\u2019\u00a0<br \/><strong><em>Nosferatu<\/em><\/strong>\u00a0de Friedrich W. Murnau &#8211; Alemania &#8211; 1922 &#8211; 95\u2019\u00a0<br \/><br \/><br \/><strong>Rescates<\/strong><br \/><strong><em>Cuerpos invadidos \/ Videodrome<\/em><\/strong>\u00a0de David Cronenberg &#8211; Canad\u00e1 &#8211; 1983 &#8211; 89\u2019<br \/><strong><em>La guerra gaucha\u00a0<\/em><\/strong>de Lucas Demare &#8211; Argentina &#8211; 1942 &#8211; 95\u00b4<br \/><strong><em>Un sue\u00f1o como de colores \/ A Dream as in Colours<\/em><\/strong>\u00a0de Valeria Sarmiento &#8211; Chile &#8211; 1973 &#8211; 11\u2019\u00a0<br \/><br \/><br \/><br \/><strong>FOCOS Y RETROSPECTIVAS<\/strong><br \/><br \/><strong>Retrospectiva Patricia Mazuy<\/strong><br \/><strong><em>La Scarpa<\/em><\/strong>\u00a0de Patricia Mazuy &#8211; Francia &#8211; 1979 &#8211; 7\u2019<br \/><strong><em>Colin-maillard \/ Colin Maillard\u00a0<\/em><\/strong>de Patricia Mazuy &#8211; Francia &#8211; 1981 &#8211; 15\u00b4<br \/><strong><em>Peaux de vaches \/ Thick Skinned\u00a0<\/em><\/strong>de Patricia Mazuy &#8211; Francia &#8211; 1989 &#8211; 88\u2019\u00a0<br \/><strong><em>Des taureaux et des vaches \/ Of Bulls and Cows<\/em><\/strong>\u00a0de Patricia Mazuy &#8211; Francia &#8211; 1992 &#8211; 56\u2019<br \/><strong><em>Saint-Cyr \/ The King\u2019s Daughter<\/em><\/strong>\u00a0de Patricia Mazuy &#8211; Francia, B\u00e9lgica, Alemania &#8211; 2000 &#8211; 119\u00b4<br \/><strong><em>Basse Normandie \/ Riding Dostoievski\u00a0<\/em><\/strong>de Patricia Mazuy, Simon Reggiani &#8211; Francia &#8211; 2004 &#8211; 113\u2019\u00a0<br \/><strong><em>Sport de Filles \/ Of Women and Horses<\/em><\/strong>\u00a0de Patricia Mazuy &#8211; Francia &#8211; 2012 &#8211; 101\u2019<br \/><strong><em>Paul Sanchez est revenu! \/ Paul Sanchez is back!<\/em><\/strong>\u00a0de Patricia Mazuy &#8211; Francia &#8211; 2018 &#8211; 110\u2019\u00a0<br \/><strong><em>Bowling Saturne \/ Saturn Bowling<\/em><\/strong>\u00a0de Patricia Mazuy &#8211; Francia, B\u00e9lgica &#8211; 2022 &#8211; 114\u2019<br \/><br \/><br \/><strong>Retrospectiva Kinuyo Tanaka<\/strong><br \/><strong><em>La luna se eleva \/\u00a0Tsuki wa noborinu<\/em><\/strong>\u00a0de Kinuyo Tanaka &#8211; Jap\u00f3n &#8211; 1955 &#8211; 102\u2019<br \/><strong><em>Pechos eternos \/\u00a0Chibusa yo eien nare\u00a0<\/em><\/strong>de Kinuyo Tanaka &#8211; Jap\u00f3n &#8211; 1955 &#8211; 108\u2019<br \/><strong><em>La vida de Oharu \/\u00a0Saikaku ichidai onna<\/em><\/strong>\u00a0de Kenji Mizoguchi &#8211; Jap\u00f3n &#8211; 1952 &#8211; 148\u2019<br \/><strong><em>Donde se ven las chimeneas \/\u00a0Entotsu no mieru basho<\/em><\/strong>\u00a0de Heinosuke Gosho &#8211; Jap\u00f3n &#8211; 1953 &#8211; 108\u2019<br \/><strong><em>La balada de Narayama \/\u00a0Narayama bushik\u00f4\u00a0<\/em><\/strong>de Keisuke Kinoshita &#8211; Jap\u00f3n &#8211; 1958 &#8211; 98\u2019<br \/><strong><em>Madre \/\u00a0Okaasan<\/em><\/strong>\u00a0de Mikio Naruse &#8211; Jap\u00f3n &#8211; 1952 &#8211; 98\u2019<br \/><br \/><br \/><strong>Generaci\u00f3n VHS presenta: Comedias brit\u00e1nicas inoxidables<\/strong><br \/><strong><em>Funny Bones\u00a0<\/em><\/strong>de Peter Chelsom &#8211; Reino Unido &#8211; 1995 &#8211; 128\u2019<br \/><strong><em>El regreso de la pantera rosa \/ The Return of the Pink Panther\u00a0<\/em><\/strong>de Blake Edwards &#8211; Reino Unido, Estados Unidos &#8211; 1975 &#8211; 113\u2019<br \/><strong><em>Los enredos de Wanda \/ A Fish Called Wanda<\/em><\/strong>\u00a0de Charles Crichton, John Cleese\u00a0 &#8211; Reino Unido, Estados Unidos &#8211; 1988 &#8211; 108\u2019<br \/><strong><em>Local Hero<\/em><\/strong>\u00a0de Bill Forsyth &#8211; Reino Unido &#8211; 1983 &#8211; 111\u2019<br \/><strong><em>And Now for Something Completely Different<\/em><\/strong>\u00a0de Ian MacNaughton &#8211; Reino Unido &#8211; 1971 &#8211; 88\u2019<br \/><strong><em>Cuatro bodas y un funeral \/ Four Weddings and a Funeral\u00a0<\/em><\/strong>de Mike Newell &#8211; Reino Unido &#8211; 1994 &#8211; 117\u2019<br \/><br \/><br \/><strong>Foco Heinz Emigholz<\/strong><br \/><strong><em>Mamani in El Alto<\/em><\/strong>\u00a0de Heinz Emigholz &#8211; Alemania &#8211; 2022 &#8211; 95\u2019<br \/><strong><em>Salamone, Pampa<\/em><\/strong>\u00a0de Heinz Emigholz &#8211; Alemania &#8211; 2022 &#8211; 62\u2019<br \/><strong><em>Slaughterhouses of Modernity \/\u00a0Schlachth\u00e4user der Moderne<\/em><\/strong>\u00a0de Heinz Emigholz &#8211; Alemania &#8211; 2022 &#8211; 80\u2019<br \/><br \/><br \/><strong>Foco Jonas Mekas<\/strong><br \/><strong><em>Award Presentation to Andy Warhol\u00a0<\/em><\/strong>de Jonas Mekas &#8211; Estados Unidos &#8211; 1964 &#8211; 12\u2019<br \/><strong><em>Happy Birthday to John<\/em><\/strong>\u00a0de Jonas Mekas &#8211; Estados Unidos &#8211; 1995 &#8211; 26\u2019<br \/><strong><em>Notes for Jerome<\/em><\/strong>\u00a0de Jonas Mekas &#8211; Estados Unidos &#8211; 1978 &#8211; 45\u2019<br \/><br \/><br \/><br \/><strong>TRAYECTORIAS Y HOMENAJES<\/strong><br \/><br \/><strong>Trayectorias: John McTiernan<\/strong><br \/><strong><em>Depredador \/ Predator<\/em><\/strong>\u00a0de John McTiernan &#8211; Estados Unidos, M\u00e9xico &#8211; 1987 &#8211; 107\u2019<br \/><strong><em>Duro de matar \/ Die Hard<\/em><\/strong>\u00a0de John McTiernan &#8211; Estados Unidos &#8211; 1988 &#8211; 132\u2019<br \/><br \/><br \/><strong>Trayectorias: Cecilia Roth<\/strong><br \/><strong><em>El nido vac\u00edo \/ Empty Nest\u00a0<\/em><\/strong>de Daniel Burman &#8211; Argentina &#8211; 2008 &#8211; 91\u2019<br \/><strong><em>Vidas privadas \/ Private Lives<\/em><\/strong>\u00a0de Fito P\u00e1ez &#8211; Argentina, Espa\u00f1a &#8211; 2001 &#8211; 97\u2019<br \/><br \/><br \/><strong>Trayectorias: Paula F\u00e9lix-Didier<br \/><br \/>Trayectorias: Ricardo Dar\u00edn<br \/><br \/>Trayectorias: Cineclub N\u00facleo<\/strong><br \/><br \/><br \/><strong>Homenaje a Jean-Luc Godard<\/strong><br \/><strong><em>Sin Aliento \/ \u00c0 bout de souffle\u00a0<\/em><\/strong>de Jean-Luc Godard &#8211; Francia &#8211; 1960 &#8211; 90\u2019 &#8211; Pel\u00edcula de apertura<br \/><strong><em>Godard seul le cin\u00e9ma \/ Godard Cinema\u00a0<\/em><\/strong>de Cyril Leuthy &#8211; Francia &#8211; 2022 &#8211; 100\u2019<br \/><br \/><br \/><strong>Homenaje a Leonardo Favio<\/strong><br \/><strong><em>El dependiente \/ The Dependent<\/em><\/strong>\u00a0de Leonardo Favio &#8211; Argentina &#8211; 1969 &#8211; 87\u2019<br \/><strong><em>Juan Moreira<\/em><\/strong>\u00a0de Leonardo Favio &#8211; Argentina &#8211; 1973 &#8211; 102\u2019<br \/><strong><em>Nazareno Cruz y el lobo \/ Nazareno Cruz and the Wolf\u00a0<\/em><\/strong>de Leonardo Favio &#8211; Argentina &#8211; 1975 &#8211; 92\u2019<br \/><br \/><br \/><strong>Restauraci\u00f3n Ren\u00e9e Oro<\/strong><br \/><strong><em>Las naciones de Am\u00e9rica<\/em><\/strong>\u00a0de Ren\u00e9e Oro &#8211; Argentina &#8211; 1927 &#8211; 30\u2019<br \/><strong><em>El stati de Santiago del Estero<\/em><\/strong>\u00a0de Ren\u00e9e Oro &#8211; Argentina &#8211; 1927 &#8211; 10\u2019<br \/><br \/><br \/><br \/><strong>FUNCIONES INSTITUCIONALES<br \/><br \/>Pantalla UBA &#8211; Lo que rebasa el mar<\/strong><br \/><strong><em>Cyndi, \u00bfest\u00e1s ah\u00ed?<\/em><\/strong>\u00a0de Luisa Roig Vibart &#8211; 4\u2019<br \/><strong><em>Como siempre sent\u00ed<\/em><\/strong>\u00a0de Francisco Bottarini &#8211; 5\u2019<br \/><strong><em>Creo en el tiempo como en una margarita<\/em><\/strong>\u00a0de Emilia Cort\u00e9s &#8211; 11\u2019<br \/><strong><em>De lo propio en el tumulto\u00a0<\/em><\/strong>de Sol Huilen Castro, Enrique Leandro Hournau, Charo Lamas &#8211; 4\u2019<br \/><strong><em>Donde terminan las cosas\u00a0<\/em><\/strong>de Homero Luccerini, Andrea Odreman, Lara Irina Olmos Berman &#8211; 4\u2019<br \/><strong><em>El trueno\u00a0<\/em><\/strong>de Isabel Titiro &#8211; 4\u2019<br \/><strong><em>La hija del vidriero<\/em><\/strong>\u00a0de Luc\u00eda L\u00f3pez &#8211; 2\u2019<br \/><strong><em>La profundidad de la marea<\/em><\/strong>\u00a0de Mar\u00eda Sol Alonso &#8211; 13\u2019<br \/><strong><em>Lo que no me diste<\/em><\/strong>\u00a0de Nicol\u00e1s Baz\u00e1n Povedano &#8211; 3\u2019<br \/><strong><em>Mam\u00e1 leona<\/em><\/strong>\u00a0de Juli Montenegro &#8211; 2\u2019<br \/><strong><em>Olvidada\u00a0<\/em><\/strong>de Felipe Gonz\u00e1lez Ota\u00f1o &#8211; 3\u2019<br \/><strong><em>Pueden llamarme David\u00a0<\/em><\/strong>de Joaqu\u00edn Yin &#8211; 12\u2019<br \/><strong><em>Querida Normita<\/em><\/strong>\u00a0de Milagros Simijoski &#8211; 3\u2019<br \/><strong><em>Souvenir<\/em><\/strong>\u00a0de Gerardo Fern\u00e1ndez Herrero, Florencia Rodr\u00edguez Lara &#8211; 1\u2019<br \/><br \/><br \/><strong>6\u00aa Muestra ENERC<\/strong><br \/><strong><em>La brisa que estremece los \u00e1rboles<\/em><\/strong>\u00a0de Juan M\u00e1rquez Sapag &#8211; 14\u2019<br \/><strong><em>El ocaso<\/em><\/strong>\u00a0de Iv\u00e1n G\u00f3mez &#8211; 12\u2019<br \/><strong><em>La sangre de Saturno<\/em><\/strong>\u00a0de Ramiro Caporin &#8211; 14\u2019<br \/><strong><em>Alma de diamante<\/em><\/strong>\u00a0de Nahuel Monteros &#8211; 11\u2019<br \/><strong><em>La l\u00f3gica del silencio<\/em><\/strong>\u00a0de Sol Giancaspro &#8211; 12\u2019<br \/><strong><em>Todo lo que recuerdo<\/em><\/strong>\u00a0de Nicol\u00e1s Fern\u00e1ndez Meli\u00e1n &#8211; 14\u2019<br \/><br \/><br \/><strong>Dise\u00f1o Art\u00edstico Audiovisual UNRN en pantalla<\/strong><br \/><strong><em>Toy complicado<\/em><\/strong>\u00a0de Joaqu\u00edn Soto &#8211; 15\u2019<br \/><strong><em>Las vigilias de la noche<\/em><\/strong>\u00a0de Nicol\u00e1s S\u00e1nchez, Estanislao Cortada &#8211; 6\u2019<br \/><strong><em>La visitante<\/em><\/strong>\u00a0de Llao Navarra &#8211; 11\u2019<br \/><strong><em>Parcela 26<\/em><\/strong>\u00a0de Alejo Estrabou &#8211; 6\u2019<br \/><strong><em>La amenaza de MacRee<\/em><\/strong>\u00a0de Julio Ferraresi &#8211; 5\u2019<br \/><strong><em>Lo que nos contaron del amor<\/em><\/strong>\u00a0de Bianca Fidani &#8211; 16\u2019<br \/><strong><em>Intervalo<\/em><\/strong>\u00a0de Fabi\u00e1n Soto &#8211; 1\u2019<br \/><strong><em>Naturaleza Olivia<\/em><\/strong>\u00a0de Samanta Onnainty, Bruno D. Ruiz &#8211; 12\u2019<br \/><strong><em>Todo el mundo a clase<\/em><\/strong>\u00a0de Grupo Contragolpe &#8211; 6\u2019<br \/><strong><em>Fuego<\/em><\/strong>\u00a0de Fran Bonthuis &#8211; 2\u2019<br \/><strong><em>Quemado<\/em><\/strong>\u00a0de Emilio L\u00f3pez, Dopamina &#8211; 5\u2019<br \/><br \/><br \/><strong>Cine-ensayo. Programa de cine UTDT &#8211; Museo del Cine Pablo Ducr\u00f3s Hicken<\/strong><br \/><strong><em>Amalia<\/em><\/strong>\u00a0de Julieta Amalric &#8211; 9\u2019<br \/><strong><em>V\u00edsperas de la memoria\u00a0<\/em><\/strong>de Humberto Gonz\u00e1lez Bustillo &#8211; 7\u2019<br \/><strong><em>Yo fui\u00a0<\/em><\/strong>de Marilina Gim\u00e9nez &#8211; 9\u2019<br \/><strong><em>China muerta<\/em><\/strong>\u00a0de Malen Ota\u00f1o &#8211; 14\u2019<br \/><strong><em>Resabio<\/em><\/strong>\u00a0de Eline Marx &#8211; 9\u2019<br \/><strong><em>\u00bfD\u00f3nde est\u00e1 Marie Anne?<\/em><\/strong>\u00a0de Yaela Gottlieb &#8211; 6\u2019<br \/><br \/><br \/><strong>Historias Breves 20<\/strong><br \/><strong><em>Un d\u00eda de censo<\/em><\/strong>\u00a0de Santiago Hadida &#8211; 11\u2019<br \/><strong><em>R\u00edo abajo<\/em><\/strong>\u00a0de Facundo Alcalde &#8211; 15\u2019<br \/><strong><em>La chica toro<\/em><\/strong>\u00a0de Sof\u00eda Gonz\u00e1lez Gil &#8211; 14\u2019<br \/><strong><em>Amor de lana<\/em><\/strong>\u00a0de Nicol\u00e1s Zalcman, Paula Marotta &#8211; 13\u2019<br \/><strong><em>Las Rojas<\/em><\/strong>\u00a0de Tom Espinoza &#8211; 14\u2019<br \/><strong><em>La \u00faltima cruzada<\/em><\/strong>\u00a0de Juan D\u00edaz Farrell &#8211; 14\u2019<br \/><br \/><br \/><strong>15 a\u00f1os de 24 horas de Cine Nacional<\/strong><br \/><br \/><br \/><strong>Las escuelas van al cine<\/strong><br \/><em><strong>Las motitos\u00a0<\/strong><\/em>de In\u00e9s Mar\u00eda Barrionuevo y Gabriela Vidal &#8211; 2020 &#8211; 84\u2019<br \/><strong><em>La botera\u00a0<\/em><\/strong>de Sabrina Blanco &#8211;\u00a02020 &#8211; 72\u2019<br \/><strong><em>Sue\u00f1o Florian\u00f3polis<\/em><\/strong>\u00a0de Ana Katz &#8211;\u00a02019 &#8211; 103\u2019<br \/><br \/><br \/><strong>Proyecciones especiales<\/strong><br \/><strong><em>Algo incorrecto\u00a0\/ Something Wrong<\/em><\/strong>\u00a0de\u00a0Susana Nieri &#8211; 92\u2019<br \/><strong><em>\u00c9rase una vez en Qatar\u00a0\/ Once upon a time in Qatar<\/em><\/strong>\u00a0de Federico Rotstein, Ignacio Ceroi &#8211; 95\u2019<br \/><strong><em>La memoria que habitamos\u00a0\/ The Memory We Inhabit<\/em><\/strong>\u00a0de Diego Ercolano &#8211; 85\u2019<br \/><strong><em>Maelstr\u00f6m 2001\u00a0<\/em><\/strong>de\u00a0Juan Pollio &#8211; 101\u2019<br \/><strong><em>Seremos millones\u00a0\/ We\u00b4ll Be Millions<\/em><\/strong>\u00a0de Diego Briata, Santiago Vivacqua &#8211; 95\u2019<br \/><br \/><br \/><strong>Pantalla al aire libre<\/strong><br \/><strong><em>30 noches con mi ex\u00a0<\/em><\/strong>de Adri\u00e1n Suar &#8211; 95\u2019<br \/><strong><em>Argentina, 1985<\/em><\/strong>\u00a0de Santiago Mitre &#8211; 140\u2019<br \/><strong><em>El sistema K.E.OP\/S<\/em><\/strong>\u00a0de Nicol\u00e1s Goldbart &#8211; 119\u2019<br \/><strong><em>El suplente<\/em><\/strong>\u00a0de Diego Lerman &#8211; 110\u2019<br \/><strong><em>Las Rojas<\/em><\/strong>\u00a0de Mat\u00edas Lucchesi &#8211; 92\u2019<br \/><br \/><br \/><strong>Funci\u00f3n de clausura<\/strong><br \/><em><strong>Hasta los huesos \/ Bones and All\u00a0<\/strong><\/em>de Luca Guadagnino &#8211; 2022 &#8211; 130\u2019\u00a0<br \/><br \/><br \/><br \/><strong>PREMIOS<\/strong><br \/><br \/><strong>COMPETENCIA INTERNACIONAL<\/strong><br \/><br \/><strong>Premio Astor Piazzolla al Mejor Largometraje<\/strong><br \/><strong><em>Saudade fez morada aqui dentro<\/em><\/strong>\u00a0de Haroldo Borges<br \/><br \/><strong>Premio Astor Piazzolla &#8211; Premio Especial del Jurado<\/strong><br \/><strong><em>Tres hermanos<\/em><\/strong>\u00a0de Francisco J. Paparella<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Cambio cambio<\/em><\/strong>\u00a0de Lautaro Garc\u00eda Candela<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/>Elenco de\u00a0<strong><em>Saudade fez morada aqui dentro<\/em><\/strong>\u00a0de Haroldo Borges<br \/><br \/><strong>Premio Astor Piazzolla a la Mejor Direcci\u00f3n<\/strong><br \/>Ana Garc\u00eda Blaya por\u00a0<strong><em>La uruguaya<\/em><\/strong>\u00a0y Melisa Liebenthal por\u00a0<strong><em>El rostro de la medusa<\/em><\/strong>\u00a0(Ex Aequo)<br \/><br \/><strong>Premio Astor Piazzolla a la Mejor Interpretaci\u00f3n<\/strong><br \/>Sonia Parada en\u00a0<strong><em>Los de abajo<\/em><\/strong>\u00a0de Alejandro Quiroga<br \/><br \/><strong>Premio Astor Piazzolla al Mejor Guion<\/strong><br \/>Andrew Bujalski por\u00a0<strong><em>There There<\/em><\/strong><br \/><br \/><br \/><strong>COMPETENCIA LATINOAMERICANA<\/strong><br \/><br \/><strong>Premio Astor Piazzolla al Mejor Largometraje<\/strong><br \/><strong><em>Trenque Lauquen<\/em><\/strong>\u00a0de Laura Citarella<br \/><br \/><strong>Premio Especial del Jurado<\/strong><br \/><strong><em>Mato seco em chamas<\/em><\/strong>\u00a0de Joana Pimenta y Adirley Queir\u00f3s<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Anhell69<\/em><\/strong>\u00a0de Theo Montoya<br \/><br \/><strong>Premio Astor Piazzolla al Mejor Cortometraje<\/strong><br \/><strong><em>\u00c1nima<\/em><\/strong>\u00a0de Manuel Mat\u00edas G\u00f3mez<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>El silencio de los ni\u00f1os<\/em><\/strong>\u00a0de Sof\u00eda Quir\u00f3s Ubeda<br \/><br \/><br \/><strong>COMPETENCIA ARGENTINA<\/strong><br \/><br \/><strong>Premio Astor Piazzolla al Mejor Largometraje<\/strong><br \/><strong><em>Sobre las nubes\u00a0<\/em><\/strong>de Mar\u00eda Aparicio<br \/><br \/><strong>Premio Jos\u00e9 Mart\u00ednez Su\u00e1rez a la Mejor Direcci\u00f3n<\/strong><br \/>Leandro Listorti por\u00a0<strong><em>Herbaria<\/em><\/strong><br \/><br \/><strong>Premio Astor Piazzolla al Mejor Cortometraje<\/strong><br \/><strong><em>Carne de Dios<\/em><\/strong>\u00a0de Patricio Plaza<br \/><br \/><br \/><strong>COMPETENCIA ESTADOS ALTERADOS<\/strong><br \/><br \/><strong>Premio Astor Piazzolla a Mejor Pel\u00edcula<\/strong><br \/><strong><em>Geographies of Solitude<\/em><\/strong>\u00a0de Jacquelyn Mills<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>The Newest Olds\u00a0<\/em><\/strong>de Pablo Mazzolo<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Filme particular<\/em><\/strong>\u00a0de Jana\u00edna Nagata<br \/><br \/><br \/><strong>COMPETENCIA EN TR\u00c1NSITO \/ WORK IN PROGRESS<\/strong><br \/><br \/><strong>Premio Astor Piazzolla al Mejor Proyecto<\/strong><br \/><strong><em>Plata o mierda<\/em><\/strong>\u00a0de Toia Bonino y Marcos Joubert<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><strong><em>Punku<\/em><\/strong>\u00a0de Juan Daniel Fern\u00e1ndez Molero<br \/><br \/><strong>Menci\u00f3n Especial<\/strong><br \/><em><strong>Sombra grande<\/strong>\u00a0<\/em>de Maximiliano Schonfeld<br \/><br \/><br \/><strong>PREMIOS OTORGADOS POR PATROCINADORES<\/strong><br \/><br \/><strong>COMPETENCIA EN TR\u00c1NSITO \/ WORK IN PROGRESS<br \/>Premio Banco Naci\u00f3n, Cinecolor y Cono del Silencio al Mejor proyecto EN TR\u00c1NSITO<\/strong><br \/><strong><em>Plata o mierda<\/em><\/strong>\u00a0de Toia Bonino y Marcos Joubert<br \/><br \/><strong>COMPETENCIA LATINOAMERICANA<br \/>Premio Banco Naci\u00f3n y Alta Definici\u00f3n Argentina a la Mejor Pel\u00edcula de la Competencia Latinoamericana<\/strong><br \/><strong><em>Trenque Lauquen<\/em><\/strong>\u00a0de Laura Citarella<br \/><br \/><strong>COMPETENCIA ARGENTINA DE LARGOMETRAJES<br \/>Premio Banco Naci\u00f3n, Lahaye Media y Pomeranec Sonido al Mejor Largometraje Argentino<\/strong><br \/><strong><em>Sobre las nubes<\/em><\/strong>\u00a0de Mar\u00eda Aparicio<br \/><br \/><strong>COMPETENCIA ARGENTINA DE CORTOMETRAJES<br \/>Premio Banco Naci\u00f3n, Lahaye Media, Pomeranec Sonido y Riivi al Mejor Cortometraje Argentino<\/strong><br \/><strong><em>Carne de Dios<\/em><\/strong>\u00a0de Patricio Plaza<br \/><br \/><strong>COMPETENCIA ESTADOS ALTERADOS<br \/>Premio MUBI a la Mejor Pel\u00edcula<\/strong><br \/><strong><em>Geographies of Solitude<\/em><\/strong>\u00a0de Jacquelyn Mills<br \/><br \/><br \/><br \/><strong>INVITADOS<\/strong><br \/><br \/>Ignacio Ag\u00fcero, Sebasti\u00e1n Arzeno, Julia Alves, Andrew Bargsted, Esteban Belloto, Haroldo Borges, Gerard Casau, Daniel Casab\u00e9, Fiorella Bottaioli, Andrea Braga, Mayra Bueno Faour Auad, Adriana Lestido, Juan Manuel Bugar\u00edn, Andr\u00e9 Cabral, Nicol\u00e1s Carrasco, Max Canosa, Helena Wittmann, Eugenia Campos Guevara, Melissa Cordero, Jorgelina Contreras, Clara Cullen, Mauro Costa, Daniela Delgado Viteri, Federico Di Corato, Edgardo Dieleke, Rodolfo Dur\u00e1n, Elisa Eliash, Mar\u00eda Silvia Esteve, Ana Garc\u00eda Blaya, Michelle Garza Cervera, Manuel Mateo G\u00f3mez Ortega, Sol Giancaspro, Paula Gomes, Gregorio Graziosi, Jimena Repetto, Peter Hottinger, Sergio Levin, Melisa Liebenthal, Leandro Listorti, Santiago Loza, \u00c1lvaro Luque, Mariano Luque, Mar\u00eda Aparicio, Lucila Mariani, Pablo Mazzolo, Ashley McKenzie, Valentina Maurel, Theo Montoya, Fernando Molnar, Francisco Novick, Paula Orlando, Francisco J. Paparella, Ra\u00fal Perrone, Mara Pescio, Julia Pesce, Patricio Plaza, Cristian Ponce, Alejandro Quiroga, Ingrid Pokropek, Sof\u00eda Quir\u00f3s Ubeda, Lina Rodriguez, Xavier Rispau, Leon Schwitter, Maximiliano Schonfeld, Alan Mart\u00edn Segal, Nicol\u00e1s Su\u00e1rez, Laura Spiner, Lita Stantic, Mat\u00edas Szulanski, Claudia Varej\u00e3o, Candela Vey, Soledad Velasco, Mart\u00edn Farina, Willy Villalobos, Pablo Mart\u00edn Weber, Jeff Zorrilla, Miguel Zeballos.\u00a0<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Archivos Multimedia Cat\u00e1logo Gu\u00eda de Programaci\u00f3n Ganadores del 10\u00b0 Concurso internacional de Estudios Cr\u00edticos sobre Cine Argentino Domingo Di N\u00fabila Segunda menci\u00f3n: El archivo interrogado, de Pablo Boido Primer premio: Mu\u00f1ecos en la pantalla grande, de Bettina Girotti Primera menci\u00f3n: M\u00fasica en el cine argentino cl\u00e1sico, de Mart\u00edn Far\u00edas Z\u00fa\u00f1iga Otros ensayos seleccionados: Alberto Olmedo, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-793","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ediciones-anteriores"],"blocksy_meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>37\u00b0 EDICI\u00d3N (2022) | 41\u00b0 Festival Internacional de cine de Mar del plata<\/title>\n<meta name=\"description\" content=\"Descubr\u00ed la programaci\u00f3n, invitados, pel\u00edculas y actividades del 40\u00b0 Festival Internacional de Cine de Mar del Plata.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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